UPC · Release
Schumann, Claudio Arrau
Last verified:
The UPC for “Arrau Edition: Schumann” by Schumann, Claudio Arrau is 028943230827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1991-01-01. Label: Philips Classics. This release contains 151 tracks, each with its own ISRC. Tracks include NLF057200541, NLF057200542, NLF057200543.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Novelletten, op. 21 no. 1: Markiert Und Kräftig | — | ||
| 2 | Novelletten, op. 21 no. 2: Äusserst Rasch Und Mit Bravour | — | ||
| 3 | Novelletten, op. 21 no. 3: Leicht Und Mit Humor | — | ||
| 4 | Novelletten, op. 21 no. 4: Ballmässig. Sehr Munter | — | ||
| 5 | Novelletten, op. 21 no. 5: Rauschend Und Festlich | — | ||
| 6 | Novelletten, op. 21 no. 6: Sehr Lebhaft, Mit Vielem Humor | — | ||
| 7 | Novelletten, op. 21 no. 7: Äusserst Rasch | — | ||
| 8 | Novelletten, op. 21 no. 8: Sehr Lebhaft | — | ||
| 9 | Waldszenen, Op. 82: I. Eintritt Nicht zu schnell | Claudio Arrau | — | |
| 10 | Waldszenen, Op. 82: II. Jäger auf der Lauer - Hochst lebhaft | Claudio Arrau | — | |
| 11 | Waldszenen, Op. 82: III. Einsame Blumen Einfach | Claudio Arrau | — | |
| 12 | Waldszenen, Op. 82: IV. Verrufene Stelle - Ziemlich langsamb | Claudio Arrau | — | |
| 13 | Waldszenen, Op. 82: V. Freundliche Lanschaft Schnell | Claudio Arrau | — | |
| 14 | Waldszenen, Op. 82: VI. Herberge Massig | Claudio Arrau | — | |
| 15 | Waldszenen, Op. 82: VII. Vogel als Prophet Langs | Claudio Arrau | — | |
| 16 | Waldszenen, Op. 82: VIII. Jagdlied Rasch kraftig | Claudio Arrau | — | |
| 17 | Waldszenen, op. 82: IX. Abschied Nicht zu | Claudio Arrau | — | |
| 2-1 | Kreisleriana, op. 16: I. Agitatissimo | — | ||
| 2-2 | Kreisleriana, op. 16: II. Con molta espressione, non troppo presto | — | ||
| 2-3 | Kreisleriana, op. 16: II. Intermezzo I (Molto vivace) | — | ||
| 2-4 | Kreisleriana, op. 16: II. Tempo I | — | ||
| 2-5 | Kreisleriana, op. 16: II. Intermezzo II (Poco piu mosso) | — | ||
| 2-6 | Kreisleriana, op. 16: II. Tempo I | — | ||
| 2-7 | Kreisleriana, op. 16: III. Molto agitato | — | ||
| 2-8 | Kreisleriana, op. 16: IV. Lento assai | — | ||
| 2-9 | Kreisleriana, op. 16: V. Vivace assai | — | ||
| 2-10 | Kreisleriana, op. 16: VI. Lento assai | — | ||
| 2-11 | Kreisleriana, op. 16: VII. Molto presto | — | ||
| 2-12 | Kreisleriana, op. 16: VIII. Vivace e scherzando | — | ||
| 2-13 | Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich - Schneller - Noch schneller | — | ||
| 2-14 | Sonata no. 2 in G minor, op. 22: II. Andantino | — | ||
| 2-15 | Sonata no. 2 in G minor, op. 22: III. Scherzo | — | ||
| 2-16 | Sonata no. 2 in G minor, op. 22: IV. Rondo | — | ||
| 2-17 | Sonata no. 2 in G minor, op. 22: IV. Presto (Appendix) | — | ||
| 2-18 | Three Romances, op. 28 no. 1: In B Flat Minor | — | ||
| 2-19 | Three Romances, op. 28 no. 2: In F Sharp | — | ||
| 2-20 | Three Romances, op. 28 no. 3: In B | — | ||
| 3-1 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 3-2 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 3-3 | Davidsbündlertänze, op. 6: III. Mit Humor (Etwas hahnbüchen) | — | ||
