UPC · Release
Johann Sebastian Bach
Last verified:
The UPC for “Bach Celebration” by Johann Sebastian Bach is 028943890021. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. This release contains 76 tracks, each with its own ISRC. Tracks include NLA507921505, NLA507921506, NLA507921507.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | T-801.411.105-9 | |
| 2 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | — | |
| 3 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | T-306.395.786-4 | |
| 4 | Konzert für Violine E-Dur, BWV 1042: I. Allegro | — | ||
| 5 | Violin Concerto No. 2 in E major, BWV 1042: II. Adagio | Henryk Szeryng, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.439.586-8 | |
| 6 | Konzert für Violine E-Dur, BWV 1042: III. Allegro assai | — | ||
| 7 | Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Allegro | English Chamber Orchestra, Raymond Leppard | — | |
| 8 | Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Adagio | English Chamber Orchestra, Raymond Leppard | T-802.445.410-3 | |
| 9 | Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Allegro | English Chamber Orchestra, Raymond Leppard | T-306.395.786-4 | |
| 10 | Suite no. 3 in D major, BWV 1068: I. Ouverture | Academy of St Martin in the Fields, Neville Marriner | T-702.622.103-6 | |
| 11 | Suite no. 3 in D major, BWV 1068: II. Air | Academy of St Martin in the Fields, Neville Marriner | T-914.248.874-2 | |
| 12 | Suite no. 3 in D major, BWV 1068: III. Gavotte I-II | Academy of St Martin in the Fields, Neville Marriner | — | |
| 13 | Suite no. 3 in D major, BWV 1068: IV. Bourrée | Academy of St Martin in the Fields, Neville Marriner | — | |
| 14 | Suite no. 3 in D major, BWV 1068: V. Gigue | Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-1 | Italian Concerto, BWV 971: I. Allegro | — | ||
| 2-2 | Italian Concerto, BWV 971: II. Andante | — | ||
| 2-3 | Italian Concerto, BWV 971: III. Presto | — | ||
| 2-4 | Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: I. Allegro | — | ||
| 2-5 | Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: II. Largo | — | ||
| 2-6 | Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: III. Allegro | — | ||
| 2-7 | Wachet auf, ruft uns die Stimme, BWV 645 | — | ||
| 2-8 | Passacaglia and Fugue in C minor, BWV 582: I. Passacaglia | — | ||
| 2-9 | Passacaglia and Fugue in C minor, BWV 582: II. Fugue | — | ||
| 2-10 | Chromatic Fantasia and Fugue in D minor, BWV 903: I. Chromatic Fantasia | — | ||
| 2-11 | Chromatic Fantasia and Fugue in D minor, BWV 903: II. Fugue | — | ||
| 2-12 | French Suite No. 2 in C minor, BWV 813: I. Allemande | — | ||
| 2-13 | French Suite No. 2 in C minor, BWV 813: II. Courante | — | ||
| 2-14 | French Suite No. 2 in C minor, BWV 813: III. Sarabande | — | ||
| 2-15 | French Suite No. 2 in C minor, BWV 813: IV. Air | — | ||
| 2-16 | French Suite No. 2 in C minor, BWV 813: V. Menuet | — | ||
| 2-17 | French Suite No. 2 in C minor, BWV 813: VI. Gigue | — | ||
| 2-18 | Toccata und Fuge für Orgel in d-Moll, BWV 565: I. Toccata | — | ||
| 2-19 | Toccata und Fuge für Orgel in d-Moll, BWV 565: II. Fugue | — | ||
| 3-1 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-2 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-3 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus) | English Chamber Orchestra, Raymond Leppard | — | |
| 3-4 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-5 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-6 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus) | English Chamber Orchestra, Raymond Leppard | T-800.040.541-5 | |
| 3-7 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-8 | Motette, BWV 229 "Komm, Jesu, komm" | — | ||
| 3-9 | Motette, BWV 230 "Lobet den Herrn, alle Heiden" | — | ||
| 3-10 | Bist du bei mir, BWV 508 | Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | — | |
| 3-11 | Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" | St Paul’s Cathedral Choir, English Chamber Orchestra, Barry Rose | T-905.387.081-8 | |
| 3-12 | Magnificat, BWV 243: I. Coro "Magnificat anima mea" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-13 | Magnificat, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus" | Patrizia Kwella, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-14 | Magnificat, BWV 243: III. Aria (soprano I) "Quia respexit humilitatem" | Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-15 | Magnificat in D major, BWV 243: IV. Coro "Omnes generationes" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-16 | Magnificat, BWV 243: V. Aria (bass) "Quia fecit mihi magna" | David Thomas, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-17 | Magnificat, BWV 243: VI. Aria (Duetto) (alto, tenor) "Et misericordia" | Anthony Rolfe Johnson, Sir John Eliot Gardiner, English Baroque Soloists, Charles Brett | — | |
| 3-18 | Magnificat, BWV 243: VII. Coro "Fecit potentiam" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-19 | Magnificat, BWV 243: VIII. Aria (tenor) "Deposuit potentes" | Anthony Rolfe Johnson, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-20 | Magnificat, BWV 243: IX. Aria (alto) "Esurientes implevit bonis" | Charles Brett, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-21 | Magnificat, BWV 243: X. Aria (Terzetto) (sopranos I & II, alto) "Suscepit Israel" | Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists, Patrizia Kwella, Charles Brett | — | |
| 3-22 | Magnificat, BWV 243: XI. Coro "Sicut locutus est" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-23 | Magnificat, BWV 243: XII. Coro "Gloria Patri" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 4-1 | Musical Offering: Canon a 2, quaerendo invenietis (Canon contrarium stricte reversum) | Nicholas Kraemer, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-2 | Musical Offering: Canon a 4 | Iona Brown, Roger Garland, Malcolm Latchem, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-3 | Musical Offering: Canon perpetuus | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-4 | Musical Offering: Canon 4, a 2, per augmentationem, contrario motu | Iona Brown, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-5 | Musical Offering: Fuga canonica in epidiapente | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-6 | Musical Offering, BWV 1079: Ricercare a 6 | William Bennett, Iona Brown, Roger Garland, Nicholas Kraemer, Malcolm Latchem, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-7 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | Gidon Kremer | — | |
| 4-8 | Partita no. 2 in D minor, BWV 1004: II. Corrente | Gidon Kremer | — | |
| 4-9 | Partita no. 2 in D minor, BWV 1004: III. Sarabanda | Gidon Kremer | — | |
| 4-10 | Partita no. 2 in D minor, BWV 1004: IV. Giga | Gidon Kremer | — | |
| 4-11 | Partita No.2 in D minor, BWV 1004: V. Ciaccona | Gidon Kremer | — | |
| 4-12 | Sonata in E major for Flute and Continuo, BWV 1035: I. Adagio ma non tanto | — | ||
| 4-13 | Sonata in E major for Flute and Continuo, BWV 1035: II. Allegro | — | ||
| 4-14 | Sonata in E major for Flute and Continuo, BWV 1035: III. Siciliano | — | ||
| 4-15 | Sonata in E major for Flute and Continuo, BWV 1035: IV. Allegro assai | — | ||
| 4-16 | The Art of Fugue: Contrapunctus 1 | Carmel Caine, John Gray, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-17 | Die Kunst der Fuge, BWV 1080: Contrapunctus 4 | — | ||
| 4-18 | Die Kunst der Fuge, BWV 1080: Contrapunctus 5 | — | ||
| 4-19 | Die Kunst der Fuge, BWV 1080: Contrapunctus 7 | — | ||
| 4-20 | Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti (Contrapunctus 14) | — |
Identifier Graph
