UPC · Release
Ludwig van Beethoven
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The UPC for “Complete Beethoven Edition, Volume 3: Orchestral Works / Music for the Stage” by Ludwig van Beethoven is 028945371320. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1997-01-01. Label: Deutsche Grammophon. This release contains 115 tracks, each with its own ISRC. Tracks include DEF056931601, DEF056931602, DEF056931603.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Creatures of Prometheus, op. 43: Overture. Adagio - Allegro molto e con brio | — | ||
| 2 | The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo | — | ||
| 3 | The Creatures of Prometheus, op. 43: I. Poco adagio | — | ||
| 4 | The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio | — | ||
| 5 | The Creatures of Prometheus, op. 43: III. Allegro vivace | — | ||
| 6 | The Creatures of Prometheus, op. 43: IV. Maestoso - Andante | — | ||
| 7 | The Creatures of Prometheus, op. 43: V. Adagio - Andante quasi allegro | — | ||
| 8 | The Creatures of Prometheus, op. 43: VI. Un poco adagio - Allegro | — | ||
| 9 | The Creatures of Prometheus, op. 43: VII. Grave | — | ||
| 10 | The Creatures of Prometheus, op. 43: VIII. Marcia. Allegro con brio | — | ||
| 11 | The Creatures of Prometheus, op. 43: IX. Adagio | — | ||
| 12 | The Creatures of Prometheus, op. 43: X. Pastoral. Allegro | — | ||
| 13 | The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja) | — | ||
| 14 | The Creatures of Prometheus, op. 43: XII. Solo. Maestoso - Adagio (Gioja) | — | ||
| 15 | The Creatures of Prometheus, op. 43: XIII. Allegro | — | ||
| 16 | The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) | — | ||
| 17 | The Creatures of Prometheus, op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano) | — | ||
| 18 | The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto | — | ||
| 2-1 | Music for a Ballet on Horseback, WoO 1: I. March | Berliner Philharmoniker, Herbert von Karajan | T-923.366.890-1 | |
| 2-2 | Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-5 | Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-6 | Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-8 | Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-9 | Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-10 | Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-11 | Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-12 | Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-13 | Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-14 | 12 Minuets for Orchestra, WoO 7 no. 1 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 2-15 | 12 Minuets for Orchestra, WoO 7 no. 2 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-16 | 12 Minuets for Orchestra, WoO 7 no. 3 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-17 | 12 Minuets for Orchestra, WoO 7 no. 4 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 2-18 | 12 Minuets for Orchestra, WoO 7 no. 5 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 2-19 | 12 Minuets for Orchestra, WoO 7 no. 6 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-20 | 12 Minuets for Orchestra, WoO 7 no. 7 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-21 | 12 Minuets for Orchestra, WoO 7 no. 8 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-22 | 12 Minuets for Orchestra, WoO 7 no. 9 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 2-23 | 12 Minuets for Orchestra, WoO 7 no. 10 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-24 | 12 Minuets for Orchestra, WoO 7 no. 11 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-25 | 12 Minuets for Orchestra, WoO 7 no. 12 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-26 | 12 German Dances, WoO 8 no. 1 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 2-27 | 12 German Dances, WoO 8 no. 2 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-28 | 12 German Dances, WoO 8 no. 3 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-29 | 12 German Dances, WoO 8 no. 4 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 2-30 | 12 German Dances, WoO 8 no. 5 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 2-31 | 12 German Dances, WoO 8 no. 6 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-32 | 12 German Dances, WoO 8 no. 7 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 2-33 | 12 German Dances, WoO 8 no. 8 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.003.086-5 | |
| 2-34 | 12 German Dances, WoO 8 no. 9 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.695.614-8 | |