| 3-4 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 3-5 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 3-6 | Davidsbündlertänze, op. 6: VI. Sehr rasch und in sich hinein | — | ||
| 3-7 | Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung | — | ||
| 3-8 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 3-9 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 3-10 | Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch | — | ||
| 3-11 | Davidsbündlertänze, op. 6: XI. Einfach | — | ||
| 3-12 | Davidsbündlertänze, op. 6: XII. Mit Humor | — | ||
| 3-13 | Davidsbündlertänze, op. 6: XIII. Wild und Lustig | — | ||
| 3-14 | Davidsbündlertänze, op. 6: XIV. Zart und Singend | — | ||
| 3-15 | Davidsbündlertänze, op. 6: XV. Frisch | — | ||
| 3-16 | Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | — | ||
| 3-17 | Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | — | ||
| 3-18 | Davidsbündlertänze, op. 6: XVIII. Nicht Schnell (Ganz zum Überfluss) | — | ||
| 3-19 | Nachtstücke, op. 23: I. Mehr langsam, oft zurückhaltend | — | ||
| 3-20 | Nachtstücke, op. 23: II. Markiert und lebhaft | — | ||
| 3-21 | Nachtstücke, op. 23: III. Mit großer Lebhaftigkeit | — | ||
| 3-22 | Nachtstücke, op. 23: IV. Ad libitum - Einfach | — | ||
| 4-1 | Symphonic Etudes, op. 13: Theme | — | ||
| 4-2 | Symphonic Etudes, op. 13: Etude #1 | — | ||
| 4-3 | Symphonic Etudes, op. 13: Var. 1 (Aus dem Nachlass) | — | ||
| 4-4 | Symphonic Etudes, op. 13: Etude #2 | — | ||
| 4-5 | Symphonic Etudes, op. 13: Etude #3 | — | ||
| 4-6 | Symphonic Etudes, op. 13: Etude #4 | — | ||
| 4-7 | Symphonic Etudes, op. 13: Etude #5 | — | ||
| 4-8 | Symphonic Etudes, op. 13: Var. 4 (Aus dem Nachlass) | — | ||
| 4-9 | Symphonic Etudes, op. 13: Etude #6 | — | ||
| 4-10 | Symphonic Etudes, op. 13: Etude #7 | — | ||
| 4-11 | Symphonic Etudes, op. 13: Var. 2 (Aus dem Nachlass) | — | ||
| 4-12 | Symphonic Etudes, op. 13: Var. 5 (Aus dem Nachlass) | — | ||
| 4-13 | Symphonic Etudes, op. 13: Etude #8 | — | ||
| 4-14 | Symphonic Etudes, op. 13: Etude #9 | — | ||
| 4-15 | Symphonic Etudes, op. 13: Var. 3 (Aus dem Nachlass) | — | ||
| 4-16 | Symphonic Etudes, op. 13: Etude #10 | — | ||
| 4-17 | Symphonic Etudes, op. 13: Etude #11 | — | ||
| 4-18 | Symphonic Etudes, op. 13: Etude #12 | — | ||
| 4-19 | Abegg Variations, op. 1: Thema | — | ||
| 4-20 | Abegg Variations, op. 1: Var. 1 | — | ||
| 4-21 | Abegg Variations, op. 1: Var. 2 | — | ||
| 4-22 | Abegg Variations, op. 1: Var. 3 | — | ||
| 4-23 | Abegg Variations, op. 1: Cantabile | — | ||
| 4-24 | Abegg Variations, op. 1: Finale Alla Fantasia | — | ||
| 4-25 | Kinderszenen, op. 15: Von fremden Ländern und Menschen | Claudio Arrau | T-314.629.927-2 | |
| 4-26 | Kinderszenen, op. 15: Kuriöse Geschichten | Claudio Arrau | — | |
| 4-27 | Kinderszenen, op. 15: Hasche-Mann | Claudio Arrau | — | |
| 4-28 | Kinderszenen, op. 15: Bittendes Kind | Claudio Arrau | — | |
| 4-29 | Kinderszenen, op. 15: Glückes Genug | Claudio Arrau | — | |
