UPC · Release
Deryck Cooke
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The UPC for “An Introduction to Der Ring des Nibelungen” by Deryck Cooke is 028944358124. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: London Records. This release contains 40 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Of All Great Musical Compositions... (Examples 1-4) | — | ||
| 2 | The Fundamental Symbol... (Examples 5-11) | — | ||
| 3 | Returning Now to the Nature Motive... (Examples 6, 12-16) | — | ||
| 4 | A Number of Further Motives... (Examples 5, 17-21) | — | ||
| 5 | A Second, Much Smaller Family... (Examples 22-25) | — | ||
| 6 | So Much for Nature. (Examples 26-38) | — | ||
| 7 | The Cause of the Deterioration... (Examples 39-44) | — | ||
| 8 | The Other Transformation... (Examples 45-48) | — | ||
| 9 | Several Other Motives... (Examples 49-52) | — | ||
| 10 | Two Further Motives... (Examples 41, 53-61) | — | ||
| 11 | The Basic Motive Associated With the Spear... (Examples 62-68) | — | ||
| 12 | Along Another, More Complex Line... (Examples 69-72) | — | ||
| 13 | In Act Two of "Walküre"... (Examples 69, 73-75) | — | ||
| 14 | Returning Now to Act Two of "Walküre"... (Examples 76-79) | — | ||
| 15 | Love Is Another of the Central Symbols... (Examples 80-83) | — | ||
| 16 | Later in the Same Scene... (Examples 84-87) | — | ||
| 17 | Freia's Motive Has Two Independent Segments... (Examples 88-91) | — | ||
| 18 | The Label 'Flight'... (Example 92) | — | ||
| 19 | When Fasolt, in Scene Two of "Rhinegold"... (Examples 93-98) | — | ||
| 20 | A Little Later in This Interlude... (Examples 99-103) | — | ||
| 2-1 | The Other New Motive... (Examples 104-109) | — | ||
| 2-2 | There Are Several Independent Love-Motives... (Examples 110-114) | — | ||
| 2-3 | The Characters in Whose Lives... (Examples 115-120) | — | ||
| 2-4 | One Further Motive Belongs... (Example 121) | — | ||
| 2-5 | The Sword Motive Recurs... (Examples 122-130) | — | ||
| 2-6 | Ironically, This Phrase... (Examples 131-135) | — | ||
| 2-7 | Closely Associated With Gutrune's Motive... (Examples 136-140) | — | ||
| 2-8 | Here We Come to the End... (Examples 141-146) | — | ||
| 2-9 | Complementary to This Symbol... (Examples 147-149) | — | ||
| 2-10 | One Last Central Symbol... (Examples 150-157) | — | ||
| 2-11 | One Further Motive Connected... (Examples 158-161) | — | ||
| 2-12 | There Are One or Two Motives... (Examples 162-168) | — | ||
| 2-13 | These Motives of Alberich and Mime... (Examples 169-171) | — | ||
| 2-14 | Quite a Number of the Subsidiary Motives... (Examples 172-176) | — | ||
| 2-15 | Besides This Family of Motives... (Examples 177-180) | — | ||
| 2-16 | Our Final Example... (Examples 10, 181, 182) | — | ||
| 2-17 | In the Final Scene of Götterdämmerung... (Examples 181-183) | — | ||
| 2-18 | Even More Masterly... (Examples 184-188) | — | ||
| 2-19 | Now If We Return... (Examples 189-191) | — | ||
| 2-20 | This Masterly Way... (Examples 192, 193) | — |
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028944358124 is a Universal Product Code (UPC) assigned to An Introduction to Der Ring des Nibelungen by Deryck Cooke. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “An Introduction to Der Ring des Nibelungen” by Deryck Cooke is 028944358124. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: London Records. This release contains 40 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Of All Great Musical Compositions... (Examples 1-4) | — | ||
| 2 | The Fundamental Symbol... (Examples 5-11) | — | ||
| 3 | Returning Now to the Nature Motive... (Examples 6, 12-16) | — | ||
| 4 | A Number of Further Motives... (Examples 5, 17-21) | — | ||
| 5 | A Second, Much Smaller Family... (Examples 22-25) | — | ||
| 6 | So Much for Nature. (Examples 26-38) | — | ||
| 7 | The Cause of the Deterioration... (Examples 39-44) | — | ||
| 8 | The Other Transformation... (Examples 45-48) | — | ||
| 9 | Several Other Motives... (Examples 49-52) | — | ||
| 10 | Two Further Motives... (Examples 41, 53-61) | — | ||
| 11 | The Basic Motive Associated With the Spear... (Examples 62-68) | — | ||
| 12 | Along Another, More Complex Line... (Examples 69-72) | — | ||
| 13 | In Act Two of "Walküre"... (Examples 69, 73-75) | — | ||
| 14 | Returning Now to Act Two of "Walküre"... (Examples 76-79) | — | ||
| 15 | Love Is Another of the Central Symbols... (Examples 80-83) | — | ||
| 16 | Later in the Same Scene... (Examples 84-87) | — | ||
| 17 | Freia's Motive Has Two Independent Segments... (Examples 88-91) | — | ||
| 18 | The Label 'Flight'... (Example 92) | — | ||
| 19 | When Fasolt, in Scene Two of "Rhinegold"... (Examples 93-98) | — | ||
| 20 | A Little Later in This Interlude... (Examples 99-103) | — | ||
| 2-1 | The Other New Motive... (Examples 104-109) | — | ||
| 2-2 | There Are Several Independent Love-Motives... (Examples 110-114) | — | ||
| 2-3 | The Characters in Whose Lives... (Examples 115-120) | — | ||
| 2-4 | One Further Motive Belongs... (Example 121) | — | ||
| 2-5 | The Sword Motive Recurs... (Examples 122-130) | — | ||
| 2-6 | Ironically, This Phrase... (Examples 131-135) | — | ||
| 2-7 | Closely Associated With Gutrune's Motive... (Examples 136-140) | — | ||
| 2-8 | Here We Come to the End... (Examples 141-146) | — | ||
| 2-9 | Complementary to This Symbol... (Examples 147-149) | — | ||
| 2-10 | One Last Central Symbol... (Examples 150-157) | — | ||
| 2-11 | One Further Motive Connected... (Examples 158-161) | — | ||
| 2-12 | There Are One or Two Motives... (Examples 162-168) | — | ||
| 2-13 | These Motives of Alberich and Mime... (Examples 169-171) | — | ||
| 2-14 | Quite a Number of the Subsidiary Motives... (Examples 172-176) | — | ||
| 2-15 | Besides This Family of Motives... (Examples 177-180) | — | ||
| 2-16 | Our Final Example... (Examples 10, 181, 182) | — | ||
| 2-17 | In the Final Scene of Götterdämmerung... (Examples 181-183) | — | ||
| 2-18 | Even More Masterly... (Examples 184-188) | — | ||
| 2-19 | Now If We Return... (Examples 189-191) | — | ||
| 2-20 | This Masterly Way... (Examples 192, 193) | — |
