UPC · Release
Ensemble Eduard Melkus, Ulsamer Collegium
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The UPC for “Tanzmusik (von der Renaissance bis zum Biedermeier)” by Ensemble Eduard Melkus, Ulsamer Collegium is 028943996426. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Archiv Produktion. This release contains 135 tracks, each with its own ISRC. Tracks include DEF057301270, DEF057301330, DEF057301360.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lamento di Tristano: La Rotta | — | ||
| 2 | Trotto | — | ||
| 3 | Istampitta Ghaetta | — | ||
| 4 | Istampita Cominciamento di gioia | — | ||
| 5 | Saltarello | — | ||
| 6 | Bassa danza à 2 | — | ||
| 7 | Alta danza à 3 | — | ||
| 8 | Bassa danza à 2 | — | ||
| 9 | Bassa danza à 3 | — | ||
| 10 | Basse danse La brosse: Tripla - Tourdion | — | ||
| 11 | Basse danse La gatta | — | ||
| 12 | Basse danse La Magdalena | — | ||
| 13 | Calata ala Spagnola | — | ||
| 14 | Der Judentantz | — | ||
| 15 | Welscher Tantz Wascha mesa: Hupfauff | — | ||
| 16 | Pavana I/II | — | ||
| 17 | Romanesca Guarda me las vacas | — | ||
| 18 | Passamezzo: Saltarello | — | ||
| 19 | Branle de Bourgogne | — | ||
| 20 | Englischer Tanz | — | ||
| 21 | Tanz Du hast mich wollen nemmen | — | ||
| 22 | Schiarazula Marazula | — | ||
| 23 | Ungaresca: Saltarello | — | ||
| 24 | Ronde | — | ||
| 25 | Branle de Bourgogne | — | ||
| 26 | Branle de Champagne | — | ||
| 27 | Passamezzo d'Italye: Reprise - Gaillarde | — | ||
| 28 | Schiarazula Marazula | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | — | |
| 29 | Tedesca: Saltarello | — | ||
| 30 | Ungaresca: Saltarello | — | ||
| 31 | Branle gay | — | ||
| 32 | Mascherade | — | ||
| 33 | Saltarello | — | ||
| 34 | Ballo Detto "Il Conte Orlando" / Saltarello | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | T-001.080.003-9 | |
| 35 | Gagliarda del Principe di Venosa | — | ||
| 36 | Barriera | — | ||
| 37 | Celeste Giglio | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | T-308.725.429-9 | |
| 38 | Terpsichore, No. 29: Pavana de Spaigne à 5 | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | — | |
| 39 | Courante | — | ||
| 40 | Courante | — | ||
| 41 | Volte | — | ||
| 42 | Volte | — | ||
| 2-1 | Pavan: The Funerals | — | ||
| 2-2 | Noel's Galliard | — | ||
| 2-3 | Coranto "Heigh: Ho Holiday" | — | ||
| 2-4 | Kemp's Jig | — | ||
| 2-5 | Queen Elizabeth's Galliard | — | ||
| 2-6 | Mrs. Winter's Jump | — | ||
| 2-7 | Alman | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | — | |
| 2-8 | Galliard | — | ||
| 2-9 | Galliarde de Monsieur Wustron | — | ||
| 2-10 | Galliarde de la guerre | — | ||
| 2-11 | Terpsichore, No. 289: Gaillarde de Monsieur Wustron | Konrad Ragossnig, Ulsamer Collegium, Josef Ulsamer | — | |
| 2-12 | Tantz | — | ||
| 2-13 | Paduan | — | ||
| 2-14 | Gaillarde | — | ||
| 2-15 | Catkanei | — | ||
| 2-16 | Country Dance: Running Footman | — | ||
| 2-17 | Country Dance: Greensleeves and Pudding Pyes | — | ||
| 2-18 | Country Dance: Cobler's Jigg | — | ||
| 2-19 | Country Dance: How can I keep my Maiden Head | — | ||
| 2-20 | Canarios | — | ||
| 2-21 | Menuet I/II | — | ||
| 2-22 | Bourrée | — | ||
| 2-23 | La Montauban | — | ||
| 2-24 | Passacalle de la Cavalleria de Napoles | — | ||
| 2-25 | Españoleta | — | ||
| 2-26 | Gallarda y Villano | — | ||
| 2-27 | Musette | — | ||
| 2-28 | Suite: Paduan | — | ||
| 2-29 | Suite: Allemande | — | ||
| 2-30 | Suite: Courante | — | ||
| 2-31 | Suite: Sarabande | — | ||
| 2-32 | Suite: Gavotte | — | ||
| 2-33 | Suite: Gigue | — | ||
| 2-34 | Balletto: Allemande | — | ||
| 2-35 | Balletto: Amener | — | ||
| 2-36 | Balletto: Gavotte | — | ||
| 2-37 | Balletto: Sarabande | — | ||
| 2-38 | Balletto: Gavotte | — | ||
| 2-39 | Menuet | — | ||
| 2-40 | Passe-pied | — | ||
| 2-41 | Bourrée | — | ||
| 2-42 | Gigue | — | ||
| 2-43 | Gavotte | — | ||
| 2-44 | Suite: Corente | — | ||
| 2-45 | Suite: Sarabande | — | ||
| 2-46 | Suite: Gigue | — | ||
| 2-47 | Une noce de village. Dernière entrée:: Concert champêtre de l'espoux | — | ||
| 2-48 | Une noce de village. Dernière entrée:: Gavotte pour le marié et la mariée | — | ||
| 2-49 | Une noce de village. Dernière entrée:: Sarabande pour le père et la mère du marié | — | ||
| 2-50 | Une noce de village. Dernière entrée:: Gavotte pour les parents de la mariée | — | ||
| 2-51 | Une noce de village. Dernière entrée:: Gaillarde pour les parents et amis des mariés | — | ||
| 3-1 | 5 Polonaisen Wq 190: I. Polonaise in D major | — | ||
| 3-2 | 5 Polonaisen Wq 190: II. Polonaise in A major | — | ||
| 3-3 | 5 Polonaisen Wq 190: III. Polonaise in C major | — | ||
| 3-4 | 5 Polonaisen Wq 190: IV. Polonaise in A minor | — | ||
| 3-5 | 5 Polonaisen Wq 190: V. Polonaise in D major | — | ||
| 3-6 | Zoroastre: Air tendre en Rondeau | — | ||
| 3-7 | Zoroastre: Loure | — | ||
| 3-8 | Zoroastre: Tambourin en Rondeau | — | ||
| 3-9 | Zoroastre: Sarabande | — | ||
| 3-10 | Zoroastre: Gavotte gaye avec Trio | — | ||
| 3-11 | Zoroastre: Premier Rigaudon | — | ||
| 3-12 | Zoroastre: Air en Chaconne | — | ||
| 3-13 | Dances from "Diane et Endimione": Contredance in B-flat major | — | ||
| 3-14 | Dances from "Roger et Bradamante": Gavotte in B-flat major with Trio in E flat major | — | ||
| 3-15 | Dances from "Diane et Endimione": "Pas de deux" in B-flat major | — | ||
| 3-16 | Dances from "Diane et Endimione": Menuet in E-flat major | — | ||
| 3-17 | Gli Orazi e gli Curiazi: Gavotte in G major with Trio in D minor | — | ||
| 3-18 | Dances from "Roger et Bradamante": Moderato in F major | — | ||
| 3-19 | Dances from "Diane et Endimione": Gavotte in F major | — | ||
| 3-20 | Dances from "Diane et Endimione": Menuet in B-flat major with Trio in G minor | — | ||
| 3-21 | Dances from "Roger et Bradamante": Gavotte in D major with Trio in D minor | — | ||