028943890021 is a Universal Product Code (UPC) assigned to Bach Celebration by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bist du bei mir, BWV 508 | Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Bach Celebration” by Johann Sebastian Bach is 028943890021. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. This release contains 76 tracks, each with its own ISRC. Tracks include NLA507921505, NLA507921506, NLA507921507.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | T-801.411.105-9 | |
| 2 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | — | |
| 3 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | T-306.395.786-4 | |
| 4 | Konzert für Violine E-Dur, BWV 1042: I. Allegro | — | ||
| 5 | Violin Concerto No. 2 in E major, BWV 1042: II. Adagio | Henryk Szeryng, Academy of St Martin in the Fields, Sir Neville Marriner | T-001.439.586-8 | |
| 6 | Konzert für Violine E-Dur, BWV 1042: III. Allegro assai | — | ||
| 7 | Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Allegro | English Chamber Orchestra, Raymond Leppard | — | |
| 8 | Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Adagio | English Chamber Orchestra, Raymond Leppard | T-802.445.410-3 | |
| 9 | Concerto for harpsichord and strings No. 1 in D minor, BWV 1052 - Allegro | English Chamber Orchestra, Raymond Leppard | T-306.395.786-4 | |
| 10 | Suite no. 3 in D major, BWV 1068: I. Ouverture | Academy of St Martin in the Fields, Neville Marriner | T-702.622.103-6 | |
| 11 | Suite no. 3 in D major, BWV 1068: II. Air | Academy of St Martin in the Fields, Neville Marriner | T-914.248.874-2 | |
| 12 | Suite no. 3 in D major, BWV 1068: III. Gavotte I-II | Academy of St Martin in the Fields, Neville Marriner | — | |
| 13 | Suite no. 3 in D major, BWV 1068: IV. Bourrée | Academy of St Martin in the Fields, Neville Marriner | — | |
| 14 | Suite no. 3 in D major, BWV 1068: V. Gigue | Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-1 | Italian Concerto, BWV 971: I. Allegro | — | ||
| 2-2 | Italian Concerto, BWV 971: II. Andante | — | ||
| 2-3 | Italian Concerto, BWV 971: III. Presto | — | ||
| 2-4 | Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: I. Allegro | — | ||
| 2-5 | Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: II. Largo | — | ||
| 2-6 | Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: III. Allegro | — | ||
| 2-7 | Wachet auf, ruft uns die Stimme, BWV 645 | — | ||
| 2-8 | Passacaglia and Fugue in C minor, BWV 582: I. Passacaglia | — | ||
| 2-9 | Passacaglia and Fugue in C minor, BWV 582: II. Fugue | — | ||
| 2-10 | Chromatic Fantasia and Fugue in D minor, BWV 903: I. Chromatic Fantasia | — | ||
| 2-11 | Chromatic Fantasia and Fugue in D minor, BWV 903: II. Fugue | — | ||
| 2-12 | French Suite No. 2 in C minor, BWV 813: I. Allemande | — | ||
| 2-13 | French Suite No. 2 in C minor, BWV 813: II. Courante | — | ||
| 2-14 | French Suite No. 2 in C minor, BWV 813: III. Sarabande | — | ||
| 2-15 | French Suite No. 2 in C minor, BWV 813: IV. Air | — | ||
| 2-16 | French Suite No. 2 in C minor, BWV 813: V. Menuet | — | ||
| 2-17 | French Suite No. 2 in C minor, BWV 813: VI. Gigue | — | ||
| 2-18 | Toccata und Fuge für Orgel in d-Moll, BWV 565: I. Toccata | — | ||
| 2-19 | Toccata und Fuge für Orgel in d-Moll, BWV 565: II. Fugue | — | ||
| 3-1 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-2 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-3 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus) | English Chamber Orchestra, Raymond Leppard | — | |
| 3-4 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-5 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-6 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus) | English Chamber Orchestra, Raymond Leppard | T-800.040.541-5 | |
| 3-7 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" | English Chamber Orchestra, Raymond Leppard | — | |
| 3-8 | Motette, BWV 229 "Komm, Jesu, komm" | — | ||
| 3-9 | Motette, BWV 230 "Lobet den Herrn, alle Heiden" | — | ||
| 3-10 | Bist du bei mir, BWV 508 | Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | — | |
| 3-11 | Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" | St Paul’s Cathedral Choir, English Chamber Orchestra, Barry Rose | T-905.387.081-8 | |
| 3-12 | Magnificat, BWV 243: I. Coro "Magnificat anima mea" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-13 | Magnificat, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus" | Patrizia Kwella, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-14 | Magnificat, BWV 243: III. Aria (soprano I) "Quia respexit humilitatem" | Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-15 | Magnificat in D major, BWV 243: IV. Coro "Omnes generationes" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-16 | Magnificat, BWV 243: V. Aria (bass) "Quia fecit mihi magna" | David Thomas, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-17 | Magnificat, BWV 243: VI. Aria (Duetto) (alto, tenor) "Et misericordia" | Anthony Rolfe Johnson, Sir John Eliot Gardiner, English Baroque Soloists, Charles Brett | — | |
| 3-18 | Magnificat, BWV 243: VII. Coro "Fecit potentiam" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-19 | Magnificat, BWV 243: VIII. Aria (tenor) "Deposuit potentes" | Anthony Rolfe Johnson, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-20 | Magnificat, BWV 243: IX. Aria (alto) "Esurientes implevit bonis" | Charles Brett, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-21 | Magnificat, BWV 243: X. Aria (Terzetto) (sopranos I & II, alto) "Suscepit Israel" | Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists, Patrizia Kwella, Charles Brett | — | |
| 3-22 | Magnificat, BWV 243: XI. Coro "Sicut locutus est" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 3-23 | Magnificat, BWV 243: XII. Coro "Gloria Patri" | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | — | |
| 4-1 | Musical Offering: Canon a 2, quaerendo invenietis (Canon contrarium stricte reversum) | Nicholas Kraemer, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-2 | Musical Offering: Canon a 4 | Iona Brown, Roger Garland, Malcolm Latchem, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-3 | Musical Offering: Canon perpetuus | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-4 | Musical Offering: Canon 4, a 2, per augmentationem, contrario motu | Iona Brown, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-5 | Musical Offering: Fuga canonica in epidiapente | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-6 | Musical Offering, BWV 1079: Ricercare a 6 | William Bennett, Iona Brown, Roger Garland, Nicholas Kraemer, Malcolm Latchem, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-7 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | Gidon Kremer | — | |
| 4-8 | Partita no. 2 in D minor, BWV 1004: II. Corrente | Gidon Kremer | — | |
| 4-9 | Partita no. 2 in D minor, BWV 1004: III. Sarabanda | Gidon Kremer | — | |
| 4-10 | Partita no. 2 in D minor, BWV 1004: IV. Giga | Gidon Kremer | — | |
| 4-11 | Partita No.2 in D minor, BWV 1004: V. Ciaccona | Gidon Kremer | — | |
| 4-12 | Sonata in E major for Flute and Continuo, BWV 1035: I. Adagio ma non tanto | — | ||
| 4-13 | Sonata in E major for Flute and Continuo, BWV 1035: II. Allegro | — | ||
| 4-14 | Sonata in E major for Flute and Continuo, BWV 1035: III. Siciliano | — | ||
| 4-15 | Sonata in E major for Flute and Continuo, BWV 1035: IV. Allegro assai | — | ||
| 4-16 | The Art of Fugue: Contrapunctus 1 | Carmel Caine, John Gray, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-17 | Die Kunst der Fuge, BWV 1080: Contrapunctus 4 | — | ||
| 4-18 | Die Kunst der Fuge, BWV 1080: Contrapunctus 5 | — | ||
| 4-19 | Die Kunst der Fuge, BWV 1080: Contrapunctus 7 | — | ||
| 4-20 | Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti (Contrapunctus 14) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bist du bei mir, BWV 508 | Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | — |
