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Your Hundred Best Opera Tunes I

UPC · Release

Your Hundred Best Opera Tunes I

Various Artists

028943306423
15 tracksReleased 1991-01-01

Last verified: July 29, 2026

028943306423 is the Universal Product Code (UPC barcode) for the release “Your Hundred Best Opera Tunes I” by Various Artists, released 1991-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include GBF076710230, GBF077640903, GBF077213370.

Format

0Number system
28943Manufacturer
30642Product
3Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCYour Hundred Best Opera Tunes I
ISRC13 recordings
ISWC10 works
IPI1 songwriter

Track List (15)

#Track TitleArtist(s)ISWC
Turandot: Nessun dorma1Turandot: Nessun dorma—
Carmen : Habanera « L'amour est un oiseau rebelle »2Carmen : Habanera « L'amour est un oiseau rebelle »Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry LewisT-926.805.123-6
Il Trovatore: “Miserere”3Il Trovatore: “Miserere”Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard BonyngeT-904.687.505-2
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)4La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
Fedora: “Amor ti vieta”5Fedora: “Amor ti vieta”Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede—
Faust: Soldiers' Chorus: Déposons les armes6Faust: Soldiers' Chorus: Déposons les armes—
Rigoletto: “Gualtier Maldè” … “Caro nome”7Rigoletto: “Gualtier Maldè” … “Caro nome”Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-PradelliT-913.242.186-4
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)8Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio SerafinT-922.043.218-8
Le nozze di Figaro: “Voi che sapete”9Le nozze di Figaro: “Voi che sapete”Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”10The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”Sherrill Milnes, London Philharmonic Orchestra, Silvio VarvisoT-900.095.253-4
Carmen : Acte III. « Je dis que rien ne m’épouvante »11Carmen : Acte III. « Je dis que rien ne m’épouvante »Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti—
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)12Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge—
Louise : « Depuis le jour »13Louise : « Depuis le jour »Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge—
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)14Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti—
Faust : Acte V. « Alerte, alerte »15Faust : Acte V. « Alerte, alerte »Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, Ambrosian Opera Chorus, London Symphony Orchestra, Richard BonyngeT-003.071.561-7
Turandot: Nessun dorma
Turandot: Nessun dorma
—
Carmen : Habanera « L'amour est un oiseau rebelle »
Carmen : Habanera « L'amour est un oiseau rebelle »
Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis
T-926.805.123-6
Il Trovatore: “Miserere”
Il Trovatore: “Miserere”
Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge
T-904.687.505-2
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Fedora: “Amor ti vieta”
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Faust: Soldiers' Chorus: Déposons les armes
Faust: Soldiers' Chorus: Déposons les armes
—
Rigoletto: “Gualtier Maldè” … “Caro nome”
Rigoletto: “Gualtier Maldè” … “Caro nome”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
T-913.242.186-4
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
T-922.043.218-8
Le nozze di Figaro: “Voi che sapete”
Le nozze di Figaro: “Voi che sapete”
Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész
—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
T-900.095.253-4
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
—
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
—
Louise : « Depuis le jour »
Louise : « Depuis le jour »
Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge
—
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)
Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
—
Faust : Acte V. « Alerte, alerte »
Faust : Acte V. « Alerte, alerte »
Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge
T-003.071.561-7

Additional database matches (4)

Track TitleArtist(s)ISWC
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio SerafinT-070.109.772-4
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
Fedora: “Amor ti vieta”Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
T-070.109.772-4
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-900.095.253-4T-913.242.186-4T-913.242.186-4T-926.805.123-6T-003.071.561-7T-070.109.772-4T-900.095.253-4T-904.687.505-2T-922.043.218-8T-926.805.123-6

Songwriters/Publishers (IPI)

00158729629

Creative Contributors (ISNI)

0000000073662284000000008183027600000000834914310000000083593219000000010661744800000001072812290000000108602274000000010871021600000001090696270000000109078224
+20 more
00000001094265240000000110235047000000011049597300000001106334830000000110829427000000011441659000000001145022610000000114686697000000011471225000000001148027660000000114927630000000011507285700000001160935960000000116585187000000011833751500000001188669510000000119410438000000011945647900000001195149740000000119555936
SourcesMLCMusicBrainz✓2 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCYour Hundred Be…ISRCCarmen : Habane…ISRCIl Trovatore: “…ISRCLa bohème: Atto…ISRCFedora: “Amor t…ISRCRigoletto: “Gua…

People also ask

What is UPC 028943306423?+
UPC 028943306423 is the Universal Product Code (barcode) for "Your Hundred Best Opera Tunes I" by Various Artists.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028943306423?+
UPC 028943306423 contains 15 tracks, each with its own ISRC.

