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Where’er You Walk

UPC · Release

Where’er You Walk

Various Artists

028944890228
26 tracksReleased 1999-01-01Decca

Last verified: September 12, 2026

028944890228 is the Universal Product Code (UPC barcode) for the release “Where’er You Walk” by Various Artists, released 1999-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include GBF076010480, GBF076010440, GBF076410250.

Format

0Number system
28944Manufacturer
89022Product
8Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCWhere’er You Walk
ISRC8 recordings
ISWC6 works
IPI1 songwriter

Track List (26)

#Track TitleArtist(s)ISWC
Where'er You Walk1Where'er You WalkKenneth McKellar, Orchestra of the Royal Opera House, Covent Garden, Sir Adrian Boult—
Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)2Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)Kenneth McKellar, Orchestra of the Royal Opera House, Sir Adrian BoultT-900.247.972-3
Deeper and deeper still ... Waft her, angels (Jephtha)3Deeper and deeper still ... Waft her, angels (Jephtha)—
Thanks to my brethren ... How vain is man (Judas Maccabaeus)4Thanks to my brethren ... How vain is man (Judas Maccabaeus)—
My arms! ... Sound an alarm (Judas Maccabaeus)5My arms! ... Sound an alarm (Judas Maccabaeus)—
Love in her eyes sits playing (Acis and Galatea)6Love in her eyes sits playing (Acis and Galatea)—
I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)7I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)—
Ombra mai fu (Xerxes)8Ombra mai fu (Xerxes)—
Minuet9MinuetAcademy of St Martin in the Fields, Sir Neville MarrinerT-009.030.807-8
Comfort ye my people ... Every valley (Messiah)10Comfort ye my people ... Every valley (Messiah)—
I know that my Redeemer liveth (Messiah)11I know that my Redeemer liveth (Messiah)—
Angels guard thee (Jocelyn)12Angels guard thee (Jocelyn)—
The Holy City13The Holy City—
Jerusalem14Jerusalem—
Agnus Dei2-1Agnus DeiLuciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert AdlerT-302.516.155-7
Panis Angelicus2-2Panis Angelicus—
Hear My Prayer ... O for the wings of a Dove2-3Hear My Prayer ... O for the wings of a Dove—
O divine Redeemer2-4O divine Redeemer—
Judex (Mors et vita)2-5Judex (Mors et vita)Richard Hickox Orchestra, Richard Hickox—
Ave Maria2-6Ave Maria—
Jesu, Joy of Man's Desiring, BWV 1472-7Jesu, Joy of Man's Desiring, BWV 147Peter White, The Choir of St John’s College, Cambridge, George GuestT-905.387.081-8
Fantasia in G, BWV 5722-8Fantasia in G, BWV 572—
Schlafe, mein Liebster (Christmas Oratorio)2-9Schlafe, mein Liebster (Christmas Oratorio)Marilyn Horne, Vienna Cantata Orchestra, Henry Lewis—
Bist du bei mir (arr. Smith)2-10Bist du bei mir (arr. Smith)—
Erbarme dich mein Gott (St Matthew Passion)2-11Erbarme dich mein Gott (St Matthew Passion)—
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”2-12Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”Stuttgarter Kammerorchester, Karl Münchinger—
Where'er You Walk
Where'er You Walk
Kenneth McKellar, Orchestra of the Royal Opera House, Covent Garden, Sir Adrian Boult
—
Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)
Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)
Kenneth McKellar, Orchestra of the Royal Opera House, Sir Adrian Boult
T-900.247.972-3
Deeper and deeper still ... Waft her, angels (Jephtha)
Deeper and deeper still ... Waft her, angels (Jephtha)
—
Thanks to my brethren ... How vain is man (Judas Maccabaeus)
Thanks to my brethren ... How vain is man (Judas Maccabaeus)
—
My arms! ... Sound an alarm (Judas Maccabaeus)
My arms! ... Sound an alarm (Judas Maccabaeus)
—
Love in her eyes sits playing (Acis and Galatea)
Love in her eyes sits playing (Acis and Galatea)
—
I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)
I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)
—
Ombra mai fu (Xerxes)
Ombra mai fu (Xerxes)
—
Minuet
Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
T-009.030.807-8
Comfort ye my people ... Every valley (Messiah)
Comfort ye my people ... Every valley (Messiah)
—
I know that my Redeemer liveth (Messiah)
I know that my Redeemer liveth (Messiah)
—
Angels guard thee (Jocelyn)
Angels guard thee (Jocelyn)
—
The Holy City
The Holy City
—
Jerusalem
Jerusalem
—
Agnus Dei
Agnus Dei
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler
T-302.516.155-7
Panis Angelicus
Panis Angelicus
—
Hear My Prayer ... O for the wings of a Dove
Hear My Prayer ... O for the wings of a Dove
—
O divine Redeemer
O divine Redeemer
—
Judex (Mors et vita)
Judex (Mors et vita)
Richard Hickox Orchestra, Richard Hickox
—
Ave Maria
Ave Maria
—
Jesu, Joy of Man's Desiring, BWV 147
Jesu, Joy of Man's Desiring, BWV 147
Peter White, The Choir of St John’s College, Cambridge, George Guest
T-905.387.081-8
Fantasia in G, BWV 572
Fantasia in G, BWV 572
—
Schlafe, mein Liebster (Christmas Oratorio)
Schlafe, mein Liebster (Christmas Oratorio)
Marilyn Horne, Vienna Cantata Orchestra, Henry Lewis
—
Bist du bei mir (arr. Smith)
Bist du bei mir (arr. Smith)
—
Erbarme dich mein Gott (St Matthew Passion)
Erbarme dich mein Gott (St Matthew Passion)
—
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”
Stuttgarter Kammerorchester, Karl Münchinger
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-302.516.155-7T-905.387.081-8T-905.387.081-8T-009.030.807-8T-302.516.155-7T-900.247.972-3

