UPC · Album
Your Hundred Best Opera Tunes I
Various Artists
028943306423
15 tracksReleased 1991-01-01
Last verified:
028943306423 is the Universal Product Code (UPC barcode) for the release “Your Hundred Best Opera Tunes I” by Various Artists, released 1991-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include GBF075840216, GBF075940216, GBF075940603.
Format
0Number system
28943Manufacturer
30642Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCYour Hundred Best Opera Tunes I
ISRC17 recordings
ISWC8 works
IPI1 songwriter
Track List (17)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton) | Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | GBF075840216 |
| Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton) | Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | GBF075940216 |
| Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | GBF075940603 |
| Rigoletto: “Gualtier Maldè” … “Caro nome” | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | GBF076040216 |
| Carmen : Habanera « L'amour est un oiseau rebelle » | Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis | GBF076710230 |
| Faust : Acte V. « Alerte, alerte » | Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | GBF076710441 |
| Louise : « Depuis le jour » | Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge | GBF076940903 |
| Le nozze di Figaro: “Voi che sapete” | Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész | GBF077110430 |
| Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro) | Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | GBF077130521 |
| The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | GBF077211881 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBF077213370 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBF077240109 |
| Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin) | Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | GBF077440332 |
| Carmen : Acte III. « Je dis que rien ne m’épouvante » | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | GBF077530446 |
| Il Trovatore: “Miserere” | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge | GBF077640903 |
| Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | GBFO75940603 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBFO77240109 |
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
Rigoletto: “Gualtier Maldè” … “Caro nome”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
Carmen : Habanera « L'amour est un oiseau rebelle »
Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis
Faust : Acte V. « Alerte, alerte »
Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge
Louise : « Depuis le jour »
Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge
Le nozze di Figaro: “Voi che sapete”
Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)
Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
Il Trovatore: “Miserere”
Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000073662284000000008183027600000000834914310000000083593219000000010661744800000001072812290000000108602274000000010871021600000001090696270000000109078224
+31 more
0000000109426524000000011023504700000001104959730000000110829427000000011450226100000001146866970000000114712250000000011480276600000001149276300000000115072857000000011609359600000001165851870000000118337515000000011886695100000001194104380000000119514974000000011955593600000001199261350000000120191498000000012097801200000001210680020000000121144247000000012120429700000001214258070000000121505778000000012156871X000000012164935X0000000121677377000000012169519600000001228804810000000123216953
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What is UPC 028943306423?
028943306423 is a Universal Product Code (UPC) assigned to Your Hundred Best Opera Tunes I by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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