UPC · Release
Martha Argerich Collection, Volume 3: Solo Works & Works for Piano Duo
Martha Argerich
028945357621
78 tracksReleased 1997-01-01Deutsche Grammophon
Last verified:
028945357621 is the Universal Product Code (UPC barcode) for the release “Martha Argerich Collection, Volume 3: Solo Works & Works for Piano Duo” by Martha Argerich, released 1997-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 78 tracks, each with its own ISRC. Tracks include DEF058330102, DEF058330103, DEF058330104.
Format
0Number system
28945Manufacturer
35762Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMartha Argerich Collection, Volume 3: Solo Works & Works for Piano Duo
ISRC71 recordings
ISWC18 works
IPI1 songwriter
Track List (78)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-913.873.556-5 | |
| 3 | Kinderszenen, op. 15: III. Haschemann | Martha Argerich | T-913.870.630-6 | |
| 4 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | T-001.216.772-4 | |
| 5 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | T-330.120.791-6 | |
| 6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | T-001.110.774-6 | |
| 7 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 8 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | T-913.871.548-7 | |
| 9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | T-913.871.486-0 | |
| 10 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | T-913.870.570-1 | |
| 11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | T-330.117.411-4 | |
| 12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | T-001.098.318-2 | |
| 14 | Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo | Martha Argerich | — | |
| 15 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch. Con molta espressione, non troppo presto | Martha Argerich | — | |
| 16 | Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato | Martha Argerich | — | |
| 17 | Kreisleriana, op. 16: IV. Sehr langsam. Lento assai | Martha Argerich | — | |
| 18 | Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai | Martha Argerich | — | |
| 19 | Kreisleriana, op. 16: VI. Sehr langsam. Lento assai | Martha Argerich | — | |
| 20 | Kreisleriana, op. 16: VII. Sehr rasch. Molto presto | Martha Argerich | — | |
| 21 | Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando | Martha Argerich | — | |
| 22 | Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | Martha Argerich | — | |
| 23 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen | Martha Argerich | — | |
| 24 | Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | Martha Argerich | — | |
| 25 | Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | Martha Argerich | — | |
| 2-1 | Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico | Martha Argerich | — | |
| 2-2 | Piano Sonata in B minor, S. 178: II. Grandioso | Martha Argerich | — | |
| 2-3 | Piano Sonata in B Minor, S.178: Cantando espressivo | Martha Argerich | — | |
| 2-4 | Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo | Martha Argerich | — | |
| 2-5 | Piano Sonata in B Minor, S.178: Andante sostenuto | Martha Argerich | — | |
| 2-6 | Piano Sonata in B minor, S. 178: VI. Quasi Adagio | Martha Argerich | T-070.125.749-9 | |
| 2-7 | Sonate pour piano en Si mineur, S. 178: Allegro energico | Martha Argerich | — | |
| 2-8 | Piano Sonata in B Minor, S.178: Più mosso | Martha Argerich | — | |
| 2-9 | Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare | Martha Argerich | — | |
| 2-10 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 2-11 | Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai | Martha Argerich | — | |
| 2-12 | Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — | |
| 2-13 | 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato | Martha Argerich | T-308.384.655-9 | |
| 2-14 | 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro | Martha Argerich | T-920.065.990-1 | |
| 2-15 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: I. Ondine | Martha Argerich | T-902.777.490-9 | |
| 2-16 | Gaspard de la nuit, M.55: II. Le Gibet. Très Lent | Martha Argerich | T-305.194.353-0 | |
| 2-17 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: III. Scarbo | Martha Argerich | T-902.777.490-9 | |
| 2-18 | Toccata, op. 11 | Martha Argerich | — | |
| 3-1 | Jeux d'eau: Très doux | Martha Argerich | T-003.011.149-9 | |
| 3-2 | Sonatine: I. Modéré | Martha Argerich | T-003.016.390-6 | |
| 3-3 | Sonatine: II. Mouvement de Menuet | Martha Argerich | T-003.016.390-6 | |
| 3-4 | Sonatine: III. Animé | Martha Argerich | T-003.016.390-6 | |
| 3-5 | Valses nobles et sentimentales: I. Modéré - très franc | Martha Argerich | T-003.017.935-1 | |
| 3-6 | Valses nobles et sentimentales no. 2: Assez lent - avec une expression intense | — | ||
| 3-7 | Valses nobles et sentimentales no. 3: Modéré | — | ||
| 3-8 | Valses nobles et sentimentales no. 4: Assez animé | — | ||
| 3-9 | Valses nobles et sentimentales no. 5: Presque lent - dans un sentiment intime | — | ||
| 3-10 | Valses nobles et sentimentales no. 6: Assez vif | — | ||
| 3-11 | Valses nobles et sentimentales no. 7: Moins vif | — | ||
| 3-12 | Valses nobles et sentimentales no. 8: Epilogue. Lent | — | ||
| 3-13 | Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 3-14 | Ma Mère l'Oye: II. Petit Poucet. Très modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 3-15 | Ma Mère l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 3-16 | Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modere | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 3-17 | Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 3-18 | Rapsodie espagnole: I. Prélude à la nuit. Modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 3-19 | Rapsodie espagnole: II. Malagueña. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 3-20 | Rapsodie espagnole: III. Habanera. En demi-teinte et d'un rythme las | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 3-21 | Rapsodie espagnole: IV. Feria. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 4-1 | The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | Martha Argerich, Nicolas Economou | T-312.199.363-9 | |
