UPC · Album

The Marriage of Figaro (highlights)

Mozart, Gundula Janowitz, Edith Mathis and 5 more

028943944922
18 tracksReleased 1993-01-01Deutsche Grammophon

Last verified:

028943944922 is the Universal Product Code (UPC barcode) for the release The Marriage of Figaro (highlights) by Mozart, Gundula Janowitz, Edith Mathis, Hermann Prey, Dietrich Fischer‐Dieskau, Chor, Orchester der Deutschen Oper Berlin, Karl Böhm, released 1993-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEF056830101, DEF056830103, DEF056830105.

Format

0Number system
28943Manufacturer
94492Product
2Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Marriage of Figaro (highlights)
ISRC21 recordings
ISWC9 works

Track List (21)

Le nozze di Figaro, K. 492: Overture
Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act I. no. 2. Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna)
Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act I. no. 4. Aria "La vendetta, oh, la vendetta" (Bartolo)
Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act I. no. 6. Aria "Non so più cosa son, cosa faccio" (Cherubino)
Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro)
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492, no. 11: “Porgi, amore, qualche ristoro”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act II. no. 11. Canzona "Voi che sapete" (Cherubino)
Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna)
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa)
Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 23. Cavatina “L’ho perduta” (Barbarina)
Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 28. Finale "Gente, gente, all'armi, all'armi" (Conte, Tutti)
Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act I. no. 3. Cavatina "Se vuol ballare, signor Contino" (Figaro)
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa)
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 26. Aria "Aprite un po' quegli occhi" (Figaro)
Dietrich Fischer-Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna)
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act IV. no. 27. Aria "Deh vieni, non tardar" (Susanna)
Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act III. no. 17. Aria "Vedrò, mentr'io sospiro" (Conte)
Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo "E Susanna non vien!" (Contessa)
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”
Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm
Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa)
Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm

People also ask

What is UPC 028943944922?
UPC 028943944922 is the Universal Product Code (barcode) for "The Marriage of Figaro (highlights)" by Mozart, Gundula Janowitz, Edith Mathis, Hermann Prey, Dietrich Fischer‐Dieskau, Chor, Orchester der Deutschen Oper Berlin, Karl Böhm, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028943944922?
UPC 028943944922 contains 18 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028943944922?

028943944922 is a Universal Product Code (UPC) assigned to The Marriage of Figaro (highlights) by Mozart, Gundula Janowitz, Edith Mathis, Hermann Prey, Dietrich Fischer‐Dieskau, Chor, Orchester der Deutschen Oper Berlin, Karl Böhm. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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