UPC · Release
Puccini, Tebaldi, Prandelli, Gueden, Coro, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede
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The UPC for “La bohème” by Puccini, Tebaldi, Prandelli, Gueden, Coro, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede is 028944023329. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: London Records. This release contains 31 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La bohème: Atto I. “Questo Mar Rosso” (Marcello) | — | ||
| 2 | La bohème: Atto I. “Pensier profondo!” (Colline) | — | ||
| 3 | La bohème: Atto I. “Legna!… Sigari!” (Rodolfo, Marcello) | — | ||
| 4 | La bohème: Atto I. “Si può?” (Benoit) | — | ||
| 5 | La bohème: Atto I. “Io resto per terminar l’articolo” (Rodolfo) | — | ||
| 6 | La bohème: Atto I. “Chi è là?” (Rodolfo) | — | ||
| 7 | La bohème: Atto I. “Sì sente meglio?” (Rodolfo) | — | ||
| 8 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | — | ||
| 9 | La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimi) | — | ||
| 10 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | — | ||
| 11 | La bohème: Atto II. “Aranci, datteri! Caldi i marroni e caramelle!” (Monelli) | — | ||
| 12 | La bohème: Atto II. “Chi guardi?” (Rodolfo) | — | ||
| 13 | La bohème: Atto II. “Viva Parpignol! Parpignol! Parpignol!” (Fanciulli, fanciulle) | — | ||
| 14 | La bohème: Atto II. “Oh!… Essa!… Musetta!” (Rodolfo, Schaunard, Colline, Marcello) | — | ||
| 15 | La bohème: Atto II. “Quando m’en vo” (Musetta) | — | ||
| 16 | La bohème: Atto II. “Chi l’ha richiesto?” (Colline) | — | ||
| 2-1 | La bohème: Atto III. “Ohè, là, le guardie!” – “Aprite!” | — | ||
| 2-2 | La bohème: Atto III. “Sa dirmi, scusi” | — | ||
| 2-3 | La bohème: Atto III. “Mimì!” – “Rodolfo m’ama e mi fugge” | — | ||
| 2-4 | La bohème: Atto III. “Marcello. Finalmente!” | — | ||
| 2-5 | La bohème: Atto III. “Mimì è una civetta” | — | ||
| 2-6 | La bohème: Atto III. “Mimì è tanto malata!” | — | ||
| 2-7 | La bohème: Atto III. “Donde lieta uscì” | — | ||
| 2-8 | La bohème: Atto III. “Dunque: è proprio finita!…Addio, dolce svegliare” | — | ||
| 2-9 | La bohème: Atto IV. “In un coupé?” | — | ||
| 2-10 | La bohème: Atto IV. “O Mimì, tu più non torni” (Duetto) – “Che ora sia” | — | ||
| 2-11 | La bohème: Atto IV. “Gavotta” | — | ||
| 2-12 | La bohème: Atto IV. “C’è Mimì…” | — | ||
| 2-13 | La bohème: Atto IV. “Vecchia zimarra, senti” | — | ||
| 2-14 | La bohème: Atto IV. “Sono andati” | — | ||
| 2-15 | La bohème: Atto IV. “Che avvien?…Che ha detto il medico?” | — |
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028944023329 is a Universal Product Code (UPC) assigned to La bohème by Puccini, Tebaldi, Prandelli, Gueden, Coro, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “La bohème” by Puccini, Tebaldi, Prandelli, Gueden, Coro, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede is 028944023329. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: London Records. This release contains 31 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La bohème: Atto I. “Questo Mar Rosso” (Marcello) | — | ||
| 2 | La bohème: Atto I. “Pensier profondo!” (Colline) | — | ||
| 3 | La bohème: Atto I. “Legna!… Sigari!” (Rodolfo, Marcello) | — | ||
| 4 | La bohème: Atto I. “Si può?” (Benoit) | — | ||
| 5 | La bohème: Atto I. “Io resto per terminar l’articolo” (Rodolfo) | — | ||
| 6 | La bohème: Atto I. “Chi è là?” (Rodolfo) | — | ||
| 7 | La bohème: Atto I. “Sì sente meglio?” (Rodolfo) | — | ||
| 8 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | — | ||
| 9 | La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimi) | — | ||
| 10 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | — | ||
| 11 | La bohème: Atto II. “Aranci, datteri! Caldi i marroni e caramelle!” (Monelli) | — | ||
| 12 | La bohème: Atto II. “Chi guardi?” (Rodolfo) | — | ||
| 13 | La bohème: Atto II. “Viva Parpignol! Parpignol! Parpignol!” (Fanciulli, fanciulle) | — | ||
| 14 | La bohème: Atto II. “Oh!… Essa!… Musetta!” (Rodolfo, Schaunard, Colline, Marcello) | — | ||
| 15 | La bohème: Atto II. “Quando m’en vo” (Musetta) | — | ||
| 16 | La bohème: Atto II. “Chi l’ha richiesto?” (Colline) | — | ||
| 2-1 | La bohème: Atto III. “Ohè, là, le guardie!” – “Aprite!” | — | ||
| 2-2 | La bohème: Atto III. “Sa dirmi, scusi” | — | ||
| 2-3 | La bohème: Atto III. “Mimì!” – “Rodolfo m’ama e mi fugge” | — | ||
| 2-4 | La bohème: Atto III. “Marcello. Finalmente!” | — | ||
| 2-5 | La bohème: Atto III. “Mimì è una civetta” | — | ||
| 2-6 | La bohème: Atto III. “Mimì è tanto malata!” | — | ||
| 2-7 | La bohème: Atto III. “Donde lieta uscì” | — | ||
| 2-8 | La bohème: Atto III. “Dunque: è proprio finita!…Addio, dolce svegliare” | — | ||
| 2-9 | La bohème: Atto IV. “In un coupé?” | — | ||
| 2-10 | La bohème: Atto IV. “O Mimì, tu più non torni” (Duetto) – “Che ora sia” | — | ||
| 2-11 | La bohème: Atto IV. “Gavotta” | — | ||
| 2-12 | La bohème: Atto IV. “C’è Mimì…” | — | ||
| 2-13 | La bohème: Atto IV. “Vecchia zimarra, senti” | — | ||
| 2-14 | La bohème: Atto IV. “Sono andati” | — | ||
| 2-15 | La bohème: Atto IV. “Che avvien?…Che ha detto il medico?” | — |
