UPC · Album
Faszination Oper: Festspiele der Grossen Stars
Various Artists
028943882422
17 tracksReleased 1993-01-01Philips
Last verified:
028943882422 is the Universal Product Code (UPC barcode) for the release “Faszination Oper: Festspiele der Grossen Stars” by Various Artists, released 1993-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBF077211881, NLA506700099, NLA507509922.
Format
0Number system
28943Manufacturer
88242Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCFaszination Oper: Festspiele der Grossen Stars
ISRC24 recordings
ISWC4 works
IPI1 songwriter
Track List (24)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | GBF077211881 |
| Die Walküre: Dritter Aufzug: Szene 1: "Hojotoho! Heiaha!" | Karl Böhm | NLA506700099 |
| Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) | Claes-Håkan Ahnsjö, Ambrosian Opera Chorus, Montserrat Caballé, José Carreras, Ann Murray, Samuel Ramey, Vicente Sardinero, New Philharmonia Orchestra, Jesús López Cobos | NLA507509922 |
| La bohème: Atto I. “Che gelida manina” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507719908 |
| La bohème: Atto I. “Sì. Mi chiamano Mimì” | Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507719933 |
| Il trovatore: Act II. “Vedi! le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507816009 |
| Il trovatore: Act II. “Vedi! le fosche notturne spoglie” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507816040 |
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) | Thomas Allen, Academy of St Martin in the Fields, Neville Marriner | NLA508119705 |
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) | Thomas Allen, Academy of St Martin in the Fields, Neville Marriner | NLA508119731 |
| Rigoletto: Un di, se ben rammentomi | Renato Bruson, Brigitte Fassbaender, Edita Gruberova, Neil Shicoff, Orchestra dell'Accademia di Santa Cecilia, Giuseppe Sinopoli | NLA508319442 |
| Le nozze di Figaro: Atto primo: No. 10 Aria "Non più andrai" | José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508400150 |
| Le nozze di Figaro: Atto primo: No. 10 Aria "Non più andrai" | José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508400166 |
| Faust: Ah! Je ris de me voir (Juwelen-Arie) | Kiri Te Kanawa, Symphonie-Orchester des Bayerischen Rundfunks, Sir Colin Davis | NLA508534450 |
| Carmen : « L'amour est un oiseau rebelle » (Habanera) | Chœur de Radio France, Jessye Norman, Orchestre national de France, Seiji Ozawa | NLA508540964 |
| Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | NLA508543642 |
| Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | NLA508543660 |
| Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508720350 |
| Cosi fan tutte, K.588 | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508720354 |
| Samson et Dalila: Mon cœur s'ouvre à ta voix | Agnes Baltsa, José Carreras, Symphonie-Orchester des Bayerischen Rundfunks, Sir Colin Davis | NLA508810520 |
| Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) | Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508840268 |
| Die Fledermaus: Mein Herr Marquis | Wiener Staatsopernchor, Edita Gruberova, Wiener Philharmoniker, André Previn | NLA508901832 |
| Don Giovanni: "Là ci darem la mano" | Sir Thomas Allen, Marie McLaughlin, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902716 |
| Don Giovanni: "Là ci darem la mano" | Sir Thomas Allen, Marie McLaughlin, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902772 |
| Die Zauberflöte: "Der Hölle Rache" | Cheryl Studer, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902809 |
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
Die Walküre: Dritter Aufzug: Szene 1: "Hojotoho! Heiaha!"
Karl Böhm
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo)
Claes-Håkan Ahnsjö, Ambrosian Opera Chorus, Montserrat Caballé, José Carreras, Ann Murray, Samuel Ramey, Vicente Sardinero, New Philharmonia Orchestra, Jesús López Cobos
La bohème: Atto I. “Che gelida manina”
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
La bohème: Atto I. “Sì. Mi chiamano Mimì”
Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Il trovatore: Act II. “Vedi! le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Il trovatore: Act II. “Vedi! le fosche notturne spoglie”
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
Rigoletto: Un di, se ben rammentomi
Renato Bruson, Brigitte Fassbaender, Edita Gruberova, Neil Shicoff, Orchestra dell'Accademia di Santa Cecilia, Giuseppe Sinopoli
Le nozze di Figaro: Atto primo: No. 10 Aria "Non più andrai"
José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Le nozze di Figaro: Atto primo: No. 10 Aria "Non più andrai"
José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Faust: Ah! Je ris de me voir (Juwelen-Arie)
Kiri Te Kanawa, Symphonie-Orchester des Bayerischen Rundfunks, Sir Colin Davis
Carmen : « L'amour est un oiseau rebelle » (Habanera)
Chœur de Radio France, Jessye Norman, Orchestre national de France, Seiji Ozawa
Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole)
Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate
Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole)
Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate
Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Cosi fan tutte, K.588
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Samson et Dalila: Mon cœur s'ouvre à ta voix
Agnes Baltsa, José Carreras, Symphonie-Orchester des Bayerischen Rundfunks, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner
Die Fledermaus: Mein Herr Marquis
Wiener Staatsopernchor, Edita Gruberova, Wiener Philharmoniker, André Previn
Don Giovanni: "Là ci darem la mano"
Sir Thomas Allen, Marie McLaughlin, Academy of St Martin in the Fields, Sir Neville Marriner
Don Giovanni: "Là ci darem la mano"
Sir Thomas Allen, Marie McLaughlin, Academy of St Martin in the Fields, Sir Neville Marriner
Die Zauberflöte: "Der Hölle Rache"
Cheryl Studer, Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006097350X000000008161024900000000816924320000000081697153000000010661744800000001086359570000000108664184000000010869406800000001086940840000000108886588
+37 more
0000000108935343000000010920127X0000000109426524000000010944807X000000010953518100000001096164590000000110326977000000011063348300000001107454690000000110823228000000011084707800000001109288630000000114397967000000011451558000000001145512580000000114686689000000011471225000000001147122850000000114802504000000011492434100000001188669510000000119410438000000011945340300000001194564790000000119546175000000012097801200000001210680020000000121174593000000012118116000000001212755460000000121615037000000012181709300000001219820050000000122880481000000012321695300000001235318730000000460711680
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What is UPC 028943882422?
028943882422 is a Universal Product Code (UPC) assigned to Faszination Oper: Festspiele der Grossen Stars by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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