| 4-30 | Kinderszenen, op. 15: Wichtige Begebenheit | Claudio Arrau | — | |
| 4-31 | Kinderszenen, op. 15: Träumerei | Claudio Arrau | — | |
| 4-32 | Kinderszenen, op. 15: Am Kamin | Claudio Arrau | — | |
| 4-33 | Kinderszenen, op. 15: Ritter vom Steckenpferd | Claudio Arrau | — | |
| 4-34 | Kinderszenen, op. 15: Fast zu ernst | Claudio Arrau | — | |
| 4-35 | Kinderszenen, op. 15: Fürchtenmachen | Claudio Arrau | — | |
| 4-36 | Kinderszenen, op. 15: Kind im Einschlummern | Claudio Arrau | — | |
| 4-37 | Kinderszenen, op. 15: Der Dichter spricht | Claudio Arrau | — | |
| 5-1 | Faschingsschwank aus Wien, op. 26: I. Allegro | Claudio Arrau | — | |
| 5-2 | Faschingsschwank aus Wien, op. 26: II. Romanze | Claudio Arrau | — | |
| 5-3 | Faschingsschwank aus Wien, op. 26: III. Scherzino | Claudio Arrau | — | |
| 5-4 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo | Claudio Arrau | — | |
| 5-5 | Faschingsschwank aus Wien, op. 26: IV. Finale | Claudio Arrau | — | |
| 5-6 | Arabeske in C, op. 18 | — | ||
| 5-7 | Humoreske, op. 20: I. Einfach | — | ||
| 5-8 | Humoreske, op. 20: II. Sehr rasch und leicht | — | ||
| 5-9 | Humoreske, op. 20: III. Hastig | — | ||
| 5-10 | Humoreske, op. 20: IV. Einfach und zart | — | ||
| 5-11 | Humoreske, op. 20: V. Intermezzo | — | ||
| 5-12 | Humoreske, op. 20: VI. Innig | — | ||
| 5-13 | Humoreske, op. 20: VII. Sehr lebhaft | — | ||
| 5-14 | Humoreske, op. 20: VIII. Finale | — | ||
| 5-15 | Papillons, op. 2 | — | ||
| 6-1 | Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione | — | ||
| 6-2 | Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 6-3 | Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo ed intermezzo | — | ||
| 6-4 | Sonata no. 1 in F-sharp minor, op. 11: IV. Finale | — | ||
| 6-5 | 3 Fantasiestücke, op. 111: I. Molto vivace et appasionatamente | — | ||
| 6-6 | 3 Fantasiestücke, op. 111: II. Piuttosto lento | — | ||
| 6-7 | 3 Fantasiestücke, op. 111: III. Con forza, assai marcato | — | ||
| 6-8 | Fantasiestücke, op. 12: I. Des Abends | Claudio Arrau | — | |
| 6-9 | Fantasiestücke, op. 12: II. Aufschwung | Claudio Arrau | — | |
| 6-10 | Fantasiestücke, op. 12: III. Warum? | — | ||
| 6-11 | Fantasiestücke, op. 12: IV. Grillen | — | ||
| 6-12 | Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 6-13 | Fantasiestücke, op. 12: VI. Fabel | — | ||
| 6-14 | Fantasiestücke, op. 12: VII. Traumes Wirren | — | ||
| 6-15 | Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 6-16 | Fantasiestücke, op. 12: IX. | — | ||
| 7-1 | Carnaval, Op. 9: I. Préambule | Claudio Arrau | — | |
| 7-2 | Carnaval, Op. 9: II. Pierrot | Claudio Arrau | — | |
| 7-3 | Carnaval, Op. 9: III. Arlequin | Claudio Arrau | — | |
| 7-4 | Carnaval, Op. 9: IV. Valse noble | Claudio Arrau | — | |
| 7-5 | Carnaval, Op. 9: V. Eusebius | Claudio Arrau | — | |
| 7-6 | Carnaval, Op. 9: VI. Florestan | Claudio Arrau | — | |
| 7-7 | Carnaval, Op. 9: VII. Coquette | Claudio Arrau | — | |
| 7-8 | Carnaval, Op. 9: VIII. Réplique | Claudio Arrau | — | |
