UPC · Release
Le Sacre du printemps / The Firebird / Pétrouchka / Pulcinella / Jeu de cartes
Stravinsky, London Symphony Orchestra, Claudio Abbado
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028945308524 is the Universal Product Code (UPC barcode) for the release “Le Sacre du printemps / The Firebird / Pétrouchka / Pulcinella / Jeu de cartes” by Stravinsky, London Symphony Orchestra, Claudio Abbado, released 1997-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include DEF058001215, DEF058001216, DEF058001212.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Pétrouchka : Scene I. Fête populaire de la semaine grasse - Le tour de passe-passe | London Symphony Orchestra, Claudio Abbado | — | |
| 2-2 | Pétrouchka : Scene I. Danse russe | London Symphony Orchestra, Claudio Abbado | — | |
| 2-3 | Pétrouchka : Scene II. Chez Pétrouchka | London Symphony Orchestra, Claudio Abbado | — | |
| 2-4 | Pétrouchka : Scene III. Chez le Maure - Danse de la Ballerine | London Symphony Orchestra, Claudio Abbado | — | |
| 2-5 | Pétrouchka : Scene III. Valse: La Ballerine et le Maure - Pétrouchka | London Symphony Orchestra, Claudio Abbado | — | |
| 2-6 | Pétrouchka : Scene IV. Fête populaire de la semaine grasse (vers le soir) | London Symphony Orchestra, Claudio Abbado | — | |
| 2-7 | Pétrouchka : Scene IV. Danse de nounous | London Symphony Orchestra, Claudio Abbado | — | |
| 2-8 | Pétrouchka : Scene IV. L'Ours et un paysan | London Symphony Orchestra, Claudio Abbado | — | |
| 2-9 | Pétrouchka : Scene IV. Un marchand fêtard avec deux tziganes | London Symphony Orchestra, Claudio Abbado | — | |
| 2-10 | Pétrouchka : Scene IV. Danse de cochers et des palefreniers | London Symphony Orchestra, Claudio Abbado | — | |
| 2-11 | Pétrouchka : Scene IV. Les Déguisés | London Symphony Orchestra, Claudio Abbado | — | |
| 2-12 | Pétrouchka : Scene IV. La Rixe: Le Maure et Pétrouchka | London Symphony Orchestra, Claudio Abbado | — | |
| 2-13 | Pétrouchka : Scene IV. Mort de Pétrushka | London Symphony Orchestra, Claudio Abbado | — | |
| 2-14 | Pétrouchka : Scene IV. La Police et le charlatan | London Symphony Orchestra, Claudio Abbado | — | |
| 2-15 | Pétrouchka : Scene IV. Apparition du double de Pétrouchka | London Symphony Orchestra, Claudio Abbado | — | |
| 2-16 | Pulcinella: I. Ouverture: Allegro moderato | London Symphony Orchestra, Claudio Abbado | T9026856304 | |
| 2-17 | Pulcinella: II. Serenata: Larghetto | Ryland Davies, London Symphony Orchestra, Claudio Abbado | — | |
| 2-18 | Pulcinella: III. Scherzino: Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 2-19 | Pulcinella: Poco più vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 2-20 | Pulcinella: IV. Allegro | London Symphony Orchestra, Claudio Abbado | T3125423812 | |
| 2-21 | Pulcinella: V. Andantino | London Symphony Orchestra, Claudio Abbado | — | |
| 2-22 | Pulcinella: VI. Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 2-23 | Pulcinella: VII. Allegretto | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 2-24 | Pulcinella: VIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T3063957864 | |
| 2-25 | Pulcinella: IX. Allegro (alla breve) | John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 2-26 | Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto) | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 2-27 | Pulcinella: XI. Allegro - alla breve | London Symphony Orchestra, Claudio Abbado | — | |
| 2-28 | Pulcinella: XII. Tarantella | London Symphony Orchestra, Claudio Abbado | — | |
| 2-29 | Pulcinella: XIII. Andantino | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 2-30 | Pulcinella: XIV. Allegro | London Symphony Orchestra, Claudio Abbado | T9220672435 | |
| 2-31 | Pulcinella: XV. Gavotta con due variazioni | London Symphony Orchestra, Claudio Abbado | — | |
| 2-32 | Pulcinella: XVI. Vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 2-33 | Pulcinella: XVII. Tempo di minuetto | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 2-34 | Pulcinella: XVIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T3063957864 |
Additional database matches (20)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| L'Oiseau de feu : Variation de l'oiseau de feu | London Symphony Orchestra, Claudio Abbado | — |
| L'Oiseau de feu : Ronde des princesses | London Symphony Orchestra, Claudio Abbado | — |
| L'Oiseau de feu : Danse infernale du roi Kachtcheï | London Symphony Orchestra, Claudio Abbado | — |
| L'Oiseau de feu : Berceuse | London Symphony Orchestra, Claudio Abbado | — |
| L'Oiseau de feu : Final | London Symphony Orchestra, Claudio Abbado | T0730711440 |
| L'Oiseau de feu : Introduction - L'Oiseau de feu et sa danse | London Symphony Orchestra, Claudio Abbado | — |
| Jeu de cartes : Première donne | London Symphony Orchestra, Claudio Abbado | — |
| Jeu de cartes : Deuxième donne | London Symphony Orchestra, Claudio Abbado | — |
| Jeu de cartes : Troisième donne | London Symphony Orchestra, Claudio Abbado | — |
| Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Introduction | London Symphony Orchestra, Claudio Abbado | T0702578877 |
| Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Les Augures printaniers (Danses des adolescentes) | London Symphony Orchestra, Claudio Abbado | — |
| Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeu du rapt | London Symphony Orchestra, Claudio Abbado | — |
| Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Rondes printanières | London Symphony Orchestra, Claudio Abbado | T0702578877 |
| Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeux des cités rivales / Cortège du Sage - Adoration de la terre - Le Sage | London Symphony Orchestra, Claudio Abbado | — |
| Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Danse de la terre | London Symphony Orchestra, Claudio Abbado | T0702578877 |
| Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Introduction | London Symphony Orchestra, Claudio Abbado | — |
| Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Cercles mystérieux des adolescentes | London Symphony Orchestra, Claudio Abbado | — |
| Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Glorification de l'elue / Evocation des ancêtres | London Symphony Orchestra, Claudio Abbado | — |
| Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Action rituelle des ancêtres | London Symphony Orchestra, Claudio Abbado | T0702578877 |
| Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Danse sacrale (L'Élue) | London Symphony Orchestra, Claudio Abbado | — |
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What is UPC 028945308524?
028945308524 is a Universal Product Code (UPC) assigned to Le Sacre du printemps / The Firebird / Pétrouchka / Pulcinella / Jeu de cartes by Stravinsky, London Symphony Orchestra, Claudio Abbado. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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