UPC · Release
Otello
Gioachino Rossini, José Carreras, Frederica von Stade, Salvatore Fisichella, Samuel Ramey, Philharmonia Orchestra, Jesús López Cobos
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028943245623 is the Universal Product Code (UPC barcode) for the release “Otello” by Gioachino Rossini, José Carreras, Frederica von Stade, Salvatore Fisichella, Samuel Ramey, Philharmonia Orchestra, Jesús López Cobos, released 1993-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Otello: Introduzione | — | ||
| 2 | Otello: Atto I, Scena I. "Viva Otello" | — | ||
| 3 | Otello: Atto I, Scena I. Marcia | — | ||
| 4 | Otello: Atto I, Scena II. "Vincemmo, o prodi" | — | ||
| 5 | Otello: Atto I, Scena II. "Ah! sì, per voi già sento" | — | ||
| 6 | Otello: Atto I, Scena III. "Roderigo!" | — | ||
| 7 | Otello: Atto I, Scena III. "No, non temer" | — | ||
| 8 | Otello: Atto I, Scena IV. "Inutile è quel pianto" | — | ||
| 9 | Otello: Atto I, Scena IV. "Vorrei, che il tuo pensiero" | — | ||
| 10 | Otello: Atto I, Scena V. "Ma che miro?" | — | ||
| 11 | Otello: Atto I, Scena V. "Santo Imen!" | — | ||
| 12 | Otello: Atto I, Scena V. "Dove son? Che mai veggio?" | — | ||
| 13 | Otello: Atto I, Scena V. "Nel cor d'un padre amante" | — | ||
| 14 | Otello: Atto I, Scena V. "Ti parli d'amore" | — | ||
| 15 | Otello: Atto I, Scena V. "L'infida, ahimè che miro?" | — | ||
| 16 | Otello: Atto I, Scena V. "Incerta l'anima" | — | ||
| 17 | Otello: Atto II, Scena VI. "Lasciami" | — | ||
| 18 | Otello: Atto II, Scena VI. "Che ascolto?" | — | ||
| 2-1 | Otello: Atto II, Scena VII. "M'abbandonò, disparve" | — | ||
| 2-2 | Otello: Atto II, Scena VII. "Che feci?" | — | ||
| 2-3 | Otello: Atto II, Scena VII. "Non m'inganno" | — | ||
| 2-4 | Otello: Atto II, Scena VII. "L'ira d'avverso fato" | — | ||
| 2-5 | Otello: Atto II, Scena VIII. "E a tanto giunger puote" | — | ||
| 2-6 | Otello: Atto II, Scena VIII. "Ah vieni, nel tuo sangue" | — | ||
| 2-7 | Otello: Atto II, Scena VIII. "Tra tante smanie" | — | ||
| 2-8 | Otello: Atto II, Scena IX. "Desdemona! Che veggo!" | — | ||
| 2-9 | Otello: Atto II, Scena IX. "Che smania. Oimè! che affanno!" | — | ||
| 2-10 | Otello: Atto II, Scena IX. "L'error d'un infelice" | — | ||
| 2-11 | Otello: Atto III, Scena X. "Ah! Degli affanni oppressa" | — | ||
| 2-12 | Otello: Atto III, Scena X. "Nessun maggior dolore" | — | ||
| 2-13 | Otello: Atto III, Scena X. Canzone del salice "Assisa a' piè d'un salice" | — | ||
| 2-14 | Otello: Atto III, Scena X. Preghiera "Deh calma, o Ciel nel sonno" | — | ||
| 2-15 | Otello: Atto III, Scena X. "Eccomi giunto inosservato" | — | ||
| 2-16 | Otello: Atto III, Scena X. Duetto "Non arrestare il colpo" | — | ||
| 2-17 | Otello: Atto III, Scena X. "Notte per me funesta" | — | ||
| 2-18 | Otello: Atto III, Scena X. "Che sento? Chi batte?" | — |
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What is UPC 028943245623?
028943245623 is a Universal Product Code (UPC) assigned to Otello by Gioachino Rossini, José Carreras, Frederica von Stade, Salvatore Fisichella, Samuel Ramey, Philharmonia Orchestra, Jesús López Cobos. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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