UPC · Release
Wolfgang Amadeus Mozart, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
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028944918120 is the Universal Product Code (UPC barcode) for the release “Operas” by Wolfgang Amadeus Mozart, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 377 tracks, each with its own ISRC. Tracks include DEF059030101, DEF059030107, DEF059030108.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Idomeneo, re di Creta K. 366: Ouverture | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2 | Idomeneo, re di Creta K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) / No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3 | Idomeneo, re di Creta K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) / No. 2 Aria "Non ho colpa" (Idamante) | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4 | Idomeneo, re di Creta K. 366: Act I, Recitativo "Ecco il mesero resto de Troiani" / Recitativo "Scingete le catene" | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5 | Idomeneo, re di Creta K. 366: Act I, No.3 coro "Godiam la pace" / Rec "Tutta la Grecia oltraggi" / Rec "Ma quel pianto che annunzia ? / Rec : Estinto è idomeneo ? / No.4 aria : Tutte nel cor vi sento / No.5 coro : Pietá ! Numi, pietá ! / Rec : Eccoci salvi alfin / Rec : Voi di Marte e di Nettuno" | Stephen Charlesworth, Angela Kazimierczuk, Jonathan Peter Kenny, Sylvia McNair, Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Philip Salmon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6 | Idomeneo, re di Creta K. 366: Act I, No. 6 aria "Vedrommi intorno" / Recitativo : "Cieli ! Che veggo ?" / Recitativo : "Spiagge romite" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7 | Idomeneo, re di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 8 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo) | Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12 | Idomeneo, re di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) | Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13 | Idomeneo, re di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14 | Idomeneo, re di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15 | Idomeneo, re di Creta K. 366: Act II, No. 12 aria "Fuor del mar ho un mar in seno" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.097.548-2 | |
| 2-1 | Idomeneo, re di Creta K. 366: Act II, Recitativo "Frettolosa e Guiliva Elettra Vien" / Recitativo "Chi mai del Mio Provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-2 | Idomeneo, re di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-3 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-4 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-5 | Idomeneo, re di Creta K. 366: Act II, No. 15 coro "Placido è il mar / Soavi zeffiri" / Recitativo "Vattene prence" / No. 16 terzetto : "Pria di partir, oh dio !" / No. 17 coro : "Qual nuovo terrore !" / Recitativo : "Eccoti in me, barbaro nume !" / No. 18 coro : "Corriamo, fuggiamo" | Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-6 | Idomeneo, re di Creta, K. 366, Act 3: "Solitudini amiche" | — | ||
| 2-7 | Idomeneo, re di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-8 | Idomeneo, re di Creta K. 366: Act III, "Principessa, a' tuoi sguardi" / No. 20 duetto "S'io non moro a questi accenti" / Recitativo : "Cieli ! Che vedo ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-9 | Idomeneo, re di Creta K. 366: Act III, Recitativo "Dunque io me n'andrò" / No. 21 quartetto "Andrò ramingo e solo" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-10 | Idomeneo, re di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) | Sylvia McNair, Hillevi Martinpelto, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-11 | Idomeneo, re di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-12 | Idomeneo, re di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-13 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) | Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-14 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) | Monteverdi Choir, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-15 | Idomeneo, re di Creta, K. 366: Act III, Scene VII. No. 25 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | T-906.743.326-5 | |
| 2-16 | Idomeneo, re di Creta K. 366: Act III, No. 26 cavatina con coro "Accogli, oh re del mar" | Monteverdi Choir, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-17 | Idomeneo, re di Creta K. 366: Appendix , Recitativo "Frettolosa e giuliva Elettra vien" / Recitativo "Sire, da arbace intensi" / Recitativo : "Chi ma del mio provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-1 | Idomeneo, re di Creta, K. 366: Act III, Coro "Stupenda vittoria!" / Recitativo "Sire, il prence" | Monteverdi Choir, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-2 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Padre, mio caro padre" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-3 | Idomeneo, re di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | T-306.143.268-2 | |
| 3-4 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-5 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-6 | Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-7 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Oh ciel pietoso !" / Recitativo "Oh, smania ! Oh furie !" / No. 29 aria : "D'oreste, d'aiace" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-8 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-9 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.096.245-6 | |
| 3-10 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-11 | Idomeneo, re di Creta, K. 366: Act III, No. 32 Ballet K. 367(Chaconne / Larghetto / La Chaconne, qui reprend / Largo / Allegretto, sempre Piano / Più Allegro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-12 | Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Ferma, oh sire, che fai ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-13 | Idomeneo, re di Creta, K. 366: Appendix, No. 28 "A Idomeneo perdona" (Versione per legni / Woodwind version) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-14 | Idomeneo, re di Creta, K. 366: Appendix No. 28 "Ha vinto amore" (Versione più estesa per ottoni / Brass : Longer version) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-15 | Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Oh ciel pietoso!" / Recitativo "Oh, smania! Oh, furie!" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-1 | Die Entführung aus dem Serail, K. 384: Ouvertüre | English Baroque Soloists, Sir John Eliot Gardiner | T-003.143.988-9 | |
| 4-2 | Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte) / Act I, Scene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-3 | Die Entführung aus dem Serail, K. 384: Act I, Scene II. No. 2 Lied und Duetto "Wer ein Liebchen hat gefunden" (Osmin, Belmonte) | English Baroque Soloists, Sir John Eliot Gardiner | T-900.134.067-6 | |
| 4-4 | Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-5 | Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-6 | Die Entführung aus dem Serail, K. 384: Act I, Scene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-7 | Die Entführung aus dem Serail, K. 384: Act I, Konstanze, dich wiederzusehen / Nr. 4: O wie ängstlich, o wie feurig | Stanford Olsen, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-8 | Die Entführung aus dem Serail, K. 384: Act I, Herr, geschwind auf die Seite / Nr. 5a Marsch | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-9 | Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-10 | Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-11 | Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-12 | Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein! | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-13 | Die Entführung aus dem Serail, K. 384: Act I, Scene X. No. 7 Trio "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-14 | Die Entführung aus dem Serail, K. 384: Act II, Gift und Dolch / O, des Zankens, Befehlens und Murrens / Nr. 8: Durch Zärtlichkeit und Schmeicheln | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-15 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "Zärtlichkeit? Schmeicheln? Es ist mir wie pure Zärtlichkeit!" (Osmin, Blonde) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-16 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-17 | Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-18 | Die Entführung aus dem Serail, K. 384: Act II, Ach mein bestes Fräulein / Nun, Konstanze, denkst du meinem Begehren nach? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-19 | Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-20 | Die Entführung aus dem Serail, K. 384: Act II, Ist das ein Traum? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-1 | Die Entführung aus dem Serail, K. 384: Act II, Bst, bst! Blondchen! | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-2 | Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-3 | Die Entführung aus dem Serail, K. 384: Act II, Ah, dass es schon vorbei wäre! / Act II, Scene VII. No. 13 Aria "Frisch zum Kampfe!" (Pedrillo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-4 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-5 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-6 | Die Entführung aus dem Serail, K. 384: Act II, Wein - das ist wahr - Wein / Pedrillo, ist Konstanze noch nicht hier? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-7 | Die Entführung aus dem Serail, K. 384: Act II, No. 15: Wenn der Freude Tränen fließen / Ich hab hier ein Schiff in Bereitschaft | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-8 | Die Entführung aus dem Serail, K. 384: Act II, No. 16: Ach, Belmonte! Ach, mein Leben | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-9 | Die Entführung aus dem Serail, K. 384: Act II, Pedrillo! Pedrillo! | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-10 | Die Entführung aus dem Serail, K. 384: Act III, Scene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-11 | Die Entführung aus dem Serail, K. 384: Act III, Alles liegt auf dem Ohr / Nr. 18: In Mohrenland gefangen war | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-12 | Die Entführung aus dem Serail, K. 384: Act III, Sie macht auf, Herr! / Gift und Dolch! Was ist das? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-13 | Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-14 | Die Entführung aus dem Serail, K. 384: Act III, Was gibt's, Osmin, was gibt's? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-15 | Die Entführung aus dem Serail, K. 384: Act III, Scene VII. Recitativo "Welch ein Geschick!" (Belmonte, Konstanze) / No. 20 Duetto "Meinetwegen sollst du sterben!" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-16 | Die Entführung aus dem Serail, K. 384: Act III, Nun, Sklave! Erwartest du dein Urteil? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-17 | Die Entführung aus dem Serail, K. 384: Act III, No. 21a. Finale. Vaudeville: "Nie werd' ich deine Huld verkennen" (Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-1 | Le nozze di Figaro, K. 492: Overture | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-2 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) | Bryn Terfel, Alison Hagley, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-3 | Le Nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-4 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-5 | Le Nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Or bene, ascolta, e taci" (Figaro, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-6 | Le Nozze di Figaro, K. 492: Act I, Scene II. Recitativo "Bravo, Signor padrone!" (Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | T-009.157.866-3 | |
