UPC · Release
Porgy and Bess: Highlights
Gershwin, Cleveland Orchestra, Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks
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028943630627 is the Universal Product Code (UPC barcode) for the release “Porgy and Bess: Highlights” by Gershwin, Cleveland Orchestra, Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks, released 1997-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBF077540201, GBF077540202, GBF077540203.
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Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues | The Cleveland Orchestra Chorus, Joela Jones, The Cleveland Orchestra, Lorin Maazel | — | |
| 2 | Porgy and Bess: Act I, Scene I. "Summertime" - "Oh, nobody knows when the Lawd is goin' to call..." - "I been sweatin' all day" | Barbara Hendricks, The Cleveland Orchestra, Lorin Maazel | T-909.132.166-3 | |
| 3 | Porgy and Bess: Act I, Scene I. "A woman is a sometime thing (Lissen to yo' daddy warn you)" | Arthur Thompson, The Cleveland Orchestra, Lorin Maazel | T-004.011.617-3 | |
| 4 | Porgy and Bess: Act I, Scene II. "My man's gone now" - "How de saucer stan' now, my sister?" | Florence Quivar, The Cleveland Orchestra, Lorin Maazel | T-903.720.769-5 | |
| 5 | Porgy and Bess: Act I, Scene II. "Headin' for the Promis' Lan'" | Leona Mitchell, The Cleveland Orchestra, Lorin Maazel | T-070.095.273-3 | |
| 6 | Porgy and Bess: Act II, Scene I. "It takes a long pull to get there" | The Cleveland Orchestra, Lorin Maazel | — | |
| 7 | Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” – “Lissen there, what I tells you” | Willard White, The Cleveland Orchestra, Lorin Maazel | — | |
| 8 | Porgy and Bess: Act II, Scene I. Buzzard Song – “Lo, Bess, goin’ to picnic?” | François Clemmons, Willard White, The Cleveland Orchestra, Lorin Maazel | — | |
| 9 | Porgy and Bess: Act II, Scene I. "Bess, you is my woman now" | Willard White, The Cleveland Orchestra, Lorin Maazel | T-903.624.216-7 | |
| 10 | Porgy and Bess: Act II, Scene I. "Oh, I can't sit down" | The Cleveland Orchestra, Lorin Maazel | — | |
| 11 | Porgy and Bess: Act II, Scene II. "It ain't necessarily so" - "Shame on all you sinners" - "Bess!...Crown!..." | The Cleveland Orchestra, Lorin Maazel | T-900.757.862-3 | |
| 12 | Porgy and Bess: Act II, Scene II. "Oh, what you want wid Bess?" | The Cleveland Orchestra, Lorin Maazel | — | |
| 13 | Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there" | The Cleveland Orchestra, Lorin Maazel | — | |
| 14 | Porgy and Bess: Act II, Scene III. "I loves you, Porgy" | Leona Mitchell, The Cleveland Orchestra, Lorin Maazel | T-070.024.203-0 | |
| 15 | Porgy and Bess: Act III, Scene II. "There's a boat dat's leavin'" | The Cleveland Orchestra, Lorin Maazel | T-004.025.172-6 | |
| 16 | Porgy and Bess: Act III, Scene III. "Oh Bess, oh where's my Bess" | The Cleveland Orchestra, Lorin Maazel | T-801.269.905-8 | |
| 17 | Porgy and Bess: Act III, Scene III. "Bess is gone" | The Cleveland Orchestra, Lorin Maazel | — | |
| 18 | Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way" | The Cleveland Orchestra, Lorin Maazel | T-802.499.018-0 |
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What is UPC 028943630627?
028943630627 is a Universal Product Code (UPC) assigned to Porgy and Bess: Highlights by Gershwin, Cleveland Orchestra, Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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