| 7-9 | Carnaval, Op. 9: IX. Papillons | Claudio Arrau | — | |
| 7-10 | Carnaval, Op. 9: X. ASCH-SCHA Lettres dansantes | Claudio Arrau | — | |
| 7-11 | Carnaval, Op. 9: XI. Chiarina | Claudio Arrau | — | |
| 7-12 | Carnaval, Op. 9: XII. Chopin | Claudio Arrau | — | |
| 7-13 | Carnaval, Op. 9: XIII. Estrella | Claudio Arrau | — | |
| 7-14 | Carnaval, Op. 9: XIV. Reconnaissance | Claudio Arrau | — | |
| 7-15 | Carnaval, Op. 9: XV. Pantalon e Colombine | Claudio Arrau | — | |
| 7-16 | Carnaval, Op. 9: XVI. Valse allemande - Intermezzo - Paganini - Valse allemande reprise | Claudio Arrau | — | |
| 7-17 | Carnaval, Op. 9: XVII. Aveu | Claudio Arrau | — | |
| 7-18 | Carnaval, Op. 9: XVIII. Promenade | Claudio Arrau | — | |
| 7-19 | Carnaval, Op. 9: XIX. Pause | Claudio Arrau | — | |
| 7-20 | Carnaval, Op. 9: XX. Marche des "Davidsbundler" contre les Philistins | Claudio Arrau | — | |
| 7-21 | Fantasy in C major, op. 17: I. Il tutto fantastico ed appassionato - In modo d'una leggenda | — | ||
| 7-22 | Fantasy in C major, op. 17: II. Moderato con energia - Poco meno mosso - Più animato | — | ||
| 7-23 | Fantasy in C major, op. 17: III. Lento sostenuto. Il tutto piano - Poco più animato | — | ||
| 7-24 | Blumenstück, op. 19 | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028943230827 is a Universal Product Code (UPC) assigned to Arrau Edition: Schumann by Schumann, Claudio Arrau. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 151 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Waldszenen, op. 82: IX. Abschied Nicht zu | Claudio Arrau | — |
| Kinderszenen, op. 15: Von fremden Ländern und Menschen | Claudio Arrau | — |
The UPC for “Arrau Edition: Schumann” by Schumann, Claudio Arrau is 028943230827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1991-01-01. Label: Philips Classics. This release contains 151 tracks, each with its own ISRC. Tracks include NLF057200541, NLF057200542, NLF057200543.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Novelletten, op. 21 no. 1: Markiert Und Kräftig | — | ||
| 2 | Novelletten, op. 21 no. 2: Äusserst Rasch Und Mit Bravour | — | ||
| 3 | Novelletten, op. 21 no. 3: Leicht Und Mit Humor | — | ||
| 4 | Novelletten, op. 21 no. 4: Ballmässig. Sehr Munter | — | ||
| 5 | Novelletten, op. 21 no. 5: Rauschend Und Festlich | — | ||
| 6 | Novelletten, op. 21 no. 6: Sehr Lebhaft, Mit Vielem Humor | — | ||
| 7 | Novelletten, op. 21 no. 7: Äusserst Rasch | — | ||
| 8 | Novelletten, op. 21 no. 8: Sehr Lebhaft | — | ||
| 9 | Waldszenen, Op. 82: I. Eintritt Nicht zu schnell | Claudio Arrau | — | |
| 10 | Waldszenen, Op. 82: II. Jäger auf der Lauer - Hochst lebhaft | Claudio Arrau | — | |
| 11 | Waldszenen, Op. 82: III. Einsame Blumen Einfach | Claudio Arrau | — | |
| 12 | Waldszenen, Op. 82: IV. Verrufene Stelle - Ziemlich langsamb | Claudio Arrau | — | |
| 13 | Waldszenen, Op. 82: V. Freundliche Lanschaft Schnell | Claudio Arrau | — | |
| 14 | Waldszenen, Op. 82: VI. Herberge Massig | Claudio Arrau | — | |
| 15 | Waldszenen, Op. 82: VII. Vogel als Prophet Langs | Claudio Arrau | — | |
| 16 | Waldszenen, Op. 82: VIII. Jagdlied Rasch kraftig | Claudio Arrau | — | |
| 17 | Waldszenen, op. 82: IX. Abschied Nicht zu | Claudio Arrau | — | |
| 2-1 | Kreisleriana, op. 16: I. Agitatissimo | — | ||
| 2-2 | Kreisleriana, op. 16: II. Con molta espressione, non troppo presto | — | ||
| 2-3 | Kreisleriana, op. 16: II. Intermezzo I (Molto vivace) | — | ||
| 2-4 | Kreisleriana, op. 16: II. Tempo I | — | ||
| 2-5 | Kreisleriana, op. 16: II. Intermezzo II (Poco piu mosso) | — | ||
| 2-6 | Kreisleriana, op. 16: II. Tempo I | — | ||
| 2-7 | Kreisleriana, op. 16: III. Molto agitato | — | ||
| 2-8 | Kreisleriana, op. 16: IV. Lento assai | — | ||
| 2-9 | Kreisleriana, op. 16: V. Vivace assai | — | ||
| 2-10 | Kreisleriana, op. 16: VI. Lento assai | — | ||
| 2-11 | Kreisleriana, op. 16: VII. Molto presto | — | ||
| 2-12 | Kreisleriana, op. 16: VIII. Vivace e scherzando | — | ||
| 2-13 | Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich - Schneller - Noch schneller | — | ||
| 2-14 | Sonata no. 2 in G minor, op. 22: II. Andantino | — | ||
| 2-15 | Sonata no. 2 in G minor, op. 22: III. Scherzo | — | ||
| 2-16 | Sonata no. 2 in G minor, op. 22: IV. Rondo | — | ||
| 2-17 | Sonata no. 2 in G minor, op. 22: IV. Presto (Appendix) | — | ||
| 2-18 | Three Romances, op. 28 no. 1: In B Flat Minor | — | ||
| 2-19 | Three Romances, op. 28 no. 2: In F Sharp | — | ||
| 2-20 | Three Romances, op. 28 no. 3: In B | — | ||
| 3-1 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 3-2 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 3-3 | Davidsbündlertänze, op. 6: III. Mit Humor (Etwas hahnbüchen) | — | ||
| 3-4 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 3-5 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 3-6 | Davidsbündlertänze, op. 6: VI. Sehr rasch und in sich hinein | — | ||
| 3-7 | Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung | — | ||
| 3-8 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 3-9 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 3-10 | Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch | — | ||
| 3-11 | Davidsbündlertänze, op. 6: XI. Einfach | — | ||
| 3-12 | Davidsbündlertänze, op. 6: XII. Mit Humor | — | ||
| 3-13 | Davidsbündlertänze, op. 6: XIII. Wild und Lustig | — | ||
| 3-14 | Davidsbündlertänze, op. 6: XIV. Zart und Singend | — | ||
| 3-15 | Davidsbündlertänze, op. 6: XV. Frisch | — | ||
| 3-16 | Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | — | ||
| 3-17 | Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | — | ||
| 3-18 | Davidsbündlertänze, op. 6: XVIII. Nicht Schnell (Ganz zum Überfluss) | — | ||
| 3-19 | Nachtstücke, op. 23: I. Mehr langsam, oft zurückhaltend | — | ||
| 3-20 | Nachtstücke, op. 23: II. Markiert und lebhaft | — | ||
| 3-21 | Nachtstücke, op. 23: III. Mit großer Lebhaftigkeit | — | ||
| 3-22 | Nachtstücke, op. 23: IV. Ad libitum - Einfach | — | ||
| 4-1 | Symphonic Etudes, op. 13: Theme | — | ||
| 4-2 | Symphonic Etudes, op. 13: Etude #1 | — | ||