| 4-2 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Martha Argerich, Nicolas Economou | — | |
| 4-3 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — | |
| 4-4 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | Martha Argerich, Nicolas Economou | — | |
| 4-5 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Martha Argerich, Nicolas Economou | — | |
| 4-6 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Martha Argerich, Nicolas Economou | — | |
| 4-7 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Martha Argerich, Nicolas Economou | — | |
| 4-8 | The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | Martha Argerich, Nicolas Economou | — | |
| 4-9 | Symphonische Tänze, op. 45: I. Non allegro | Nicolas Economou, Martha Argerich | — | |
| 4-10 | Symphonische Tänze, op. 45: II. Andante con moto. Tempo di Valse | Nicolas Economou, Martha Argerich | — | |
| 4-11 | Symphonische Tänze, op. 45: III. Lento assai - Allegro vivace | Nicolas Economou, Martha Argerich | — | |
| 4-12 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: I. Assai lento - Allegro molto | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 4-13 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: II. Lento, ma non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 4-14 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: III. Allegro non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — |
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
—
Kinderszenen, op. 15: XII. Kind im Einschlummern
Martha Argerich
—
Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo
Martha Argerich
—
Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch. Con molta espressione, non troppo presto
Martha Argerich
—
Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato
Martha Argerich
—
Kreisleriana, op. 16: IV. Sehr langsam. Lento assai
Martha Argerich
—
Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai
Martha Argerich
—
Kreisleriana, op. 16: VI. Sehr langsam. Lento assai
Martha Argerich
—
Kreisleriana, op. 16: VII. Sehr rasch. Molto presto
Martha Argerich
—
Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando
Martha Argerich
—
Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller
Martha Argerich
—
Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen
Martha Argerich
—
Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert)
Martha Argerich
—
Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller)
Martha Argerich
—
Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico
Martha Argerich
—
Piano Sonata in B minor, S. 178: II. Grandioso
Martha Argerich
—
Piano Sonata in B Minor, S.178: Cantando espressivo
Martha Argerich
—
Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo
Martha Argerich
—
Piano Sonata in B Minor, S.178: Andante sostenuto
Martha Argerich
—
Sonate pour piano en Si mineur, S. 178: Allegro energico
Martha Argerich
—
Piano Sonata in B Minor, S.178: Più mosso
Martha Argerich
—
Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare
Martha Argerich
—
Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo
Martha Argerich
—
Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai
Martha Argerich
—
Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto
Martha Argerich
—
Toccata, op. 11
Martha Argerich
—
Valses nobles et sentimentales no. 2: Assez lent - avec une expression intense
—
Valses nobles et sentimentales no. 3: Modéré
—
Valses nobles et sentimentales no. 4: Assez animé
—
Valses nobles et sentimentales no. 5: Presque lent - dans un sentiment intime
—
Valses nobles et sentimentales no. 6: Assez vif
—
Valses nobles et sentimentales no. 7: Moins vif
—
Valses nobles et sentimentales no. 8: Epilogue. Lent
—
Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
Ma Mère l'Oye: II. Petit Poucet. Très modéré
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
Ma Mère l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modere
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
Rapsodie espagnole: III. Habanera. En demi-teinte et d'un rythme las
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
Martha Argerich, Nicolas Economou
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
Martha Argerich, Nicolas Economou
—
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Martha Argerich, Nicolas Economou
—
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
Martha Argerich, Nicolas Economou
—
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
Martha Argerich, Nicolas Economou
—
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
Martha Argerich, Nicolas Economou
—
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Martha Argerich, Nicolas Economou
—
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Martha Argerich, Nicolas Economou
—
Symphonische Tänze, op. 45: I. Non allegro
Nicolas Economou, Martha Argerich
—
Symphonische Tänze, op. 45: II. Andante con moto. Tempo di Valse
Nicolas Economou, Martha Argerich
—
Symphonische Tänze, op. 45: III. Lento assai - Allegro vivace
Nicolas Economou, Martha Argerich
—
Sonate für 2 Klaviere und Schlagzeug, Sz 110: I. Assai lento - Allegro molto
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
Sonate für 2 Klaviere und Schlagzeug, Sz 110: II. Lento, ma non troppo
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
Sonate für 2 Klaviere und Schlagzeug, Sz 110: III. Allegro non troppo
Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 028945357621?
028945357621 is a Universal Product Code (UPC) assigned to Martha Argerich Collection, Volume 3: Solo Works & Works for Piano Duo by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 78 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm