UPC · Release
Bach Celebration
Johann Sebastian Bach
028943890021
23 tracksReleased 1993-01-01
Last verified:
028943890021 is the Universal Product Code (UPC barcode) for the release “Bach Celebration” by Johann Sebastian Bach, released 1993-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include NLA507918701, NLA507918702, NLA507918703.
Format
0Number system
28943Manufacturer
89002Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBach Celebration
ISRC21 recordings
ISWC11 works
IPI2 songwriters
Track List (23)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-2 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-3 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus) | English Chamber Orchestra, Raymond Leppard | — | |
| 3-4 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-5 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-6 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus) | English Chamber Orchestra, Raymond Leppard | T8000405415 | |
| 3-7 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-8 | Motette, BWV 229 "Komm, Jesu, komm" | — | ||
| 3-9 | Motette, BWV 230 "Lobet den Herrn, alle Heiden" | — | ||
| 3-10 | Bist du bei mir, BWV 508 | Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | — | |
| 3-11 | Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" | St Paul’s Cathedral Choir, English Chamber Orchestra, Barry Rose | T-905.387.081-8 | |
| 3-12 | Magnificat, BWV 243: I. Coro "Magnificat anima mea" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-13 | Magnificat, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus" | Patrizia Kwella, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-14 | Magnificat, BWV 243: III. Aria (soprano I) "Quia respexit humilitatem" | Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-15 | Magnificat in D major, BWV 243: IV. Coro "Omnes generationes" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-16 | Magnificat, BWV 243: V. Aria (bass) "Quia fecit mihi magna" | David Thomas, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-17 | Magnificat, BWV 243: VI. Aria (Duetto) (alto, tenor) "Et misericordia" | Anthony Rolfe Johnson, Sir John Eliot Gardiner, English Baroque Soloists, Charles Brett | — | |
| 3-18 | Magnificat, BWV 243: VII. Coro "Fecit potentiam" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-19 | Magnificat, BWV 243: VIII. Aria (tenor) "Deposuit potentes" | Anthony Rolfe Johnson, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-20 | Magnificat, BWV 243: IX. Aria (alto) "Esurientes implevit bonis" | Charles Brett, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-21 | Magnificat, BWV 243: X. Aria (Terzetto) (sopranos I & II, alto) "Suscepit Israel" | Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists, Patrizia Kwella, Charles Brett | — | |
| 3-22 | Magnificat, BWV 243: XI. Coro "Sicut locutus est" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-23 | Magnificat, BWV 243: XII. Coro "Gloria Patri" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — |
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
English Chamber Orchestra, Raymond Leppard
—
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!"
English Chamber Orchestra, Raymond Leppard
—
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus)
English Chamber Orchestra, Raymond Leppard
—
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen"
English Chamber Orchestra, Raymond Leppard
—
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir"
English Chamber Orchestra, Raymond Leppard
—
English Chamber Orchestra, Raymond Leppard
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
English Chamber Orchestra, Raymond Leppard
—
Motette, BWV 229 "Komm, Jesu, komm"
—
Motette, BWV 230 "Lobet den Herrn, alle Heiden"
—
Bist du bei mir, BWV 508
Kiri Te Kanawa, English Chamber Orchestra, Barry Rose
—
St Paul’s Cathedral Choir, English Chamber Orchestra, Barry Rose
Magnificat, BWV 243: I. Coro "Magnificat anima mea"
Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists
—
Magnificat, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus"
Patrizia Kwella, Sir John Eliot Gardiner, English Baroque Soloists
—
Magnificat, BWV 243: III. Aria (soprano I) "Quia respexit humilitatem"
Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists
—
Magnificat in D major, BWV 243: IV. Coro "Omnes generationes"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Magnificat, BWV 243: V. Aria (bass) "Quia fecit mihi magna"
David Thomas, Sir John Eliot Gardiner, English Baroque Soloists
—
Magnificat, BWV 243: VI. Aria (Duetto) (alto, tenor) "Et misericordia"
Anthony Rolfe Johnson, Sir John Eliot Gardiner, English Baroque Soloists, Charles Brett
—
Magnificat, BWV 243: VII. Coro "Fecit potentiam"
Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists
—
Magnificat, BWV 243: VIII. Aria (tenor) "Deposuit potentes"
Anthony Rolfe Johnson, Sir John Eliot Gardiner, English Baroque Soloists
—
Magnificat, BWV 243: IX. Aria (alto) "Esurientes implevit bonis"
Charles Brett, Sir John Eliot Gardiner, English Baroque Soloists
—
Magnificat, BWV 243: X. Aria (Terzetto) (sopranos I & II, alto) "Suscepit Israel"
Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists, Patrizia Kwella, Charles Brett
—
Magnificat, BWV 243: XI. Coro "Sicut locutus est"
Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists
—
Magnificat, BWV 243: XII. Coro "Gloria Patri"
Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists
—
Additional database matches (25)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Allegro | English Chamber Orchestra, Raymond Leppard | — |
| Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Adagio | English Chamber Orchestra, Raymond Leppard | T8024454103 |
| Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Allegro | English Chamber Orchestra, Raymond Leppard | T3063957864 |
| The Art of Fugue: Contrapunctus 1 | Carmel Caine, John Gray, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto No. 2 in E major, BWV 1042: II. Adagio | Henryk Szeryng, Academy of St Martin in the Fields, Sir Neville Marriner | T0014395868 |
| Suite no. 3 in D major, BWV 1068: I. Ouverture | Academy of St Martin in the Fields, Neville Marriner | T7026221036 |
| Suite no. 3 in D major, BWV 1068: II. Air | Academy of St Martin in the Fields, Neville Marriner | T-914.248.874-2 |
| Suite no. 3 in D major, BWV 1068: III. Gavotte I-II | Academy of St Martin in the Fields, Neville Marriner | — |
| Suite no. 3 in D major, BWV 1068: IV. Bourrée | Academy of St Martin in the Fields, Neville Marriner | — |
| Suite no. 3 in D major, BWV 1068: V. Gigue | Academy of St Martin in the Fields, Neville Marriner | — |
| Musical Offering: Canon a 2, quaerendo invenietis (Canon contrarium stricte reversum) | Nicholas Kraemer, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Musical Offering: Canon a 4 | Iona Brown, Roger Garland, Malcolm Latchem, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Musical Offering: Canon perpetuus | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Musical Offering: Canon 4, a 2, per augmentationem, contrario motu | Iona Brown, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Musical Offering: Fuga canonica in epidiapente | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Musical Offering, BWV 1079: Ricercare a 6 | William Bennett, Iona Brown, Roger Garland, Nicholas Kraemer, Malcolm Latchem, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Brandenburg Concerto no. 2 in F major, BWV 1047: I. | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | T-801411105-9 |
| Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | — |
| Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | T-306395786-4 |
| Partita no. 2 in D minor, BWV 1004: I. Allemanda | Gidon Kremer | — |
| Partita no. 2 in D minor, BWV 1004: II. Corrente | Gidon Kremer | — |
| Partita no. 2 in D minor, BWV 1004: III. Sarabanda | Gidon Kremer | — |
| Partita no. 2 in D minor, BWV 1004: IV. Giga | Gidon Kremer | — |
| Partita No.2 in D minor, BWV 1004: V. Ciaccona | Gidon Kremer | — |
| Bist du bei mir, BWV 508 | Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | — |
Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Allegro
English Chamber Orchestra, Raymond Leppard
—
English Chamber Orchestra, Raymond Leppard
English Chamber Orchestra, Raymond Leppard
The Art of Fugue: Contrapunctus 1
Carmel Caine, John Gray, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner
—
Henryk Szeryng, Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Neville Marriner
Academy of St Martin in the Fields, Neville Marriner
Suite no. 3 in D major, BWV 1068: III. Gavotte I-II
Academy of St Martin in the Fields, Neville Marriner
—
Suite no. 3 in D major, BWV 1068: IV. Bourrée
Academy of St Martin in the Fields, Neville Marriner
—
Suite no. 3 in D major, BWV 1068: V. Gigue
Academy of St Martin in the Fields, Neville Marriner
—
Musical Offering: Canon a 2, quaerendo invenietis (Canon contrarium stricte reversum)
Nicholas Kraemer, Academy of St Martin in the Fields, Sir Neville Marriner
—
Musical Offering: Canon a 4
Iona Brown, Roger Garland, Malcolm Latchem, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Musical Offering: Canon perpetuus
William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Musical Offering: Canon 4, a 2, per augmentationem, contrario motu
Iona Brown, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Musical Offering: Fuga canonica in epidiapente
Academy of St Martin in the Fields, Sir Neville Marriner
—
Musical Offering, BWV 1079: Ricercare a 6
William Bennett, Iona Brown, Roger Garland, Nicholas Kraemer, Malcolm Latchem, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner
Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner
—
André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner
Partita no. 2 in D minor, BWV 1004: I. Allemanda
Gidon Kremer
—
Partita no. 2 in D minor, BWV 1004: II. Corrente
Gidon Kremer
—
Partita no. 2 in D minor, BWV 1004: III. Sarabanda
Gidon Kremer
—
Partita no. 2 in D minor, BWV 1004: IV. Giga
Gidon Kremer
—
Partita No.2 in D minor, BWV 1004: V. Ciaccona
Gidon Kremer
—
Bist du bei mir, BWV 508
Kiri Te Kanawa, English Chamber Orchestra, Barry Rose
—
What other identifiers does this connect to?
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00000000630419430000000072475508000000007839301X000000008029407X000000008156957300000000841357460000000084154277000000009989027700000001093719810000000109957923
+25 more
0000000110232022000000011032871000000001104260970000000110574145000000011068491800000001107914140000000110898641000000011297410X00000001145420790000000114542757000000011468159700000001147122500000000114722352000000011473321100000001147676650000000118161986000000011938871X000000011945647900000001195736080000000121039156000000012117459300000001213588780000000122601585000000045302492X0000000469429331
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What is UPC 028943890021?
028943890021 is a Universal Product Code (UPC) assigned to Bach Celebration by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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