| 4-3 | Symphonic Etudes, op. 13: Var. 1 (Aus dem Nachlass) | — | ||
| 4-4 | Symphonic Etudes, op. 13: Etude #2 | — | ||
| 4-5 | Symphonic Etudes, op. 13: Etude #3 | — | ||
| 4-6 | Symphonic Etudes, op. 13: Etude #4 | — | ||
| 4-7 | Symphonic Etudes, op. 13: Etude #5 | — | ||
| 4-8 | Symphonic Etudes, op. 13: Var. 4 (Aus dem Nachlass) | — | ||
| 4-9 | Symphonic Etudes, op. 13: Etude #6 | — | ||
| 4-10 | Symphonic Etudes, op. 13: Etude #7 | — | ||
| 4-11 | Symphonic Etudes, op. 13: Var. 2 (Aus dem Nachlass) | — | ||
| 4-12 | Symphonic Etudes, op. 13: Var. 5 (Aus dem Nachlass) | — | ||
| 4-13 | Symphonic Etudes, op. 13: Etude #8 | — | ||
| 4-14 | Symphonic Etudes, op. 13: Etude #9 | — | ||
| 4-15 | Symphonic Etudes, op. 13: Var. 3 (Aus dem Nachlass) | — | ||
| 4-16 | Symphonic Etudes, op. 13: Etude #10 | — | ||
| 4-17 | Symphonic Etudes, op. 13: Etude #11 | — | ||
| 4-18 | Symphonic Etudes, op. 13: Etude #12 | — | ||
| 4-19 | Abegg Variations, op. 1: Thema | — | ||
| 4-20 | Abegg Variations, op. 1: Var. 1 | — | ||
| 4-21 | Abegg Variations, op. 1: Var. 2 | — | ||
| 4-22 | Abegg Variations, op. 1: Var. 3 | — | ||
| 4-23 | Abegg Variations, op. 1: Cantabile | — | ||
| 4-24 | Abegg Variations, op. 1: Finale Alla Fantasia | — | ||
| 4-25 | Kinderszenen, op. 15: Von fremden Ländern und Menschen | Claudio Arrau | T-314.629.927-2 | |
| 4-26 | Kinderszenen, op. 15: Kuriöse Geschichten | Claudio Arrau | — | |
| 4-27 | Kinderszenen, op. 15: Hasche-Mann | Claudio Arrau | — | |
| 4-28 | Kinderszenen, op. 15: Bittendes Kind | Claudio Arrau | — | |
| 4-29 | Kinderszenen, op. 15: Glückes Genug | Claudio Arrau | — | |
| 4-30 | Kinderszenen, op. 15: Wichtige Begebenheit | Claudio Arrau | — | |
| 4-31 | Kinderszenen, op. 15: Träumerei | Claudio Arrau | — | |
| 4-32 | Kinderszenen, op. 15: Am Kamin | Claudio Arrau | — | |
| 4-33 | Kinderszenen, op. 15: Ritter vom Steckenpferd | Claudio Arrau | — | |
| 4-34 | Kinderszenen, op. 15: Fast zu ernst | Claudio Arrau | — | |
| 4-35 | Kinderszenen, op. 15: Fürchtenmachen | Claudio Arrau | — | |
| 4-36 | Kinderszenen, op. 15: Kind im Einschlummern | Claudio Arrau | — | |
| 4-37 | Kinderszenen, op. 15: Der Dichter spricht | Claudio Arrau | — | |
| 5-1 | Faschingsschwank aus Wien, op. 26: I. Allegro | Claudio Arrau | — | |
| 5-2 | Faschingsschwank aus Wien, op. 26: II. Romanze | Claudio Arrau | — | |
| 5-3 | Faschingsschwank aus Wien, op. 26: III. Scherzino | Claudio Arrau | — | |
| 5-4 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo | Claudio Arrau | — | |
| 5-5 | Faschingsschwank aus Wien, op. 26: IV. Finale | Claudio Arrau | — | |
| 5-6 | Arabeske in C, op. 18 | — | ||
| 5-7 | Humoreske, op. 20: I. Einfach | — | ||
| 5-8 | Humoreske, op. 20: II. Sehr rasch und leicht | — | ||
| 5-9 | Humoreske, op. 20: III. Hastig | — | ||
| 5-10 | Humoreske, op. 20: IV. Einfach und zart | — | ||
| 5-11 | Humoreske, op. 20: V. Intermezzo | — | ||
| 5-12 | Humoreske, op. 20: VI. Innig | — | ||
| 5-13 | Humoreske, op. 20: VII. Sehr lebhaft | — | ||