Songwriters/Publishers (IPI)

00158729629

Creative Contributors (ISNI)

0000000055532267000000006309746100000000726602360000000077781889000000008171949800000001066174480000000107213701000000010785172X00000001087856800000000109069627
+23 more
000000010942652400000001094447220000000110007386000000011017757X0000000110340162000000011038610100000001105741020000000114555750000000011471004400000001147671200000000114800285000000011638462500000001165851870000000118337515000000011945647900000001195149740000000119546175000000012106800200000001211745930000000121505778000000012152129200000001216150370000000121677377
SourcesDiscogsMusicBrainzMLCMusicBrainz✓4 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCWhere’er You Wa…ISRCWhere'er You Wa…ISRCSilent Worship …ISRCMinuetISRCAgnus DeiISRCJudex (Mors et …

People also ask

What is UPC 028944890228?+
UPC 028944890228 is the Universal Product Code (barcode) for "Where’er You Walk" by Various Artists, released on Decca.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028944890228?+
UPC 028944890228 contains 26 tracks, each with its own ISRC.

What is UPC 028944890228?

028944890228 is a Universal Product Code (UPC) assigned to Where’er You Walk by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Various Artists

028944890228 is the Universal Product Code (UPC barcode) for the release “Where’er You Walk” by Various Artists, released 1999-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include GBF076010480, GBF076010440, GBF076410250.

Track List (26)

