UPC · Release
Various Artists
Last verified:
The UPC for “Mad About Movies (The Sequel)” by Various Artists is 028944577327. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1996-01-01. Label: Deutsche Grammophon. This release contains 16 tracks, each with its own ISRC. Tracks include DEF058902790, DEF058401325, DEF058501820.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Solomon: Act III. Sinfonia in B-flat major: The Arrival of the Queen of Sheba | Edward Brewer, Orpheus Chamber Orchestra | T-011.174.209-6 | |
| 2 | A Midsummer Night’s Dream, op. 61: No. 7. Marcia Nupciale: Allegro vivace | Chicago Symphony Orchestra, James Levine | — | |
| 3 | Der Barbier von Sevilla: Largo al factotum (Mrs. Doubtfire) | — | ||
| 4 | Serenade No. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Orpheus Chamber Orchestra | — | |
| 5 | Serenade No. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Orpheus Chamber Orchestra | — | |
| 6 | Andrea Chénier: La mamma morta (Philadelphia) | — | ||
| 7 | An der schönen blauen Donau (Cool Runnings) | — | ||
| 8 | Wilhelm Tell-Ouvertüre (finale) (My Life) | Berliner Philharmoniker, Herbert von Karajan | T-913.909.693-8 | |
| 9 | Don Giovanni: Catalog Aria (Guarding Tess) | — | ||
| 10 | Orpheus in der Unterwelt: Can-can (The Cutting Edge) | — | ||
| 11 | La Traviata: Brindisi; Libiamo (In the Line of Fire) | — | ||
| 12 | Il trovatore: Atto III, scena 2: “Ah! sì, ben mio” | Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | T-928.635.582-6 | |
| 13 | Der Feuervogel: Berceuse (Lullaby) (Short Cuts) | — | ||
| 14 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T-314.728.609-3 | |
| 15 | Carmen: Habanera (Barcelona) | — | ||
| 16 | Streichquartett g-moll op. 10: I. Animé et très décidé (Six Degrees of Separation) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028944577327 is a Universal Product Code (UPC) assigned to Mad About Movies (The Sequel) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Orpheus Chamber Orchestra | — |
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Orpheus Chamber Orchestra | — |
The UPC for “Mad About Movies (The Sequel)” by Various Artists is 028944577327. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1996-01-01. Label: Deutsche Grammophon. This release contains 16 tracks, each with its own ISRC. Tracks include DEF058902790, DEF058401325, DEF058501820.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Solomon: Act III. Sinfonia in B-flat major: The Arrival of the Queen of Sheba | Edward Brewer, Orpheus Chamber Orchestra | T-011.174.209-6 | |
| 2 | A Midsummer Night’s Dream, op. 61: No. 7. Marcia Nupciale: Allegro vivace | Chicago Symphony Orchestra, James Levine | — | |
| 3 | Der Barbier von Sevilla: Largo al factotum (Mrs. Doubtfire) | — | ||
| 4 | Serenade No. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Orpheus Chamber Orchestra | — | |
| 5 | Serenade No. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Orpheus Chamber Orchestra | — | |
| 6 | Andrea Chénier: La mamma morta (Philadelphia) | — | ||
| 7 | An der schönen blauen Donau (Cool Runnings) | — | ||
| 8 | Wilhelm Tell-Ouvertüre (finale) (My Life) | Berliner Philharmoniker, Herbert von Karajan | T-913.909.693-8 | |
| 9 | Don Giovanni: Catalog Aria (Guarding Tess) | — | ||
| 10 | Orpheus in der Unterwelt: Can-can (The Cutting Edge) | — | ||
| 11 | La Traviata: Brindisi; Libiamo (In the Line of Fire) | — | ||
| 12 | Il trovatore: Atto III, scena 2: “Ah! sì, ben mio” | Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | T-928.635.582-6 | |
| 13 | Der Feuervogel: Berceuse (Lullaby) (Short Cuts) | — | ||
| 14 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T-314.728.609-3 | |
| 15 | Carmen: Habanera (Barcelona) | — | ||
| 16 | Streichquartett g-moll op. 10: I. Animé et très décidé (Six Degrees of Separation) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Orpheus Chamber Orchestra | — |
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Orpheus Chamber Orchestra | — |
