UPC · Release
Viva Domingo! Plácido Domingo mit berühmten Opernarien und Szenen
Plácido Domingo
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028944768121 is the Universal Product Code (UPC barcode) for the release “Viva Domingo! Plácido Domingo mit berühmten Opernarien und Szenen” by Plácido Domingo, released 1994-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include DEF057930800, DEF057930106, DEF058031314.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 2 | Luisa Miller: Quando le sere | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | — | |
| 3 | Un ballo in maschera: "Forse la soglia attinse...Ma se m'e farza perditi" | Plácido Domingo, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — | |
| 4 | Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Plácido Domingo, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 5 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6 | Manon Lescaut: Donna non vidi mai | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, Giuseppe Sinopoli | — | |
| 7 | La fanciulla del West: Oh, se sapeste | Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | — | |
| 8 | La fanciulla del West: Oh, se sapeste | Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | — | |
| 9 | Werther: Il faut nous séparer | Plácido Domingo, Kurt Moll, Elena Obraztsova, Kölner Rundfunk-Sinfonie-Orchester, Riccardo Chailly | — | |
| 10 | Oberon: Für dich hat Schönheit sich geschmückt | Chor des Bayerischen Rundfunks, Plácido Domingo, Symphonie-Orchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 11 | Martha: Ach so fromm, ach so traut | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | T-031.789.057-5 | |
| 12 | Die Meistersinger von Nürnberg: "Morgenlich leuchtend im rosigen Schein" | Chor der Deutschen Oper Berlin, Plácido Domingo, Dietrich Fischer-Dieskau, Peter Lagger, Catarina Ligendza, Orchester der Deutschen Oper Berlin, Eugen Jochum | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318.237.508-8 |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005.000.838-2 |
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What is UPC 028944768121?
028944768121 is a Universal Product Code (UPC) assigned to Viva Domingo! Plácido Domingo mit berühmten Opernarien und Szenen by Plácido Domingo. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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