UPC · Release
Your Hundred Best Opera Tunes I
Various Artists
028943306423
15 tracksReleased 1991-01-01
Last verified:
028943306423 is the Universal Product Code (UPC barcode) for the release “Your Hundred Best Opera Tunes I” by Various Artists, released 1991-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include GBF076710230, GBF077640903, GBF077213370.
Format
0Number system
28943Manufacturer
30642Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCYour Hundred Best Opera Tunes I
ISRC13 recordings
ISWC8 works
IPI1 songwriter
Track List (15)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: Nessun dorma | — | ||
| 2 | Carmen : Habanera « L'amour est un oiseau rebelle » | Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis | T-926805123-6 | |
| 3 | Il Trovatore: “Miserere” | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge | T9046875052 | |
| 4 | La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5 | Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 6 | Faust: Soldiers' Chorus: Déposons les armes | — | ||
| 7 | Rigoletto: “Gualtier Maldè” … “Caro nome” | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | T-913242186-4 | |
| 8 | Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton) | Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | T9220432188 | |
| 9 | Le nozze di Figaro: “Voi che sapete” | Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész | — | |
| 10 | The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | T-900095253-4 | |
| 11 | Carmen : Acte III. « Je dis que rien ne m’épouvante » | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 12 | Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro) | Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 13 | Louise : « Depuis le jour » | Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge | — | |
| 14 | Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin) | Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | — | |
| 15 | Faust : Acte V. « Alerte, alerte » | Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | T0030715617 |
Turandot: Nessun dorma
—
Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis
Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Faust: Soldiers' Chorus: Déposons les armes
—
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Le nozze di Figaro: “Voi che sapete”
Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész
—
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
—
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
—
Louise : « Depuis le jour »
Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge
—
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)
Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
—
Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton) | Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | T0701097724 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000073662284000000008183027600000000834914310000000083593219000000010661744800000001072812290000000108602274000000010871021600000001090696270000000109078224
+31 more
0000000109426524000000011023504700000001104959730000000110829427000000011450226100000001146866970000000114712250000000011480276600000001149276300000000115072857000000011609359600000001165851870000000118337515000000011886695100000001194104380000000119514974000000011955593600000001199261350000000120191498000000012097801200000001210680020000000121144247000000012120429700000001214258070000000121505778000000012156871X000000012164935X0000000121677377000000012169519600000001228804810000000123216953
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What is UPC 028943306423?
028943306423 is a Universal Product Code (UPC) assigned to Your Hundred Best Opera Tunes I by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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