UPC · Release
The Collected Works: Œuvres
John Dowland, The Consort of Musicke, Anthony Rooley
028945256320
278 tracksReleased 2007-01-01L'Oiseau-Lyre
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028945256320 is the Universal Product Code (UPC barcode) for the release “The Collected Works: Œuvres” by John Dowland, The Consort of Musicke, Anthony Rooley, released 2007-01-01 on L'Oiseau-Lyre. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 278 tracks, each with its own ISRC. Tracks include GBF077641401, GBF077641402, GBF077641403.
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UPCThe Collected Works: Œuvres
ISRC278 recordings
ISWC19 works
Track List (278)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | First Booke of Songs 1597: I. Unquiet thoughts | Anthony Rooley, The Consort of Musicke | — | |
| 2 | First Booke of Songs 1597: II. Whoever thinks or hopes | Anthony Rooley, The Consort of Musicke | — | |
| 3 | First Booke of Songs 1597: III. My thoughts are wing'd with hopes | Anthony Rooley, The Consort of Musicke | — | |
| 4 | First Booke of Songs 1597: IV. If my complaints could passions move | Anthony Rooley, The Consort of Musicke | — | |
| 5 | First Booke of Songs 1597: V. Can she excuse my wrongs | Anthony Rooley, The Consort of Musicke | — | |
| 6 | First Booke of Songs 1597: VI. Now, O now I needs must part | Anthony Rooley, The Consort of Musicke | — | |
| 7 | First Booke of Songs 1597: VII. Dear, if you change | Anthony Rooley, The Consort of Musicke | — | |
| 8 | First Booke of Songs 1597: VIII. Burst forth my tears | Anthony Rooley, The Consort of Musicke | — | |
| 9 | First Booke of Songs 1597: IX. Go crystal tears | Anthony Rooley, The Consort of Musicke | — | |
| 10 | First Booke of Songs 1597: X. Think'st thou then | Anthony Rooley, The Consort of Musicke | — | |
| 11 | First Booke of Songs 1597: XI. Come away, come sweet love | Anthony Rooley, The Consort of Musicke | — | |
| 12 | First Booke of Songs 1597: XII. Rest awhile you cruel cares | Anthony Rooley, The Consort of Musicke | — | |
| 13 | First Booke of Songs 1597: XIII. Sleep wayward thoughts | Anthony Rooley, The Consort of Musicke | — | |
| 14 | First Booke of Songs 1597: XIV. All ye whom love or fortune | Anthony Rooley, The Consort of Musicke | — | |
| 15 | First Booke of Songs 1597: XV. Wilt thou unkind | Anthony Rooley, The Consort of Musicke | — | |
| 16 | First Booke of Songs 1597: XVI. Would my conceit | Anthony Rooley, The Consort of Musicke | — | |
| 17 | First Booke of Songs 1597: XVII. Come again: sweet love doth now invite | Anthony Rooley, The Consort of Musicke | — | |
| 18 | First Booke of Songs 1597: XVIII. His golden locks | Anthony Rooley, The Consort of Musicke | — | |
| 19 | First Booke of Songs 1597: XIX. Awake, sweet love | Anthony Rooley, The Consort of Musicke | — | |
| 20 | First Booke of Songs 1597: XX. Come heavy sleep | Anthony Rooley, The Consort of Musicke | — | |
| 21 | First Booke of Songs 1597: XXI. Away with these self-loving lads | Anthony Rooley, The Consort of Musicke | — | |
| 2-1 | Second Booke of Songes 1600: I. I saw my lady weep | Anthony Rooley, The Consort of Musicke | T-010.894.165-6 | |
| 2-2 | Second Booke of Songes 1600: II. Flow my tears | Anthony Rooley, The Consort of Musicke | — | |
| 2-3 | Second Booke of Songes 1600: III. Sorrow, stay | Anthony Rooley, The Consort of Musicke | — | |
| 2-4 | Second Booke of Songes 1600: IV. Die not before thy day | Martyn Hill, Anthony Rooley, The Consort of Musicke | — | |
| 2-5 | Second Booke of Songes 1600: V. Mourn, day is with darkness fled | Anthony Rooley, The Consort of Musicke | — | |
| 2-6 | Second Booke of Songes 1600: VI. Time's eldest son | Anthony Rooley, The Consort of Musicke | — | |
| 2-7 | Second Booke of Songes 1600: VII. Then sit thee down | Anthony Rooley, The Consort of Musicke | — | |
| 2-8 | Second Booke of Songes 1600: VIII. When others sing Venite | Anthony Rooley, The Consort of Musicke | — | |
| 2-9 | Second Booke of Songes 1600: IX. Praise blindness eyes | Anthony Rooley, The Consort of Musicke | — | |
| 2-10 | Second Booke of Songes 1600: X. O sweet woods | Anthony Rooley, The Consort of Musicke | — | |
| 2-11 | Second Booke of Songes 1600: XI. If floods of tears | Anthony Rooley, The Consort of Musicke | — | |
| 2-12 | Second Booke of Songes 1600: XII. Fine knacks for ladies | Anthony Rooley, The Consort of Musicke | — | |
| 2-13 | Second Booke of Songes 1600: XIII. Now cease my wand'ring eyes | Anthony Rooley, The Consort of Musicke | — | |
| 2-14 | Second Booke of Songes 1600: XIV. Come ye heavy states of night | Anthony Rooley, The Consort of Musicke | — | |
| 2-15 | Second Booke of Songes 1600: XV. White as lilies was her face | Anthony Rooley, The Consort of Musicke | — | |
| 2-16 | Second Booke of Songes 1600: XVI. Woeful heart | Anthony Rooley, The Consort of Musicke | — | |
| 2-17 | Second Booke of Songes 1600: XVII. A shepherd in a shade | Anthony Rooley, The Consort of Musicke | — | |
| 2-18 | Second Booke of Songes 1600: XVIII. Faction that ever dwells | Anthony Rooley, The Consort of Musicke | — | |
| 2-19 | Second Booke of Songes 1600: XIX. Shall I sue | Anthony Rooley, The Consort of Musicke | — | |
| 2-20 | Second Booke of Songes 1600: XX. Toss not my soul | Anthony Rooley, The Consort of Musicke | — | |
| 2-21 | Second Booke of Songes 1600: XXI. Clear or cloudy | Anthony Rooley, The Consort of Musicke | — | |
