UPC · Release
Stravinsky, London Philharmonic Orchestra, Bernard Haitink, London Symphony Orchestra, Igor Markevitch
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The UPC for “The Great Ballets” by Stravinsky, London Philharmonic Orchestra, Bernard Haitink, London Symphony Orchestra, Igor Markevitch is 028943835022. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Philips Classics. This release contains 44 tracks, each with its own ISRC. Tracks include NLA507300056, NLA507300057, NLA507300058.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Firebird: Introduction | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2 | The Firebird: Kashchei’s enchanted garden | London Philharmonic Orchestra, Bernard Haitink | — | |
| 3 | The Firebird: Appearance of the Firebird pursued by Ivan Tsarevich | London Philharmonic Orchestra, Bernard Haitink | — | |
| 4 | The Firebird: Dance of the Firebird | London Philharmonic Orchestra, Bernard Haitink | — | |
| 5 | The Firebird: Ivan Tsarevich captures the Firebird | London Philharmonic Orchestra, Bernard Haitink | — | |
| 6 | The Firebird: Supplication of the Firebird | London Philharmonic Orchestra, Bernard Haitink | T-071.000.879-9 | |
| 7 | The Firebird: Games of the princesses with the golden apples | London Philharmonic Orchestra, Bernard Haitink | — | |
| 8 | The Firebird: Sudden appearance of Ivan Tsarevich | London Philharmonic Orchestra, Bernard Haitink | T-071.000.879-9 | |
| 9 | The Firebird: Round dance of the Princesses | London Philharmonic Orchestra, Bernard Haitink | — | |
| 10 | The Firebird: Daybreak | London Philharmonic Orchestra, Bernard Haitink | T-072.616.719-6 | |
| 11 | The Firebird: Magic carillon, appearance of Kashchei’s guardian monsters and capture of Ivan Tsarevich | London Philharmonic Orchestra, Bernard Haitink | — | |
| 12 | The Firebird: Dance of Kashchei’s retinue under the Firebird’s spell | London Philharmonic Orchestra, Bernard Haitink | — | |
| 13 | The Firebird: Infernal dance of all Kashchei’s subjects | London Philharmonic Orchestra, Bernard Haitink | — | |
| 14 | The Firebird: Lullaby of the Firebird | London Philharmonic Orchestra, Bernard Haitink | — | |
| 15 | The Firebird: Collapse of Kashchei’s palace and dissolution of all enchantments / Reanimation of the petrified prisoners / General rejoicing | London Philharmonic Orchestra, Bernard Haitink | — | |
| 16 | Apollon Musagète, Scene 1: (Prologue) Birth of Apollo | London Symphony Orchestra, Igor Markevitch | — | |
| 17 | Apollon Musagète, Scene 2: Variation of Apollo (Apollo and the Muses) | London Symphony Orchestra, Igor Markevitch | — | |
| 18 | Apollon Musagète, Scene 2: Pas d’action (Apollo and the three Muses: Calliope, Polyhymnia and Terpsichore) | London Symphony Orchestra, Igor Markevitch | — | |
| 19 | Apollon Musagète, Scene 2: Variation of Calliope (the Alexandrine) | London Symphony Orchestra, Igor Markevitch | — | |
| 20 | Apollon Musagète, Scene 2: Variation of Polyhymnia | London Symphony Orchestra, Igor Markevitch | — | |
| 21 | Apollon Musagète, Scene 2: Variation of Terpsichore | London Symphony Orchestra, Igor Markevitch | — | |
| 22 | Apollon Musagète, Scene 2: Variation of Apollo | London Symphony Orchestra, Igor Markevitch | — | |
| 23 | Apollon Musagète, Scene 2: Pas de deux (Apollo and Terpsichore) | London Symphony Orchestra, Igor Markevitch | — | |
| 2-1 | Apollon Musagète, Scene 2: Coda (Apollo and the Muses) | London Symphony Orchestra, Igor Markevitch | — | |
| 2-2 | Apollon Musagète, Scene 2: Apotheosis | London Symphony Orchestra, Igor Markevitch | — | |
| 2-3 | Petrushka, Scene 1: The Shrovetide fair / The crowds / The conjuring-trick | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-4 | Petrushka, Scene 1: Russian dance | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-5 | Petrushka, Scene 2: In Petrouchka’s Booth | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-6 | Petrushka, Scene 3: In the Moor's booth / Dance of the Ballerina | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-7 | Petrushka, Scene 3: Waltz (The Ballerina and the Moor) | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-8 | Petrushka, Scene 4: The Shrovetide fair (evening) / Dance of the wet-nurses / Dance of the peasant and the bear / Dance of the gipsies / Dance of the coachmen and the grooms / The masqueraders / Death of Petrouchka | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-9 | The Rite of Spring, Part I “The Adoration of the Earth”: Introduction | London Philharmonic Orchestra, Bernard Haitink | T-070.257.887-7 | |
