UPC · Release
Complete Secular Music
Guillaume Dufay, The Medieval Ensemble of London, Peter Davies, Timothy Davies
Last verified:
028945255729 is the Universal Product Code (UPC barcode) for the release “Complete Secular Music” by Guillaume Dufay, The Medieval Ensemble of London, Peter Davies, Timothy Davies, released 1997-01-01 on L'Oiseau-Lyre. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 96 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (96)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ce jour de l'an (rondeau for 3 voices) | — | ||
| 2 | Entre vous, gentils amoureux (rondeau for 3 voices) | — | ||
| 3 | Resveilliés vous et faites chiere lye (ballade for 3 voices) | — | ||
| 4 | J'ay mis mon cuer et ma pensee (ballade for 3 voices) | — | ||
| 5 | Navré je suis d'un dart penetratif (rondeau for 3 voices) | — | ||
| 6 | L'alta belleza tua virtute valore (ballata for 3 voices) | — | ||
| 7 | Helas, et quant vous veray (rondeau for 3 voices) | — | ||
| 8 | Je donne a tous les amoureux (rondeau for 3 voices) | — | ||
| 9 | Je veuil chanter de cuer joyeux (rondeau for 3 voices) | — | ||
| 10 | Mon cuer me fait tous dis penser (rondeau for 4 voices) | — | ||
| 11 | Je requier a tous amoureux (rondeau for 3 voices) | — | ||
| 12 | Resvelons nous, resvelons, amoureux (rondeau for 3 voices) | — | ||
| 13 | Invidia nimica (song for 4 voices) | — | ||
| 14 | Ma belle dame, je vous pri (rondeau for 3 voices) | — | ||
| 15 | Passato è il tempo omai di quei pensieri (ballata for 3 voices) | — | ||
| 16 | Pour ce que veoir je ne puis (rondeau for 3 voices) | — | ||
| 17 | Par droit je puis bien complaindre et gemir (rondeau for 3 or 4 voices) | — | ||
| 18 | Belle, que vous ay je meffait (rondeau for 3 voices) | — | ||
| 19 | Se ma dame je puis veir (rondeau for 3 voices) | — | ||
| 20 | Mon chier amy, qu'aves vous empensé (ballade for 3 voices) | — | ||
| 2-1 | Belle plaissant et gracieuse (rondeau for 3 voices) | — | ||
| 2-2 | Ma belle dame souveraine (rondeau for 4 voices) | — | ||
| 2-3 | Helas, ma dame, par amours (rondeau for 3 voices) | — | ||
| 2-4 | J'atendray tant qu'il vous playra (rondeau for 3 voices) | — | ||
| 2-5 | J'ay grant (dolour) (rondeau for 3 voices) | — | ||
| 2-6 | La Belle se siet au pied de la tour (chanson for 3 voices) | — | ||
| 2-7 | Ce moys de may (rondeau for 3 voices) | — | ||
| 2-8 | Je ne suy plus tel que souloye (rondeau for 3 voices) | — | ||
| 2-9 | La dolce vista del tuo viso pio (ballata for 3 voices) | — | ||
| 2-10 | Je me complains piteusement (ballade for 3 voices) | — | ||
| 2-11 | Bien veignés vous, amoureuse liesse (rondeau for 3 voices) | — | ||
| 2-12 | Dona i ardenti ray (ballata for 3 voices) | — | ||
| 2-13 | Quel fronte signorille in paradiso (for 3 voices) | — | ||
| 2-14 | Bon jour, bon mois, bon an et bonne estraine (rondeau for 3 voices) | — | ||
| 2-15 | Estrinés moy, je vous estrineray (rondeau for 3 voices) | — | ||
| 2-16 | Je ne puis plus ce que y'ai peu (rondeau for 3 voices) | — | ||
| 2-17 | Pour l'amour de ma doulce amye (rondeau for 3 or 4 voices) | — | ||
| 2-18 | Hé, compaignons, resvelons nous (rondeau for 4 voices) | — | ||
| 2-19 | Adieu ces bons vins de Lannoys (rondeau for 3 voices) | — | ||
| 2-20 | Pour l'amour de ma doulce amye (rondeau for 3 or 4 voices) | — | ||
| 2-21 | Or me veult bien Esperance mentir (ballade for 3 voices) | — | ||
| 2-22 | Belle, veulliés moy retenir (rondeau for 3 voices) | — | ||
| 2-23 | Vergene bella (cantilena motet for 3 voices) | — | ||
| 2-24 | Belle, veulliés vostre mercy donner (rondeau for 3 voices) | — | ||
| 3-1 | C'est bien raison de devoir essaucier (ballade for 3 voices) | — | ||
| 3-2 | Mon bien, m'amour (rondeau for 3 voices) | — | ||
| 3-3 | Je prens congié de vous, Amours (rondeau for 3 voices) | — | ||
| 3-4 | Mille bonjours je vous presente (rondeau for 3 voices) | — | ||
| 3-5 | Craindre vous vueil, doulce dame de pris (rondeau for 3 voices) | — | ||
| 3-6 | Entre les plus plaines danoy (rondeau for 3 voices) | — | ||
| 3-7 | Se la face ay pale (ballade for 3 voices) | — | ||
| 3-8 | Dona gentile, bella come l'oro (rondeau for 3 voices) | — | ||
| 3-9 | Bien doy servir de volenté entiere (ballade for 3 voices) | — | ||
| 3-10 | Las, que feray? Ne que je devenray? (rondeau for 3 voices) | — | ||
| 3-11 | Hic iocundus sumit mundus (contrafactum of rondeau for 3 voices) | — | ||
| 3-12 | Pouray je avoir vostre mercy? (rondeau for 3 voices) | — | ||
| 3-13 | Qu'est devenue leaulté? (rondeau for 3 voices) | — | ||
| 3-14 | Ce jour le doibt, aussi fait la saison (ballade for 3 voices) | — | ||
| 3-15 | Seigneur Leon, vous soyes bienvenus (rondeau for 4 voices, attributed) | — | ||
| 3-16 | Donnés l'assault a la fortresse (rondeau for 3 or 4 voices) | — | ||
| 4-1 | Se la face ay pale (ballade for 3 voices) | — | ||
| 4-2 | Je languis en piteux martire (ballade for 3 voices; attributed; also attributed to Dunstaple) | — | ||
| 4-3 | Trop long temps ai esté en desplaisir (rondeau for 3 voices) | — | ||
| 4-4 | J'ayme bien celui qui s'en va (rondeau for 2 or 3 voices; after Fontaine) | — | ||
| 4-5 | Va t'en, mon cuer, jour et nuitie (rondeau for 3 voices) | — | ||
| 4-6 | Puisque celle qui me tient en prison (rondeau for 3 voices) | — | ||
| 4-7 | Vo regard et doulce maniere (rondeau for 3 voices) | — | ||
| 4-8 | Or pleust a Dieu qu'a son plaisir (rondeau for 3 voices) | — | ||
| 4-9 | Juvenis qui puellam (cantilena motet for 3 voices) | — | ||
| 4-10 | Je n'ay doubté fors que des envieux (rondeau for 3 voices) | — | ||
| 4-11 | Par le regard de vos beaux yeux (rondeau for 3 voices) | — | ||
| 4-12 | Adyeu, quitte le demeurant (rondeau for 3 voices) | — | ||
| 4-13 | S'il est plaisir que je vous puisse faire (virelai for 4 voices) | — | ||
| 4-14 | Belle, veulliés moy vengier (rondeau for 3 voices) | — | ||
| 4-15 | O tres piteulx (cantilena motet for 4 voices) | — | ||
| 4-16 | Adieu m'amour, adieu ma joye (rondeau for 3 voices) | — | ||
| 4-17 | Se la face ay pale (ballade for 3 voices) | — | ||
| 4-18 | Ne je ne dors, ne je ne veille (rondeau for 3 voices) | — | ||
| 4-19 | Puisque vous estez campieur (rondeau for 3 voices) | — | ||
| 5-1 | O flos florum (cantilena motet for 3 voices) | — | ||
| 5-2 | Je vous pri, mon tres doulx ami (chanson for 4 voices) | — | ||
| 5-3 | Ma plus mignonne de mon cueur (rondeau for 3 voices) | — | ||
| 5-4 | Departes vous, Malebouche et Envie (rondeau for 3 voices; attributed; also attributed to Ockeghem) | — | ||
| 5-5 | Dieu gard la bone sans reprise (rondeau for 3 voices) | — | ||
| 5-6 | En triumphant de Cruel Dueil (rondeau for 3 voices) | — | ||
| 5-7 | Je ne vis onques la pareille (rondeau for 3 voices; attributed; also attrib. to Binchois) | — | ||
| 5-8 | De ma haulte et bonne aventure (virelai for 3 voices) | — | ||
| 5-9 | Du tout m'estoie abandonné (rondeau for 3 voices) | — | ||
| 5-10 | Malheureulx cueur, que vieulx tu faire? (virelai for 3 voices) | — | ||
| 5-11 | Mon seul plaisir, ma doulce joye | — | ||
| 5-12 | Helas mon dueil, a ce cop sui je mort (virelai for 3 voices) | — | ||
| 5-13 | Franc cuer gentil, sur toutes gracieuse (rondeau for 3 voices) | — | ||
| 5-14 | Vostre bruit et vostre grant fame (rondeau for 3 voices) | — | ||
| 5-15 | Resistera... | — | ||
| 5-16 | Le serviteur hault guerdonné (rondeau for 3 voices) | — | ||
| 5-17 | Les douleurs, dont me sens tel somme (rondeau for 4 voices) | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 028945255729?
028945255729 is a Universal Product Code (UPC) assigned to Complete Secular Music by Guillaume Dufay, The Medieval Ensemble of London, Peter Davies, Timothy Davies. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 96 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm