UPC · Release
Edition
Kathleen Ferrier
028943380225
164 tracksReleased 1992-01-01Decca
Last verified:
028943380225 is the Universal Product Code (UPC barcode) for the release “Edition” by Kathleen Ferrier, released 1992-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 164 tracks, each with its own ISRC.
Format
0Number system
28943Manufacturer
38022Product
5Check digit
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Track List (164)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orfeo ed Euridice: Ah, Se Intorno A Quest'urna Funesta | — | ||
| 2 | Orfeo ed Euridice: Euridice! Ah! Questo Nome Sanno Le Spiaggie | — | ||
| 3 | Orfeo ed Euridice: Piango Il Mi Ben Così | — | ||
| 4 | Orfeo ed Euridice: Della Cetra Tua A'Dolci Suoni | — | ||
| 5 | Orfeo ed Euridice: Gli Sguardi Trattieni | — | ||
| 6 | Orfeo ed Euridice: Che Disse? Che Ascoltai? | — | ||
| 7 | Orfeo ed Euridice: Chi Mai Dell'erebo | — | ||
| 8 | Orfeo ed Euridice: Deh! Placatevi Con Me | — | ||
| 9 | Orfeo ed Euridice: Misero Giovane | — | ||
| 10 | Orfeo ed Euridice: Che Puro Ciel, Che Chiaro Sol | — | ||
| 11 | Orfeo ed Euridice: Vieni A' Regni Del Riposo | — | ||
| 12 | Orfeo ed Euridice: Ah! Vieni, O Diletta | — | ||
| 13 | Orfeo ed Euridice: Vieni, Vieni Con Ma, Vieni, O Cara | — | ||
| 14 | Orfeo ed Euridice: Ah! Potess'io Saper Perchè Ei Tace Tanto! | — | ||
| 15 | Orfeo ed Euridice: Che Fiero Momento | — | ||
| 16 | Orfeo ed Euridice: Ah! Per Me Il Duol Ricomincia! | — | ||
| 17 | Orfeo ed Euridice: Che Farò Senza Euridice? | — | ||
| 18 | Orfeo ed Euridice: A Finisca E Per Sempre | — | ||
| 19 | Orfeo ed Euridice: Gaudio, Gaudio Son Al Cuore | — | ||
| 20 | Orfeo ed Euridice: Trionfi Amore! | — | ||
| 2-1 | St. Matthew Passion, BWV 244: Come Ye Daughters | — | ||
| 2-2 | St. Matthew Passion, BWV 244: My Master & My Lord | — | ||
| 2-3 | St. Matthew Passion, BWV 244: Grief For Sin | — | ||
| 2-4 | St. Matthew Passion, BWV 244: Behold, My Savior Now Is Taken | — | ||
| 2-5 | St. Matthew Passion, BWV 244: Have Mercy, Lord, On Me | — | ||
| 2-6 | St. Matthew Passion, BWV 244: O Gracious God! | — | ||
| 2-7 | St. Matthew Passion, BWV 244: O Sacred Head | — | ||
| 2-8 | St. Matthew Passion, BWV 244: Ah, Golgotha! ... See Ye! | — | ||
| 2-9 | St. Matthew Passion, BWV 244: Be Near Me, Lord, When Dying | — | ||
| 2-10 | St. Matthew Passion, BWV 244: And Now The Lord To Rest Is Laid | — | ||
| 3-1 | Orfeo & Euridice: What Is Life | — | ||
| 3-2 | Rodelinda: Art Thou Troubled? | — | ||
| 3-3 | St. Mathew Passion: Have Mercy, Lord, On Me | — | ||
| 3-4 | Cantata #11: Ah, Tarry Yet, My Dearest Saviour | — | ||
| 3-5 | Serse: Ombra Mai Fu | — | ||