| 5-14 | Humoreske, op. 20: VIII. Finale | — | ||
| 5-15 | Papillons, op. 2 | — | ||
| 6-1 | Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione | — | ||
| 6-2 | Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 6-3 | Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo ed intermezzo | — | ||
| 6-4 | Sonata no. 1 in F-sharp minor, op. 11: IV. Finale | — | ||
| 6-5 | 3 Fantasiestücke, op. 111: I. Molto vivace et appasionatamente | — | ||
| 6-6 | 3 Fantasiestücke, op. 111: II. Piuttosto lento | — | ||
| 6-7 | 3 Fantasiestücke, op. 111: III. Con forza, assai marcato | — | ||
| 6-8 | Fantasiestücke, op. 12: I. Des Abends | Claudio Arrau | — | |
| 6-9 | Fantasiestücke, op. 12: II. Aufschwung | Claudio Arrau | — | |
| 6-10 | Fantasiestücke, op. 12: III. Warum? | — | ||
| 6-11 | Fantasiestücke, op. 12: IV. Grillen | — | ||
| 6-12 | Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 6-13 | Fantasiestücke, op. 12: VI. Fabel | — | ||
| 6-14 | Fantasiestücke, op. 12: VII. Traumes Wirren | — | ||
| 6-15 | Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 6-16 | Fantasiestücke, op. 12: IX. | — | ||
| 7-1 | Carnaval, Op. 9: I. Préambule | Claudio Arrau | — | |
| 7-2 | Carnaval, Op. 9: II. Pierrot | Claudio Arrau | — | |
| 7-3 | Carnaval, Op. 9: III. Arlequin | Claudio Arrau | — | |
| 7-4 | Carnaval, Op. 9: IV. Valse noble | Claudio Arrau | — | |
| 7-5 | Carnaval, Op. 9: V. Eusebius | Claudio Arrau | — | |
| 7-6 | Carnaval, Op. 9: VI. Florestan | Claudio Arrau | — | |
| 7-7 | Carnaval, Op. 9: VII. Coquette | Claudio Arrau | — | |
| 7-8 | Carnaval, Op. 9: VIII. Réplique | Claudio Arrau | — | |
| 7-9 | Carnaval, Op. 9: IX. Papillons | Claudio Arrau | — | |
| 7-10 | Carnaval, Op. 9: X. ASCH-SCHA Lettres dansantes | Claudio Arrau | — | |
| 7-11 | Carnaval, Op. 9: XI. Chiarina | Claudio Arrau | — | |
| 7-12 | Carnaval, Op. 9: XII. Chopin | Claudio Arrau | — | |
| 7-13 | Carnaval, Op. 9: XIII. Estrella | Claudio Arrau | — | |
| 7-14 | Carnaval, Op. 9: XIV. Reconnaissance | Claudio Arrau | — | |
| 7-15 | Carnaval, Op. 9: XV. Pantalon e Colombine | Claudio Arrau | — | |
| 7-16 | Carnaval, Op. 9: XVI. Valse allemande - Intermezzo - Paganini - Valse allemande reprise | Claudio Arrau | — | |
| 7-17 | Carnaval, Op. 9: XVII. Aveu | Claudio Arrau | — | |
| 7-18 | Carnaval, Op. 9: XVIII. Promenade | Claudio Arrau | — | |
| 7-19 | Carnaval, Op. 9: XIX. Pause | Claudio Arrau | — | |
| 7-20 | Carnaval, Op. 9: XX. Marche des "Davidsbundler" contre les Philistins | Claudio Arrau | — | |
| 7-21 | Fantasy in C major, op. 17: I. Il tutto fantastico ed appassionato - In modo d'una leggenda | — | ||
| 7-22 | Fantasy in C major, op. 17: II. Moderato con energia - Poco meno mosso - Più animato | — | ||
| 7-23 | Fantasy in C major, op. 17: III. Lento sostenuto. Il tutto piano - Poco più animato | — | ||
| 7-24 | Blumenstück, op. 19 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Waldszenen, op. 82: IX. Abschied Nicht zu | Claudio Arrau | — |
| Kinderszenen, op. 15: Von fremden Ländern und Menschen | Claudio Arrau | — |