| 3-22 | Dances from "Roger et Bradamante": Passe-pied in D minor with Trio in D major | — | ||
| 3-23 | Dances Wq 189: Menuet in F major with Trio | — | ||
| 3-24 | Dances Wq 189: Trio in G minor | — | ||
| 3-25 | Dances Wq 189: Menuet in D major with Trio in D minor | — | ||
| 3-26 | Polonaise | — | ||
| 3-27 | Menuet, Hob. IX/16/12 | — | ||
| 3-28 | Menuet, Hob. IX/11/4 | — | ||
| 3-29 | Orfeo ed Euridice, Wq. 30: Ballettmusik und Allegretto (aus "Don Juan") | — | ||
| 3-30 | Six Ländler, K. 606 | — | ||
| 3-31 | Zehn "Deutsche" | — | ||
| 4-1 | Five Contredanses "Non più andrai", K. 609 | — | ||
| 4-2 | 12 Contredanses, WoO 14: Vier Kontretänze, Nr. 4, 12, 5 und 7 | — | ||
| 4-3 | Menuetto | — | ||
| 4-4 | Quodlibet: Straßburger, Cosacca, Altvatter, Contredanse, Fandango (nach Mozart "Figaro"), Masur, Russisch, Furlana | — | ||
| 4-5 | Waltz in E major | — | ||
| 4-6 | 11 Mödlinger Tänze, WoO17 (1819), Ed. Hugo Riemann: no. 1: 8 | — | ||
| 4-7 | Deutsche Tänze samt Trios und Coda | — | ||
| 4-8 | Five Minuets and Trios for String Quartet, D 89 | — | ||
| 4-9 | 4 komische Ländler, D 354 | — | ||
| 4-10 | Linzer Tanz. Wiener Polka | — | ||
| 4-11 | Ungarischer Galopp in F major | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Terpsichore, No. 310: Reprinse secundam inferiorem à 4 | Konrad Ragossnig, Ulsamer Collegium, Josef Ulsamer | — |
Musical Works (ISWC)
Identifier Graph
028943996426 is a Universal Product Code (UPC) assigned to Tanzmusik (von der Renaissance bis zum Biedermeier) by Ensemble Eduard Melkus, Ulsamer Collegium. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 135 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Tanzmusik (von der Renaissance bis zum Biedermeier)” by Ensemble Eduard Melkus, Ulsamer Collegium is 028943996426. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Archiv Produktion. This release contains 135 tracks, each with its own ISRC. Tracks include DEF057301270, DEF057301330, DEF057301360.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lamento di Tristano: La Rotta | — | ||
| 2 | Trotto | — | ||
| 3 | Istampitta Ghaetta | — | ||
| 4 | Istampita Cominciamento di gioia | — | ||
| 5 | Saltarello | — | ||
| 6 | Bassa danza à 2 | — | ||
| 7 | Alta danza à 3 | — | ||
| 8 | Bassa danza à 2 | — | ||
| 9 | Bassa danza à 3 | — | ||
| 10 | Basse danse La brosse: Tripla - Tourdion | — | ||
| 11 | Basse danse La gatta | — | ||
| 12 | Basse danse La Magdalena | — | ||
| 13 | Calata ala Spagnola | — | ||
| 14 | Der Judentantz | — | ||
| 15 | Welscher Tantz Wascha mesa: Hupfauff | — | ||
| 16 | Pavana I/II | — | ||
| 17 | Romanesca Guarda me las vacas | — | ||
| 18 | Passamezzo: Saltarello | — | ||
| 19 | Branle de Bourgogne | — | ||
| 20 | Englischer Tanz | — | ||
| 21 | Tanz Du hast mich wollen nemmen | — | ||
| 22 | Schiarazula Marazula | — | ||
| 23 | Ungaresca: Saltarello | — | ||
| 24 | Ronde | — | ||