| 2-22 | Second Booke of Songes 1600: XXII. Humor say what mak'st thou here | Anthony Rooley, The Consort of Musicke | — | |
| 3-1 | Third Booke of Songes 1603: I. Farewell too fair | Anthony Rooley, The Consort of Musicke | — | |
| 3-2 | Third Booke of Songes 1603: II. Time stands still | Anthony Rooley, The Consort of Musicke | — | |
| 3-3 | Third Booke of Songes 1603: III. Behold a wonder here | Anthony Rooley, The Consort of Musicke | — | |
| 3-4 | Third Booke of Songes 1603: IV. Daphne was not so chaste | Anthony Rooley, The Consort of Musicke | — | |
| 3-5 | Third Booke of Songes 1603: V. Me, me and none but me | Anthony Rooley, The Consort of Musicke | — | |
| 3-6 | Third Booke of Songes 1603: VI. When Phoebus first did Daphne love | Anthony Rooley, The Consort of Musicke | — | |
| 3-7 | Third Booke of Songes 1603: VII. Say, Love, if ever thou didst find | Anthony Rooley, The Consort of Musicke | — | |
| 3-8 | Third Booke of Songes 1603: VIII. Flow not so fast, ye fountains | Anthony Rooley, The Consort of Musicke | — | |
| 3-9 | Third Booke of Songes 1603: IX. What if I never speed | Anthony Rooley, The Consort of Musicke | — | |
| 3-10 | Third Booke of Songes 1603: X. Love stood amazed | Anthony Rooley, The Consort of Musicke | — | |
| 3-11 | Third Booke of Songes 1603: XI. Lend your ears to my sorrow | Anthony Rooley, The Consort of Musicke | — | |
| 3-12 | Third Booke of Songes 1603: XII. By a fountain where I lay | Anthony Rooley, The Consort of Musicke | — | |
| 3-13 | Third Booke of Songes 1603: XIII. O what hath overwrought | Anthony Rooley, The Consort of Musicke | — | |
| 3-14 | Third Booke of Songes 1603: XIV. Farewell, unkind | Anthony Rooley, The Consort of Musicke | — | |
| 3-15 | Third Booke of Songes 1603: XV. Weep you no more, sad fountains | Anthony Rooley, The Consort of Musicke | — | |
| 3-16 | Third Booke of Songes 1603: XVI. Fie on this feigning | Anthony Rooley, The Consort of Musicke | — | |
| 3-17 | Third Booke of Songes 1603: XVII. I must complain | Anthony Rooley, The Consort of Musicke | — | |
| 3-18 | Third Booke of Songes 1603: XVIII. It was a time when silly bees | Anthony Rooley, The Consort of Musicke | — | |
| 3-19 | Third Booke of Songes 1603: XIX. The lowest trees have tops | Anthony Rooley, The Consort of Musicke | — | |
| 3-20 | Third Booke of Songes 1603: XX. What poor astronomers are they | Anthony Rooley, The Consort of Musicke | — | |
| 3-21 | Third Booke of Songes 1603: XXI. Come when I call | Anthony Rooley, The Consort of Musicke | — | |
| 4-1 | A Pilgrim's Solace 1612: I. Disdain me still | Anthony Rooley, The Consort of Musicke | — | |
| 4-2 | A Pilgrim's Solace 1612: II. Sweet stay awhile | Anthony Rooley, The Consort of Musicke | — | |
| 4-3 | A Pilgrim's Solace 1612: III. To ask for all thy love | Anthony Rooley, The Consort of Musicke | — | |
| 4-4 | A Pilgrim's Solace 1612: IV. Love, those beams that breed | Anthony Rooley, The Consort of Musicke | — | |
| 4-5 | A Pilgrim's Solace 1612: V. Shall I strive with words to move | Anthony Rooley, The Consort of Musicke | — | |
| 4-6 | A Pilgrim's Solace 1612: VI. Were every thought an eye | Anthony Rooley, The Consort of Musicke | — | |
| 4-7 | A Pilgrim's Solace 1612: VII. Stay, Time, awhile thy flying | Anthony Rooley, The Consort of Musicke | — | |
| 4-8 | A Pilgrim's Solace 1612: VIII. Tell me, true love | Anthony Rooley, The Consort of Musicke | — | |
| 4-9 | A Pilgrim's Solace 1612: IX. Go nightly cares | Anthony Rooley, The Consort of Musicke | — | |
| 4-10 | A Pilgrim's Solace 1612: X. From silent night | Anthony Rooley, The Consort of Musicke | — | |
| 4-11 | A Pilgrim's Solace 1612: XI. Lasso vita mia | Anthony Rooley, The Consort of Musicke | — | |
| 4-12 | A Pilgrim's Solace 1612: XII. In this trembling shadow cast | Anthony Rooley, The Consort of Musicke | — | |
| 4-13 | A Pilgrim's Solace 1612: XIII. If that a sinner's sighs | Anthony Rooley, The Consort of Musicke | — | |
| 4-14 | A Pilgrim's Solace 1612: XIV. Thou mighty God | Anthony Rooley, The Consort of Musicke | — | |
| 4-15 | A Pilgrim's Solace 1612: XV. When David's life | Anthony Rooley, The Consort of Musicke | — | |
| 4-16 | A Pilgrim's Solace 1612: XVI. When the poor cripple | Anthony Rooley, The Consort of Musicke | — | |
| 5-1 | A Pilgrim's Solace 1612: XVII. Where sin sore wounding | Anthony Rooley, The Consort of Musicke | — | |
| 5-2 | A Pilgrim's Solace 1612: XVIII. My heart and tongue were twins | Anthony Rooley, The Consort of Musicke | — | |
| 5-3 | A Pilgrim's Solace 1612: XIX. Up merry mates | Anthony Rooley, The Consort of Musicke | — | |
| 5-4 | A Pilgrim's Solace 1612: XX. Welcome black night | Anthony Rooley, The Consort of Musicke | — | |
| 5-5 | A Pilgrim's Solace 1612: XXI. Cease these false sports | Anthony Rooley, The Consort of Musicke | — | |
| 5-6 | Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Giles Farnaby | John Dowland | — | |
| 5-7 | Can shee excuse my wrongs (1st Book of Songs, 1597), Anonymously transcribed for keyboard | John Dowland | — | |
| 5-8 | Paduana "La mia Barbara" (Consort Music), Transc. for keyboard by Paul Siefert | John Dowland | — | |
| 5-9 | The Frogge, Transc. for keyboard by John Wilbye | John Dowland | — | |
| 5-10 | The Frog Gailliard (Now, o now I need must part), Transc. for keyboard by Thomas Morley | John Dowland | — | |
| 5-11 | Pavana & Galliarda, Transc. for keyboard by Thomas Morley | John Dowland | — | |
