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  3. Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase
Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase

UPC · Release

Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase

Franz Liszt, Daniel Barenboim

028943559126
13 tracksReleased 1993-01-01Deutsche Grammophon

Last verified: August 16, 2026

028943559126 is the Universal Product Code (UPC barcode) for the release “Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase” by Franz Liszt, Daniel Barenboim, released 1993-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include DEF057900550, DEF057900551, DEF057900552.

Format

0Number system
28943Manufacturer
55912Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCLiebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase
ISRC8 recordings
ISWC1 work

Track List (13)

#Track TitleArtist(s)ISWC
Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto1Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con motoDaniel Barenboim—
Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mosso2Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mossoDaniel Barenboim—
Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido3Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placidoDaniel BarenboimT-306.229.968-3
Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagio4Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagioDaniel Barenboim—
Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. Andantino5Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. AndantinoDaniel Barenboim—
6 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)66 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)—
Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai7Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assaiDaniel Barenboim—
Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi8Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosiDaniel Barenboim—
Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto9Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affettoDaniel Barenboim—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)10Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)11Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)12Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)—
Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)13Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)—
Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto
Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto
Daniel Barenboim
—
Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mosso
Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mosso
Daniel Barenboim
—
Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido
Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido
Daniel Barenboim
T-306.229.968-3
Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagio
Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagio
Daniel Barenboim
—
Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. Andantino
Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. Andantino
Daniel Barenboim
—
6 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)
6 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)
—
Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai
Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai
Daniel Barenboim
—
Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi
Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi
Daniel Barenboim
—
Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto
Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto
Daniel Barenboim
—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)
Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)
—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)
Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)
—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)
Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)
—
Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)
Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-306.229.968-3

Creative Contributors (ISNI)

0000000121462413
SourcesMusicBrainzDiscogs✓2 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCLiebesträume / …ISRCConsolations (S…ISRCConsolations (S…ISRCConsolations (S…ISRCConsolations (S…ISRCConsolations (S…

People also ask

What is UPC 028943559126?+
UPC 028943559126 is the Universal Product Code (barcode) for "Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase" by Franz Liszt, Daniel Barenboim, released on Deutsche Grammophon.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028943559126?+
UPC 028943559126 contains 13 tracks, each with its own ISRC.

What is UPC 028943559126?

028943559126 is a Universal Product Code (UPC) assigned to Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase by Franz Liszt, Daniel Barenboim. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Franz Liszt, Daniel Barenboim

028943559126 is the Universal Product Code (UPC barcode) for the release “Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase” by Franz Liszt, Daniel Barenboim, released 1993-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include DEF057900550, DEF057900551, DEF057900552.

Track List (13)

#Track TitleArtist(s)ISWC
Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto1Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con motoDaniel Barenboim—
Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mosso2Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mossoDaniel Barenboim—
Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido3Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placidoDaniel BarenboimT-306.229.968-3
Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagio4Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagioDaniel Barenboim—
Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. Andantino5Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. AndantinoDaniel Barenboim—
6 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)66 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)—
Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai7Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assaiDaniel Barenboim—
Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi8Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosiDaniel Barenboim—
Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto9Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affettoDaniel Barenboim—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)10Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)11Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)12Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)—
Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)13Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)—
Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto
Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto
Daniel Barenboim
—
Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mosso
Consolations (Six Pensées poétiques), S. 172: No. 2 in E major. Un poco più mosso
Daniel Barenboim
—
Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido
Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido
Daniel Barenboim
T-306.229.968-3
Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagio
Consolations (Six Pensées poétiques), S. 172: No. 4 in D-flat major. Quasi adagio
Daniel Barenboim
—
Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. Andantino
Consolations (Six Pensées poétiques), S. 172: No. 5 in E major. Andantino
Daniel Barenboim
—
6 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)
6 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)
—
Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai
Liebesträume. Notturni, S. 541: No. 1 “Hohe Liebe”. Andante espressivo assai
Daniel Barenboim
—
Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi
Liebesträume. Notturni, S. 541: No. 2 “Seliger Tod”. Quasi lento, abbandonandosi
Daniel Barenboim
—
Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto
Liebesträume. Notturni, S. 541: No. 3 “O lieb, solang du lieben kannst”. Poco allegretto con affetto
Daniel Barenboim
—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)
Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)
—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)
Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)
—
Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)
Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)
—
Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)
Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)
—