| 25 | Branle de Bourgogne | — | ||
| 26 | Branle de Champagne | — | ||
| 27 | Passamezzo d'Italye: Reprise - Gaillarde | — | ||
| 28 | Schiarazula Marazula | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | — | |
| 29 | Tedesca: Saltarello | — | ||
| 30 | Ungaresca: Saltarello | — | ||
| 31 | Branle gay | — | ||
| 32 | Mascherade | — | ||
| 33 | Saltarello | — | ||
| 34 | Ballo Detto "Il Conte Orlando" / Saltarello | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | T-001.080.003-9 | |
| 35 | Gagliarda del Principe di Venosa | — | ||
| 36 | Barriera | — | ||
| 37 | Celeste Giglio | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | T-308.725.429-9 | |
| 38 | Terpsichore, No. 29: Pavana de Spaigne à 5 | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | — | |
| 39 | Courante | — | ||
| 40 | Courante | — | ||
| 41 | Volte | — | ||
| 42 | Volte | — | ||
| 2-1 | Pavan: The Funerals | — | ||
| 2-2 | Noel's Galliard | — | ||
| 2-3 | Coranto "Heigh: Ho Holiday" | — | ||
| 2-4 | Kemp's Jig | — | ||
| 2-5 | Queen Elizabeth's Galliard | — | ||
| 2-6 | Mrs. Winter's Jump | — | ||
| 2-7 | Alman | Konrad Ragossnig, Josef Ulsamer, Ulsamer Collegium | — | |
| 2-8 | Galliard | — | ||
| 2-9 | Galliarde de Monsieur Wustron | — | ||
| 2-10 | Galliarde de la guerre | — | ||
| 2-11 | Terpsichore, No. 289: Gaillarde de Monsieur Wustron | Konrad Ragossnig, Ulsamer Collegium, Josef Ulsamer | — | |
| 2-12 | Tantz | — | ||
| 2-13 | Paduan | — | ||
| 2-14 | Gaillarde | — | ||
| 2-15 | Catkanei | — | ||
| 2-16 | Country Dance: Running Footman | — | ||
| 2-17 | Country Dance: Greensleeves and Pudding Pyes | — | ||
| 2-18 | Country Dance: Cobler's Jigg | — | ||
| 2-19 | Country Dance: How can I keep my Maiden Head | — | ||
| 2-20 | Canarios | — | ||
| 2-21 | Menuet I/II | — | ||
| 2-22 | Bourrée | — | ||
| 2-23 | La Montauban | — | ||
| 2-24 | Passacalle de la Cavalleria de Napoles | — | ||
| 2-25 | Españoleta | — | ||
| 2-26 | Gallarda y Villano | — | ||
| 2-27 | Musette | — | ||
| 2-28 | Suite: Paduan | — | ||
| 2-29 | Suite: Allemande | — | ||
| 2-30 | Suite: Courante | — | ||
| 2-31 | Suite: Sarabande | — | ||
| 2-32 | Suite: Gavotte | — | ||
| 2-33 | Suite: Gigue | — | ||
| 2-34 | Balletto: Allemande | — | ||
| 2-35 | Balletto: Amener | — | ||
| 2-36 | Balletto: Gavotte | — | ||
| 2-37 | Balletto: Sarabande | — | ||
| 2-38 | Balletto: Gavotte | — | ||
| 2-39 | Menuet | — | ||
| 2-40 | Passe-pied | — | ||
| 2-41 | Bourrée | — | ||
| 2-42 | Gigue | — | ||
| 2-43 | Gavotte | — | ||
| 2-44 | Suite: Corente | — | ||
| 2-45 | Suite: Sarabande | — | ||
| 2-46 | Suite: Gigue | — | ||
| 2-47 | Une noce de village. Dernière entrée:: Concert champêtre de l'espoux | — | ||
| 2-48 | Une noce de village. Dernière entrée:: Gavotte pour le marié et la mariée | — | ||
| 2-49 | Une noce de village. Dernière entrée:: Sarabande pour le père et la mère du marié | — | ||
| 2-50 | Une noce de village. Dernière entrée:: Gavotte pour les parents de la mariée | — | ||
| 2-51 | Une noce de village. Dernière entrée:: Gaillarde pour les parents et amis des mariés | — | ||
| 3-1 | 5 Polonaisen Wq 190: I. Polonaise in D major | — | ||
| 3-2 | 5 Polonaisen Wq 190: II. Polonaise in A major | — | ||
| 3-3 | 5 Polonaisen Wq 190: III. Polonaise in C major | — | ||
| 3-4 | 5 Polonaisen Wq 190: IV. Polonaise in A minor | — | ||
| 3-5 | 5 Polonaisen Wq 190: V. Polonaise in D major | — | ||
| 3-6 | Zoroastre: Air tendre en Rondeau | — | ||
| 3-7 | Zoroastre: Loure | — | ||
| 3-8 | Zoroastre: Tambourin en Rondeau | — | ||
| 3-9 | Zoroastre: Sarabande | — | ||
| 3-10 | Zoroastre: Gavotte gaye avec Trio | — | ||
| 3-11 | Zoroastre: Premier Rigaudon | — | ||
| 3-12 | Zoroastre: Air en Chaconne | — | ||
| 3-13 | Dances from "Diane et Endimione": Contredance in B-flat major | — | ||
| 3-14 | Dances from "Roger et Bradamante": Gavotte in B-flat major with Trio in E flat major | — | ||
| 3-15 | Dances from "Diane et Endimione": "Pas de deux" in B-flat major | — | ||
| 3-16 | Dances from "Diane et Endimione": Menuet in E-flat major | — | ||
| 3-17 | Gli Orazi e gli Curiazi: Gavotte in G major with Trio in D minor | — | ||
| 3-18 | Dances from "Roger et Bradamante": Moderato in F major | — | ||
| 3-19 | Dances from "Diane et Endimione": Gavotte in F major | — | ||
| 3-20 | Dances from "Diane et Endimione": Menuet in B-flat major with Trio in G minor | — | ||
| 3-21 | Dances from "Roger et Bradamante": Gavotte in D major with Trio in D minor | — | ||
| 3-22 | Dances from "Roger et Bradamante": Passe-pied in D minor with Trio in D major | — | ||
| 3-23 | Dances Wq 189: Menuet in F major with Trio | — | ||
| 3-24 | Dances Wq 189: Trio in G minor | — | ||
| 3-25 | Dances Wq 189: Menuet in D major with Trio in D minor | — | ||
| 3-26 | Polonaise | — | ||
| 3-27 | Menuet, Hob. IX/16/12 | — | ||
| 3-28 | Menuet, Hob. IX/11/4 | — | ||
| 3-29 | Orfeo ed Euridice, Wq. 30: Ballettmusik und Allegretto (aus "Don Juan") | — | ||
| 3-30 | Six Ländler, K. 606 | — | ||
| 3-31 | Zehn "Deutsche" | — | ||
| 4-1 | Five Contredanses "Non più andrai", K. 609 | — | ||
| 4-2 | 12 Contredanses, WoO 14: Vier Kontretänze, Nr. 4, 12, 5 und 7 | — | ||
| 4-3 | Menuetto | — | ||
| 4-4 | Quodlibet: Straßburger, Cosacca, Altvatter, Contredanse, Fandango (nach Mozart "Figaro"), Masur, Russisch, Furlana | — | ||
| 4-5 | Waltz in E major | — | ||
| 4-6 | 11 Mödlinger Tänze, WoO17 (1819), Ed. Hugo Riemann: no. 1: 8 | — | ||
| 4-7 | Deutsche Tänze samt Trios und Coda | — | ||
| 4-8 | Five Minuets and Trios for String Quartet, D 89 | — | ||
| 4-9 | 4 komische Ländler, D 354 | — | ||
| 4-10 | Linzer Tanz. Wiener Polka | — | ||
| 4-11 | Ungarischer Galopp in F major | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Terpsichore, No. 310: Reprinse secundam inferiorem à 4 | Konrad Ragossnig, Ulsamer Collegium, Josef Ulsamer | — |