| 6-7 | Le Nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | T-009.157.866-3 | |
| 6-8 | Le Nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Ed aspettaste il giorno" (Bartolo, Marcellina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-9 | Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-10 | Le Nozze di Figaro, K. 492: Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-11 | Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-12 | Le Nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va la, vecchia pedante" (Susanna, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-13 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | T-915.310.099-3 | |
| 6-14 | Le Nozze di Figaro, K. 492: Act I, Scene VI-VII. Recitativo "Ah, son perduto!" (Susanna, Cherubino, Il Conte, Basilio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-15 | Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-16 | Le Nozze di Figaro, K. 492: Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro" (Susanna, Cherubino, Il Conte, Basilio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-17 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-18 | Le Nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'e questa commedia" (Il Conte, Figaro, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-19 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-20 | Le Nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Evviva! ... E voi non applaudite" (Figaro, Susanna, Basilio, Cherubino, Il Conte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-21 | Le nozze di Figaro: “Non più andrai” | Bryn Terfel, English Baroque Soloists, John Eliot Gardiner | T-009.157.866-3 | |
| 6-22 | Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | T-306.482.540-3 | |
| 6-23 | Le Nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-24 | Le Nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-25 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) | Pamela Helen Stephen, English Baroque Soloists, Sir John Eliot Gardiner | T-031.862.676-4 | |
| 6-26 | Le Nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-27 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-28 | Le Nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie!" (La Contessa, Susanna, Cherubino, Il Conte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-29 | Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-30 | Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-31 | Le Nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Dunque, voi non aprite" (Il Conte, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-32 | Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-33 | Le Nozze di Figaro, K. 492: Act II, Scene IV. Recitativo "O guarda il demonietto!" (Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-1 | Le nozze di Figaro, K. 492: Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-2 | Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-3 | Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Signore, cos'è quel stupore?" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-4 | Le nozze di Figaro, K. 492: Act II, Scene VIII. No. 16 Finale "Susanna, son morta" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-5 | Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-6 | Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Conoscete signor Figaro" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-7 | Le nozze di Figaro, K. 492: Act II, Scene X. No. 16 Finale "Ah signor... signor" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-8 | Le nozze di Figaro, K. 492: Act II, Scene X. No. 16 "Vostre dunque saran queste carte che perdeste" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-9 | Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-10 | Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-11 | Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) | Rodney Gilfry, Alison Hagley, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-12 | Le nozze di Figaro, K. 492: Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-13 | Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-14 | Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) | Rodney Gilfry, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-15 | Le nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-16 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-17 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-18 | Le nozze di Figaro, K. 492: Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) | Francis Egerton, Carlos Feller, Rodney Gilfry, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-19 | Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) | Francis Egerton, Carlos Feller, Rodney Gilfry, Alison Hagley, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-20 | Le nozze di Figaro, K. 492: Act III, Scene VI. Recitativo "Eccovi, o caro amico" (Marcellina, Bartolo, Figaro, Susanna) | Carlos Feller, Alison Hagley, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-21 | Le nozze di Figaro, K. 492: Act III, Scene IX. Duettino "Io vi dico, signor, che Cherubino" (Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-22 | Le nozze di Figaro, K. 492: Act III, Scene X. No. 21 Duettino "Che soave zeffiretto" (La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-23 | Le nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Piegato è il foglio" (La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-24 | Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-25 | Le nozze di Figaro, K. 492: Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-26 | Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Figaro, Susanna, Il Conte, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-27 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Amanti costanti seguaci d'onor" (Due Contadine, Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-28 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Eh già solita usanza" (Il Conte, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-29 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Andate amici!" (Il Conte, Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-1 | Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Barbarina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-2 | Le nozze di Figaro, K. 492: Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-3 | Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Marcellina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-4 | Le nozze di Figaro, K. 492: Act IV, Scenes VI-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-5 | Le nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Recitativo "In quegli anni in cui val poco" (Basilio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-6 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-7 | Le nozze di Figaro, K. 492: Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Susanna, La Contessa, Marcellina, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-8 | Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-9 | Le nozze di Figaro: Atto IV: Aria: “Deh vieni, non tardar” (Susanna) | Alison Hagley, English Baroque Soloists, Sir John Eliot Gardiner | T-001.424.370-9 | |
| 8-10 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Oh Susanna, Susanna, quanta pena mi costi!" (Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-11 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Aprite un po' quegl'occhi" (Figaro) | Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-12 | Le nozze di Figaro, K. 492: Act IV, Scenes XI. Recitativo "La la la, la la la, la lera" (Cherubino, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | T-031.796.870-9 | |
| 8-13 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Cherubino, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-14 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Ecco qui la mia Susanna" (Il Conte, Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-15 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-16 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-17 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-20 | Le nozze di Figaro, K. 492: Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Figaro, Cherubino, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-1 | Don Giovanni: Ouvertura | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-2 | Don Giovanni: Atto I, Scena I. No. 1 Introduzione: “Notte e giorno faticar” (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | Rodney Gilfry, Ľuba Orgonášová, Andrea Silvestrelli, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-3 | Don Giovanni: Atto I, Scena II. Recitativo: “Leporello, ove sei?” (Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-4 | Don Giovanni: Atto I, Scena III. Recitativo: “Ah! del padre in periglio” (Donna Anna, Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-5 | Don Giovanni: Atto I, Scena III. No. 2 Recitativo accompagnato: “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) / No. 2 Duetto: “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | T-910.758.999-1 | |
| 9-6 | Don Giovanni: Atto I, Scena IV. Recitativo: “Orsù, spicciati presto” (Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-7 | Don Giovanni: Atto I, Scena V. No. 3 Aria: “Ah! chi mi dice mai” (Donna Elvira, Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-8 | Don Giovanni: Atto I, Scena V. Recitativo: “Chi è la?” / “Stelle! che vedo!” (Donna Elvira, Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-9 | Don Giovanni: Atto I, Scena V. No. 4 Aria: “Madamina, il catalogo è questo” (Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | T-929.621.870-7 | |
| 9-10 | Don Giovanni: Atto I, Scena VI. Recitativo: “In questa forma, dunque” (Donna Elvira) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-11 | Don Giovanni: Atto I, Scena VII. No. 5 Coro: “Giovinette che fate all’amore” (Zerlina, Masetto, Coro di contadine e contadini) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-12 | Don Giovanni: Atto I, Scena VIII. Recitativo: “Manco male è partita” (Don Giovanni, Leporello, Zerlina, Masetto) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-13 | Don Giovanni: Atto I, Scena VIII. No. 6 Aria: “Ho capito, signor sì” (Masetto) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-14 | Don Giovanni: Atto I, Scena IX. Recitativo: “Alfin siam liberati” (Don Giovanni, Zerlina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-15 | Don Giovanni: Atto I, Scena IX. No. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina) | Rod Gilfry, Eirian James, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-16 | Don Giovanni: Atto I, Scena X. Recitativo: “Fermati, scellerato” (Donna Elvira, Zerlina, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-17 | Don Giovanni: Atto I, Scena X. No. 8 Aria: “Ah, fuggi il traditor” (Donna Elvira) | English Baroque Soloists, Sir John Eliot Gardiner | T-910.758.999-1 | |
| 9-18 | Don Giovanni: Atto I, Scena XI. Recitativo: “Mi par ch’oggi il demonio si diverta” (Don Giovanni, Don Ottavio, Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-19 | Don Giovanni: Atto I, Scena XII. Recitativo: “Ah, ti ritrovo ancor” (Donna Elvira) / No. 9 Quartetto: “Non ti fidar, o misera” (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-20 | Don Giovanni: Atto I, Scena XII. Recitativo: “Povera sventurata!” (Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-21 | Don Giovanni: Atto I, Scena XIII. No. 10 Recitativo accompagnato: “Don Ottavio, son morta!” (Donna Anna, Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-22 | Don Giovanni: Atto I, Scena XIII. No. 10 Aria: “Or sai chi l’onore” (Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | T-929.613.726-3 | |