| 3-6 | Elijah: Woe Unto Them | — | ||
| 3-7 | Elijah: O Rest In The Lord | — | ||
| 3-8 | Sabat Mater: Sabat Mater Dolorsa | — | ||
| 3-9 | Stabat Mater: Cujus Animam Gementem | — | ||
| 3-10 | Stabat Mater: O Quam Tristes Et Afflicta | — | ||
| 3-11 | Stabat Mater: Quae Moerabat Et Dolebat | — | ||
| 3-12 | Stabat Mater: Quis Est Homo, Qui Non Fleret | — | ||
| 3-13 | Stabat Mater: Vidit Suum Dulcem Natum | — | ||
| 3-14 | Stabat Mater: Eja Mater, Fons Amoris | — | ||
| 3-15 | Stabat Mater: Fac Ut Ardeat Cor Meum | — | ||
| 3-16 | Stabat Mater: Sancta Mater, Istud Agas | — | ||
| 3-17 | Stabat Mater: Fac Ut Portem Christi Mortem | — | ||
| 3-18 | Stabat Mater: Inflammatus Et Accensus | — | ||
| 3-19 | Stabat Mater: Quando Corpus Morietur | — | ||
| 4-1 | Frauenliebe und -leben, op. 42: Seit ich ihn gesehen | — | ||
| 4-2 | Frauenliebe und -leben, op. 42: Er, der herrlichste von allen | — | ||
| 4-3 | Frauenliebe und -leben, op. 42: Ich kann's nicht fassen, nicht glauben | — | ||
| 4-4 | Frauenliebe und -leben, op. 42: Du Ring an meinem Finger | — | ||
| 4-5 | Frauenliebe und -leben, op. 42: Helft mir, ihr Schwestern | — | ||
| 4-6 | Frauenliebe und -leben, op. 42: Süsser Freund, du blickest mich verwundert an | — | ||
| 4-7 | Frauenliebe und -leben, op. 42: An meinem Herzen, an meiner Brust | — | ||
| 4-8 | Frauenliebe und -leben, op. 42: Nun hast du mir den ersten Schmerz getan | — | ||
| 4-9 | Lieder Und Gesange, op. 51: Volksliedchen | — | ||
| 4-10 | Widmung, op. 25/1 | — | ||
| 4-11 | Fünf Lieder, op. 94: Sapphische Ode | — | ||
| 4-12 | Fünf Lieder, op. 47: Botschaft | — | ||
| 4-13 | Gretchen am Spinnrade, D 118 | — | ||
| 4-14 | Die junge Nonne, D 828 | — | ||
| 4-15 | An die Musik, D 547 | — | ||
| 4-16 | Der Musensohn, D 764 | — | ||
| 4-17 | Ganymed, D 544 | — | ||
| 4-18 | Du liebst mich nicht, D 756 | — | ||
| 4-19 | Lachen und weinen, D 777, op. 59/4 | — | ||
| 4-20 | Stille Nacht, heilige Nacht | — | ||
| 4-21 | O Come, All Ye Faithful | — | ||
| 5-1 | Vier ernste Gesänge op.121: I | — | ||
| 5-2 | Vier ernste Gesänge op.121: II | — | ||
| 5-3 | Vier ernste Gesänge op.121: III | — | ||
| 5-4 | Vier ernste Gesänge op.121: IV | — | ||
| 5-5 | Poème de'lamour et de la mer op.19: I. La Fleur Des Eaux | — | ||
| 5-6 | Poème de'lamour et de la mer op.19: Ii. Interlude | — | ||
| 5-7 | Poème de'lamour et de la mer op.19: Iii. La Mort de L'amour | — | ||
| 5-8 | Discovery | — | ||
| 5-9 | Red Shies | — | ||
| 5-10 | The Wind | — | ||
| 5-11 | Clouds | — | ||
| 5-12 | Psalm 6: O Lord, Rebuke Me Not | — | ||
| 5-13 | Psalm 23: The Lord Is My Shepherd | — | ||
| 5-14 | Psalm 150: Praise Ye The Lord | — | ||
| 6-1 | An Irish Idyll In Six Miniatures., op. 77 - 2. The Fairy Lough | — | ||
| 6-2 | A Soft Day, op. 140/3 | — | ||
| 6-3 | Love Is A Bable, op. 152/3 | — | ||
| 6-4 | Silent Noon | — | ||
| 6-5 | Go Not, Happy Day | — | ||
| 6-6 | Sleep | — | ||
| 6-7 | Pretty Ring-Time | — | ||
| 6-8 | O Waly, Waly | — | ||
| 6-9 | Come You Not From Newcastle? | — | ||
| 6-10 | Kitty My Love | — | ||
| 6-11 | Mad Bess Of Bedlam | — | ||
| 6-12 | The Fairy Queen - Act 5: Hark! The Echoing Air | — | ||
| 6-13 | Atalanta - Act 1: Like As The Love-Lorn Turtle | — | ||
| 6-14 | Admeto - Act 1: Cangio D'Aspetto | — | ||
| 6-15 | Verborgenheit | — | ||
| 6-16 | Der Gärtner | — | ||
| 6-17 | Auf Ein Altes Bild | — | ||
| 6-18 | Auf Einer Wanderung | — | ||
| 6-19 | Altar (Preceeded By A Short Speech) | — | ||
| 6-20 | Vergiss Mein Nicht, BWV 505 | — | ||
| 6-21 | Ach, Das Nicht Die Letzte Stunde, BWV 439 | — | ||
| 6-22 | Bist Du Bei Mir, BWV 508 | — | ||
| 7-1 | Mass In B Minor, BWV 232 - Gloria: Qui Sedes Ad Dexteram Patris | — | ||
| 7-2 | St. Matthew Passion, BWV 244 - Grief For Sin | — | ||
| 7-3 | St. John Passion, BWV 245 - Part 2: All Is Fulfilled | — | ||
| 7-4 | Mass In B Minor, BWV 232 - Agnus Dei | — | ||
| 7-5 | Samson, HWV 57 - Act 1: Return, O God Of Hosts | — | ||
| 7-6 | Messiah - Part 1: O Thou That Tellest Good Tidings To Zion | — | ||
| 7-7 | Judas Maccabaeus HWV 63 - Father Of Heaven | — | ||
| 7-8 | Messiah - Part 2: He Was Despised | — | ||
| 8-1 | Ma Bonny Lad | — | ||
| 8-2 | The Keel Row | — | ||
| 8-3 | Blow The Wind Southerly | — | ||
| 8-4 | I Have A Bonnet Trimmed With Blue | — | ||
| 8-5 | My Boy Willie | — | ||
| 8-6 | I Know Where I'm Goin' | — | ||
| 8-7 | The Fidgety Bairn | — | ||
| 8-8 | I Will Walk With My Love | — | ||
| 8-9 | Ca' The Yowes | — | ||
| 8-10 | O Waly, Waly | — | ||
| 8-11 | Willow, Willow | — | ||
| 8-12 | The Stuttering Lovers | — | ||
| 8-13 | Now Sleeps The Crimson Petal | — | ||
| 8-14 | The Fair House Of Joy | — | ||
| 8-15 | To Daises | — | ||
| 8-16 | Over The Mountains | — | ||
| 8-17 | Have You Seen But A Whyte Lillie Grow? | — | ||
| 8-18 | Ye Banks & Braes | — | ||
| 8-19 | Drink To Me Only | — | ||
| 8-20 | Down By The Salley Gardens | — | ||
| 8-21 | The Lover's Curse | — | ||
| 9-1 | What The Edinburgh Festival Has Meant To Me | — | ||
| 9-2 | Die Junge Nonne, op. 43/1, D 828 | — | ||
| 9-3 | Rosamunde, op. 26, D 797 - Romance | — | ||
| 9-4 | Du Liebst Mich Nicht, D 756 | — | ||
| 9-5 | Der Tod Und Das Mädchen, Op. 7/3, D 531 | — | ||
| 9-6 | Suleika #1, D 720 | — | ||
| 9-7 | Du Bist Die Ruh, op. 59/3, D 776 | — | ||
| 9-8 | Immer Leiser Wird Mein Schlummer, op. 105/2 | — | ||
| 9-9 | Der Tod, Das Ist Die Kühle Nacht, op. 96/1 | — | ||
| 9-10 | Botschaft, op. 47/1 | — | ||
| 9-11 | Von Ewiger Liebe, op. 43/ | — | ||
| 9-12 | Frauenliebe Und Leben, op. 42 - Seit Ich Ihn Gesehen | — | ||
| 9-13 | Frauenliebe Und Leben, op. 42 - Er, Der Herrlichste Von Allen | — | ||
| 9-14 | Schumann: Frauenliebe Und Leben, op. 42 - Ich Kann's Nicht Fassen, Nicht Glauben | — | ||
| 9-15 | Frauenliebe Und Leben, op. 42 - Du Ring An Meinem Finger | — | ||
| 9-16 | Frauenliebe Und Leben, op. 42 - Helft Mir, Ihr Schwestern | — | ||
| 9-17 | Frauenliebe Und Leben, op. 42 - Süsser Freund, Du Blickest Mich Verwundert An | — | ||
| 9-18 | Frauenliebe Und Leben, op. 42 - An Meinem Herzen, An Meiner Brust | — | ||
| 9-19 | Frauenliebe Und Leben, op. 42 - Nun Hast Du Mir Den Ersten Schmerz | — | ||
| 10-1 | Rückertlieder - Blicke Mir Nicht In Die Lieder | — | ||
| 10-2 | Rückertlieder - Ich Atmet' Einen Linden Duft | — | ||
| 10-3 | Rückertlieder - Um Mitternacht | — | ||
| 10-4 | Alto Rhapsody, op. 53 | — | ||
| 10-5 | Gestillte Sehnsucht, op. 91/1 | — | ||
| 10-6 | Geistliches Wiegenlied, op. 91/2 | — | ||
| 10-7 | 4 Serious Songs, op. 121 - Denn Es Gehet Dem Menschen Wie Dem Vieh | — | ||
| 10-8 | 4 Serious Songs, op. 121 - Ich Wandte Mich Und Sahe An Alle | — | ||
| 10-9 | 4 Serious Songs, op. 121 - O Tod, Wie Bitter Bist Du | — | ||
| 10-10 | 4 Serious Songs, op. 121 - Wenn Ich Mit Menschen- Und Engelszungen Redete | — |
Orfeo ed Euridice: Ah, Se Intorno A Quest'urna Funesta
—
Orfeo ed Euridice: Euridice! Ah! Questo Nome Sanno Le Spiaggie
—
Orfeo ed Euridice: Piango Il Mi Ben Così
—
Orfeo ed Euridice: Della Cetra Tua A'Dolci Suoni
—
Orfeo ed Euridice: Gli Sguardi Trattieni
—
Orfeo ed Euridice: Che Disse? Che Ascoltai?
—
Orfeo ed Euridice: Chi Mai Dell'erebo
—
Orfeo ed Euridice: Deh! Placatevi Con Me
—
Orfeo ed Euridice: Misero Giovane
—
Orfeo ed Euridice: Che Puro Ciel, Che Chiaro Sol
—
Orfeo ed Euridice: Vieni A' Regni Del Riposo
—
Orfeo ed Euridice: Ah! Vieni, O Diletta
—
Orfeo ed Euridice: Vieni, Vieni Con Ma, Vieni, O Cara
—
Orfeo ed Euridice: Ah! Potess'io Saper Perchè Ei Tace Tanto!
—
Orfeo ed Euridice: Che Fiero Momento
—
Orfeo ed Euridice: Ah! Per Me Il Duol Ricomincia!
—
Orfeo ed Euridice: Che Farò Senza Euridice?
—
Orfeo ed Euridice: A Finisca E Per Sempre
—
Orfeo ed Euridice: Gaudio, Gaudio Son Al Cuore
—
Orfeo ed Euridice: Trionfi Amore!
—
St. Matthew Passion, BWV 244: Come Ye Daughters
—
St. Matthew Passion, BWV 244: My Master & My Lord
—
St. Matthew Passion, BWV 244: Grief For Sin
—
St. Matthew Passion, BWV 244: Behold, My Savior Now Is Taken
—
St. Matthew Passion, BWV 244: Have Mercy, Lord, On Me
—
St. Matthew Passion, BWV 244: O Gracious God!
—
St. Matthew Passion, BWV 244: O Sacred Head
—
St. Matthew Passion, BWV 244: Ah, Golgotha! ... See Ye!
—
St. Matthew Passion, BWV 244: Be Near Me, Lord, When Dying
—
St. Matthew Passion, BWV 244: And Now The Lord To Rest Is Laid
—
Orfeo & Euridice: What Is Life
—
Rodelinda: Art Thou Troubled?
—
St. Mathew Passion: Have Mercy, Lord, On Me
—
Cantata #11: Ah, Tarry Yet, My Dearest Saviour
—
Serse: Ombra Mai Fu
—
Elijah: Woe Unto Them
—
Elijah: O Rest In The Lord
—
Sabat Mater: Sabat Mater Dolorsa
—
Stabat Mater: Cujus Animam Gementem
—
Stabat Mater: O Quam Tristes Et Afflicta
—
Stabat Mater: Quae Moerabat Et Dolebat
—
Stabat Mater: Quis Est Homo, Qui Non Fleret
—
Stabat Mater: Vidit Suum Dulcem Natum
—
Stabat Mater: Eja Mater, Fons Amoris
—
Stabat Mater: Fac Ut Ardeat Cor Meum
—
Stabat Mater: Sancta Mater, Istud Agas
—
Stabat Mater: Fac Ut Portem Christi Mortem
—
Stabat Mater: Inflammatus Et Accensus
—
Stabat Mater: Quando Corpus Morietur
—
Frauenliebe und -leben, op. 42: Seit ich ihn gesehen
—
Frauenliebe und -leben, op. 42: Er, der herrlichste von allen
—
Frauenliebe und -leben, op. 42: Ich kann's nicht fassen, nicht glauben
—
Frauenliebe und -leben, op. 42: Du Ring an meinem Finger
—
Frauenliebe und -leben, op. 42: Helft mir, ihr Schwestern
—
Frauenliebe und -leben, op. 42: Süsser Freund, du blickest mich verwundert an
—
Frauenliebe und -leben, op. 42: An meinem Herzen, an meiner Brust
—
Frauenliebe und -leben, op. 42: Nun hast du mir den ersten Schmerz getan
—
Lieder Und Gesange, op. 51: Volksliedchen
—
Widmung, op. 25/1
—
Fünf Lieder, op. 94: Sapphische Ode
—
Fünf Lieder, op. 47: Botschaft
—
Gretchen am Spinnrade, D 118
—
Die junge Nonne, D 828
—
An die Musik, D 547
—
Der Musensohn, D 764
—
Ganymed, D 544
—
Du liebst mich nicht, D 756
—
Lachen und weinen, D 777, op. 59/4
—
Stille Nacht, heilige Nacht
—
O Come, All Ye Faithful
—
Vier ernste Gesänge op.121: I
—
Vier ernste Gesänge op.121: II
—
Vier ernste Gesänge op.121: III
—
Vier ernste Gesänge op.121: IV
—
Poème de'lamour et de la mer op.19: I. La Fleur Des Eaux
—
Poème de'lamour et de la mer op.19: Ii. Interlude
—
Poème de'lamour et de la mer op.19: Iii. La Mort de L'amour
—
Discovery
—
Red Shies
—
The Wind
—
Clouds
—
Psalm 6: O Lord, Rebuke Me Not
—
Psalm 23: The Lord Is My Shepherd
—
Psalm 150: Praise Ye The Lord
—
An Irish Idyll In Six Miniatures., op. 77 - 2. The Fairy Lough
—
A Soft Day, op. 140/3
—
Love Is A Bable, op. 152/3
—
Silent Noon
—
Go Not, Happy Day
—
Sleep
—
Pretty Ring-Time
—
O Waly, Waly
—
Come You Not From Newcastle?
—
Kitty My Love
—
Mad Bess Of Bedlam
—
The Fairy Queen - Act 5: Hark! The Echoing Air
—
Atalanta - Act 1: Like As The Love-Lorn Turtle
—
Admeto - Act 1: Cangio D'Aspetto
—
Verborgenheit
—
Der Gärtner
—
Auf Ein Altes Bild
—
Auf Einer Wanderung
—
Altar (Preceeded By A Short Speech)
—
Vergiss Mein Nicht, BWV 505
—
Ach, Das Nicht Die Letzte Stunde, BWV 439
—
Bist Du Bei Mir, BWV 508
—
Mass In B Minor, BWV 232 - Gloria: Qui Sedes Ad Dexteram Patris
—
St. Matthew Passion, BWV 244 - Grief For Sin
—
St. John Passion, BWV 245 - Part 2: All Is Fulfilled
—
Mass In B Minor, BWV 232 - Agnus Dei
—
Samson, HWV 57 - Act 1: Return, O God Of Hosts
—
Messiah - Part 1: O Thou That Tellest Good Tidings To Zion
—
Judas Maccabaeus HWV 63 - Father Of Heaven
—
Messiah - Part 2: He Was Despised
—
Ma Bonny Lad
—
The Keel Row
—
Blow The Wind Southerly
—
I Have A Bonnet Trimmed With Blue
—
My Boy Willie
—
I Know Where I'm Goin'
—
The Fidgety Bairn
—
I Will Walk With My Love
—
Ca' The Yowes
—
O Waly, Waly
—
Willow, Willow
—
The Stuttering Lovers
—
Now Sleeps The Crimson Petal
—
The Fair House Of Joy
—
To Daises
—
Over The Mountains
—
Have You Seen But A Whyte Lillie Grow?
—
Ye Banks & Braes
—
Drink To Me Only
—
Down By The Salley Gardens
—
The Lover's Curse
—
What The Edinburgh Festival Has Meant To Me
—
Die Junge Nonne, op. 43/1, D 828
—
Rosamunde, op. 26, D 797 - Romance
—
Du Liebst Mich Nicht, D 756
—
Der Tod Und Das Mädchen, Op. 7/3, D 531
—
Suleika #1, D 720
—
Du Bist Die Ruh, op. 59/3, D 776
—
Immer Leiser Wird Mein Schlummer, op. 105/2
—
Der Tod, Das Ist Die Kühle Nacht, op. 96/1
—
Botschaft, op. 47/1
—
Von Ewiger Liebe, op. 43/
—
Frauenliebe Und Leben, op. 42 - Seit Ich Ihn Gesehen
—
Frauenliebe Und Leben, op. 42 - Er, Der Herrlichste Von Allen
—
Schumann: Frauenliebe Und Leben, op. 42 - Ich Kann's Nicht Fassen, Nicht Glauben
—
Frauenliebe Und Leben, op. 42 - Du Ring An Meinem Finger
—
Frauenliebe Und Leben, op. 42 - Helft Mir, Ihr Schwestern
—
Frauenliebe Und Leben, op. 42 - Süsser Freund, Du Blickest Mich Verwundert An
—
Frauenliebe Und Leben, op. 42 - An Meinem Herzen, An Meiner Brust
—
Frauenliebe Und Leben, op. 42 - Nun Hast Du Mir Den Ersten Schmerz
—
Rückertlieder - Blicke Mir Nicht In Die Lieder
—
Rückertlieder - Ich Atmet' Einen Linden Duft
—
Rückertlieder - Um Mitternacht
—
Alto Rhapsody, op. 53
—
Gestillte Sehnsucht, op. 91/1
—
Geistliches Wiegenlied, op. 91/2
—
4 Serious Songs, op. 121 - Denn Es Gehet Dem Menschen Wie Dem Vieh
—
4 Serious Songs, op. 121 - Ich Wandte Mich Und Sahe An Alle
—
4 Serious Songs, op. 121 - O Tod, Wie Bitter Bist Du
—
4 Serious Songs, op. 121 - Wenn Ich Mit Menschen- Und Engelszungen Redete
—
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What is UPC 028943380225?
028943380225 is a Universal Product Code (UPC) assigned to Edition by Kathleen Ferrier. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 164 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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