| 2-35 | 12 German Dances, WoO 8 no. 10 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-36 | 12 German Dances, WoO 8 no. 11 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-37 | 12 German Dances, WoO 8 no. 12 in C major - Coda | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-38 | 12 Contredanses for Orchestra, WoO 14: No. 1 in C major | Berliner Philharmoniker, Lorin Maazel | T-010.437.719-6 | |
| 2-39 | 12 Contredanses for Orchestra, WoO 14: No. 2 in A major | Berliner Philharmoniker, Lorin Maazel | T-060.019.661-9 | |
| 2-40 | 12 Contredanses for Orchestra, WoO 14: No. 3 in D major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-41 | 12 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major | Berliner Philharmoniker, Lorin Maazel | T-312.542.381-2 | |
| 2-42 | 12 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major | Berliner Philharmoniker, Lorin Maazel | T-902.876.200-7 | |
| 2-43 | 12 Contredanses for Orchestra, WoO 14: No. 6 in C major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-44 | 12 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-45 | 12 Contredanses for Orchestra, WoO 14: No. 8 in C major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-46 | 12 Contredanses for Orchestra, WoO 14: No. 9 in A major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-47 | 12 Contredanses for Orchestra, WoO 14: No. 10 in C major | Berliner Philharmoniker, Lorin Maazel | T-312.958.225-4 | |
| 2-48 | 12 Contredanses for Orchestra, WoO 14: No. 11 in G major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-49 | 12 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — | |
| 3-1 | Coriolan, op. 62: Overture. Allegro con brio | — | ||
| 3-2 | Name–Day, op. 115: Overture in C major. Maestoso - Allegro assai | — | ||
| 3-3 | Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro | Berliner Philharmoniker, Claudio Abbado | T-901.164.507-1 | |
| 3-4 | Egmont, op. 84: I. Lied: “Die Trommel gerühret!”. Vivace | — | ||
| 3-5 | Egmont, op. 84: II. Entr’acte Music I. Andante - Allegro con brio | — | ||
| 3-6 | Egmont, op. 84: III. Entr’acte Music II. Larghetto | — | ||
| 3-7 | Egmont, op. 84: IV. Lied: “Freudvoll und leidvoll”. Andante con moto - Allegro assai vivace | — | ||
| 3-8 | Egmont, op. 84: V. Entr’acte Music III. Allegro - Marcia. Vivace | — | ||
| 3-9 | Egmont, op. 84: VI. Entr’acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato | — | ||
| 3-10 | Egmont, op. 84: VII. Clärchen’s Death. Larghetto | — | ||
| 3-11 | Egmont, op. 84: VIII. Melodrama. Poco sostenuto | — | ||
| 3-12 | Egmont, op. 84: IX. Victory Symphony. Allegro con brio | — | ||
| 3-13 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-1 | The Ruins of Athens, op. 113: Overture. Andante con moto - Allegro ma non troppo | — | ||
| 4-2 | The Ruins of Athens, op. 113: I. Chorus. Andante poco sostenuto “Tochter des mächtigen Zeus!” | — | ||
| 4-3 | The Ruins of Athens, op. 113: II. Duet. Andante con moto - Poco più mosso “Ohne Verschulden Knechtschaft dulden” (A Greek, A Greek Girl) | — | ||
| 4-4 | The Ruins of Athens, op. 113: III. Chorus of Dervishes. Allegro ma non troppo “Du hast in deines Ärmels Falten den Mond getragen” | — | ||
| 4-5 | The Ruins of Athens, op. 113: IV. Turkish March. Vivace | — | ||
| 4-6 | The Ruins of Athens, op. 113: VIa. March and Chorus. Assai moderato “Schmückt die Altäre!” | — | ||
| 4-7 | The Ruins of Athens, op. 113: VIb. Recitation. Poco Adagio “Mit reger Freude, die nie erkaltet” | — | ||
| 4-8 | The Ruins of Athens, op. 113: VIIa. Chorus. Allegretto, ma non troppo “Wir tragen empfängliche Herzen im Busen” | — | ||
| 4-9 | The Ruins of Athens, op. 113: VIIb. Aria with Chorus. Adagio “Will unser Genius noch einen Wunsch gewähren?” | — | ||
| 4-10 | The Ruins of Athens, op. 113: VIII. Chorus. Allegro con fuoco “Heil unserm König! Heil!” | — | ||
| 4-11 | The Consecration of the House, op. 124: Overture. Maestoso e sostenuto - Allegro con brio | — | ||
| 4-12 | The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) “Wo sich die Pulse jugendlich jagen” - “Laßt uns im Tanze” | — | ||
| 4-13 | The Consecration of the House, op. 114: VI. March and Chorus. Assai moderato “Schmückt die Altäre!” | — | ||
| 4-14 | The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo “Es wandelt schon das Volk im Feierkleide” | — | ||
| 4-15 | Eleonore Prohaska, WoO 96: I. Chorus of Warriors “Wir bauen und sterben” | — | ||
| 4-16 | Eleonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) “Es blüht eine Blume im Garten mein” | — | ||
