UPC · Release
Madama Butterfly
Giacomo Puccini, Tebaldi, Campora, Rankin, Inghilleri, Coro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede
028944023022
40 tracksReleased 1993-01-01London Records
Last verified:
028944023022 is the Universal Product Code (UPC barcode) for the release “Madama Butterfly” by Giacomo Puccini, Tebaldi, Campora, Rankin, Inghilleri, Coro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede, released 1993-01-01 on London Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBF075140440.
Format
0Number system
28944Manufacturer
02302Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMadama Butterfly
ISRC1 recording
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Madama Butterfly: Atto I. “E soffitto e pareti” (Pinkerton) | — | ||
| 2 | Madama Butterfly: Atto I. “Sorride Vostro Onore?” (Suzuki) | — | ||
| 3 | Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton) | — | ||
| 4 | Madama Butterfly: Atto I. “America for ever” (Pinkerton) | — | ||
| 5 | Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) | — | ||
| 6 | Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo.” (Goro) | — | ||
| 7 | Madama Butterfly: Atto I. “Gran ventura” (Butterfly) | — | ||
| 8 | Madama Butterfly: Atto I. “L’Imperial Commissario” (Goro) | — | ||
| 9 | Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton) | — | ||
| 10 | Madama Butterfly: Atto I. “Ieri son salita tutta sola in segreto alla Missione” (Butterfly) | — | ||
| 11 | Madama Butterfly: Atto I. “Tutti zitti!” (Goro) | — | ||
| 12 | Madama Butterfly: Atto I. “O Kami! O Kami!” (Amiche) | — | ||
| 13 | Madama Butterfly: Atto I. “Cio‐cio‐san!” (Il Bonzo) | — | ||
| 14 | Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton) | — | ||
| 15 | Madama Butterfly: Atto I. “Viene la sera” (Pinkerton) | — | ||
| 16 | Madama Butterfly: Atto I. “Vogliatemi bene” (Butterfly) | — | ||
| 17 | Madama Butterfly: Atto II, parte 1. “E Izaghi ed Izanami” (Suzuki) | — | ||
| 18 | Madama Butterfly: Atto II, parte 1. “Un bel dì, vedremo” (Butterfly) | — | ||
| 19 | Madama Butterfly: Atto II, parte 1. “C’è. Entrate” (Goro) | — | ||
| 20 | Madama Butterfly: Atto II, parte 1. “Si sa che aprir la porta” (Butterfly) | — | ||
| 21 | Madama Butterfly: Atto II, parte 1. “Udiste?” (Goro) | — | ||
| 22 | Madama Butterfly: Atto II, parte 1. “Ora a noi. Sedete qui” (Sharpless) | — | ||
| 2-1 | Madama Butterfly: Atto II, parte 1. “Due cose potrei far” (Butterfly) | — | ||
| 2-2 | Madama Butterfly: Atto II, parte 1. “E questo? E questo?” (Butterfly) | — | ||
| 2-3 | Madama Butterfly: Atto II, parte 1. “Che tua madre dovrà prenderti in braccio” (Butterfly) | — | ||
| 2-4 | Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki) | — | ||
| 2-5 | Madama Butterfly: Atto II, parte 1. “Una nave da guerra…” (Suzuki) | — | ||
| 2-6 | Madama Butterfly: Atto II, parte 1. “Scuoti quella fronda di ciliegio” (Butterfly) | — | ||
| 2-7 | Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly) | — | ||
| 2-8 | Madama Butterfly: Atto II, parte 1. Coro a bocca chiusa | — | ||
| 2-9 | Madama Butterfly: Act II. Intermezzo | — | ||
| 2-10 | Madama Butterfly: Atto II, parte 2. “Già il sole!” (Suzuki) | — | ||
| 2-11 | Madama Butterfly: Atto II, parte 2. “Chi sia?” (Suzuki) | — | ||
| 2-12 | Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless) | — | ||
| 2-13 | Madama Butterfly: Atto II, parte 2. “Non ve l’avevo detto?” (Sharpless) | — | ||
| 2-14 | Madama Butterfly: Atto II, parte 2. “Addio, fiorito asil” (Pinkerton) | — | ||
| 2-15 | Madama Butterfly: Atto II, parte 2. “Suzuki! Suzuki! Dove sei?” (Butterfly) | — | ||
| 2-16 | Madama Butterfly: Atto II, parte 2. “Tu, Suzuki, che sei tanto buona” (Butterfly) | — | ||
| 2-17 | Madama Butterfly: Atto II, parte 2. “Come una mosca prigioniera” (Suzuki) | — | ||
| 2-18 | Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly) | Giuseppe Campora, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede | — |
Madama Butterfly: Atto I. “E soffitto e pareti” (Pinkerton)
—
Madama Butterfly: Atto I. “Sorride Vostro Onore?” (Suzuki)
—
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton)
—
Madama Butterfly: Atto I. “America for ever” (Pinkerton)
—
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless)
—
Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo.” (Goro)
—
Madama Butterfly: Atto I. “Gran ventura” (Butterfly)
—
Madama Butterfly: Atto I. “L’Imperial Commissario” (Goro)
—
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton)
—
Madama Butterfly: Atto I. “Ieri son salita tutta sola in segreto alla Missione” (Butterfly)
—
Madama Butterfly: Atto I. “Tutti zitti!” (Goro)
—
Madama Butterfly: Atto I. “O Kami! O Kami!” (Amiche)
—
Madama Butterfly: Atto I. “Cio‐cio‐san!” (Il Bonzo)
—
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton)
—
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton)
—
Madama Butterfly: Atto I. “Vogliatemi bene” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. “E Izaghi ed Izanami” (Suzuki)
—
Madama Butterfly: Atto II, parte 1. “Un bel dì, vedremo” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. “C’è. Entrate” (Goro)
—
Madama Butterfly: Atto II, parte 1. “Si sa che aprir la porta” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Udiste?” (Goro)
—
Madama Butterfly: Atto II, parte 1. “Ora a noi. Sedete qui” (Sharpless)
—
Madama Butterfly: Atto II, parte 1. “Due cose potrei far” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. “E questo? E questo?” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Che tua madre dovrà prenderti in braccio” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki)
—
Madama Butterfly: Atto II, parte 1. “Una nave da guerra…” (Suzuki)
—
Madama Butterfly: Atto II, parte 1. “Scuoti quella fronda di ciliegio” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. Coro a bocca chiusa
—
Madama Butterfly: Act II. Intermezzo
—
Madama Butterfly: Atto II, parte 2. “Già il sole!” (Suzuki)
—
Madama Butterfly: Atto II, parte 2. “Chi sia?” (Suzuki)
—
Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless)
—
Madama Butterfly: Atto II, parte 2. “Non ve l’avevo detto?” (Sharpless)
—
Madama Butterfly: Atto II, parte 2. “Addio, fiorito asil” (Pinkerton)
—
Madama Butterfly: Atto II, parte 2. “Suzuki! Suzuki! Dove sei?” (Butterfly)
—
Madama Butterfly: Atto II, parte 2. “Tu, Suzuki, che sei tanto buona” (Butterfly)
—
Madama Butterfly: Atto II, parte 2. “Come una mosca prigioniera” (Suzuki)
—
Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly)
Giuseppe Campora, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede
—
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What is UPC 028944023022?
028944023022 is a Universal Product Code (UPC) assigned to Madama Butterfly by Giacomo Puccini, Tebaldi, Campora, Rankin, Inghilleri, Coro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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