UPC · Release
The Symphonies
Mahler, Royal Concertgebouw Orchestra, Bernard Haitink
028944205022
63 tracksReleased 1994-01-01Philips Classics
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028944205022 is the Universal Product Code (UPC barcode) for the release “The Symphonies” by Mahler, Royal Concertgebouw Orchestra, Bernard Haitink, released 1994-01-01 on Philips Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 63 tracks, each with its own ISRC. Tracks include NLA506200109, NLA506200110, NLA506200111.
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28944Manufacturer
20502Product
2Check digit
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Credit Chain
UPCThe Symphonies
ISRC15 recordings
ISWC5 works
Track List (63)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich | Concertgebouworkest, Bernard Haitink | — | |
| 2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Concertgebouworkest, Bernard Haitink | T-928.635.616-9 | |
| 3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Concertgebouworkest, Bernard Haitink | — | |
| 4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch | Concertgebouworkest, Bernard Haitink | T-900.953.062-5 | |
| 5 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 2-1 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich | — | ||
| 2-2 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | — | ||
| 2-3 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht "O roschen rot" | — | ||
| 2-4 | Symphony no. 2 in C minor "Resurrection": V. 1. Im tempo des Scherzos. Wild herausfahrend | — | ||
| 2-5 | Symphony no. 2 in C minor "Resurrection": V. 2. Im tempo des Scherzos. Maestoso | — | ||
| 2-6 | Symphony no. 2 in C minor "Resurrection": V. 3. Im tempo des Scherzos. Sehr langsam und gedehnt | — | ||
| 2-7 | Symphony no. 2 in C minor "Resurrection": V. 4. Im tempo des Scherzos. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du" | — | ||
| 2-8 | Symphony no. 2 in C minor "Resurrection": V. 5. Im tempo des Scherzos. Etwas bewegter | — | ||
| 3-1 | Symphony no. 3 in D minor: I. Kräftig. Entschieden | Concertgebouworkest, Bernard Haitink | — | |
| 3-2 | Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig | Concertgebouworkest, Bernard Haitink | — | |
| 3-3 | Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast | Concertgebouworkest, Bernard Haitink | T-902.748.588-7 | |
| 3-4 | Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra") | Maureen Forrester, Concertgebouworkest, Bernard Haitink | — | |
| 3-5 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn") | Boy's Choir of the St. Willisbrorduskerk, Maureen Forrester, Women’s Chorus of the Netherlands Radio, Concertgebouworkest, Bernard Haitink | — | |
| 4-1 | Mahler: Symphony #3 In, D Minor - Adagio | Bernard Haitink, Koninklijk Concertgebouworkest | — | |
| 4-2 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 4-3 | Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast | — | ||
| 4-4 | Symphony no. 4 in G major: III. Ruhevoll. Poco adagio | — | ||
| 4-5 | Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn") | — | ||
| 5-1 | Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I | Concertgebouworkest, Bernard Haitink | — | |
| 5-2 | Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito | Concertgebouworkest, Bernard Haitink | — | |
| 5-3 | Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell | Concertgebouworkest, Bernard Haitink | — | |
| 5-4 | Mahler: Symphony #5 In C Sharp Minor - 4. Adagietto | Bernard Haitink, Koninklijk Concertgebouworkest | — | |
| 5-5 | Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch | Concertgebouworkest, Bernard Haitink | — | |
| 6-1 | Symphony no. 10 in F-sharp minor: I. Andante - Adagio | — | ||
| 6-2 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | — | ||
| 6-3 | Symphony no. 6 in A minor: II. Scherzo. Wuchtig | — | ||
| 6-4 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 7-1 | Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico | — | ||
| 7-2 | Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I | — | ||
| 7-3 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam | — | ||
| 8-1 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto | — | ||
| 8-2 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 9-1 | Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro | — | ||
| 9-2 | Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato | — | ||
| 9-3 | Symphony no. 7 in E minor: III. Scherzo | — | ||
| 9-4 | Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso | — | ||
| 9-5 | Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico | — | ||
| 10-1 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus" | — | ||
| 10-2 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia" | — | ||
| 10-3 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis" | — | ||
| 10-4 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis" | — | ||
| 10-5 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus" | — | ||
| 10-6 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris" | — | ||
| 10-7 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino" | — | ||
| 10-8 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio | — | ||
| 10-9 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato | — | ||
| 10-10 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran | — | ||
| 10-11 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand | — | ||
| 10-12 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen | — | ||
| 10-13 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch | — | ||
| 10-14 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen | — | ||
| 10-15 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest | — | ||
| 10-16 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei | — | ||
| 10-17 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen | — | ||
| 10-18 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen" | — | ||
| 10-19 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon" | — | ||
| 10-20 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick" | — | ||
| 10-21 | Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche" | — |
Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Concertgebouworkest, Bernard Haitink
—
Concertgebouworkest, Bernard Haitink
Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
Concertgebouworkest, Bernard Haitink
—
Concertgebouworkest, Bernard Haitink
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
—
Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich
—
Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung
—
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht "O roschen rot"
—
Symphony no. 2 in C minor "Resurrection": V. 1. Im tempo des Scherzos. Wild herausfahrend
—
Symphony no. 2 in C minor "Resurrection": V. 2. Im tempo des Scherzos. Maestoso
—
Symphony no. 2 in C minor "Resurrection": V. 3. Im tempo des Scherzos. Sehr langsam und gedehnt
—
Symphony no. 2 in C minor "Resurrection": V. 4. Im tempo des Scherzos. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du"
—
Symphony no. 2 in C minor "Resurrection": V. 5. Im tempo des Scherzos. Etwas bewegter
—
Symphony no. 3 in D minor: I. Kräftig. Entschieden
Concertgebouworkest, Bernard Haitink
—
Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig
Concertgebouworkest, Bernard Haitink
—
Concertgebouworkest, Bernard Haitink
Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra")
Maureen Forrester, Concertgebouworkest, Bernard Haitink
—
Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn")
Boy's Choir of the St. Willisbrorduskerk, Maureen Forrester, Women’s Chorus of the Netherlands Radio, Concertgebouworkest, Bernard Haitink
—
Mahler: Symphony #3 In, D Minor - Adagio
Bernard Haitink, Koninklijk Concertgebouworkest
—
Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich
—
Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast
—
Symphony no. 4 in G major: III. Ruhevoll. Poco adagio
—
Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn")
—
Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I
Concertgebouworkest, Bernard Haitink
—
Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito
Concertgebouworkest, Bernard Haitink
—
Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell
Concertgebouworkest, Bernard Haitink
—
Mahler: Symphony #5 In C Sharp Minor - 4. Adagietto
Bernard Haitink, Koninklijk Concertgebouworkest
—
Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch
Concertgebouworkest, Bernard Haitink
—
Symphony no. 10 in F-sharp minor: I. Andante - Adagio
—
Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
—
Symphony no. 6 in A minor: II. Scherzo. Wuchtig
—
Symphony no. 6 in A minor: III. Andante moderato
—
Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico
—
Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I
—
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam
—
Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto
—
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
—
Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro
—
Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato
—
Symphony no. 7 in E minor: III. Scherzo
—
Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso
—
Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick"
—
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche"
—
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What is UPC 028944205022?
028944205022 is a Universal Product Code (UPC) assigned to The Symphonies by Mahler, Royal Concertgebouw Orchestra, Bernard Haitink. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 63 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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