| 4-17 | Eleonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend “Du, dem sie gewunden” | — | ||
| 4-18 | Eleonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung | — | ||
| 5-1 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: Ouvertüre. Andante con moto - Presto | — | ||
| 5-2 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: I. Chor: “Ruhend von seinen Taten”. Andante maestoso e con moto | — | ||
| 5-3 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: II. Chor: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio | — | ||
| 5-4 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: III. Victory March | — | ||
| 5-5 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IV. Chor: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese | — | ||
| 5-6 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: V. Melodram: “Du hast dein Vaterland, dein Fürstenhaus verlassen”. Vivace | — | ||
| 5-7 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VI. Chor: “Eine neue strahlende Sonne”. Vivace | — | ||
| 5-8 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VII. Melodram: “Ihr edlen Ungarn! Hört meine Stimme!”. Maestoso con moto - Andante maestoso - Maestoso con moto | — | ||
| 5-9 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VIII. Geistlicher Marsch, Chor und Melodram | — | ||
| 5-10 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IX. Final Chorus. Presto | — | ||
| 5-11 | Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “O welch ein Leben!”. Allegretto | — | ||
| 5-12 | Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “Soll ein Schuh nicht drücken”. Andante con moto | — | ||
| 5-13 | Introduction to Act 2 (Entr’acte), WoO 2b (probably to “Tarpeja”). Alla marcia, ma non troppo presto | — | ||
| 5-14 | Triumphal March, WoO 2a: from “Tarpeja”. Alla marcia, ma non troppo presto | — | ||
| 5-15 | “Germania”, WoO 94: Final number from “The Good News” for bass, chorus and orchestra | — | ||
| 5-16 | “Es ist vollbracht”, WoO 97: Final number from “The Triumphal Arches” for bass, chorus and orchestra. Risoluto | — | ||
| 5-17 | Scene (One) from “Vesta’s Fire”, Hess 115 | — |
Musical Works (ISWC)
Identifier Graph
028945371320 is a Universal Product Code (UPC) assigned to Complete Beethoven Edition, Volume 3: Orchestral Works / Music for the Stage by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 115 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Complete Beethoven Edition, Volume 3: Orchestral Works / Music for the Stage” by Ludwig van Beethoven is 028945371320. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1997-01-01. Label: Deutsche Grammophon. This release contains 115 tracks, each with its own ISRC. Tracks include DEF056931601, DEF056931602, DEF056931603.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Creatures of Prometheus, op. 43: Overture. Adagio - Allegro molto e con brio | — | ||
| 2 | The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo | — | ||
| 3 | The Creatures of Prometheus, op. 43: I. Poco adagio | — | ||
| 4 | The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio | — | ||
| 5 | The Creatures of Prometheus, op. 43: III. Allegro vivace | — | ||
| 6 | The Creatures of Prometheus, op. 43: IV. Maestoso - Andante | — | ||
| 7 | The Creatures of Prometheus, op. 43: V. Adagio - Andante quasi allegro | — | ||
| 8 | The Creatures of Prometheus, op. 43: VI. Un poco adagio - Allegro | — | ||
| 9 | The Creatures of Prometheus, op. 43: VII. Grave | — | ||
| 10 | The Creatures of Prometheus, op. 43: VIII. Marcia. Allegro con brio | — | ||
| 11 | The Creatures of Prometheus, op. 43: IX. Adagio | — | ||
| 12 | The Creatures of Prometheus, op. 43: X. Pastoral. Allegro | — | ||
| 13 | The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja) | — | ||
| 14 | The Creatures of Prometheus, op. 43: XII. Solo. Maestoso - Adagio (Gioja) | — | ||
| 15 | The Creatures of Prometheus, op. 43: XIII. Allegro | — | ||
| 16 | The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) | — | ||
| 17 | The Creatures of Prometheus, op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano) | — | ||
| 18 | The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto | — | ||
| 2-1 | Music for a Ballet on Horseback, WoO 1: I. March | Berliner Philharmoniker, Herbert von Karajan | T-923.366.890-1 | |