What is UPC 028943306423?

028943306423 is a Universal Product Code (UPC) assigned to Your Hundred Best Opera Tunes I by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Various Artists

028943306423 is the Universal Product Code (UPC barcode) for the release “Your Hundred Best Opera Tunes I” by Various Artists, released 1991-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include GBF076710230, GBF077640903, GBF077213370.

Track List (15)

#Track TitleArtist(s)ISWC
Turandot: Nessun dorma1Turandot: Nessun dorma—
Carmen : Habanera « L'amour est un oiseau rebelle »2Carmen : Habanera « L'amour est un oiseau rebelle »Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry LewisT-926.805.123-6
Il Trovatore: “Miserere”3Il Trovatore: “Miserere”Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard BonyngeT-904.687.505-2
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)4La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
Fedora: “Amor ti vieta”5Fedora: “Amor ti vieta”Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede—
Faust: Soldiers' Chorus: Déposons les armes6Faust: Soldiers' Chorus: Déposons les armes—
Rigoletto: “Gualtier Maldè” … “Caro nome”7Rigoletto: “Gualtier Maldè” … “Caro nome”Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-PradelliT-913.242.186-4
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)8Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio SerafinT-922.043.218-8
Le nozze di Figaro: “Voi che sapete”9Le nozze di Figaro: “Voi che sapete”Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”10The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”Sherrill Milnes, London Philharmonic Orchestra, Silvio VarvisoT-900.095.253-4
Carmen : Acte III. « Je dis que rien ne m’épouvante »11Carmen : Acte III. « Je dis que rien ne m’épouvante »Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti—
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)12Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge—
Louise : « Depuis le jour »13Louise : « Depuis le jour »Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge—
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)14Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti—
Faust : Acte V. « Alerte, alerte »15Faust : Acte V. « Alerte, alerte »Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, Ambrosian Opera Chorus, London Symphony Orchestra, Richard BonyngeT-003.071.561-7
Turandot: Nessun dorma
Turandot: Nessun dorma
—
Carmen : Habanera « L'amour est un oiseau rebelle »
Carmen : Habanera « L'amour est un oiseau rebelle »
Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis
T-926.805.123-6
Il Trovatore: “Miserere”
Il Trovatore: “Miserere”
Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge
T-904.687.505-2
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Fedora: “Amor ti vieta”
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Faust: Soldiers' Chorus: Déposons les armes
Faust: Soldiers' Chorus: Déposons les armes
—
Rigoletto: “Gualtier Maldè” … “Caro nome”
Rigoletto: “Gualtier Maldè” … “Caro nome”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
T-913.242.186-4
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
T-922.043.218-8
Le nozze di Figaro: “Voi che sapete”
Le nozze di Figaro: “Voi che sapete”
Brigitte Fassbaender, Wiener Haydn-Orchester, István Kertész
—
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
T-900.095.253-4
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Carmen : Acte III. « Je dis que rien ne m’épouvante »
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
—
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Lucia di Lammermoor: Atto II, scena 2. Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro)
Luciano Pavarotti, Sherrill Milnes, Joan Sutherland, Nicolaï Ghiaurov, Huguette Tourangeau, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
—
Louise : « Depuis le jour »
Louise : « Depuis le jour »
Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge
—
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)
Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
—
Faust : Acte V. « Alerte, alerte »
Faust : Acte V. « Alerte, alerte »
Franco Corelli, Nicolaï Ghiaurov, Joan Sutherland, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge
T-003.071.561-7

Additional database matches (4)

Track TitleArtist(s)ISWC
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio SerafinT-070.109.772-4
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
Fedora: “Amor ti vieta”Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton)
Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
T-070.109.772-4
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—