| 2-10 | The Rite of Spring, Part I “The Adoration of the Earth”: The harbringers of spring / Dance of the adolescents | London Philharmonic Orchestra, Bernard Haitink | T-070.257.887-7 | |
| 2-11 | The Rite of Spring, Part I “The Adoration of the Earth”: Mock abduction | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-12 | The Rite of Spring, Part I “The Adoration of the Earth”: Spring rounds | London Philharmonic Orchestra, Bernard Haitink | T-070.257.887-7 | |
| 2-13 | The Rite of Spring, Part I “The Adoration of the Earth”: Games of the rival tribes | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-14 | The Rite of Spring, Part I “The Adoration of the Earth”: Procession of the sage | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-15 | The Rite of Spring, Part I “The Adoration of the Earth”: Adoration of the earth (The sage) / Dance of the earth | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-16 | The Rite of Spring, Part II “The Sacrifice”: Introduction | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-17 | The Rite of Spring, Part II “The Sacrifice”: Mystical circle of the adolescents | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-18 | The Rite of Spring, Part II “The Sacrifice”: Glorification of the chosen one | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-19 | The Rite of Spring, Part II “The Sacrifice”: Evocation of the ancestors | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-20 | The Rite of Spring, Part II “The Sacrifice”: Ritual of the ancestors | London Philharmonic Orchestra, Bernard Haitink | T-070.257.887-7 | |
| 2-21 | The Rite of Spring, Part II “The Sacrifice”: Sacrificial dance (The chosen one) | London Philharmonic Orchestra, Bernard Haitink | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028943835022 is a Universal Product Code (UPC) assigned to The Great Ballets by Stravinsky, London Philharmonic Orchestra, Bernard Haitink, London Symphony Orchestra, Igor Markevitch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Great Ballets” by Stravinsky, London Philharmonic Orchestra, Bernard Haitink, London Symphony Orchestra, Igor Markevitch is 028943835022. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Philips Classics. This release contains 44 tracks, each with its own ISRC. Tracks include NLA507300056, NLA507300057, NLA507300058.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Firebird: Introduction | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2 | The Firebird: Kashchei’s enchanted garden | London Philharmonic Orchestra, Bernard Haitink | — | |
| 3 | The Firebird: Appearance of the Firebird pursued by Ivan Tsarevich | London Philharmonic Orchestra, Bernard Haitink | — | |
| 4 | The Firebird: Dance of the Firebird | London Philharmonic Orchestra, Bernard Haitink | — | |
| 5 | The Firebird: Ivan Tsarevich captures the Firebird | London Philharmonic Orchestra, Bernard Haitink | — | |
| 6 | The Firebird: Supplication of the Firebird | London Philharmonic Orchestra, Bernard Haitink | T-071.000.879-9 | |
| 7 | The Firebird: Games of the princesses with the golden apples | London Philharmonic Orchestra, Bernard Haitink | — | |
| 8 | The Firebird: Sudden appearance of Ivan Tsarevich | London Philharmonic Orchestra, Bernard Haitink | T-071.000.879-9 | |
| 9 | The Firebird: Round dance of the Princesses | London Philharmonic Orchestra, Bernard Haitink | — | |
| 10 | The Firebird: Daybreak | London Philharmonic Orchestra, Bernard Haitink | T-072.616.719-6 | |
| 11 | The Firebird: Magic carillon, appearance of Kashchei’s guardian monsters and capture of Ivan Tsarevich | London Philharmonic Orchestra, Bernard Haitink | — | |
| 12 | The Firebird: Dance of Kashchei’s retinue under the Firebird’s spell | London Philharmonic Orchestra, Bernard Haitink | — | |
| 13 | The Firebird: Infernal dance of all Kashchei’s subjects | London Philharmonic Orchestra, Bernard Haitink | — | |
| 14 | The Firebird: Lullaby of the Firebird | London Philharmonic Orchestra, Bernard Haitink | — | |
| 15 | The Firebird: Collapse of Kashchei’s palace and dissolution of all enchantments / Reanimation of the petrified prisoners / General rejoicing | London Philharmonic Orchestra, Bernard Haitink | — | |
| 16 | Apollon Musagète, Scene 1: (Prologue) Birth of Apollo | London Symphony Orchestra, Igor Markevitch | — | |
| 17 | Apollon Musagète, Scene 2: Variation of Apollo (Apollo and the Muses) | London Symphony Orchestra, Igor Markevitch | — | |
| 18 | Apollon Musagète, Scene 2: Pas d’action (Apollo and the three Muses: Calliope, Polyhymnia and Terpsichore) | London Symphony Orchestra, Igor Markevitch | — | |
| 19 | Apollon Musagète, Scene 2: Variation of Calliope (the Alexandrine) | London Symphony Orchestra, Igor Markevitch | — | |
| 20 | Apollon Musagète, Scene 2: Variation of Polyhymnia | London Symphony Orchestra, Igor Markevitch | — | |
| 21 | Apollon Musagète, Scene 2: Variation of Terpsichore | London Symphony Orchestra, Igor Markevitch | — | |
| 22 | Apollon Musagète, Scene 2: Variation of Apollo | London Symphony Orchestra, Igor Markevitch | — | |
| 23 | Apollon Musagète, Scene 2: Pas de deux (Apollo and Terpsichore) | London Symphony Orchestra, Igor Markevitch | — | |
| 2-1 | Apollon Musagète, Scene 2: Coda (Apollo and the Muses) | London Symphony Orchestra, Igor Markevitch | — | |
| 2-2 | Apollon Musagète, Scene 2: Apotheosis | London Symphony Orchestra, Igor Markevitch | — | |
| 2-3 | Petrushka, Scene 1: The Shrovetide fair / The crowds / The conjuring-trick | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-4 | Petrushka, Scene 1: Russian dance | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-5 | Petrushka, Scene 2: In Petrouchka’s Booth | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-6 | Petrushka, Scene 3: In the Moor's booth / Dance of the Ballerina | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-7 | Petrushka, Scene 3: Waltz (The Ballerina and the Moor) | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-8 | Petrushka, Scene 4: The Shrovetide fair (evening) / Dance of the wet-nurses / Dance of the peasant and the bear / Dance of the gipsies / Dance of the coachmen and the grooms / The masqueraders / Death of Petrouchka | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-9 | The Rite of Spring, Part I “The Adoration of the Earth”: Introduction | London Philharmonic Orchestra, Bernard Haitink | T-070.257.887-7 | |
| 2-10 | The Rite of Spring, Part I “The Adoration of the Earth”: The harbringers of spring / Dance of the adolescents | London Philharmonic Orchestra, Bernard Haitink | T-070.257.887-7 | |
| 2-11 | The Rite of Spring, Part I “The Adoration of the Earth”: Mock abduction | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-12 | The Rite of Spring, Part I “The Adoration of the Earth”: Spring rounds | London Philharmonic Orchestra, Bernard Haitink | T-070.257.887-7 | |
| 2-13 | The Rite of Spring, Part I “The Adoration of the Earth”: Games of the rival tribes | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-14 | The Rite of Spring, Part I “The Adoration of the Earth”: Procession of the sage | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-15 | The Rite of Spring, Part I “The Adoration of the Earth”: Adoration of the earth (The sage) / Dance of the earth | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-16 | The Rite of Spring, Part II “The Sacrifice”: Introduction | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-17 | The Rite of Spring, Part II “The Sacrifice”: Mystical circle of the adolescents | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-18 | The Rite of Spring, Part II “The Sacrifice”: Glorification of the chosen one | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-19 | The Rite of Spring, Part II “The Sacrifice”: Evocation of the ancestors | London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-20 | The Rite of Spring, Part II “The Sacrifice”: Ritual of the ancestors | London Philharmonic Orchestra, Bernard Haitink | T-070.257.887-7 | |
| 2-21 | The Rite of Spring, Part II “The Sacrifice”: Sacrificial dance (The chosen one) | London Philharmonic Orchestra, Bernard Haitink | — |