| 5-12 | Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Melchior Schild | John Dowland | — | |
| 5-13 | Can shee excuse my wrongs (1st Book of Songs, 1597), Anonymously transcribed for keyboard | John Dowland | — | |
| 5-14 | Solus cum sola pavan (Lute works), Anonymously transcribed for keyboard | John Dowland | — | |
| 5-15 | Dowland's Almayne, Anonymously transcribed for keyboard | John Dowland | — | |
| 5-16 | Piper's Pavan & Galliard, transcr. for keyboard by J. Bull & M. Peerson | John Dowland | — | |
| 5-17 | Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Willian Byrd | John Dowland | — | |
| 6-1 | Mr. Henry Noell Lamentations 1597: I. Lord turn not away | Anthony Rooley, The Consort of Musicke | — | |
| 6-2 | Mr. Henry Noell Lamentations 1597: II. Lord in thy wrath | Anthony Rooley, The Consort of Musicke | — | |
| 6-3 | Mr. Henry Noell Lamentations 1597: III. Lord consider my distress | Anthony Rooley, The Consort of Musicke | — | |
| 6-4 | Mr. Henry Noell Lamentations 1597: IV. O Lord of whom I do depend | Anthony Rooley, The Consort of Musicke | — | |
| 6-5 | Mr. Henry Noell Lamentations 1597: V. Where righteousness doth say | Anthony Rooley, The Consort of Musicke | — | |
| 6-6 | Mr. Henry Noell Lamentations 1597: VI. Lord to thee I make my moan | Anthony Rooley, The Consort of Musicke | — | |
| 6-7 | Mr. Henry Noell Lamentations 1597: VII. Lord hear my prayer | Anthony Rooley, The Consort of Musicke | — | |
| 6-8 | Lachrimae 1604: Lachrimae Antiquae | The Consort of Musicke, Anthony Rooley | — | |
| 6-9 | Lachrimae 1604: Lachrimae Antiquae Novae | The Consort of Musicke, Anthony Rooley | — | |
| 6-10 | Lachrimae 1604: Lachrimae Gementes | The Consort of Musicke, Anthony Rooley | T-801.456.074-9 | |
| 6-11 | Lachrimae 1604: Lachrimae Tristes | The Consort of Musicke, Anthony Rooley | — | |
| 6-12 | Lachrimae 1604: Lachrimae Coactae | The Consort of Musicke, Anthony Rooley | — | |
| 6-13 | Lachrimae 1604: Lachrimae Amantis | The Consort of Musicke, Anthony Rooley | T-900.091.088-3 | |
| 6-14 | Lachrimae 1604: Lachrimae Verae | The Consort of Musicke, Anthony Rooley | T-900.091.075-8 | |
| 6-15 | Lachrimae 1604: M. John Langton's Pavan | The Consort of Musicke, Anthony Rooley | — | |
| 6-16 | Lachrimae 1604: M. Nicolas Gryffith his Galiard | The Consort of Musicke, Anthony Rooley | — | |
| 6-17 | Lachrimae 1604: Sir John Souch, his Galiard | The Consort of Musicke, Anthony Rooley | — | |
| 6-18 | Lachrimae 1604: Semper Dowland semper dolens | The Consort of Musicke, Anthony Rooley | — | |
| 6-19 | Lachrimae 1604: M. Giles Hobies Galiard | The Consort of Musicke, Anthony Rooley | — | |
| 6-20 | Lachrimae 1604: The King of Denmark's Galiard | The Consort of Musicke, Anthony Rooley | — | |
| 6-21 | Lachrimae 1604: Sir Henry Upton's Funeral | The Consort of Musicke, Anthony Rooley | — | |
| 6-22 | Lachrimae 1604: M. Henry Noel his Galiard | The Consort of Musicke, Anthony Rooley | — | |
| 6-23 | Lachrimae 1604: The Earl of Essex Galiard | The Consort of Musicke, Anthony Rooley | T-932.506.793-4 | |
| 6-24 | Lachrimae 1604: M. Buctons Galiard | The Consort of Musicke, Anthony Rooley | — | |
| 6-25 | Lachrimae 1604: M. George Whithead his Almand | The Consort of Musicke, Anthony Rooley | — | |
| 6-26 | Lachrimae 1604: Captaine Digorie Piper his Galiard | The Consort of Musicke, Anthony Rooley | T-910.760.588-9 | |
| 6-27 | Lachrimae 1604: M. Thomas Collier his Galiard | The Consort of Musicke, Anthony Rooley | T-902.685.972-3 | |
| 6-28 | Lachrimae 1604: Mrs. Nichols Almand | The Consort of Musicke, Anthony Rooley | T-902.686.097-9 | |
| 7-1 | Sorrow, come! (arr. William Wigthorp) | The Consort of Musicke | — | |
| 7-2 | I shame at mine unworthiness | Anthony Rooley, The Consort of Musicke | — | |
| 7-3 | An heart that's broken and contrite | The Consort of Musicke | — | |
| 7-4 | Psalm 100: All people that on earth do dwell | The Consort of Musicke | — | |
| 7-5 | Psalm 38: Put me not to rebuke O Lord | The Consort of Musicke | — | |
| 7-6 | Psalm 130: Lord to thee I make my moan | The Consort of Musicke | — | |
| 7-7 | Psalm 104: My soul praise the Lord | The Consort of Musicke | — | |
| 7-8 | Psalm 100: All people that on earth do dwell | The Consort of Musicke | — | |
| 7-9 | Psalm 134: Behold and have regard | The Consort of Musicke | — | |
| 7-10 | A Prayer for the Queen's most excellent Majesty | The Consort of Musicke | — | |
| 7-11 | Solus cum sola pavan | The Consort of Musicke | — | |
| 7-12 | Lachrimae | The Consort of Musicke | — | |
| 7-13 | Galliard | The Consort of Musicke | — | |
| 7-14 | Pipers Pavan | The Consort of Musicke | — | |
| 7-15 | Lachrimae | The Consort of Musicke | — | |
| 7-16 | Lady Rich Galliard | The Consort of Musicke | T-900.140.132-7 | |
| 7-17 | Earl of Essex Galliard | The Consort of Musicke | — | |
| 7-18 | If my complaints | The Consort of Musicke | T-902.686.095-7 | |
| 7-19 | Lachrimae Doolande | The Consort of Musicke | — | |
| 7-20 | Lord Willoughbie's Welcome Home | The Consort of Musicke | — | |
| 7-21 | My Lord Chamberlaine his Galliard | The Consort of Musicke | — | |
| 7-22 | Comagain [Come again sweet love] (arr. J. van Eyck) | The Consort of Musicke | — | |
| 7-23 | Pavan Lachrymae (arr. J. van Eyck) | The Consort of Musicke | — | |
| 7-24 | Sorrow stay | The Consort of Musicke | — | |
| 8-1 | Preludium | Anthony Bailes | — | |
| 8-3 | Can she excuse (Galliard) | Anthony Bailes | — | |
