UPC · Release
The Essential Music of England
Various Artists
028944393620
34 tracksReleased 1992-01-01Decca
Last verified:
028944393620 is the Universal Product Code (UPC barcode) for the release “The Essential Music of England” by Various Artists, released 1992-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include GBF077710171, GBF077810024, GBF078010460.
Format
0Number system
28944Manufacturer
39362Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Essential Music of England
ISRC16 recordings
ISWC9 works
IPI2 songwriters
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pomp and Circumstance March no. 1 in D, op. 39 no. 1 | London Philharmonic Orchestra, Sir Georg Solti | — | |
| 2 | Nimrod (from Enigma Variations) | — | ||
| 3 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Philharmonic Orchestra, Sir Georg Solti | T-101.257.909-6 | |
| 4 | Pomp & Circumstance March no. 4 | — | ||
| 5 | The Young Person's Guide to the Orchestra (Final Fugue) | — | ||
| 6 | Cockaigne (In London Town) | — | ||
| 7 | Orb & Sceptre | — | ||
| 8 | Symphony no. 1 (Opening Theme) | — | ||
| 9 | Bridge on the River Kwai (featuring the "Colonel Bogey" March) | — | ||
| 10 | The Dam Busters March | — | ||
| 11 | Land of Hope & Glory | — | ||
| 12 | Praise, My Soul, The King of Heaven | — | ||
| 13 | Jerusalem | — | ||
| 14 | The Battle of Agincourt (Henry V) | — | ||
| 15 | White Cliffs of Dover | — | ||
| 2-1 | Fantasia on Greensleeves | William Bennett, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-2 | Chanson de Matin | — | ||
| 2-3 | Cello Concerto (1st Movement) | — | ||
| 2-4 | Shepherd's Hey | — | ||
| 2-5 | Country Gardens | Joseph Cooper | T-010.435.122-5 | |
| 2-6 | The Lark Ascending | Iona Brown, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-7 | Playful Pizzicato (from Simple Symphony) | — | ||
| 2-8 | On Hearing the First Cuckoo in Spring | Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-9 | Capriol Suite: I. Basse‐Danse | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-10 | Capriol Suite: II. Pavane | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-11 | Capriol Suite: III. Tordion | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-12 | Capriol Suite: IV. Branles | — | ||
| 2-13 | Capriol Suite: V. Pieds‐en‐l’air | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-14 | Capriol Suite: VI. Mattachins (Sword Dance) | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-15 | The Banks of Green Willow | Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-16 | English Folk Song Suite: I. March “Seventeen Come Sunday” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-17 | English Folk Song Suite: II. Intermezzo “My Bonny Boy” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-18 | English Folk Song Suite: III. March “Folk Songs From Somerset” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-19 | La Calinda from ‘Koanga’ | Academy of St Martin in the Fields, Neville Marriner | — |
Pomp and Circumstance March no. 1 in D, op. 39 no. 1
London Philharmonic Orchestra, Sir Georg Solti
—
Nimrod (from Enigma Variations)
—
London Philharmonic Orchestra, Sir Georg Solti
Pomp & Circumstance March no. 4
—
The Young Person's Guide to the Orchestra (Final Fugue)
—
Cockaigne (In London Town)
—
Orb & Sceptre
—
Symphony no. 1 (Opening Theme)
—
Bridge on the River Kwai (featuring the "Colonel Bogey" March)
—
The Dam Busters March
—
Land of Hope & Glory
—
Praise, My Soul, The King of Heaven
—
Jerusalem
—
The Battle of Agincourt (Henry V)
—
White Cliffs of Dover
—
Fantasia on Greensleeves
William Bennett, Academy of St Martin in the Fields, Neville Marriner
—
Chanson de Matin
—
Cello Concerto (1st Movement)
—
Shepherd's Hey
—
The Lark Ascending
Iona Brown, Academy of St Martin in the Fields, Neville Marriner
—
Playful Pizzicato (from Simple Symphony)
—
On Hearing the First Cuckoo in Spring
Academy of St Martin in the Fields, Neville Marriner
—
Capriol Suite: I. Basse‐Danse
Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner
—
Capriol Suite: II. Pavane
Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner
—
Capriol Suite: III. Tordion
Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner
—
Capriol Suite: IV. Branles
—
Capriol Suite: V. Pieds‐en‐l’air
Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner
—
Capriol Suite: VI. Mattachins (Sword Dance)
Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner
—
The Banks of Green Willow
Academy of St Martin in the Fields, Neville Marriner
—
English Folk Song Suite: I. March “Seventeen Come Sunday”
Academy of St Martin in the Fields, Neville Marriner
—
English Folk Song Suite: II. Intermezzo “My Bonny Boy”
Academy of St Martin in the Fields, Neville Marriner
—
English Folk Song Suite: III. March “Folk Songs From Somerset”
Academy of St Martin in the Fields, Neville Marriner
—
La Calinda from ‘Koanga’
Academy of St Martin in the Fields, Neville Marriner
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Banks of Green Willow | Academy of St Martin in the Fields, Neville Marriner | — |
| La Calinda from ‘Koanga’ | Academy of St Martin in the Fields, Neville Marriner | — |
| Fantasia on Greensleeves | William Bennett, Academy of St Martin in the Fields, Neville Marriner | — |
| English Folk Song Suite: I. March “Seventeen Come Sunday” | Academy of St Martin in the Fields, Neville Marriner | — |
| English Folk Song Suite: II. Intermezzo “My Bonny Boy” | Academy of St Martin in the Fields, Neville Marriner | — |
| English Folk Song Suite: III. March “Folk Songs From Somerset” | Academy of St Martin in the Fields, Neville Marriner | — |
The Banks of Green Willow
Academy of St Martin in the Fields, Neville Marriner
—
La Calinda from ‘Koanga’
Academy of St Martin in the Fields, Neville Marriner
—
Fantasia on Greensleeves
William Bennett, Academy of St Martin in the Fields, Neville Marriner
—
English Folk Song Suite: I. March “Seventeen Come Sunday”
Academy of St Martin in the Fields, Neville Marriner
—
English Folk Song Suite: II. Intermezzo “My Bonny Boy”
Academy of St Martin in the Fields, Neville Marriner
—
English Folk Song Suite: III. March “Folk Songs From Somerset”
Academy of St Martin in the Fields, Neville Marriner
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000630419430000000078399462000000010721370100000001094143630000000109446533000000011034016200000001103633560000000110386101000000011297410X0000000114371759
+19 more
0000000114462298000000011454275700000001146815970000000114719794000000011476712000000001187441100000000119390369000000011945647900000001203427350000000120966628000000012117459300000001211810990000000121204297000000012142273700000001216773770000000121695196000000012284919300000003742870940000000374393209
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What is UPC 028944393620?
028944393620 is a Universal Product Code (UPC) assigned to The Essential Music of England by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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