#Track TitleArtist(s)ISWC
Where'er You Walk1Where'er You WalkKenneth McKellar, Orchestra of the Royal Opera House, Covent Garden, Sir Adrian Boult—
Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)2Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)Kenneth McKellar, Orchestra of the Royal Opera House, Sir Adrian BoultT-900.247.972-3
Deeper and deeper still ... Waft her, angels (Jephtha)3Deeper and deeper still ... Waft her, angels (Jephtha)—
Thanks to my brethren ... How vain is man (Judas Maccabaeus)4Thanks to my brethren ... How vain is man (Judas Maccabaeus)—
My arms! ... Sound an alarm (Judas Maccabaeus)5My arms! ... Sound an alarm (Judas Maccabaeus)—
Love in her eyes sits playing (Acis and Galatea)6Love in her eyes sits playing (Acis and Galatea)—
I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)7I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)—
Ombra mai fu (Xerxes)8Ombra mai fu (Xerxes)—
Minuet9MinuetAcademy of St Martin in the Fields, Sir Neville MarrinerT-009.030.807-8
Comfort ye my people ... Every valley (Messiah)10Comfort ye my people ... Every valley (Messiah)—
I know that my Redeemer liveth (Messiah)11I know that my Redeemer liveth (Messiah)—
Angels guard thee (Jocelyn)12Angels guard thee (Jocelyn)—
The Holy City13The Holy City—
Jerusalem14Jerusalem—
Agnus Dei2-1Agnus DeiLuciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert AdlerT-302.516.155-7
Panis Angelicus2-2Panis Angelicus—
Hear My Prayer ... O for the wings of a Dove2-3Hear My Prayer ... O for the wings of a Dove—
O divine Redeemer2-4O divine Redeemer—
Judex (Mors et vita)2-5Judex (Mors et vita)Richard Hickox Orchestra, Richard Hickox—
Ave Maria2-6Ave Maria—
Jesu, Joy of Man's Desiring, BWV 1472-7Jesu, Joy of Man's Desiring, BWV 147Peter White, The Choir of St John’s College, Cambridge, George GuestT-905.387.081-8
Fantasia in G, BWV 5722-8Fantasia in G, BWV 572—
Schlafe, mein Liebster (Christmas Oratorio)2-9Schlafe, mein Liebster (Christmas Oratorio)Marilyn Horne, Vienna Cantata Orchestra, Henry Lewis—
Bist du bei mir (arr. Smith)2-10Bist du bei mir (arr. Smith)—
Erbarme dich mein Gott (St Matthew Passion)2-11Erbarme dich mein Gott (St Matthew Passion)—
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”2-12Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”Stuttgarter Kammerorchester, Karl Münchinger—
Where'er You Walk
Where'er You Walk
Kenneth McKellar, Orchestra of the Royal Opera House, Covent Garden, Sir Adrian Boult
—
Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)
Silent Worship (“Did You Not Hear My Lady”) (Ptolemy)
Kenneth McKellar, Orchestra of the Royal Opera House, Sir Adrian Boult
T-900.247.972-3
Deeper and deeper still ... Waft her, angels (Jephtha)
Deeper and deeper still ... Waft her, angels (Jephtha)
—
Thanks to my brethren ... How vain is man (Judas Maccabaeus)
Thanks to my brethren ... How vain is man (Judas Maccabaeus)
—
My arms! ... Sound an alarm (Judas Maccabaeus)
My arms! ... Sound an alarm (Judas Maccabaeus)
—
Love in her eyes sits playing (Acis and Galatea)
Love in her eyes sits playing (Acis and Galatea)
—
I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)
I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)
—
Ombra mai fu (Xerxes)
Ombra mai fu (Xerxes)
—
Minuet
Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
T-009.030.807-8
Comfort ye my people ... Every valley (Messiah)
Comfort ye my people ... Every valley (Messiah)
—
I know that my Redeemer liveth (Messiah)
I know that my Redeemer liveth (Messiah)
—
Angels guard thee (Jocelyn)
Angels guard thee (Jocelyn)
—
The Holy City
The Holy City
—
Jerusalem
Jerusalem
—
Agnus Dei
Agnus Dei
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler
T-302.516.155-7
Panis Angelicus
Panis Angelicus
—
Hear My Prayer ... O for the wings of a Dove
Hear My Prayer ... O for the wings of a Dove
—
O divine Redeemer
O divine Redeemer
—
Judex (Mors et vita)
Judex (Mors et vita)
Richard Hickox Orchestra, Richard Hickox
—
Ave Maria
Ave Maria
—
Jesu, Joy of Man's Desiring, BWV 147
Jesu, Joy of Man's Desiring, BWV 147
Peter White, The Choir of St John’s College, Cambridge, George Guest
T-905.387.081-8
Fantasia in G, BWV 572
Fantasia in G, BWV 572
—
Schlafe, mein Liebster (Christmas Oratorio)
Schlafe, mein Liebster (Christmas Oratorio)
Marilyn Horne, Vienna Cantata Orchestra, Henry Lewis
—
Bist du bei mir (arr. Smith)
Bist du bei mir (arr. Smith)
—
Erbarme dich mein Gott (St Matthew Passion)
Erbarme dich mein Gott (St Matthew Passion)
—
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”
Cantata, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral “Zion hört die Wächter singen”
Stuttgarter Kammerorchester, Karl Münchinger
—