UPC · Release
Riccardo Muti
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028944671827 is the Universal Product Code (UPC barcode) for the release “The Art of Riccardo Muti” by Riccardo Muti, released 1997-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include NLA508808101, NLA508808102, NLA508808103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | — | ||
| 2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | — | ||
| 3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | — | ||
| 2-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro | The Philadelphia Orchestra, Riccardo Muti | T-902.759.514-8 | |
| 2-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | The Philadelphia Orchestra, Riccardo Muti | — | |
| 2-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | The Philadelphia Orchestra, Riccardo Muti | — | |
| 2-4 | Symphony no. 1 in C Minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio | The Philadelphia Orchestra, Riccardo Muti | — | |
| 2-5 | Variations for Orchestra in B-flat major on a Theme by Joseph Haydn, op. 56a | The Philadelphia Orchestra, Riccardo Muti | T-322.398.473-0 | |
| 3-1 | The Seven Last Words of our Saviour on the Cross: Introduzione (Maestoso ed adagio) | — | ||
| 3-2 | The Seven Last Words of our Saviour on the Cross: Sonata I. (Largo) "Pater, dimitte illis, quia nesciunt quid faciunt" | — | ||
| 3-3 | The Seven Last Words of our Saviour on the Cross: Sonata II. (Grave e cantabile) "Hodie mecum eris in Paradiso" | — | ||
| 3-4 | The Seven Last Words of our Saviour on the Cross: Sonata III. (Grave) "Mulier, ecce filius tuus" | — | ||
| 3-5 | The Seven Last Words of our Saviour on the Cross: Sonata IV (Largo) "Deus meus, Deus meus, utquid dereliquisti me?" | — | ||
| 3-6 | The Seven Last Words of our Saviour on the Cross: Sonata V. (Adagio) "Sitio" | — | ||
| 3-7 | The Seven Last Words of our Saviour on the Cross: Sonata VI. (Lento) "Consummatum est" | — | ||
| 3-8 | The Seven Last Words of our Saviour on the Cross: Sonata VII. (Largo) "In manus tuas, Domine, commendo spiritum meum" | — | ||
| 3-9 | The Seven Last Words of our Saviour on the Cross: Il terremoto (Presto e con tutta la forza) | — | ||
| 4-1 | Symphony No. 40 in G minor with clarinets, K. 550: I. Allegro molto | Wiener Philharmoniker, Riccardo Muti | — | |
| 4-2 | Symphony No. 40 in G minor with clarinets, K. 550: II. Andante | Wiener Philharmoniker, Riccardo Muti | — | |
| 4-3 | Symphony No. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 4-4 | Symphony No. 40 in G minor with clarinets, K. 550: IV. Allegro assai | Wiener Philharmoniker, Riccardo Muti | T-318.676.528-2 | |
| 4-5 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 4-6 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 4-7 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) | — | ||
| 4-8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro | — | ||
| 5-1 | Pictures at an Exhibition: Promenade | — | ||
| 5-2 | Pictures at an Exhibition: Gnomus | — | ||
| 5-3 | Pictures at an Exhibition: Promenade | — | ||
| 5-4 | Pictures at an Exhibition: The Old Castle | — | ||
| 5-5 | Pictures at an Exhibition: Promenade | — | ||
| 5-6 | Pictures at an Exhibition: Tuileries | — | ||
| 5-7 | Pictures at an Exhibition: Bydlo | — | ||
| 5-8 | Pictures at an Exhibition: Promenade | — | ||
| 5-9 | Pictures at an Exhibition: Ballet of the Chickens in their Shells | — | ||
| 5-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 5-11 | Pictures at an Exhibition: The Marketplace at Limoges | — | ||
| 5-12 | Pictures at an Exhibition: The Catacombs | — | ||
| 5-13 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 5-14 | Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga) | — | ||
| 5-15 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 5-16 | Night on the Bare Mountain | — | ||
| 6-1 | Concerto for Violin and Orchestra No. 4 in D minor: I. Allegro maestoso | — | ||
| 6-2 | Concerto for Violin and Orchestra No. 4 in D minor: II. Adagio flebile con sentimento | — | ||
| 6-3 | Concerto for Violin and Orchestra No. 4 in D minor: III. Rondo galante. Andantino gaio | — | ||
| 6-4 | Sonata Varsavia: I. Allegro vivo | — | ||
| 6-5 | Sonata Varsavia: II. Recitativo sostenuto - Allegro | — | ||
| 6-6 | Sonata Varsavia: III. Tema polacco. Andantino | — | ||
| 6-7 | Sonata Varsavia: IV. Finale | — | ||
| 7-1 | Symphony no. 3 in C minor, op. 44: I. Moderato | — | ||
| 7-2 | Symphony no. 3 in C minor, op. 44: II. Andante | — | ||
| 7-3 | Symphony no. 3 in C minor, op. 44: III. Allegro agitato | — | ||
| 7-4 | Symphony no. 3 in C minor, op. 44: IV. Andante mosso | — | ||
| 7-5 | Symphony no. 1 in D, op. 25 "Classical Symphony": I. Allegro | — | ||
| 7-6 | Symphony no. 1 in D, op. 25 "Classical Symphony": II. Larghetto | — | ||
| 7-7 | Symphony no. 1 in D, op. 25 "Classical Symphony": III. Gavotta: Non troppo allegro | — | ||
| 7-8 | Symphony no. 1 in D, op. 25 "Classical Symphony": IV. Finale: Vivace | — | ||
| 8-1 | Symphony no. 5 in B flat, op. 100: I. Andante | — | ||
| 8-2 | Symphony no. 5 in B flat, op. 100: II. Allegro marcato | — | ||
| 8-3 | Symphony no. 5 in B flat, op. 100: III. Adagio | — | ||
| 8-4 | Symphony no. 5 in B flat, op. 100: IV. Allegro giocoso | — | ||
| 8-5 | The Meeting of the Volga and the Don, op. 130 | — | ||
| 9-1 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 9-2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto | — | ||
| 9-3 | Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace | — | ||
| 9-4 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 9-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 9-6 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam | — | ||
| 9-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft | — | ||
| 9-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 10-1 | Don Juan, op. 20 | — | ||
| 10-2 | Aus Italien, op. 16: Auf Der Campagna | — | ||
| 10-3 | Aus Italien, op. 16: In Rom's Ruinen | — | ||
| 10-4 | Aus Italien, op. 16: Am Strand Von Sorrent | — | ||
| 10-5 | Aus Italien, op. 16: Neopolitanisches Volksleben. FInale | — |
Musical Works (ISWC)
Identifier Graph
028944671827 is a Universal Product Code (UPC) assigned to The Art of Riccardo Muti by Riccardo Muti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028944671827 is the Universal Product Code (UPC barcode) for the release “The Art of Riccardo Muti” by Riccardo Muti, released 1997-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include NLA508808101, NLA508808102, NLA508808103.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | — | ||
| 2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | — | ||
| 3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | — | ||
| 2-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro | The Philadelphia Orchestra, Riccardo Muti | T-902.759.514-8 | |
| 2-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | The Philadelphia Orchestra, Riccardo Muti | — | |
| 2-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | The Philadelphia Orchestra, Riccardo Muti | — | |
| 2-4 | Symphony no. 1 in C Minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio | The Philadelphia Orchestra, Riccardo Muti | — | |
| 2-5 | Variations for Orchestra in B-flat major on a Theme by Joseph Haydn, op. 56a | The Philadelphia Orchestra, Riccardo Muti | T-322.398.473-0 | |
| 3-1 | The Seven Last Words of our Saviour on the Cross: Introduzione (Maestoso ed adagio) | — | ||
| 3-2 | The Seven Last Words of our Saviour on the Cross: Sonata I. (Largo) "Pater, dimitte illis, quia nesciunt quid faciunt" | — | ||
| 3-3 | The Seven Last Words of our Saviour on the Cross: Sonata II. (Grave e cantabile) "Hodie mecum eris in Paradiso" | — | ||
| 3-4 | The Seven Last Words of our Saviour on the Cross: Sonata III. (Grave) "Mulier, ecce filius tuus" | — | ||
| 3-5 | The Seven Last Words of our Saviour on the Cross: Sonata IV (Largo) "Deus meus, Deus meus, utquid dereliquisti me?" | — | ||
| 3-6 | The Seven Last Words of our Saviour on the Cross: Sonata V. (Adagio) "Sitio" | — | ||
| 3-7 | The Seven Last Words of our Saviour on the Cross: Sonata VI. (Lento) "Consummatum est" | — | ||
| 3-8 | The Seven Last Words of our Saviour on the Cross: Sonata VII. (Largo) "In manus tuas, Domine, commendo spiritum meum" | — | ||
| 3-9 | The Seven Last Words of our Saviour on the Cross: Il terremoto (Presto e con tutta la forza) | — | ||
| 4-1 | Symphony No. 40 in G minor with clarinets, K. 550: I. Allegro molto | Wiener Philharmoniker, Riccardo Muti | — | |
| 4-2 | Symphony No. 40 in G minor with clarinets, K. 550: II. Andante | Wiener Philharmoniker, Riccardo Muti | — | |
| 4-3 | Symphony No. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio | Wiener Philharmoniker, Riccardo Muti | — | |
| 4-4 | Symphony No. 40 in G minor with clarinets, K. 550: IV. Allegro assai | Wiener Philharmoniker, Riccardo Muti | T-318.676.528-2 | |
| 4-5 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 4-6 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 4-7 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) | — | ||
| 4-8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro | — | ||
| 5-1 | Pictures at an Exhibition: Promenade | — | ||
| 5-2 | Pictures at an Exhibition: Gnomus | — | ||
| 5-3 | Pictures at an Exhibition: Promenade | — | ||
| 5-4 | Pictures at an Exhibition: The Old Castle | — | ||
| 5-5 | Pictures at an Exhibition: Promenade | — | ||
| 5-6 | Pictures at an Exhibition: Tuileries | — | ||
| 5-7 | Pictures at an Exhibition: Bydlo | — | ||
| 5-8 | Pictures at an Exhibition: Promenade | — | ||
| 5-9 | Pictures at an Exhibition: Ballet of the Chickens in their Shells | — | ||
| 5-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 5-11 | Pictures at an Exhibition: The Marketplace at Limoges | — | ||
| 5-12 | Pictures at an Exhibition: The Catacombs | — | ||
| 5-13 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 5-14 | Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga) | — | ||
| 5-15 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 5-16 | Night on the Bare Mountain | — | ||
| 6-1 | Concerto for Violin and Orchestra No. 4 in D minor: I. Allegro maestoso | — | ||
| 6-2 | Concerto for Violin and Orchestra No. 4 in D minor: II. Adagio flebile con sentimento | — | ||
| 6-3 | Concerto for Violin and Orchestra No. 4 in D minor: III. Rondo galante. Andantino gaio | — | ||
| 6-4 | Sonata Varsavia: I. Allegro vivo | — | ||
| 6-5 | Sonata Varsavia: II. Recitativo sostenuto - Allegro | — | ||
| 6-6 | Sonata Varsavia: III. Tema polacco. Andantino | — | ||
| 6-7 | Sonata Varsavia: IV. Finale | — | ||
| 7-1 | Symphony no. 3 in C minor, op. 44: I. Moderato | — | ||
| 7-2 | Symphony no. 3 in C minor, op. 44: II. Andante | — | ||
| 7-3 | Symphony no. 3 in C minor, op. 44: III. Allegro agitato | — | ||
| 7-4 | Symphony no. 3 in C minor, op. 44: IV. Andante mosso | — | ||
| 7-5 | Symphony no. 1 in D, op. 25 "Classical Symphony": I. Allegro | — | ||
| 7-6 | Symphony no. 1 in D, op. 25 "Classical Symphony": II. Larghetto | — | ||
| 7-7 | Symphony no. 1 in D, op. 25 "Classical Symphony": III. Gavotta: Non troppo allegro | — | ||
| 7-8 | Symphony no. 1 in D, op. 25 "Classical Symphony": IV. Finale: Vivace | — | ||
| 8-1 | Symphony no. 5 in B flat, op. 100: I. Andante | — | ||
| 8-2 | Symphony no. 5 in B flat, op. 100: II. Allegro marcato | — | ||
| 8-3 | Symphony no. 5 in B flat, op. 100: III. Adagio | — | ||
| 8-4 | Symphony no. 5 in B flat, op. 100: IV. Allegro giocoso | — | ||
| 8-5 | The Meeting of the Volga and the Don, op. 130 | — | ||
| 9-1 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 9-2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto | — | ||
| 9-3 | Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace | — | ||
| 9-4 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 9-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 9-6 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam | — | ||
| 9-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft | — | ||
| 9-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 10-1 | Don Juan, op. 20 | — | ||
| 10-2 | Aus Italien, op. 16: Auf Der Campagna | — | ||
| 10-3 | Aus Italien, op. 16: In Rom's Ruinen | — | ||
| 10-4 | Aus Italien, op. 16: Am Strand Von Sorrent | — | ||
| 10-5 | Aus Italien, op. 16: Neopolitanisches Volksleben. FInale | — |