| 2-2 | Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-5 | Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-6 | Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-7 | Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-8 | Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-9 | Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum” | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-10 | Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-11 | Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-12 | Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-13 | Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-14 | 12 Minuets for Orchestra, WoO 7 no. 1 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 2-15 | 12 Minuets for Orchestra, WoO 7 no. 2 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-16 | 12 Minuets for Orchestra, WoO 7 no. 3 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-17 | 12 Minuets for Orchestra, WoO 7 no. 4 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 2-18 | 12 Minuets for Orchestra, WoO 7 no. 5 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 2-19 | 12 Minuets for Orchestra, WoO 7 no. 6 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-20 | 12 Minuets for Orchestra, WoO 7 no. 7 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-21 | 12 Minuets for Orchestra, WoO 7 no. 8 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-22 | 12 Minuets for Orchestra, WoO 7 no. 9 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 2-23 | 12 Minuets for Orchestra, WoO 7 no. 10 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-24 | 12 Minuets for Orchestra, WoO 7 no. 11 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-25 | 12 Minuets for Orchestra, WoO 7 no. 12 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-26 | 12 German Dances, WoO 8 no. 1 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 2-27 | 12 German Dances, WoO 8 no. 2 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-28 | 12 German Dances, WoO 8 no. 3 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-29 | 12 German Dances, WoO 8 no. 4 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 2-30 | 12 German Dances, WoO 8 no. 5 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 2-31 | 12 German Dances, WoO 8 no. 6 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-32 | 12 German Dances, WoO 8 no. 7 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 2-33 | 12 German Dances, WoO 8 no. 8 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.003.086-5 | |
| 2-34 | 12 German Dances, WoO 8 no. 9 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.695.614-8 | |
| 2-35 | 12 German Dances, WoO 8 no. 10 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-36 | 12 German Dances, WoO 8 no. 11 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-37 | 12 German Dances, WoO 8 no. 12 in C major - Coda | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-38 | 12 Contredanses for Orchestra, WoO 14: No. 1 in C major | Berliner Philharmoniker, Lorin Maazel | T-010.437.719-6 | |
| 2-39 | 12 Contredanses for Orchestra, WoO 14: No. 2 in A major | Berliner Philharmoniker, Lorin Maazel | T-060.019.661-9 | |
| 2-40 | 12 Contredanses for Orchestra, WoO 14: No. 3 in D major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-41 | 12 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major | Berliner Philharmoniker, Lorin Maazel | T-312.542.381-2 | |
| 2-42 | 12 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major | Berliner Philharmoniker, Lorin Maazel | T-902.876.200-7 | |
| 2-43 | 12 Contredanses for Orchestra, WoO 14: No. 6 in C major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-44 | 12 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-45 | 12 Contredanses for Orchestra, WoO 14: No. 8 in C major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-46 | 12 Contredanses for Orchestra, WoO 14: No. 9 in A major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-47 | 12 Contredanses for Orchestra, WoO 14: No. 10 in C major | Berliner Philharmoniker, Lorin Maazel | T-312.958.225-4 | |
| 2-48 | 12 Contredanses for Orchestra, WoO 14: No. 11 in G major | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-49 | 12 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — | |
| 3-1 | Coriolan, op. 62: Overture. Allegro con brio | — | ||
| 3-2 | Name–Day, op. 115: Overture in C major. Maestoso - Allegro assai | — | ||
| 3-3 | Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro | Berliner Philharmoniker, Claudio Abbado | T-901.164.507-1 | |
| 3-4 | Egmont, op. 84: I. Lied: “Die Trommel gerühret!”. Vivace | — | ||
| 3-5 | Egmont, op. 84: II. Entr’acte Music I. Andante - Allegro con brio | — | ||
| 3-6 | Egmont, op. 84: III. Entr’acte Music II. Larghetto | — | ||
| 3-7 | Egmont, op. 84: IV. Lied: “Freudvoll und leidvoll”. Andante con moto - Allegro assai vivace | — | ||
| 3-8 | Egmont, op. 84: V. Entr’acte Music III. Allegro - Marcia. Vivace | — | ||
| 3-9 | Egmont, op. 84: VI. Entr’acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato | — | ||
| 3-10 | Egmont, op. 84: VII. Clärchen’s Death. Larghetto | — | ||
| 3-11 | Egmont, op. 84: VIII. Melodrama. Poco sostenuto | — | ||
| 3-12 | Egmont, op. 84: IX. Victory Symphony. Allegro con brio | — | ||
| 3-13 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-1 | The Ruins of Athens, op. 113: Overture. Andante con moto - Allegro ma non troppo | — | ||
| 4-2 | The Ruins of Athens, op. 113: I. Chorus. Andante poco sostenuto “Tochter des mächtigen Zeus!” | — | ||
| 4-3 | The Ruins of Athens, op. 113: II. Duet. Andante con moto - Poco più mosso “Ohne Verschulden Knechtschaft dulden” (A Greek, A Greek Girl) | — | ||
| 4-4 | The Ruins of Athens, op. 113: III. Chorus of Dervishes. Allegro ma non troppo “Du hast in deines Ärmels Falten den Mond getragen” | — | ||
| 4-5 | The Ruins of Athens, op. 113: IV. Turkish March. Vivace | — | ||
| 4-6 | The Ruins of Athens, op. 113: VIa. March and Chorus. Assai moderato “Schmückt die Altäre!” | — | ||
| 4-7 | The Ruins of Athens, op. 113: VIb. Recitation. Poco Adagio “Mit reger Freude, die nie erkaltet” | — | ||
| 4-8 | The Ruins of Athens, op. 113: VIIa. Chorus. Allegretto, ma non troppo “Wir tragen empfängliche Herzen im Busen” | — | ||
| 4-9 | The Ruins of Athens, op. 113: VIIb. Aria with Chorus. Adagio “Will unser Genius noch einen Wunsch gewähren?” | — | ||
| 4-10 | The Ruins of Athens, op. 113: VIII. Chorus. Allegro con fuoco “Heil unserm König! Heil!” | — | ||
| 4-11 | The Consecration of the House, op. 124: Overture. Maestoso e sostenuto - Allegro con brio | — | ||
| 4-12 | The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) “Wo sich die Pulse jugendlich jagen” - “Laßt uns im Tanze” | — | ||
| 4-13 | The Consecration of the House, op. 114: VI. March and Chorus. Assai moderato “Schmückt die Altäre!” | — | ||
| 4-14 | The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo “Es wandelt schon das Volk im Feierkleide” | — | ||
| 4-15 | Eleonore Prohaska, WoO 96: I. Chorus of Warriors “Wir bauen und sterben” | — | ||
| 4-16 | Eleonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) “Es blüht eine Blume im Garten mein” | — | ||
| 4-17 | Eleonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend “Du, dem sie gewunden” | — | ||
| 4-18 | Eleonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung | — | ||
| 5-1 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: Ouvertüre. Andante con moto - Presto | — | ||
| 5-2 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: I. Chor: “Ruhend von seinen Taten”. Andante maestoso e con moto | — | ||
| 5-3 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: II. Chor: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio | — | ||
| 5-4 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: III. Victory March | — | ||
| 5-5 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IV. Chor: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese | — | ||
| 5-6 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: V. Melodram: “Du hast dein Vaterland, dein Fürstenhaus verlassen”. Vivace | — | ||
| 5-7 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VI. Chor: “Eine neue strahlende Sonne”. Vivace | — | ||
| 5-8 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VII. Melodram: “Ihr edlen Ungarn! Hört meine Stimme!”. Maestoso con moto - Andante maestoso - Maestoso con moto | — | ||
| 5-9 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VIII. Geistlicher Marsch, Chor und Melodram | — | ||
| 5-10 | Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IX. Final Chorus. Presto | — | ||
| 5-11 | Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “O welch ein Leben!”. Allegretto | — | ||
| 5-12 | Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “Soll ein Schuh nicht drücken”. Andante con moto | — | ||
| 5-13 | Introduction to Act 2 (Entr’acte), WoO 2b (probably to “Tarpeja”). Alla marcia, ma non troppo presto | — | ||
| 5-14 | Triumphal March, WoO 2a: from “Tarpeja”. Alla marcia, ma non troppo presto | — | ||
| 5-15 | “Germania”, WoO 94: Final number from “The Good News” for bass, chorus and orchestra | — | ||
| 5-16 | “Es ist vollbracht”, WoO 97: Final number from “The Triumphal Arches” for bass, chorus and orchestra. Risoluto | — | ||
| 5-17 | Scene (One) from “Vesta’s Fire”, Hess 115 | — |
