UPC · Release
The Number One Opera Album 2007
Various Artists
028944294187
20 tracksReleased 2007-01-01
Last verified:
028944294187 is the Universal Product Code (UPC barcode) for the release “The Number One Opera Album 2007” by Various Artists, released 2007-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include GBF071301300, DEN960531303, GBUM70602981.
Format
0Number system
28944Manufacturer
29418Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Number One Opera Album 2007
ISRC14 recordings
ISWC20 works
IPI6 songwriters
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912866624-0 | |
| 2 | Non piu andrau | — | ||
| 3 | La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi) | Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallén, Salvatore Cordella, Paul Gay, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Rizzi | T-906859796-6 | |
| 4 | Gianni Schicchi: “O mio babbino caro” | Katherine Jenkins, Philharmonia Orchestra, Anthony Ingliss | T-901222501-3 | |
| 5 | Lascia Ch'io Pianga | — | ||
| 6 | Di quella pira | — | ||
| 7 | Norma: Atto I. “Casta diva” | Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | T9107606304 | |
| 8 | Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa) | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 9 | La Wally: Ebben?… Ne andrò lontana | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 10 | L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | T-310639190-2 | |
| 11 | Carmen: Toreador’s Song | Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | T-911507740-2 | |
| 12 | Tosca: “E lucevan le stelle” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 13 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis | T-932637031-4 | |
| 14 | Di Provenza il mar | — | ||
| 15 | Chi il bel sogno di Doretta | — | ||
| 16 | E la solita storia (Lamento di Federico) | — | ||
| 17 | Le nozze di Figaro: “Voi che sapete che cosa è amor” | Magdalena Kožená, Prague Philharmonia, Michel Swierczewski | T-031862676-4 | |
| 18 | Pagliacci: Act I, Scene IV. “Recitar!… Vesti la giubba” (Canio) | Coro del Teatro Massimo Bellini, Orchestra del Teatro Massimo Bellini, Steven Mercurio | — | |
| 19 | La bohème: Atto I. “Che gelida manina” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 20 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Non piu andrau
—
Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallén, Salvatore Cordella, Paul Gay, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Rizzi
Katherine Jenkins, Philharmonia Orchestra, Anthony Ingliss
Lascia Ch'io Pianga
—
Di quella pira
—
Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras
Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa)
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
—
La Wally: Ebben?… Ne andrò lontana
Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri
—
Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza
Tosca: “E lucevan le stelle”
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis
Di Provenza il mar
—
Chi il bel sogno di Doretta
—
E la solita storia (Lamento di Federico)
—
Magdalena Kožená, Prague Philharmonia, Michel Swierczewski
Pagliacci: Act I, Scene IV. “Recitar!… Vesti la giubba” (Canio)
Coro del Teatro Massimo Bellini, Orchestra del Teatro Massimo Bellini, Steven Mercurio
—
La bohème: Atto I. “Che gelida manina”
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Additional database matches (23)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Habanera | Katherine Jenkins, The Arcadian Ensemble, James Morgan | T-011124733-6 |
| Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T9002482840 |
| Madama Butterfly: Atto II. “Un bel dì vedremo” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T3147286093 |
| Aida: Atto I, scena 1. “Se quel guerrier io fossi!” (Radamès) | Giulio Bertola, Luciano Pavarotti, Orchestra del Teatro alla Scala di Milano, Lorin Maazel | T-900138252-1 |
| Ombra Mai Fu | Elin Manahan Thomas | — |
| Va, pensiero | Russell Watson, Neil Jason, Bashiri Johnson, Metro Voices, Royal Philharmonic Orchestra, Nicholas Dodd | T9025741417 |
| One Fine Day | Hayley Westenra, The Irish Film Orchestra, Nick Ingman | — |
| Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | T9149281130 |
| Rusalka: Act I. “Mesicku na nebi hlubokém” | Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | T8024132193 |
| Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | T9025256488 |
| La bohème: Atto I. Duettino "O soave fanciulla" (Mimi, Rodolfo) | Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti | T-913732535-0 |
| Tosca: Atto I. “Recondita armonia” | Luciano Pavarotti, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno | T3064826780 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922850296-3 |
| Tosca: Atto I. “Recondita armonia” | Luciano Pavarotti, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno | — |
| Tosca: Atto I. “Recondita armonia” | Luciano Pavarotti, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno | — |
| Tosca: Atto I. “Recondita armonia” | Luciano Pavarotti, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno | — |
| Aida: Atto I, scena 1. “Se quel guerrier io fossi!” (Radamès) | Giulio Bertola, Luciano Pavarotti, Orchestra del Teatro alla Scala di Milano, Lorin Maazel | — |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis | — |
| Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | — |
| Cosi fan tutte, K.588 | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | T-902525648-8 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
Katherine Jenkins, The Arcadian Ensemble, James Morgan
Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
Giulio Bertola, Luciano Pavarotti, Orchestra del Teatro alla Scala di Milano, Lorin Maazel
Ombra Mai Fu
Elin Manahan Thomas
—
Russell Watson, Neil Jason, Bashiri Johnson, Metro Voices, Royal Philharmonic Orchestra, Nicholas Dodd
One Fine Day
Hayley Westenra, The Irish Film Orchestra, Nick Ingman
—
Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti
Luciano Pavarotti, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Tosca: Atto I. “Recondita armonia”
Luciano Pavarotti, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno
—
Tosca: Atto I. “Recondita armonia”
Luciano Pavarotti, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno
—
Tosca: Atto I. “Recondita armonia”
Luciano Pavarotti, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno
—
Aida: Atto I, scena 1. “Se quel guerrier io fossi!” (Radamès)
Giulio Bertola, Luciano Pavarotti, Orchestra del Teatro alla Scala di Milano, Lorin Maazel
—
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis
—
Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole)
Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate
—
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000057248358000000006097350X0000000061581209000000007364169400000000776127270000000078266221000000007839821600000000812817560000000081692432000000008188061X
+40 more
000000008398385800000000850675700000000108153376000000010869408400000001089441780000000109028462000000010914421X0000000109374058000000010944807X00000001095351810000000109616459000000010964596200000001100969210000000110363356000000011080165100000001108966540000000110928863000000011439722X0000000114407256000000011450226100000001146866890000000114712250000000011471979400000001147254810000000114802504000000011489050800000001149005690000000114943462000000011494985600000001164545150000000116585187000000011872303700000001193527760000000119390385000000011945647900000001195208130000000119546175000000011955055300000001202667600000000120272861
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What is UPC 028944294187?
028944294187 is a Universal Product Code (UPC) assigned to The Number One Opera Album 2007 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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