| 9-23 | Don Giovanni: Atto I, Scena XIV. Recitativo: “Come mai creder deggio” (Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-1 | Don Giovanni: Atto I, Scena XV. Recitativo: “Io deggio ad ogni patto” (Leporello, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-2 | Don Giovanni: Atto I, Scena XV. No. 11 Aria: “Fin ch’han dal vino” (Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | T-306.481.937-6 | |
| 10-3 | Don Giovanni: Atto I, Scena XVI. Recitativo: “Masetto: senti un po’!” (Zerlina, Masetto) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-4 | Don Giovanni: Atto I, Scena XVI. No. 12 Aria: “Batti, batti, o bel Masetto” (Zerlina) | English Baroque Soloists, Sir John Eliot Gardiner | T-929.621.873-0 | |
| 10-5 | Don Giovanni: Atto I, Scena XVI. Recitativo: “Guarda un po’” (Masetto, Don Giovanni, Zerlina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-6 | Don Giovanni: Atto I, Scena XVI. No. 13 Finale: “Presto presto pria ch’ei venga” (Masetto, Zerlina, Don Giovanni, Coro) / Scena XVII. “Su svegliatevi, da bravi” (Don Giovanni, Servi) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-7 | Don Giovanni: Atto I, Scena XVIII. No. 13 Finale: “Tra quest’arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-8 | Don Giovanni: Atto I, Scena XIX. No. 13 Finale: “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-9 | Don Giovanni: Atto I, Scena XX. No. 13 Finale: “Riposate, vezzose ragazze!” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-10 | Don Giovanni: Atto II, Scena I. No. 14 Duetto: “Eh via, buffone” (Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-11 | Don Giovanni: Atto II, Scena I. Recitativo: “Leporello” / “Signore” (Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-12 | Don Giovanni: Atto II, Scena II. No. 15 Terzetto: “Ah! taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | T-900.147.122-3 | |
| 10-13 | Don Giovanni: Atto II, Scena II. Recitativo: “Amico, che ti par?” (Don Giovanni, Leporello) / Scena III. Recitativo: “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-14 | Don Giovanni: Atto II, Scena III. No. 16 Canzonetta: “Deh, vieni alla finestra” (Don Giovanni) | Rodney Gilfy, English Baroque Soloists, Sir John Eliot Gardiner | T-306.483.075-3 | |
| 10-15 | Don Giovanni: Atto II, Scena III. Recitativo: “V’è gente alla finestra!” (Don Giovanni) / Scena IV. Recitativo: “Non ci stanchiamo” (Masetto, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-16 | Don Giovanni: Atto II, Scena IV. No. 17 Aria: “Metà di voi qua vadano” (Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-18 | Don Giovanni: Atto II, Scena VI. No. 18 Aria: “Vedrai, carino” (Zerlina) | English Baroque Soloists, Sir John Eliot Gardiner | T-929.621.876-3 | |
| 10-19 | Don Giovanni: Atto II, Scena VII. Recitativo: “Di molte faci il lume” (Leporello, Donna Elvira) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-20 | Don Giovanni: Atto II, Scena VII/VIII. No. 19 Sestetto: “Sola, sola, in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-7 | Don Giovanni: Atto II, Scena XI. Recitativo: “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello, Il Commendatore) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-8 | Don Giovanni: Atto II, Scena XI. No. 22 Duetto: “O statua gentilissima” (Leporello, Don Giovanni, Il Commendatore) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-9 | Don Giovanni: Atto II, Scena XII. Recitativo: “Calmatevi, idol mio” (Don Ottavio, Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-10 | Don Giovanni: Atto II, Scena XII. No. 23 Recitativo accompagnato: “Crudele! – Ah no, mio bene!” (Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-11 | Don Giovanni: Atto II, Scena XII. No. 23 Rondo: “Non mi dir, bell’idol mio” (Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-12 | Don Giovanni: Atto II, Scena XII. Recitativo: “Ah, si segua il suo passo” (Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-13 | Don Giovanni: Atto II, Scena XIII. No. 24 Finale: “Già la mensa è preparata” (Don Giovanni, Leporello) | Rodney Gilfry, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-14 | Don Giovanni: Atto II, Scena XIV. Recitativo: “L’ultima prova dell’amor mio” (Donna Elvira, Don Giovanni, Leporello) | Rodney Gilfry, Charlotte Margiono, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-15 | Don Giovanni: Atto II, Scena XV. “Don Giovanni, a cenar teco” (Il Commendatore, Don Giovanni, Leporello, Coro) | Rod Gilfry, Andrea Silvestrelli, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-16 | Don Giovanni: Atto II, Scena ultima. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-1 | Così fan tutte, K. 588: Act I. Ouverture | English Baroque Soloists, Sir John Eliot Gardiner | T-902.763.968-5 | |
| 12-2 | Così fan tutte, K. 588: Act I. "La mia Dorabella" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | T-916.490.741-9 | |
| 12-3 | Così fan tutte, K. 588: Act I. "Fuor la spada" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-4 | Così fan tutte, K. 588: Act I. "E la fede delle femminine" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-5 | Così fan tutte, K. 588: Act I. "Scioccerie di poeti" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-6 | Così fan tutte, K. 588: Act I. "Una bella serenata" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-7 | Così fan tutte, K. 588: Act I. "Ah, guarda, sorella" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-8 | Così fan tutte, K. 588: Act I. "Mi par che stamattina" | Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-9 | Così fan tutte, K. 588: Act I. "Vorrei dir, e cor non ho" | Carlos Feller, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-10 | Così fan tutte, K. 588: Act I. "Stelle! Per carità, signor Alfonso" | Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-11 | Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-12 | Così fan tutte, K. 588: Act I. "Non piangere, idol mio!" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-13 | Così fan tutte, K. 588: Act I. "Al fato dan legge" | Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | T-900.134.391-5 | |
| 12-14 | Così fan tutte, K. 588: Act I. "La commedia è graziosa" | Carlos Feller, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-15 | Così fan tutte, K. 588: Act I. "Bella vita militar!" | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | T-906.905.438-2 | |
| 12-16 | Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-17 | Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-18 | Così fan tutte, K. 588: Act I. "Bella vita militar!" | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 12-19 | Così fan tutte, K. 588: Act I. "Dove son?" | Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-20 | Così fan tutte, K. 588: Act I. "Soave sia il vento" | Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | T-902.525.648-8 | |
| 12-21 | Così fan tutte, K. 588: Act I. "Non son cattivo comico" | Carlos Feller, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-22 | Così fan tutte, K. 588: Act I. "Che vita maledetta" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 12-23 | Così fan tutte, K. 588: Act I. "Ah, scostati!" | Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-24 | Così fan tutte, K. 588: Act I. "Smanie implacabili" | Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-25 | Così fan tutte, K. 588: Act I. "Signora Dorabella" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 12-26 | Così fan tutte, K. 588: Act I. "In uominI. in soldati" | English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 12-27 | Così fan tutte, K. 588: Act I. "Che silenzio!" | Carlos Feller, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 12-28 | Così fan tutte, K. 588: Act I. "Alla bella Despinetta" | Carlos Feller, Rodney Gilfry, Eirian James, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-29 | Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!" | Carlos Feller, Rodney Gilfry, Eirian James, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-30 | Così fan tutte, K. 588: Act I. "Come scoglio" | Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-31 | Così fan tutte, K. 588: Act I. "Ah, non partite" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-32 | Così fan tutte, K. 588: Act I. "Non siate ritrosi" | Rod Gilfry, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-33 | Così fan tutte, K. 588: Act I. "E voi ridete?" - "La cagion di quel riso?" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-34 | Così fan tutte, K. 588: Act I. "Si può sapere un poco la cagion di quel riso?" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-35 | Così fan tutte, K. 588: Act I. "Un'aura amorosa" | Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-1 | Così fan tutte, K. 588: Act I, "Oh, la saria da ridere!" | Carlos Feller, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-2 | Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-3 | Così fan tutte, K. 588: Act II. "Andate là" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-4 | Così fan tutte, K. 588: Act II. "Una donna a quindici anni" | English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-5 | Così fan tutte, K. 588: Act II. "Sorella, cosa dici?" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-6 | Così fan tutte, K. 588: Act II. "Prenderò quel brunettino" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-7 | Così fan tutte, K. 588: Act II. "Ah, correte al giardino" | Carlos Feller, Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-8 | Così fan tutte, K. 588: Act II. "Secondate, aurette amiche" | Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 13-9 | Così fan tutte, K. 588: Act II. "Il tutto deponete" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-10 | Così fan tutte, K. 588: Act II. "La mano a me date" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-11 | Così fan tutte, K. 588: Act II. "Oh che bella giornata!" | Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-12 | Così fan tutte, K. 588: Act II. "Il cor vi dono" | Rod Gilfry, Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-13 | Così fan tutte, K. 588: Act II. "Barbara! Perché fuggi?" | Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-14 | Così fan tutte, K. 588: Act II. "Ah, lo veggio" | Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-15 | Così fan tutte, K. 588: Act II. "Ei parte… senti… ah no!" | Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-16 | Così fan tutte, K. 588: Act II. "Per pietà, ben mio, perdona" | Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-1 | Così fan tutte, K. 588: Act II. "Amico, abbiamo vinto!" | Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-2 | Così fan tutte, K. 588: Act II. "Donne mie, la fate a tanti" | Rod Gilfry, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-3 | Così fan tutte, K. 588: Act II. "In qual fiero contrasto" | Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-4 | Così fan tutte, K. 588: Act II. "Tradito, schernito" | Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | T-306.152.256-9 | |
| 14-5 | Così fan tutte, K. 588: Act II. "Bravo, questa è costanza" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-6 | Così fan tutte, K. 588: Act II. "Ora vedo che siete" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 14-7 | Così fan tutte, K. 588: Act II. "E amore un ladroncello" | Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | T-919.170.448-0 | |
| 14-8 | Così fan tutte, K. 588: Act II. "Come tutto congiura" | Carlos Feller, Rod Gilfry, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 14-9 | Così fan tutte, K. 588: Act II. "Fra gli amplessi in pochi istanti" | Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-10 | Così fan tutte, K. 588: Act II. "Oh poveretto me" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-11 | Così fan tutte, K. 588: Act II. "Tutti accusan le donne" | Rodney Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-12 | Così fan tutte, K. 588: Act II. "Vittoria, padroncini!" | Carlos Feller, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 14-13 | Così fan tutte, K. 588: Act II. "Fate presto, o cari amici" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-14 | Così fan tutte, K. 588: Appendix. "Rivolgete a lui lo sguardo" - "E voi ridete?" | Rod Gilfry, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-1 | La clemenza di Tito, K. 621, Act 1: Overture | — | ||
| 15-2 | La clemenza di Tito, K. 621, Act 1: "Ma che? sempre l'istesso" | — | ||
| 15-3 | La clemenza di Tito, K. 621, Act 1: "Come ti piace imponi": "Fan mille affetti insieme" | — | ||
| 15-4 | La clemenza di Tito, K. 621, Act 1: "Amico, il passo affretta" | — | ||
| 15-5 | La clemenza di Tito, K. 621, Act 1: "Deh se piacer mi vuoi" | — | ||
| 15-6 | La clemenza di Tito, K. 621, Act 1: "Amico, ecco il momento" | — | ||
| 15-7 | La clemenza di Tito, K. 621, Act 1: "Deh prendi un dolce amplesso" | — | ||
| 15-8 | La clemenza di Tito, K. 621, Act 1: Marcia | — | ||
| 15-9 | La clemenza di Tito, K. 621, Act 1: "Serbate, oh Dei custodi" | — | ||
| 15-10 | La clemenza di Tito, K. 621, Act 1: "Te della patria il Padre": "Basta, basta, oh miei fidi" | — | ||
| 15-11 | La clemenza di Tito, K. 621, Act 1: "Serbate, oh Dei custodi" | — | ||
| 15-12 | La clemenza di Tito, K. 621, Act 1: "Adesso, oh Sesto, parla per me" | — | ||
| 15-13 | La clemenza di Tito, K. 621, Act 1: "Del più sublime" | — | ||
| 15-14 | La clemenza di Tito, K. 621, Act 1: "Non ci pentiam" | — | ||
| 15-15 | La clemenza di Tito, K. 621, Act 1: "Ah perdona al primo affetto" | — | ||
| 15-16 | La clemenza di Tito, K. 621, Act 1: "Servilia! Augusta!" | — | ||
| 15-17 | La clemenza di Tito, K. 621, Act 1: "Ah, se fosse intorno al trono" | — | ||
| 15-18 | La clemenza di Tito, K. 621, Act 1: "Felice me!": "Ancora mi schernisce?" | — | ||
| 15-19 | La clemenza di Tito, K. 621: Act I. "Parto, ma tu ben mio" | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-20 | La clemenza di Tito, K. 621, Act 1: "Vedrai, Tito, vedrai" | — | ||
| 15-21 | La clemenza di Tito, K. 621, Act 1: "Vengo... aspettate... Sesto!..." | — | ||
| 15-22 | La clemenza di Tito, K. 621, Act 1: "Oh Dei, che smania è questa" | — | ||
| 15-23 | La clemenza di Tito, K. 621, Act 1: "Deh conservate, oh Dei": "Sesto!" | — | ||
| 16-1 | La clemenza di Tito, K. 621, Act 2: "Sesto, come tu credi" | — | ||
| 16-2 | La clemenza di Tito, K. 621, Act 2: "Torna di Tito" | — | ||
| 16-3 | La clemenza di Tito, K. 621, Act 2: "Partir deggio, o restar?": "Sesto! - Che chiedi?" | — | ||
| 16-4 | La clemenza di Tito, K. 621, Act 2: "Se al volto mai ti senti" | — | ||
| 16-5 | La clemenza di Tito, K. 621, Act 2: "Ah, grazie si rendano": "È tutto colà d'intorno" | — | ||
| 16-6 | La clemenza di Tito, K. 621, Act 2: "Tardi s'avvede" | — | ||
| 16-7 | La clemenza di Tito, K. 621, Act 2: "No, così scellerato": "Cesare, nol diss'io" | — | ||
| 16-8 | La clemenza di Tito, K. 621, Act 2: "Tu fosti tradito" | — | ||
| 16-9 | La clemenza di Tito, K. 621, Act 2: "Che orror! che tradimento!": "Ingrato!" | — | ||
| 16-10 | La clemenza di Tito, K. 621, Act 2: "Quello di Tito è il volto!": "Odimi, oh Sesto" | — | ||
| 16-11 | La clemenza di Tito, K. 621, Act 2: "Deh per questo istante solo" | — | ||
| 16-12 | La clemenza di Tito, K. 621, Act 2: "Dove s'intese mai più contumace infedeltà?": "Publio. - Cesare." | — | ||
| 16-13 | La clemenza di Tito, K. 621, Act 2: "Se all'impero" | — | ||
| 16-14 | La clemenza di Tito, K. 621, Act 2: Ah, Vitellia!...Ah, principessa! | — | ||
| 16-15 | La clemenza di Tito, K. 621, Act 2: "S'altro che lagrime" | — | ||
| 16-16 | La clemenza di Tito, K. 621, Act 2: "Ecco il punto, oh Vitellia" | — | ||
| 16-17 | La clemenza di Tito, K. 621, Act 2: "Non più di fiori" | — | ||
| 16-18 | La clemenza di Tito, K. 621, Act 2: "Che del ciel, che degli Dei" | — | ||
| 16-19 | La clemenza di Tito, K. 621, Act 2: Sesto, de'tuoi delitti...Ma che giorno è mai questo? | — | ||
| 16-20 | La clemenza di Tito, K. 621, Act 2: "Tu, è ver, m'assolvi, Augusto" | — | ||
| 17-1 | Die Zauberflöte: Ouvertüre | English Baroque Soloists, Sir John Eliot Gardiner | T-903.529.769-9 | |
| 17-2 | Die Zauberflöte: Act I. Nr. 1 Introduktion: »Zu Hilfe ! Zu Hilfe« (Tamino, Die drei Damen) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-3 | Die Zauberflöte: Act I. »Wo bin ich?« (Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-4 | Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) | Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-5 | Die Zauberflöte: Act I. »He! Du da!« (Tamino, Papageno, Die drei Damen) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-6 | Die Zauberflöte: Act I. Nr. 3 Arie: »Dies Bildnis ist bezaubernd schön« (Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | T-101.070.693-9 | |
| 17-7 | Die Zauberflöte: Act I. »Rüste dich mit Mut und Standhaftigkeit« (Die drei Damen, Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-8 | Die Zauberflöte: Act I. Nr. 4 Rezitativ und Arie: »O zittre nicht, mein lieber Sohn!« – »Zum Leiden bin ich auserkoren« (Königin der Nacht) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-9 | Die Zauberflöte: Act I. »War das Wirklichkeit, was ich sah?« (Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-10 | Die Zauberflöte: Act I. Nr. 5 Quintett: »Hm, hm, hm« (Papageno, Tamino, Die drei Damen) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-11 | Die Zauberflöte: Act I. Nr. 6 Terzett: »Du feines Täubchen, nur herein!« (Monostatos, Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-12 | Die Zauberflöte: Act I. »Mutter! Mutter!« (Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-13 | Die Zauberflöte: Act I. Nr. 7 Duett: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | T-900.134.395-9 | |
| 17-14 | Die Zauberflöte: Act I. Nr. 8 Finale: »Zum Ziele führt dich diese Bahn« (Die drei Knaben, Tamino, Priester, Sprecher) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-15 | Die Zauberflöte: Act I. »Schnelle Füße, rascher Mut« (Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-16 | Die Zauberflöte: Act I. »Nur geschwinde!« (Monostatos, Pamina, Papageno, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-17 | Die Zauberflöte: Act I. »Es lebe Sarastro« (Chor, Pamina, Sarastro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-18 | Die Zauberflöte: Act I. »Ja, stolzer Jüngling« (Monostatos, Pamina, Tamino, Chor, Sarastro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-19 | Die Zauberflöte: Act II. Nr. 9 Marsch der Priester | English Baroque Soloists, Sir John Eliot Gardiner | T-921.158.813-5 | |
| 17-20 | Die Zauberflöte: Act II. Nr. 9a [Dreimaliger Akkord] »Eingeweihte Diener« (Sarastro, Sprecher, Zweiter und Dritter Priester) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-21 | Die Zauberflöte: Act II. Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | T-001.321.541-2 | |
| 17-22 | Die Zauberflöte: Appendix. Nr. 3a Arie: »So reizend hold, so zaubrisch schön« (Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-23 | Die Zauberflöte: Appendix. Nr. 7a Duett: »Der Liebe holdes Glück empfinden« (Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-1 | Die Zauberflöte: Act II. »Was für eine schreckliche Nacht!« (Tamino, Papageno, Sprecher, Zweiter Priester) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-2 | Die Zauberflöte: Act II. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Sprecher, Zweiter Priester) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-3 | Die Zauberflöte: Act II. »He! Die Lichter her!« (Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-4 | Die Zauberflöte: Act II. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (Die drei Damen, Papageno, Tamino, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-5 | Die Zauberflöte: Act II. »Du bist standhaft geblieben« (Sprecher, Zweiter Priester, Papageno, Monostatos) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-6 | Die Zauberflöte: Act II. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) | English Baroque Soloists, Sir John Eliot Gardiner | T-900.222.345-2 | |
| 18-7 | Die Zauberflöte: Act II. »Zurück!« / »Mutter!« (Königin der Nacht, Pamina, Monostatos) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-8 | Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht) | Cyndia Sieden, English Baroque Soloists, Sir John Eliot Gardiner | T-918.245.117-8 | |
| 18-9 | Die Zauberflöte: Act II. »Morden soll ich?« (Pamina, Monostatos, Sarastro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-10 | Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil’gen Hallen« (Sarastro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-11 | Die Zauberflöte: Act II. »Von hier an seid ihr euch beide allein überlassen« (Sprecher, Priester, Papageno, Tamino, Papagena) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-12 | Die Zauberflöte: Act II. Nr. 16 Terzett: »Seid uns zum zweitenmal willkommen« (Die drei Knaben) | English Baroque Soloists, Sir John Eliot Gardiner | T-909.688.137-7 | |
| 18-13 | Die Zauberflöte: Act II. »Tamino, wollen wir nicht speisen?« (Papageno, Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-14 | Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-15 | Die Zauberflöte: Act II. »Siehst du, Tamino« (Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-16 | Die Zauberflöte: Act II. Nr. 18 Chor der Priester: »O Isis und Osiris« | English Baroque Soloists, Sir John Eliot Gardiner | T-001.321.541-2 | |
| 18-17 | Die Zauberflöte: Act II. »Prinz! Bisher hast du dich« (Sarastro, Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-18 | Die Zauberflöte: Act II. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | T-931.460.428-9 | |
| 18-19 | Die Zauberflöte: Act II. »Tamino! Lass mich nicht im Stich!« (Papageno, Sprecher, drei Priester) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-20 | Die Zauberflöte: Act II. Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich« (Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | T-802.587.503-1 | |
| 18-21 | Die Zauberflöte: Act II. »Da bin ich schon, mein Engel« (Papagena, Papageno, Sprecher) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-22 | Die Zauberflöte: Act II. Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (Die drei Knaben) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-23 | Die Zauberflöte: Act II. »Du also bist mein Bräutigam?« (Pamina, Die drei Knaben) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-24 | Die Zauberflöte: Act II. »Der, welcher wandert diese Strasse« (Die Geharnischten, Tamino, Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-25 | Die Zauberflöte: Act II. »Tamino mein! O welch ein Glück!« (Pamina, Tamino, Die Geharnischten) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-26 | Die Zauberflöte: Act II. »Wir wandelten durch Feuergluten« (Pamina, Tamino, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-27 | Die Zauberflöte: Act II. »Papagena! Weibchen! Täubchen!« (Papageno, Die drei Knaben, Papagena) / »Pa‐pa‐gena!« / »Pa‐pa‐geno!« (Papageno, Papagena) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-28 | Die Zauberflöte: Act II. »Nur stille, stille, stille!« (Monostatos, Königin der Nacht, Die drei Damen) / »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-29 | Die Zauberflöte: Appendix. Nr. 17a Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-30 | Die Zauberflöte: Appendix. From Nr. 21a Finale: »Tamino mein! O welch ein Glück!« (Tamino, Pamina, Die Geharnischten) | English Baroque Soloists, Sir John Eliot Gardiner | — |
Musical Works (ISWC)
Identifier Graph
028944918120 is a Universal Product Code (UPC) assigned to Operas by Wolfgang Amadeus Mozart, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 377 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028944918120 is the Universal Product Code (UPC barcode) for the release “Operas” by Wolfgang Amadeus Mozart, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 377 tracks, each with its own ISRC. Tracks include DEF059030101, DEF059030107, DEF059030108.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Idomeneo, re di Creta K. 366: Ouverture | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2 | Idomeneo, re di Creta K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) / No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3 | Idomeneo, re di Creta K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) / No. 2 Aria "Non ho colpa" (Idamante) | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4 | Idomeneo, re di Creta K. 366: Act I, Recitativo "Ecco il mesero resto de Troiani" / Recitativo "Scingete le catene" | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5 | Idomeneo, re di Creta K. 366: Act I, No.3 coro "Godiam la pace" / Rec "Tutta la Grecia oltraggi" / Rec "Ma quel pianto che annunzia ? / Rec : Estinto è idomeneo ? / No.4 aria : Tutte nel cor vi sento / No.5 coro : Pietá ! Numi, pietá ! / Rec : Eccoci salvi alfin / Rec : Voi di Marte e di Nettuno" | Stephen Charlesworth, Angela Kazimierczuk, Jonathan Peter Kenny, Sylvia McNair, Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Philip Salmon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6 | Idomeneo, re di Creta K. 366: Act I, No. 6 aria "Vedrommi intorno" / Recitativo : "Cieli ! Che veggo ?" / Recitativo : "Spiagge romite" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7 | Idomeneo, re di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 8 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo) | Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12 | Idomeneo, re di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) | Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13 | Idomeneo, re di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14 | Idomeneo, re di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15 | Idomeneo, re di Creta K. 366: Act II, No. 12 aria "Fuor del mar ho un mar in seno" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.097.548-2 | |
| 2-1 | Idomeneo, re di Creta K. 366: Act II, Recitativo "Frettolosa e Guiliva Elettra Vien" / Recitativo "Chi mai del Mio Provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-2 | Idomeneo, re di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-3 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-4 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-5 | Idomeneo, re di Creta K. 366: Act II, No. 15 coro "Placido è il mar / Soavi zeffiri" / Recitativo "Vattene prence" / No. 16 terzetto : "Pria di partir, oh dio !" / No. 17 coro : "Qual nuovo terrore !" / Recitativo : "Eccoti in me, barbaro nume !" / No. 18 coro : "Corriamo, fuggiamo" | Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-6 | Idomeneo, re di Creta, K. 366, Act 3: "Solitudini amiche" | — | ||
| 2-7 | Idomeneo, re di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-8 | Idomeneo, re di Creta K. 366: Act III, "Principessa, a' tuoi sguardi" / No. 20 duetto "S'io non moro a questi accenti" / Recitativo : "Cieli ! Che vedo ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-9 | Idomeneo, re di Creta K. 366: Act III, Recitativo "Dunque io me n'andrò" / No. 21 quartetto "Andrò ramingo e solo" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-10 | Idomeneo, re di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) | Sylvia McNair, Hillevi Martinpelto, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-11 | Idomeneo, re di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-12 | Idomeneo, re di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-13 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) | Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-14 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) | Monteverdi Choir, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-15 | Idomeneo, re di Creta, K. 366: Act III, Scene VII. No. 25 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | T-906.743.326-5 | |
| 2-16 | Idomeneo, re di Creta K. 366: Act III, No. 26 cavatina con coro "Accogli, oh re del mar" | Monteverdi Choir, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 2-17 | Idomeneo, re di Creta K. 366: Appendix , Recitativo "Frettolosa e giuliva Elettra vien" / Recitativo "Sire, da arbace intensi" / Recitativo : "Chi ma del mio provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-1 | Idomeneo, re di Creta, K. 366: Act III, Coro "Stupenda vittoria!" / Recitativo "Sire, il prence" | Monteverdi Choir, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-2 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Padre, mio caro padre" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-3 | Idomeneo, re di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | T-306.143.268-2 | |
| 3-4 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-5 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-6 | Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-7 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Oh ciel pietoso !" / Recitativo "Oh, smania ! Oh furie !" / No. 29 aria : "D'oreste, d'aiace" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-8 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-9 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.096.245-6 | |
| 3-10 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 3-11 | Idomeneo, re di Creta, K. 366: Act III, No. 32 Ballet K. 367(Chaconne / Larghetto / La Chaconne, qui reprend / Largo / Allegretto, sempre Piano / Più Allegro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-12 | Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Ferma, oh sire, che fai ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-13 | Idomeneo, re di Creta, K. 366: Appendix, No. 28 "A Idomeneo perdona" (Versione per legni / Woodwind version) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-14 | Idomeneo, re di Creta, K. 366: Appendix No. 28 "Ha vinto amore" (Versione più estesa per ottoni / Brass : Longer version) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-15 | Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Oh ciel pietoso!" / Recitativo "Oh, smania! Oh, furie!" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-1 | Die Entführung aus dem Serail, K. 384: Ouvertüre | English Baroque Soloists, Sir John Eliot Gardiner | T-003.143.988-9 | |
| 4-2 | Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte) / Act I, Scene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-3 | Die Entführung aus dem Serail, K. 384: Act I, Scene II. No. 2 Lied und Duetto "Wer ein Liebchen hat gefunden" (Osmin, Belmonte) | English Baroque Soloists, Sir John Eliot Gardiner | T-900.134.067-6 | |
| 4-4 | Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-5 | Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-6 | Die Entführung aus dem Serail, K. 384: Act I, Scene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-7 | Die Entführung aus dem Serail, K. 384: Act I, Konstanze, dich wiederzusehen / Nr. 4: O wie ängstlich, o wie feurig | Stanford Olsen, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-8 | Die Entführung aus dem Serail, K. 384: Act I, Herr, geschwind auf die Seite / Nr. 5a Marsch | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-9 | Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-10 | Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-11 | Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-12 | Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein! | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-13 | Die Entführung aus dem Serail, K. 384: Act I, Scene X. No. 7 Trio "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-14 | Die Entführung aus dem Serail, K. 384: Act II, Gift und Dolch / O, des Zankens, Befehlens und Murrens / Nr. 8: Durch Zärtlichkeit und Schmeicheln | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-15 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "Zärtlichkeit? Schmeicheln? Es ist mir wie pure Zärtlichkeit!" (Osmin, Blonde) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-16 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-17 | Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-18 | Die Entführung aus dem Serail, K. 384: Act II, Ach mein bestes Fräulein / Nun, Konstanze, denkst du meinem Begehren nach? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-19 | Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-20 | Die Entführung aus dem Serail, K. 384: Act II, Ist das ein Traum? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-1 | Die Entführung aus dem Serail, K. 384: Act II, Bst, bst! Blondchen! | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-2 | Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-3 | Die Entführung aus dem Serail, K. 384: Act II, Ah, dass es schon vorbei wäre! / Act II, Scene VII. No. 13 Aria "Frisch zum Kampfe!" (Pedrillo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-4 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-5 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-6 | Die Entführung aus dem Serail, K. 384: Act II, Wein - das ist wahr - Wein / Pedrillo, ist Konstanze noch nicht hier? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-7 | Die Entführung aus dem Serail, K. 384: Act II, No. 15: Wenn der Freude Tränen fließen / Ich hab hier ein Schiff in Bereitschaft | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-8 | Die Entführung aus dem Serail, K. 384: Act II, No. 16: Ach, Belmonte! Ach, mein Leben | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-9 | Die Entführung aus dem Serail, K. 384: Act II, Pedrillo! Pedrillo! | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-10 | Die Entführung aus dem Serail, K. 384: Act III, Scene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-11 | Die Entführung aus dem Serail, K. 384: Act III, Alles liegt auf dem Ohr / Nr. 18: In Mohrenland gefangen war | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-12 | Die Entführung aus dem Serail, K. 384: Act III, Sie macht auf, Herr! / Gift und Dolch! Was ist das? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-13 | Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-14 | Die Entführung aus dem Serail, K. 384: Act III, Was gibt's, Osmin, was gibt's? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-15 | Die Entführung aus dem Serail, K. 384: Act III, Scene VII. Recitativo "Welch ein Geschick!" (Belmonte, Konstanze) / No. 20 Duetto "Meinetwegen sollst du sterben!" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-16 | Die Entführung aus dem Serail, K. 384: Act III, Nun, Sklave! Erwartest du dein Urteil? | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-17 | Die Entführung aus dem Serail, K. 384: Act III, No. 21a. Finale. Vaudeville: "Nie werd' ich deine Huld verkennen" (Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-1 | Le nozze di Figaro, K. 492: Overture | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-2 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) | Bryn Terfel, Alison Hagley, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-3 | Le Nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-4 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-5 | Le Nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Or bene, ascolta, e taci" (Figaro, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-6 | Le Nozze di Figaro, K. 492: Act I, Scene II. Recitativo "Bravo, Signor padrone!" (Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | T-009.157.866-3 | |
| 6-7 | Le Nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | T-009.157.866-3 | |
| 6-8 | Le Nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Ed aspettaste il giorno" (Bartolo, Marcellina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-9 | Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-10 | Le Nozze di Figaro, K. 492: Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-11 | Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-12 | Le Nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va la, vecchia pedante" (Susanna, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-13 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | T-915.310.099-3 | |
| 6-14 | Le Nozze di Figaro, K. 492: Act I, Scene VI-VII. Recitativo "Ah, son perduto!" (Susanna, Cherubino, Il Conte, Basilio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-15 | Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-16 | Le Nozze di Figaro, K. 492: Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro" (Susanna, Cherubino, Il Conte, Basilio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-17 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-18 | Le Nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'e questa commedia" (Il Conte, Figaro, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-19 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-20 | Le Nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Evviva! ... E voi non applaudite" (Figaro, Susanna, Basilio, Cherubino, Il Conte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-21 | Le nozze di Figaro: “Non più andrai” | Bryn Terfel, English Baroque Soloists, John Eliot Gardiner | T-009.157.866-3 | |
| 6-22 | Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | T-306.482.540-3 | |
| 6-23 | Le Nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-24 | Le Nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-25 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) | Pamela Helen Stephen, English Baroque Soloists, Sir John Eliot Gardiner | T-031.862.676-4 | |
| 6-26 | Le Nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-27 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-28 | Le Nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie!" (La Contessa, Susanna, Cherubino, Il Conte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-29 | Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-30 | Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-31 | Le Nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Dunque, voi non aprite" (Il Conte, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-32 | Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 6-33 | Le Nozze di Figaro, K. 492: Act II, Scene IV. Recitativo "O guarda il demonietto!" (Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-1 | Le nozze di Figaro, K. 492: Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-2 | Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-3 | Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Signore, cos'è quel stupore?" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-4 | Le nozze di Figaro, K. 492: Act II, Scene VIII. No. 16 Finale "Susanna, son morta" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-5 | Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-6 | Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Conoscete signor Figaro" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-7 | Le nozze di Figaro, K. 492: Act II, Scene X. No. 16 Finale "Ah signor... signor" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-8 | Le nozze di Figaro, K. 492: Act II, Scene X. No. 16 "Vostre dunque saran queste carte che perdeste" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-9 | Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-10 | Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-11 | Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) | Rodney Gilfry, Alison Hagley, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-12 | Le nozze di Figaro, K. 492: Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-13 | Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-14 | Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) | Rodney Gilfry, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-15 | Le nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-16 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-17 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-18 | Le nozze di Figaro, K. 492: Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) | Francis Egerton, Carlos Feller, Rodney Gilfry, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-19 | Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) | Francis Egerton, Carlos Feller, Rodney Gilfry, Alison Hagley, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-20 | Le nozze di Figaro, K. 492: Act III, Scene VI. Recitativo "Eccovi, o caro amico" (Marcellina, Bartolo, Figaro, Susanna) | Carlos Feller, Alison Hagley, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-21 | Le nozze di Figaro, K. 492: Act III, Scene IX. Duettino "Io vi dico, signor, che Cherubino" (Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-22 | Le nozze di Figaro, K. 492: Act III, Scene X. No. 21 Duettino "Che soave zeffiretto" (La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-23 | Le nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Piegato è il foglio" (La Contessa, Susanna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-24 | Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-25 | Le nozze di Figaro, K. 492: Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-26 | Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Figaro, Susanna, Il Conte, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-27 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Amanti costanti seguaci d'onor" (Due Contadine, Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-28 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Eh già solita usanza" (Il Conte, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 7-29 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Andate amici!" (Il Conte, Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-1 | Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Barbarina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-2 | Le nozze di Figaro, K. 492: Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-3 | Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Marcellina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-4 | Le nozze di Figaro, K. 492: Act IV, Scenes VI-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-5 | Le nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Recitativo "In quegli anni in cui val poco" (Basilio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-6 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-7 | Le nozze di Figaro, K. 492: Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Susanna, La Contessa, Marcellina, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-8 | Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-9 | Le nozze di Figaro: Atto IV: Aria: “Deh vieni, non tardar” (Susanna) | Alison Hagley, English Baroque Soloists, Sir John Eliot Gardiner | T-001.424.370-9 | |
| 8-10 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Oh Susanna, Susanna, quanta pena mi costi!" (Figaro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-11 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Aprite un po' quegl'occhi" (Figaro) | Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-12 | Le nozze di Figaro, K. 492: Act IV, Scenes XI. Recitativo "La la la, la la la, la lera" (Cherubino, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | T-031.796.870-9 | |
| 8-13 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Cherubino, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-14 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Ecco qui la mia Susanna" (Il Conte, Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-15 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-16 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-17 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 8-20 | Le nozze di Figaro, K. 492: Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Figaro, Cherubino, La Contessa) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-1 | Don Giovanni: Ouvertura | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-2 | Don Giovanni: Atto I, Scena I. No. 1 Introduzione: “Notte e giorno faticar” (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | Rodney Gilfry, Ľuba Orgonášová, Andrea Silvestrelli, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-3 | Don Giovanni: Atto I, Scena II. Recitativo: “Leporello, ove sei?” (Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-4 | Don Giovanni: Atto I, Scena III. Recitativo: “Ah! del padre in periglio” (Donna Anna, Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-5 | Don Giovanni: Atto I, Scena III. No. 2 Recitativo accompagnato: “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) / No. 2 Duetto: “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | T-910.758.999-1 | |
| 9-6 | Don Giovanni: Atto I, Scena IV. Recitativo: “Orsù, spicciati presto” (Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-7 | Don Giovanni: Atto I, Scena V. No. 3 Aria: “Ah! chi mi dice mai” (Donna Elvira, Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-8 | Don Giovanni: Atto I, Scena V. Recitativo: “Chi è la?” / “Stelle! che vedo!” (Donna Elvira, Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-9 | Don Giovanni: Atto I, Scena V. No. 4 Aria: “Madamina, il catalogo è questo” (Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | T-929.621.870-7 | |
| 9-10 | Don Giovanni: Atto I, Scena VI. Recitativo: “In questa forma, dunque” (Donna Elvira) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-11 | Don Giovanni: Atto I, Scena VII. No. 5 Coro: “Giovinette che fate all’amore” (Zerlina, Masetto, Coro di contadine e contadini) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-12 | Don Giovanni: Atto I, Scena VIII. Recitativo: “Manco male è partita” (Don Giovanni, Leporello, Zerlina, Masetto) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-13 | Don Giovanni: Atto I, Scena VIII. No. 6 Aria: “Ho capito, signor sì” (Masetto) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-14 | Don Giovanni: Atto I, Scena IX. Recitativo: “Alfin siam liberati” (Don Giovanni, Zerlina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-15 | Don Giovanni: Atto I, Scena IX. No. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina) | Rod Gilfry, Eirian James, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-16 | Don Giovanni: Atto I, Scena X. Recitativo: “Fermati, scellerato” (Donna Elvira, Zerlina, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-17 | Don Giovanni: Atto I, Scena X. No. 8 Aria: “Ah, fuggi il traditor” (Donna Elvira) | English Baroque Soloists, Sir John Eliot Gardiner | T-910.758.999-1 | |
| 9-18 | Don Giovanni: Atto I, Scena XI. Recitativo: “Mi par ch’oggi il demonio si diverta” (Don Giovanni, Don Ottavio, Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-19 | Don Giovanni: Atto I, Scena XII. Recitativo: “Ah, ti ritrovo ancor” (Donna Elvira) / No. 9 Quartetto: “Non ti fidar, o misera” (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-20 | Don Giovanni: Atto I, Scena XII. Recitativo: “Povera sventurata!” (Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-21 | Don Giovanni: Atto I, Scena XIII. No. 10 Recitativo accompagnato: “Don Ottavio, son morta!” (Donna Anna, Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-22 | Don Giovanni: Atto I, Scena XIII. No. 10 Aria: “Or sai chi l’onore” (Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | T-929.613.726-3 | |