| 8-4 | Dr. Case's Pavan | Anthony Bailes | — | |
| 8-5 | Melancholy Galliard | Anthony Bailes | — | |
| 8-6 | Sir John Smith his Almain | Anthony Bailes | — | |
| 8-7 | Fantasia | Anthony Bailes | — | |
| 8-8 | A Dream (Pavan) | Anthony Bailes | — | |
| 8-9 | Almain | Anthony Bailes | — | |
| 8-10 | The Queen's Galliard | Anthony Bailes | — | |
| 8-11 | Coranto | Anthony Bailes | — | |
| 8-12 | Resolution (Pavan) | Anthony Bailes | — | |
| 8-13 | Mrs. Vaux Galliard | Anthony Bailes | — | |
| 8-14 | Almain | Anthony Bailes | — | |
| 8-15 | Mr. Dowland's Midnight | Anthony Bailes | — | |
| 8-16 | Fantasia | Anthony Bailes | — | |
| 8-17 | Loth to depart (Ballad setting) | Anthony Bailes | — | |
| 8-18 | The Most Sacred Queen Elizabeth, Her Galliard | Jakob Lindberg | — | |
| 8-19 | The Earl of Essex, his Galliard | Jakob Lindberg | T-911.779.595-6 | |
| 8-20 | Pavan | Jakob Lindberg | — | |
| 8-21 | John Dowland's Galliard | Jakob Lindberg | — | |
| 8-22 | Aloe (Ballad setting) | Jakob Lindberg | — | |
| 8-23 | The Lady Clifton's Spirit | Jakob Lindberg | — | |
| 8-24 | What if a day (Ballad setting) | Jakob Lindberg | T-922.867.656-0 | |
| 8-25 | Mr. Giles Hobie's Galliard | Jakob Lindberg | — | |
| 8-26 | Come away (Song arrangement) | Jakob Lindberg | — | |
| 8-27 | Galliard | Jakob Lindberg | — | |
| 8-28 | Fancy (Fantasia) | Jakob Lindberg | — | |
| 9-2 | Galliard to Lachrimae | Jakob Lindberg | — | |
| 9-3 | [Jig] | Jakob Lindberg | T-913.424.764-6 | |
| 9-4 | Galliard on 'Walsingham' | Jakob Lindberg | — | |
| 9-5 | Complaint (Ballad setting) | Jakob Lindberg | — | |
| 9-6 | Mignarda (Galliard) | Jakob Lindberg | — | |
| 9-7 | Semper Dowland semper Dolens (Pavan) | Jakob Lindberg | — | |
| 9-8 | The Frog Galliard | Jakob Lindberg | — | |
| 9-9 | A Fancy (Fantasia) | Jakob Lindberg | — | |
| 9-10 | Fancy (Fantasia) | Nigel North | — | |
| 9-11 | Piper's Pavan | Nigel North | — | |
| 9-12 | Captain Digorie Piper's Galliard | Nigel North | — | |
| 9-13 | Lady Laiton's Almain | Nigel North | — | |
| 9-14 | Dowland's Galliard | Nigel North | — | |
| 9-15 | Dowland's First Galliard | Nigel North | — | |
| 9-16 | Tarleton's Jig | Nigel North | — | |
| 9-17 | Walsingham (Ballad setting) | Nigel North | — | |
| 9-18 | Lord Willoughbie's Welcome Home (Ballad setting) | Nigel North | — | |
| 9-19 | Sir Henry Guilforde, his Almain | Nigel North | — | |
| 9-20 | Pavan (related to 'Lachrimae') | Nigel North | — | |
| 9-21 | Mr. Langton's Galliard | Nigel North | — | |
| 9-22 | Mrs. Clifton's Almain | Nigel North | — | |
| 9-23 | Galliard | Nigel North | — | |
| 9-24 | Lady Hunsdon's Puffe (Almain) | Nigel North | T-900.140.134-9 | |
| 9-25 | Galliard | Nigel North | — | |
| 9-26 | Go from my Window (Ballad setting) | Nigel North | — | |
| 9-27 | Fancy (Fantasia) | Nigel North | — | |
| 10-1 | Pavana Johan Douland | Nigel North | — | |
| 10-2 | Mrs. Brigide Fleetwood's Pavan (Solus sine sola) | Anthony Rooley | — | |
| 10-3 | La mia Barbara | Anthony Rooley | — | |
| 10-4 | Sir Henry Umpton's Funeral (Pavan) | Anthony Rooley | — | |
| 10-5 | Lachrimae (version by Francis Cozens) | Anthony Rooley | — | |
| 10-6 | Farewell Fancy (Chromatic fantasia) | Anthony Rooley | — | |
| 10-7 | Farewell (on the 'In Nomine' theme) (Fantasia) | Anthony Rooley | — | |
| 10-8 | The King of Denmark's Galliard | Anthony Rooley | — | |
| 10-9 | Mrs. Vaux's Jig | Anthony Rooley | — | |
| 10-10 | Mrs. Nichol's Almain | Anthony Rooley | — | |
| 10-11 | Galliard | Anthony Rooley | T-932.506.793-4 | |
| 10-12 | Lord Strang's March | Anthony Rooley | — | |
| 10-13 | Mrs. Winter's Jump | Anthony Rooley | — | |
| 10-15 | The Shoemaker's Wife, a Toy (Ballad setting) | Anthony Rooley | T-922.169.257-5 | |
| 10-16 | Mrs. Norrish's Delight | Anthony Rooley | — | |
| 10-18 | Mrs. White's Thing (Almain) | Anthony Rooley | — | |
| 10-19 | Mrs. White's Nothing | Anthony Rooley | T-050.390.718-3 | |
| 10-20 | The Frog Galliard (Anon. version) | Anthony Rooley | — | |
| 10-21 | Solus cum sola (Pavan) | Christopher Wilson | — | |
| 10-22 | The Lord Viscount Lisle, his Galliard | Christopher Wilson | — | |
| 10-23 | Orlando sleepeth (Ballad setting) | Christopher Wilson | T-905.045.179-1 | |
| 10-24 | Robin (Ballad setting) | Christopher Wilson | T-031.766.204-6 | |
| 10-25 | Galliard (on a Galliard by Daniel Bacheler) | Christopher Wilson | — | |
| 10-26 | Forlorn Hope (Chromatic fantasia) | Christopher Wilson | — | |
| 11-1 | The Lady Russell's Pavan | Christopher Wilson | T-900.140.133-8 | |
| 11-2 | Fancy (Fantasia) | Christopher Wilson | — | |
| 11-3 | Sir John Langton's Pavan | Christopher Wilson | — | |
| 11-4 | Earl of Derby, his Galliard | Christopher Wilson | — | |
| 11-5 | A Coy Toy | Christopher Wilson | — | |
| 11-6 | Fortune my foe (Ballad setting) | Christopher Wilson | — | |
| 11-7 | [Almain] | Christopher Wilson | — | |
| 11-8 | Mr. Knight's Galliard | Christopher Wilson | — | |
| 11-9 | Sir John Souch his Galliard | Christopher Wilson | — | |
| 11-10 | Tarletone's Riserrectione | Christopher Wilson | — | |
| 11-11 | The Lady Rich, her Galliard | Christopher Wilson | T-900.140.132-7 | |
| 11-12 | Lachrimae Pavan | The Consort of Musicke | — | |
| 11-13 | Can She Excuse Galliard | The Consort of Musicke | — | |
| 11-14 | Captain Piper's Pavan and Galliard | The Consort of Musicke | — | |
| 11-15 | The Frog Galliard | The Consort of Musicke | — | |
| 11-16 | Round Battell Galliard | The Consort of Musicke | — | |
| 11-17 | Fortune My Foe | The Consort of Musicke | — | |
| 11-18 | Dowland's First Galliard | The Consort of Musicke | — | |
| 11-19 | Katherine Darcie's Galliard | The Consort of Musicke | — | |
| 11-20 | Tarleton's Jigge | The Consort of Musicke | — | |
| 11-21 | Almain a 2 | The Consort of Musicke | — | |
| 11-22 | Mistress Nicols Alman a 2 | The Consort of Musicke | — | |
| 11-23 | Susanna Fair (Galliard) | The Consort of Musicke | — | |
| 11-24 | Mistress Nichols Alman a 5 | The Consort of Musicke | — | |
| 11-25 | Mr. John Langton Pavan and Galliard | The Consort of Musicke | — | |
| 11-26 | La Mia Barbara Pavan and Galliard | The Consort of Musicke | — | |
| 11-27 | Lachrimae Antiquae Novae Pavan and Galliard | The Consort of Musicke | — | |
| 12-1 | Taffel-Consort 1621: Mrs Nichol's Almain P. 2 | The Consort of Musicke, Anthony Rooley | — | |
| 12-2 | Taffel-Consort 1621: Volta | The Consort of Musicke, Anthony Rooley | — | |
| 12-3 | Taffel-Consort 1621: Were every thought an eye | The Consort of Musicke, Anthony Rooley | — | |
| 12-4 | Taffel-Consort 1621: Lady if you so spite me, for voice | The Consort of Musicke, Anthony Rooley | — | |
| 12-5 | Taffel-Consort 1621: Pavan à 4 | The Consort of Musicke, Anthony Rooley | — | |
| 12-6 | A Musical Banquet 1610: I. My heavy sprite oprest with sorrowes might | Anthony Rooley, The Consort of Musicke | — | |
| 12-7 | A Musical Banquet 1610: II. Change thy mind since she doth change | Anthony Rooley, The Consort of Musicke | — | |
| 12-8 | A Musical Banquet 1610: III. O eyes, leave off your weeping | Anthony Rooley, The Consort of Musicke | — | |
| 12-9 | A Musical Banquet 1610: IV. Go, my flock, go get you hence | Anthony Rooley, The Consort of Musicke | — | |
| 12-10 | A Musical Banquet 1610: V. O dear life, when shall it be? | Anthony Rooley, The Consort of Musicke | — | |
| 12-11 | A Musical Banquet 1610: VI. To Plead My Faith | Anthony Rooley, The Consort of Musicke | — | |
| 12-12 | A Musical Banquet 1610: VII. In a grove most rich of shade | Anthony Rooley, The Consort of Musicke | — | |
| 12-13 | A Musical Banquet 1610: VIII. Far from the triumphing court | Anthony Rooley, The Consort of Musicke | — | |
| 12-14 | A Musical Banquet 1610: IX. Lady if you so spite me | Anthony Rooley, The Consort of Musicke | — | |
| 12-15 | A Musical Banquet 1610: X. In darkness let me dwell | Anthony Rooley, The Consort of Musicke | — | |
| 12-16 | A Musical Banquet 1610: XI. Si le parler et le silence | Anthony Rooley, The Consort of Musicke | — | |
| 12-17 | A Musical Banquet 1610: XII. Ce penser qui sans fin tirannise ma vie | Anthony Rooley, The Consort of Musicke | — | |
| 12-18 | A Musical Banquet 1610: XIII. Vous que le Bonheur rappelle | Anthony Rooley, The Consort of Musicke | — | |
| 12-19 | A Musical Banquet 1610: XIV. Passava Amor su arco desarmado | Anthony Rooley, The Consort of Musicke | — | |
| 12-20 | A Musical Banquet 1610: XV. Sta notte mi sognava | Anthony Rooley, The Consort of Musicke | — | |
| 12-21 | A Musical Banquet 1610: XVI. Vuestros ojos tienen d'amor | Anthony Rooley, The Consort of Musicke | — | |
| 12-22 | A Musical Banquet 1610: XVII. Se di farmi morire, voce e liuto | Anthony Rooley, The Consort of Musicke | — | |
| 12-23 | A Musical Banquet 1610: XVIII. Dovrò dunque morire | Anthony Rooley, The Consort of Musicke | — | |
| 12-24 | A Musical Banquet 1610: XIX. Amarilli mia bella | Anthony Rooley, The Consort of Musicke | — | |
| 12-25 | A Musical Banquet 1610: XX. O bella più | Anthony Rooley, The Consort of Musicke | — |
First Booke of Songs 1597: I. Unquiet thoughts
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: II. Whoever thinks or hopes
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: III. My thoughts are wing'd with hopes
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: IV. If my complaints could passions move
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: V. Can she excuse my wrongs
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: VI. Now, O now I needs must part
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: VII. Dear, if you change
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: VIII. Burst forth my tears
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: IX. Go crystal tears
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: X. Think'st thou then
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XI. Come away, come sweet love
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XII. Rest awhile you cruel cares
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XIII. Sleep wayward thoughts
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XIV. All ye whom love or fortune
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XV. Wilt thou unkind
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XVI. Would my conceit
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XVII. Come again: sweet love doth now invite
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XVIII. His golden locks
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XIX. Awake, sweet love
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XX. Come heavy sleep
Anthony Rooley, The Consort of Musicke
—
First Booke of Songs 1597: XXI. Away with these self-loving lads
Anthony Rooley, The Consort of Musicke
—
Anthony Rooley, The Consort of Musicke
Second Booke of Songes 1600: II. Flow my tears
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: III. Sorrow, stay
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: IV. Die not before thy day
Martyn Hill, Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: V. Mourn, day is with darkness fled
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: VI. Time's eldest son
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: VII. Then sit thee down
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: VIII. When others sing Venite
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: IX. Praise blindness eyes
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: X. O sweet woods
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XI. If floods of tears
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XII. Fine knacks for ladies
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XIII. Now cease my wand'ring eyes
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XIV. Come ye heavy states of night
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XV. White as lilies was her face
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XVI. Woeful heart
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XVII. A shepherd in a shade
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XVIII. Faction that ever dwells
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XIX. Shall I sue
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XX. Toss not my soul
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XXI. Clear or cloudy
Anthony Rooley, The Consort of Musicke
—
Second Booke of Songes 1600: XXII. Humor say what mak'st thou here
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: I. Farewell too fair
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: II. Time stands still
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: III. Behold a wonder here
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: IV. Daphne was not so chaste
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: V. Me, me and none but me
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: VI. When Phoebus first did Daphne love
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: VII. Say, Love, if ever thou didst find
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: VIII. Flow not so fast, ye fountains
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: IX. What if I never speed
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: X. Love stood amazed
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XI. Lend your ears to my sorrow
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XII. By a fountain where I lay
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XIII. O what hath overwrought
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XIV. Farewell, unkind
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XV. Weep you no more, sad fountains
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XVI. Fie on this feigning
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XVII. I must complain
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XVIII. It was a time when silly bees
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XIX. The lowest trees have tops
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XX. What poor astronomers are they
Anthony Rooley, The Consort of Musicke
—
Third Booke of Songes 1603: XXI. Come when I call
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: I. Disdain me still
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: II. Sweet stay awhile
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: III. To ask for all thy love
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: IV. Love, those beams that breed
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: V. Shall I strive with words to move
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: VI. Were every thought an eye
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: VII. Stay, Time, awhile thy flying
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: VIII. Tell me, true love
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: IX. Go nightly cares
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: X. From silent night
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XI. Lasso vita mia
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XII. In this trembling shadow cast
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XIII. If that a sinner's sighs
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XIV. Thou mighty God
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XV. When David's life
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XVI. When the poor cripple
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XVII. Where sin sore wounding
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XVIII. My heart and tongue were twins
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XIX. Up merry mates
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XX. Welcome black night
Anthony Rooley, The Consort of Musicke
—
A Pilgrim's Solace 1612: XXI. Cease these false sports
Anthony Rooley, The Consort of Musicke
—
Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Giles Farnaby
John Dowland
—
Can shee excuse my wrongs (1st Book of Songs, 1597), Anonymously transcribed for keyboard
John Dowland
—
Paduana "La mia Barbara" (Consort Music), Transc. for keyboard by Paul Siefert
John Dowland
—
The Frogge, Transc. for keyboard by John Wilbye
