UPC · Release
La bohème
Puccini, Réaux, Hadley, Hampson, Daniels, Coro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
Last verified:
028945310923 is the Universal Product Code (UPC barcode) for the release “La bohème” by Puccini, Réaux, Hadley, Hampson, Daniels, Coro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein, released 1996-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DEF058730403.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera" | — | ||
| 2 | La bohème: Atto I. "Pensier profondo" | — | ||
| 3 | La bohème: Atto I. "Abbasso, abbasso l'autor!" | — | ||
| 4 | La bohème: Atto I. "Si può?" | — | ||
| 5 | La bohème: Atto I. "Io resto" | — | ||
| 6 | La bohème: Atto I. "Non sono in vena" | — | ||
| 7 | La bohème: Atto I. "Si sente meglio" | — | ||
| 8 | La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — | |
| 9 | La bohème: Atto I. "Sì. Mi chiamano Mimì" | — | ||
| 10 | La bohème: Atto I. "Ehi! Rodolfo!" | — | ||
| 11 | La bohème: Atto I. "O soave fanciulla" | — | ||
| 12 | La bohème: Atto II. "Aranci, datteri! Caldi i marroni!" | — | ||
| 13 | La bohème: Atto II. "Chi guardi?" | — | ||
| 14 | La bohème: Atto II. "Questa è Mimì" | — | ||
| 15 | La bohème: Atto II. "Viva Parpignol!" | — | ||
| 16 | La bohème: Atto II. "Allegri e un toast!" | — | ||
| 17 | La bohème: Atto II. "Quando men vo soletta per la via" | — | ||
| 18 | La bohème: Atto II. "Il conto?!" | — | ||
| 2-1 | La bohème: Atto III. "Ohè, là, le guardie!" | — | ||
| 2-2 | La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria" | — | ||
| 2-3 | La bohème: Atto III. "Mimì! - Speravo di trovarvi qui" | — | ||
| 2-4 | La bohème: Atto III. "Marcello. Finalmente!" | — | ||
| 2-5 | La bohème: Atto III. "Mimì è una civetta" | — | ||
| 2-6 | La bohème: Atto III. "Mimì è tanto malata" | — | ||
| 2-7 | La bohème: Atto III. "Mimì di serra è fiore" | — | ||
| 2-8 | La bohème: Atto III. "Donde lieta usci" | — | ||
| 2-9 | La bohème: Atto III. "Dunque è proprio finita!" | — | ||
| 2-10 | La bohème: Atto IV. "In un coupé? - Con pariglia e livree" | — | ||
| 2-11 | La bohème: Atto IV. "O Mimì, tu più non torni" | — | ||
| 2-12 | La bohème: Atto IV. "Che ora sia?" | — | ||
| 2-13 | La bohème: Atto IV. "Gavotta! - Minuetto!" | — | ||
| 2-14 | La bohème: Atto IV. "C'è Mimì" | — | ||
| 2-15 | La bohème: Atto IV. "Vecchia zimarra, senti" | — | ||
| 2-16 | La bohème: Atto IV. "Sono andati? Fingevo di dormire" | — | ||
| 2-17 | La bohème: Atto IV. "Oh Dio! Mimì!" | — | ||
| 2-18 | La bohème: Atto IV. "Che ha detto il medico?" | — |
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Creative Contributors (ISNI)
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People also ask
What is UPC 028945310923?
028945310923 is a Universal Product Code (UPC) assigned to La bohème by Puccini, Réaux, Hadley, Hampson, Daniels, Coro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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