| 9-23 | Don Giovanni: Atto I, Scena XIV. Recitativo: “Come mai creder deggio” (Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-1 | Don Giovanni: Atto I, Scena XV. Recitativo: “Io deggio ad ogni patto” (Leporello, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-2 | Don Giovanni: Atto I, Scena XV. No. 11 Aria: “Fin ch’han dal vino” (Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | T-306.481.937-6 | |
| 10-3 | Don Giovanni: Atto I, Scena XVI. Recitativo: “Masetto: senti un po’!” (Zerlina, Masetto) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-4 | Don Giovanni: Atto I, Scena XVI. No. 12 Aria: “Batti, batti, o bel Masetto” (Zerlina) | English Baroque Soloists, Sir John Eliot Gardiner | T-929.621.873-0 | |
| 10-5 | Don Giovanni: Atto I, Scena XVI. Recitativo: “Guarda un po’” (Masetto, Don Giovanni, Zerlina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-6 | Don Giovanni: Atto I, Scena XVI. No. 13 Finale: “Presto presto pria ch’ei venga” (Masetto, Zerlina, Don Giovanni, Coro) / Scena XVII. “Su svegliatevi, da bravi” (Don Giovanni, Servi) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-7 | Don Giovanni: Atto I, Scena XVIII. No. 13 Finale: “Tra quest’arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-8 | Don Giovanni: Atto I, Scena XIX. No. 13 Finale: “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-9 | Don Giovanni: Atto I, Scena XX. No. 13 Finale: “Riposate, vezzose ragazze!” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-10 | Don Giovanni: Atto II, Scena I. No. 14 Duetto: “Eh via, buffone” (Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-11 | Don Giovanni: Atto II, Scena I. Recitativo: “Leporello” / “Signore” (Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-12 | Don Giovanni: Atto II, Scena II. No. 15 Terzetto: “Ah! taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | T-900.147.122-3 | |
| 10-13 | Don Giovanni: Atto II, Scena II. Recitativo: “Amico, che ti par?” (Don Giovanni, Leporello) / Scena III. Recitativo: “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-14 | Don Giovanni: Atto II, Scena III. No. 16 Canzonetta: “Deh, vieni alla finestra” (Don Giovanni) | Rodney Gilfy, English Baroque Soloists, Sir John Eliot Gardiner | T-306.483.075-3 | |
| 10-15 | Don Giovanni: Atto II, Scena III. Recitativo: “V’è gente alla finestra!” (Don Giovanni) / Scena IV. Recitativo: “Non ci stanchiamo” (Masetto, Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-16 | Don Giovanni: Atto II, Scena IV. No. 17 Aria: “Metà di voi qua vadano” (Don Giovanni) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-18 | Don Giovanni: Atto II, Scena VI. No. 18 Aria: “Vedrai, carino” (Zerlina) | English Baroque Soloists, Sir John Eliot Gardiner | T-929.621.876-3 | |
| 10-19 | Don Giovanni: Atto II, Scena VII. Recitativo: “Di molte faci il lume” (Leporello, Donna Elvira) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-20 | Don Giovanni: Atto II, Scena VII/VIII. No. 19 Sestetto: “Sola, sola, in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-7 | Don Giovanni: Atto II, Scena XI. Recitativo: “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello, Il Commendatore) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-8 | Don Giovanni: Atto II, Scena XI. No. 22 Duetto: “O statua gentilissima” (Leporello, Don Giovanni, Il Commendatore) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-9 | Don Giovanni: Atto II, Scena XII. Recitativo: “Calmatevi, idol mio” (Don Ottavio, Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-10 | Don Giovanni: Atto II, Scena XII. No. 23 Recitativo accompagnato: “Crudele! – Ah no, mio bene!” (Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-11 | Don Giovanni: Atto II, Scena XII. No. 23 Rondo: “Non mi dir, bell’idol mio” (Donna Anna) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-12 | Don Giovanni: Atto II, Scena XII. Recitativo: “Ah, si segua il suo passo” (Don Ottavio) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-13 | Don Giovanni: Atto II, Scena XIII. No. 24 Finale: “Già la mensa è preparata” (Don Giovanni, Leporello) | Rodney Gilfry, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-14 | Don Giovanni: Atto II, Scena XIV. Recitativo: “L’ultima prova dell’amor mio” (Donna Elvira, Don Giovanni, Leporello) | Rodney Gilfry, Charlotte Margiono, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-15 | Don Giovanni: Atto II, Scena XV. “Don Giovanni, a cenar teco” (Il Commendatore, Don Giovanni, Leporello, Coro) | Rod Gilfry, Andrea Silvestrelli, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 11-16 | Don Giovanni: Atto II, Scena ultima. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-1 | Così fan tutte, K. 588: Act I. Ouverture | English Baroque Soloists, Sir John Eliot Gardiner | T-902.763.968-5 | |
| 12-2 | Così fan tutte, K. 588: Act I. "La mia Dorabella" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | T-916.490.741-9 | |
| 12-3 | Così fan tutte, K. 588: Act I. "Fuor la spada" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-4 | Così fan tutte, K. 588: Act I. "E la fede delle femminine" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-5 | Così fan tutte, K. 588: Act I. "Scioccerie di poeti" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-6 | Così fan tutte, K. 588: Act I. "Una bella serenata" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-7 | Così fan tutte, K. 588: Act I. "Ah, guarda, sorella" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-8 | Così fan tutte, K. 588: Act I. "Mi par che stamattina" | Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-9 | Così fan tutte, K. 588: Act I. "Vorrei dir, e cor non ho" | Carlos Feller, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-10 | Così fan tutte, K. 588: Act I. "Stelle! Per carità, signor Alfonso" | Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-11 | Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-12 | Così fan tutte, K. 588: Act I. "Non piangere, idol mio!" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-13 | Così fan tutte, K. 588: Act I. "Al fato dan legge" | Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | T-900.134.391-5 | |
| 12-14 | Così fan tutte, K. 588: Act I. "La commedia è graziosa" | Carlos Feller, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-15 | Così fan tutte, K. 588: Act I. "Bella vita militar!" | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | T-906.905.438-2 | |
| 12-16 | Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-17 | Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-18 | Così fan tutte, K. 588: Act I. "Bella vita militar!" | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 12-19 | Così fan tutte, K. 588: Act I. "Dove son?" | Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-20 | Così fan tutte, K. 588: Act I. "Soave sia il vento" | Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | T-902.525.648-8 | |
| 12-21 | Così fan tutte, K. 588: Act I. "Non son cattivo comico" | Carlos Feller, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-22 | Così fan tutte, K. 588: Act I. "Che vita maledetta" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 12-23 | Così fan tutte, K. 588: Act I. "Ah, scostati!" | Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-24 | Così fan tutte, K. 588: Act I. "Smanie implacabili" | Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-25 | Così fan tutte, K. 588: Act I. "Signora Dorabella" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 12-26 | Così fan tutte, K. 588: Act I. "In uominI. in soldati" | English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 12-27 | Così fan tutte, K. 588: Act I. "Che silenzio!" | Carlos Feller, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 12-28 | Così fan tutte, K. 588: Act I. "Alla bella Despinetta" | Carlos Feller, Rodney Gilfry, Eirian James, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-29 | Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!" | Carlos Feller, Rodney Gilfry, Eirian James, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-30 | Così fan tutte, K. 588: Act I. "Come scoglio" | Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-31 | Così fan tutte, K. 588: Act I. "Ah, non partite" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-32 | Così fan tutte, K. 588: Act I. "Non siate ritrosi" | Rod Gilfry, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-33 | Così fan tutte, K. 588: Act I. "E voi ridete?" - "La cagion di quel riso?" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-34 | Così fan tutte, K. 588: Act I. "Si può sapere un poco la cagion di quel riso?" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12-35 | Così fan tutte, K. 588: Act I. "Un'aura amorosa" | Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-1 | Così fan tutte, K. 588: Act I, "Oh, la saria da ridere!" | Carlos Feller, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-2 | Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-3 | Così fan tutte, K. 588: Act II. "Andate là" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-4 | Così fan tutte, K. 588: Act II. "Una donna a quindici anni" | English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-5 | Così fan tutte, K. 588: Act II. "Sorella, cosa dici?" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-6 | Così fan tutte, K. 588: Act II. "Prenderò quel brunettino" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-7 | Così fan tutte, K. 588: Act II. "Ah, correte al giardino" | Carlos Feller, Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-8 | Così fan tutte, K. 588: Act II. "Secondate, aurette amiche" | Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 13-9 | Così fan tutte, K. 588: Act II. "Il tutto deponete" | Carlos Feller, Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-10 | Così fan tutte, K. 588: Act II. "La mano a me date" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 13-11 | Così fan tutte, K. 588: Act II. "Oh che bella giornata!" | Rod Gilfry, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-12 | Così fan tutte, K. 588: Act II. "Il cor vi dono" | Rod Gilfry, Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-13 | Così fan tutte, K. 588: Act II. "Barbara! Perché fuggi?" | Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-14 | Così fan tutte, K. 588: Act II. "Ah, lo veggio" | Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-15 | Così fan tutte, K. 588: Act II. "Ei parte… senti… ah no!" | Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 13-16 | Così fan tutte, K. 588: Act II. "Per pietà, ben mio, perdona" | Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-1 | Così fan tutte, K. 588: Act II. "Amico, abbiamo vinto!" | Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-2 | Così fan tutte, K. 588: Act II. "Donne mie, la fate a tanti" | Rod Gilfry, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-3 | Così fan tutte, K. 588: Act II. "In qual fiero contrasto" | Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-4 | Così fan tutte, K. 588: Act II. "Tradito, schernito" | Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | T-306.152.256-9 | |
| 14-5 | Così fan tutte, K. 588: Act II. "Bravo, questa è costanza" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-6 | Così fan tutte, K. 588: Act II. "Ora vedo che siete" | Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 14-7 | Così fan tutte, K. 588: Act II. "E amore un ladroncello" | Rosa Mannion, English Baroque Soloists, Sir John Eliot Gardiner | T-919.170.448-0 | |
| 14-8 | Così fan tutte, K. 588: Act II. "Come tutto congiura" | Carlos Feller, Rod Gilfry, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 14-9 | Così fan tutte, K. 588: Act II. "Fra gli amplessi in pochi istanti" | Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-10 | Così fan tutte, K. 588: Act II. "Oh poveretto me" | Carlos Feller, Rod Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-11 | Così fan tutte, K. 588: Act II. "Tutti accusan le donne" | Rodney Gilfry, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-12 | Così fan tutte, K. 588: Act II. "Vittoria, padroncini!" | Carlos Feller, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James | — | |
| 14-13 | Così fan tutte, K. 588: Act II. "Fate presto, o cari amici" | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 14-14 | Così fan tutte, K. 588: Appendix. "Rivolgete a lui lo sguardo" - "E voi ridete?" | Rod Gilfry, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-1 | La clemenza di Tito, K. 621, Act 1: Overture | — | ||
| 15-2 | La clemenza di Tito, K. 621, Act 1: "Ma che? sempre l'istesso" | — | ||
| 15-3 | La clemenza di Tito, K. 621, Act 1: "Come ti piace imponi": "Fan mille affetti insieme" | — | ||
| 15-4 | La clemenza di Tito, K. 621, Act 1: "Amico, il passo affretta" | — | ||
| 15-5 | La clemenza di Tito, K. 621, Act 1: "Deh se piacer mi vuoi" | — | ||
| 15-6 | La clemenza di Tito, K. 621, Act 1: "Amico, ecco il momento" | — | ||
| 15-7 | La clemenza di Tito, K. 621, Act 1: "Deh prendi un dolce amplesso" | — | ||
| 15-8 | La clemenza di Tito, K. 621, Act 1: Marcia | — | ||
| 15-9 | La clemenza di Tito, K. 621, Act 1: "Serbate, oh Dei custodi" | — | ||
| 15-10 | La clemenza di Tito, K. 621, Act 1: "Te della patria il Padre": "Basta, basta, oh miei fidi" | — | ||
| 15-11 | La clemenza di Tito, K. 621, Act 1: "Serbate, oh Dei custodi" | — | ||
| 15-12 | La clemenza di Tito, K. 621, Act 1: "Adesso, oh Sesto, parla per me" | — | ||
| 15-13 | La clemenza di Tito, K. 621, Act 1: "Del più sublime" | — | ||
| 15-14 | La clemenza di Tito, K. 621, Act 1: "Non ci pentiam" | — | ||
| 15-15 | La clemenza di Tito, K. 621, Act 1: "Ah perdona al primo affetto" | — | ||
| 15-16 | La clemenza di Tito, K. 621, Act 1: "Servilia! Augusta!" | — | ||
| 15-17 | La clemenza di Tito, K. 621, Act 1: "Ah, se fosse intorno al trono" | — | ||
| 15-18 | La clemenza di Tito, K. 621, Act 1: "Felice me!": "Ancora mi schernisce?" | — | ||
| 15-19 | La clemenza di Tito, K. 621: Act I. "Parto, ma tu ben mio" | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 15-20 | La clemenza di Tito, K. 621, Act 1: "Vedrai, Tito, vedrai" | — | ||
| 15-21 | La clemenza di Tito, K. 621, Act 1: "Vengo... aspettate... Sesto!..." | — | ||
| 15-22 | La clemenza di Tito, K. 621, Act 1: "Oh Dei, che smania è questa" | — | ||
| 15-23 | La clemenza di Tito, K. 621, Act 1: "Deh conservate, oh Dei": "Sesto!" | — | ||
| 16-1 | La clemenza di Tito, K. 621, Act 2: "Sesto, come tu credi" | — | ||
| 16-2 | La clemenza di Tito, K. 621, Act 2: "Torna di Tito" | — | ||
| 16-3 | La clemenza di Tito, K. 621, Act 2: "Partir deggio, o restar?": "Sesto! - Che chiedi?" | — | ||
| 16-4 | La clemenza di Tito, K. 621, Act 2: "Se al volto mai ti senti" | — | ||
| 16-5 | La clemenza di Tito, K. 621, Act 2: "Ah, grazie si rendano": "È tutto colà d'intorno" | — | ||
| 16-6 | La clemenza di Tito, K. 621, Act 2: "Tardi s'avvede" | — | ||
| 16-7 | La clemenza di Tito, K. 621, Act 2: "No, così scellerato": "Cesare, nol diss'io" | — | ||
| 16-8 | La clemenza di Tito, K. 621, Act 2: "Tu fosti tradito" | — | ||
| 16-9 | La clemenza di Tito, K. 621, Act 2: "Che orror! che tradimento!": "Ingrato!" | — | ||
| 16-10 | La clemenza di Tito, K. 621, Act 2: "Quello di Tito è il volto!": "Odimi, oh Sesto" | — | ||
| 16-11 | La clemenza di Tito, K. 621, Act 2: "Deh per questo istante solo" | — | ||
| 16-12 | La clemenza di Tito, K. 621, Act 2: "Dove s'intese mai più contumace infedeltà?": "Publio. - Cesare." | — | ||
| 16-13 | La clemenza di Tito, K. 621, Act 2: "Se all'impero" | — | ||
| 16-14 | La clemenza di Tito, K. 621, Act 2: Ah, Vitellia!...Ah, principessa! | — | ||
| 16-15 | La clemenza di Tito, K. 621, Act 2: "S'altro che lagrime" | — | ||
| 16-16 | La clemenza di Tito, K. 621, Act 2: "Ecco il punto, oh Vitellia" | — | ||
| 16-17 | La clemenza di Tito, K. 621, Act 2: "Non più di fiori" | — | ||
| 16-18 | La clemenza di Tito, K. 621, Act 2: "Che del ciel, che degli Dei" | — | ||
| 16-19 | La clemenza di Tito, K. 621, Act 2: Sesto, de'tuoi delitti...Ma che giorno è mai questo? | — | ||
| 16-20 | La clemenza di Tito, K. 621, Act 2: "Tu, è ver, m'assolvi, Augusto" | — | ||
| 17-1 | Die Zauberflöte: Ouvertüre | English Baroque Soloists, Sir John Eliot Gardiner | T-903.529.769-9 | |
| 17-2 | Die Zauberflöte: Act I. Nr. 1 Introduktion: »Zu Hilfe ! Zu Hilfe« (Tamino, Die drei Damen) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-3 | Die Zauberflöte: Act I. »Wo bin ich?« (Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-4 | Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) | Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-5 | Die Zauberflöte: Act I. »He! Du da!« (Tamino, Papageno, Die drei Damen) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-6 | Die Zauberflöte: Act I. Nr. 3 Arie: »Dies Bildnis ist bezaubernd schön« (Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | T-101.070.693-9 | |
| 17-7 | Die Zauberflöte: Act I. »Rüste dich mit Mut und Standhaftigkeit« (Die drei Damen, Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-8 | Die Zauberflöte: Act I. Nr. 4 Rezitativ und Arie: »O zittre nicht, mein lieber Sohn!« – »Zum Leiden bin ich auserkoren« (Königin der Nacht) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-9 | Die Zauberflöte: Act I. »War das Wirklichkeit, was ich sah?« (Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-10 | Die Zauberflöte: Act I. Nr. 5 Quintett: »Hm, hm, hm« (Papageno, Tamino, Die drei Damen) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-11 | Die Zauberflöte: Act I. Nr. 6 Terzett: »Du feines Täubchen, nur herein!« (Monostatos, Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-12 | Die Zauberflöte: Act I. »Mutter! Mutter!« (Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-13 | Die Zauberflöte: Act I. Nr. 7 Duett: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | T-900.134.395-9 | |
| 17-14 | Die Zauberflöte: Act I. Nr. 8 Finale: »Zum Ziele führt dich diese Bahn« (Die drei Knaben, Tamino, Priester, Sprecher) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-15 | Die Zauberflöte: Act I. »Schnelle Füße, rascher Mut« (Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-16 | Die Zauberflöte: Act I. »Nur geschwinde!« (Monostatos, Pamina, Papageno, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-17 | Die Zauberflöte: Act I. »Es lebe Sarastro« (Chor, Pamina, Sarastro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-18 | Die Zauberflöte: Act I. »Ja, stolzer Jüngling« (Monostatos, Pamina, Tamino, Chor, Sarastro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-19 | Die Zauberflöte: Act II. Nr. 9 Marsch der Priester | English Baroque Soloists, Sir John Eliot Gardiner | T-921.158.813-5 | |
| 17-20 | Die Zauberflöte: Act II. Nr. 9a [Dreimaliger Akkord] »Eingeweihte Diener« (Sarastro, Sprecher, Zweiter und Dritter Priester) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-21 | Die Zauberflöte: Act II. Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | T-001.321.541-2 | |
| 17-22 | Die Zauberflöte: Appendix. Nr. 3a Arie: »So reizend hold, so zaubrisch schön« (Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 17-23 | Die Zauberflöte: Appendix. Nr. 7a Duett: »Der Liebe holdes Glück empfinden« (Pamina, Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-1 | Die Zauberflöte: Act II. »Was für eine schreckliche Nacht!« (Tamino, Papageno, Sprecher, Zweiter Priester) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-2 | Die Zauberflöte: Act II. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Sprecher, Zweiter Priester) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-3 | Die Zauberflöte: Act II. »He! Die Lichter her!« (Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-4 | Die Zauberflöte: Act II. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (Die drei Damen, Papageno, Tamino, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-5 | Die Zauberflöte: Act II. »Du bist standhaft geblieben« (Sprecher, Zweiter Priester, Papageno, Monostatos) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-6 | Die Zauberflöte: Act II. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) | English Baroque Soloists, Sir John Eliot Gardiner | T-900.222.345-2 | |
| 18-7 | Die Zauberflöte: Act II. »Zurück!« / »Mutter!« (Königin der Nacht, Pamina, Monostatos) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-8 | Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht) | Cyndia Sieden, English Baroque Soloists, Sir John Eliot Gardiner | T-918.245.117-8 | |
| 18-9 | Die Zauberflöte: Act II. »Morden soll ich?« (Pamina, Monostatos, Sarastro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-10 | Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil’gen Hallen« (Sarastro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-11 | Die Zauberflöte: Act II. »Von hier an seid ihr euch beide allein überlassen« (Sprecher, Priester, Papageno, Tamino, Papagena) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-12 | Die Zauberflöte: Act II. Nr. 16 Terzett: »Seid uns zum zweitenmal willkommen« (Die drei Knaben) | English Baroque Soloists, Sir John Eliot Gardiner | T-909.688.137-7 | |
| 18-13 | Die Zauberflöte: Act II. »Tamino, wollen wir nicht speisen?« (Papageno, Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-14 | Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-15 | Die Zauberflöte: Act II. »Siehst du, Tamino« (Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-16 | Die Zauberflöte: Act II. Nr. 18 Chor der Priester: »O Isis und Osiris« | English Baroque Soloists, Sir John Eliot Gardiner | T-001.321.541-2 | |
| 18-17 | Die Zauberflöte: Act II. »Prinz! Bisher hast du dich« (Sarastro, Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-18 | Die Zauberflöte: Act II. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino) | English Baroque Soloists, Sir John Eliot Gardiner | T-931.460.428-9 | |
| 18-19 | Die Zauberflöte: Act II. »Tamino! Lass mich nicht im Stich!« (Papageno, Sprecher, drei Priester) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-20 | Die Zauberflöte: Act II. Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich« (Papageno) | English Baroque Soloists, Sir John Eliot Gardiner | T-802.587.503-1 | |
| 18-21 | Die Zauberflöte: Act II. »Da bin ich schon, mein Engel« (Papagena, Papageno, Sprecher) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-22 | Die Zauberflöte: Act II. Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (Die drei Knaben) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-23 | Die Zauberflöte: Act II. »Du also bist mein Bräutigam?« (Pamina, Die drei Knaben) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-24 | Die Zauberflöte: Act II. »Der, welcher wandert diese Strasse« (Die Geharnischten, Tamino, Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-25 | Die Zauberflöte: Act II. »Tamino mein! O welch ein Glück!« (Pamina, Tamino, Die Geharnischten) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-26 | Die Zauberflöte: Act II. »Wir wandelten durch Feuergluten« (Pamina, Tamino, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-27 | Die Zauberflöte: Act II. »Papagena! Weibchen! Täubchen!« (Papageno, Die drei Knaben, Papagena) / »Pa‐pa‐gena!« / »Pa‐pa‐geno!« (Papageno, Papagena) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-28 | Die Zauberflöte: Act II. »Nur stille, stille, stille!« (Monostatos, Königin der Nacht, Die drei Damen) / »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-29 | Die Zauberflöte: Appendix. Nr. 17a Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 18-30 | Die Zauberflöte: Appendix. From Nr. 21a Finale: »Tamino mein! O welch ein Glück!« (Tamino, Pamina, Die Geharnischten) | English Baroque Soloists, Sir John Eliot Gardiner | — |