John Dowland
—
The Frog Gailliard (Now, o now I need must part), Transc. for keyboard by Thomas Morley
John Dowland
—
Pavana & Galliarda, Transc. for keyboard by Thomas Morley
John Dowland
—
Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Melchior Schild
John Dowland
—
Can shee excuse my wrongs (1st Book of Songs, 1597), Anonymously transcribed for keyboard
John Dowland
—
Solus cum sola pavan (Lute works), Anonymously transcribed for keyboard
John Dowland
—
Dowland's Almayne, Anonymously transcribed for keyboard
John Dowland
—
Piper's Pavan & Galliard, transcr. for keyboard by J. Bull & M. Peerson
John Dowland
—
Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Willian Byrd
John Dowland
—
Mr. Henry Noell Lamentations 1597: I. Lord turn not away
Anthony Rooley, The Consort of Musicke
—
Mr. Henry Noell Lamentations 1597: II. Lord in thy wrath
Anthony Rooley, The Consort of Musicke
—
Mr. Henry Noell Lamentations 1597: III. Lord consider my distress
Anthony Rooley, The Consort of Musicke
—
Mr. Henry Noell Lamentations 1597: IV. O Lord of whom I do depend
Anthony Rooley, The Consort of Musicke
—
Mr. Henry Noell Lamentations 1597: V. Where righteousness doth say
Anthony Rooley, The Consort of Musicke
—
Mr. Henry Noell Lamentations 1597: VI. Lord to thee I make my moan
Anthony Rooley, The Consort of Musicke
—
Mr. Henry Noell Lamentations 1597: VII. Lord hear my prayer
Anthony Rooley, The Consort of Musicke
—
Lachrimae 1604: Lachrimae Antiquae
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: Lachrimae Antiquae Novae
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: Lachrimae Tristes
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: Lachrimae Coactae
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: M. John Langton's Pavan
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: M. Nicolas Gryffith his Galiard
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: Sir John Souch, his Galiard
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: Semper Dowland semper dolens
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: M. Giles Hobies Galiard
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: The King of Denmark's Galiard
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: Sir Henry Upton's Funeral
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: M. Henry Noel his Galiard
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: M. Buctons Galiard
The Consort of Musicke, Anthony Rooley
—
Lachrimae 1604: M. George Whithead his Almand
The Consort of Musicke, Anthony Rooley
—
The Consort of Musicke, Anthony Rooley
Sorrow, come! (arr. William Wigthorp)
The Consort of Musicke
—
I shame at mine unworthiness
Anthony Rooley, The Consort of Musicke
—
An heart that's broken and contrite
The Consort of Musicke
—
Psalm 100: All people that on earth do dwell
The Consort of Musicke
—
Psalm 38: Put me not to rebuke O Lord
The Consort of Musicke
—
Psalm 130: Lord to thee I make my moan
The Consort of Musicke
—
Psalm 104: My soul praise the Lord
The Consort of Musicke
—
Psalm 100: All people that on earth do dwell
The Consort of Musicke
—
Psalm 134: Behold and have regard
The Consort of Musicke
—
A Prayer for the Queen's most excellent Majesty
The Consort of Musicke
—
Solus cum sola pavan
The Consort of Musicke
—
Lachrimae
The Consort of Musicke
—
Galliard
The Consort of Musicke
—
Pipers Pavan
The Consort of Musicke
—
Lachrimae
The Consort of Musicke
—
Earl of Essex Galliard
The Consort of Musicke
—
Lachrimae Doolande
The Consort of Musicke
—
Lord Willoughbie's Welcome Home
The Consort of Musicke
—
My Lord Chamberlaine his Galliard
The Consort of Musicke
—
Comagain [Come again sweet love] (arr. J. van Eyck)
The Consort of Musicke
—
Pavan Lachrymae (arr. J. van Eyck)
The Consort of Musicke
—
Sorrow stay
The Consort of Musicke
—
Preludium
Anthony Bailes
—
Can she excuse (Galliard)
Anthony Bailes
—
Dr. Case's Pavan
Anthony Bailes
—
Melancholy Galliard
Anthony Bailes
—
Sir John Smith his Almain
Anthony Bailes
—
Fantasia
Anthony Bailes
—
A Dream (Pavan)
Anthony Bailes
—
Almain
Anthony Bailes
—
The Queen's Galliard
Anthony Bailes
—
Coranto
Anthony Bailes
—
Resolution (Pavan)
Anthony Bailes
—
Mrs. Vaux Galliard
Anthony Bailes
—
Almain
Anthony Bailes
—
Mr. Dowland's Midnight
Anthony Bailes
—
Fantasia
Anthony Bailes
—
Loth to depart (Ballad setting)
Anthony Bailes
—
The Most Sacred Queen Elizabeth, Her Galliard
Jakob Lindberg
—
Pavan
Jakob Lindberg
—
John Dowland's Galliard
Jakob Lindberg
—
Aloe (Ballad setting)
Jakob Lindberg
—
The Lady Clifton's Spirit
Jakob Lindberg
—
Mr. Giles Hobie's Galliard
Jakob Lindberg
—
Come away (Song arrangement)
Jakob Lindberg
—
Galliard
Jakob Lindberg
—
Fancy (Fantasia)
Jakob Lindberg
—
Galliard to Lachrimae
Jakob Lindberg
—
Galliard on 'Walsingham'
Jakob Lindberg
—
Complaint (Ballad setting)
Jakob Lindberg
—
Mignarda (Galliard)
Jakob Lindberg
—
Semper Dowland semper Dolens (Pavan)
Jakob Lindberg
—
The Frog Galliard
Jakob Lindberg
—
A Fancy (Fantasia)
Jakob Lindberg
—
Fancy (Fantasia)
Nigel North
—
Piper's Pavan
Nigel North
—
Captain Digorie Piper's Galliard
Nigel North
—
Lady Laiton's Almain
Nigel North
—
Dowland's Galliard
Nigel North
—
Dowland's First Galliard
Nigel North
—
Tarleton's Jig
Nigel North
—
Walsingham (Ballad setting)
Nigel North
—
Lord Willoughbie's Welcome Home (Ballad setting)
Nigel North
—
Sir Henry Guilforde, his Almain
Nigel North
—
Pavan (related to 'Lachrimae')
Nigel North
—
Mr. Langton's Galliard
Nigel North
—
Mrs. Clifton's Almain
Nigel North
—
Galliard
Nigel North
—
Galliard
Nigel North
—
Go from my Window (Ballad setting)
Nigel North
—
Fancy (Fantasia)
Nigel North
—
Pavana Johan Douland
Nigel North
—
Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Anthony Rooley
—
La mia Barbara
Anthony Rooley
—
Sir Henry Umpton's Funeral (Pavan)
Anthony Rooley
—
Lachrimae (version by Francis Cozens)
Anthony Rooley
—
Farewell Fancy (Chromatic fantasia)
Anthony Rooley
—
Farewell (on the 'In Nomine' theme) (Fantasia)
Anthony Rooley
—
The King of Denmark's Galliard
Anthony Rooley
—
Mrs. Vaux's Jig
Anthony Rooley
—
Mrs. Nichol's Almain
Anthony Rooley
—
Lord Strang's March
Anthony Rooley
—
Mrs. Winter's Jump
Anthony Rooley
—
Mrs. Norrish's Delight
Anthony Rooley
—
Mrs. White's Thing (Almain)
Anthony Rooley
—
The Frog Galliard (Anon. version)
Anthony Rooley
—
Solus cum sola (Pavan)
Christopher Wilson
—
The Lord Viscount Lisle, his Galliard
Christopher Wilson
—
Galliard (on a Galliard by Daniel Bacheler)
Christopher Wilson
—
Forlorn Hope (Chromatic fantasia)
Christopher Wilson
—
Fancy (Fantasia)
Christopher Wilson
—
Sir John Langton's Pavan
Christopher Wilson
—
Earl of Derby, his Galliard
Christopher Wilson
—
A Coy Toy
Christopher Wilson
—
Fortune my foe (Ballad setting)
Christopher Wilson
—
[Almain]
Christopher Wilson
—
Mr. Knight's Galliard
Christopher Wilson
—
Sir John Souch his Galliard
Christopher Wilson
—
Tarletone's Riserrectione
Christopher Wilson
—
Lachrimae Pavan
The Consort of Musicke
—
Can She Excuse Galliard
The Consort of Musicke
—
Captain Piper's Pavan and Galliard
The Consort of Musicke
—
The Frog Galliard
The Consort of Musicke
—
Round Battell Galliard
The Consort of Musicke
—
Fortune My Foe
The Consort of Musicke
—
Dowland's First Galliard
The Consort of Musicke
—
Katherine Darcie's Galliard
The Consort of Musicke
—
Tarleton's Jigge
The Consort of Musicke
—
Almain a 2
The Consort of Musicke
—
Mistress Nicols Alman a 2
The Consort of Musicke
—
Susanna Fair (Galliard)
The Consort of Musicke
—
Mistress Nichols Alman a 5
The Consort of Musicke
—
Mr. John Langton Pavan and Galliard
The Consort of Musicke
—
La Mia Barbara Pavan and Galliard
The Consort of Musicke
—
Lachrimae Antiquae Novae Pavan and Galliard
The Consort of Musicke
—
Taffel-Consort 1621: Mrs Nichol's Almain P. 2
The Consort of Musicke, Anthony Rooley
—
Taffel-Consort 1621: Volta
The Consort of Musicke, Anthony Rooley
—
Taffel-Consort 1621: Were every thought an eye
The Consort of Musicke, Anthony Rooley
—
Taffel-Consort 1621: Lady if you so spite me, for voice
The Consort of Musicke, Anthony Rooley
—
Taffel-Consort 1621: Pavan à 4
The Consort of Musicke, Anthony Rooley
—
A Musical Banquet 1610: I. My heavy sprite oprest with sorrowes might
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: II. Change thy mind since she doth change
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: III. O eyes, leave off your weeping
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: IV. Go, my flock, go get you hence
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: V. O dear life, when shall it be?
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: VI. To Plead My Faith
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: VII. In a grove most rich of shade
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: VIII. Far from the triumphing court
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: IX. Lady if you so spite me
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: X. In darkness let me dwell
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XI. Si le parler et le silence
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XII. Ce penser qui sans fin tirannise ma vie
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XIII. Vous que le Bonheur rappelle
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XIV. Passava Amor su arco desarmado
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XV. Sta notte mi sognava
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XVI. Vuestros ojos tienen d'amor
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XVII. Se di farmi morire, voce e liuto
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XVIII. Dovrò dunque morire
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XIX. Amarilli mia bella
Anthony Rooley, The Consort of Musicke
—
A Musical Banquet 1610: XX. O bella più
Anthony Rooley, The Consort of Musicke
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Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Galliard | Anthony Rooley | T-932.506.793-4 |
| Lachrimae | Anthony Bailes | — |
| Lachrimae (basic version) | Jakob Lindberg | — |
| Can she excues (Galliard) (version by Cozens) | Anthony Rooley | — |
Anthony Rooley
Lachrimae
Anthony Bailes
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Lachrimae (basic version)
Jakob Lindberg
—
Can she excues (Galliard) (version by Cozens)
Anthony Rooley
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What other identifiers does this connect to?
Musical Works (ISWC)
SourcesMusicBrainzDiscogs2 sources
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What is UPC 028945256320?
028945256320 is a Universal Product Code (UPC) assigned to The Collected Works: Œuvres by John Dowland, The Consort of Musicke, Anthony Rooley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 278 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm