UPC · Release
Satie, Pascal Rogé, Jean‐Philippe Collard
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The UPC for “The 4 Handed Piano” by Satie, Pascal Rogé, Jean‐Philippe Collard is 028945540122. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Decca. This release contains 35 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trois Morceaux en forme de poire: I. Manière de commencement | — | ||
| 2 | Trois Morceaux en forme de poire: II. Prolongation du même | — | ||
| 3 | Trois Morceaux en forme de poire: III. Lentement | — | ||
| 4 | Trois Morceaux en forme de poire: IV. En leve | — | ||
| 5 | Trois Morceaux en forme de poire: V. Brutal | — | ||
| 6 | Trois Morceaux en forme de poire: VI. En plus | — | ||
| 7 | Trois Morceaux en forme de poire: VII. Redite | — | ||
| 8 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 9 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 10 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 11 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 12 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 13 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 14 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 15 | Sarabandes (3) for Piano | — | ||
| 16 | La Belle Excentrique (Fantasie Sérieuse): I. Marche franco‐lunaire | — | ||
| 17 | La Belle Excentrique (Fantasie Sérieuse): II. Grande ritournelle | — | ||
| 18 | La Belle Excentrique (Fantasie Sérieuse): III. Valse du mystérieux baiser dans l’Oeil | — | ||
| 19 | La Belle Excentrique (Fantasie Sérieuse): IV. Grande ritournelle | — | ||
| 20 | La Belle Excentrique (Fantasie Sérieuse): V. Cancan grand‐mondain | — | ||
| 21 | Aperçus désagréables: No. 1, Pastorale | — | ||
| 22 | Aperçus désagréables: No. 2, Choral | — | ||
| 23 | Aperçus désagréables: No. 3, Fugue | — | ||
| 24 | Six Pièces de la Période 1906–1913: Désespoir agréable | — | ||
| 25 | Six Pièces de la Période 1906–1913: Songe-creux | — | ||
| 26 | En Habit de Cheval: No. 1, Chorale | — | ||
| 27 | En Habit de Cheval: No. 2, Fugue litanique | — | ||
| 28 | En Habit de Cheval: No. 3, Autre chorale | — | ||
| 29 | En Habit de Cheval: No. 4, Fugue de papier | — | ||
| 30 | Trois Petites pièces montées: No. 1, De l’Enfance de pantagruel; Reverie | — | ||
| 31 | Trois Petites pièces montées: No. 2, Marche de cocagne; Demarche | — | ||
| 32 | Trois Petites pièces montées: No. 3, Jeux de gargantua; Coin de polka | — | ||
| 33 | Choses vues à droite et à gauche (sans lunettes): I. Choral hypocrite | — | ||
| 34 | Choses vues à droite et à gauche (sans lunettes): II. Fugue à tâtons | — | ||
| 35 | Choses vues à droite et à gauche (sans lunettes): III. Fantaisie musculaire | — |
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028945540122 is a Universal Product Code (UPC) assigned to The 4 Handed Piano by Satie, Pascal Rogé, Jean‐Philippe Collard. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The 4 Handed Piano” by Satie, Pascal Rogé, Jean‐Philippe Collard is 028945540122. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Decca. This release contains 35 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trois Morceaux en forme de poire: I. Manière de commencement | — | ||
| 2 | Trois Morceaux en forme de poire: II. Prolongation du même | — | ||
| 3 | Trois Morceaux en forme de poire: III. Lentement | — | ||
| 4 | Trois Morceaux en forme de poire: IV. En leve | — | ||
| 5 | Trois Morceaux en forme de poire: V. Brutal | — | ||
| 6 | Trois Morceaux en forme de poire: VI. En plus | — | ||
| 7 | Trois Morceaux en forme de poire: VII. Redite | — | ||
| 8 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 9 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 10 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 11 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 12 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 13 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 14 | Parade, Ballet in 1 Scene for Orchestra | — | ||
| 15 | Sarabandes (3) for Piano | — | ||
| 16 | La Belle Excentrique (Fantasie Sérieuse): I. Marche franco‐lunaire | — | ||
| 17 | La Belle Excentrique (Fantasie Sérieuse): II. Grande ritournelle | — | ||
| 18 | La Belle Excentrique (Fantasie Sérieuse): III. Valse du mystérieux baiser dans l’Oeil | — | ||
| 19 | La Belle Excentrique (Fantasie Sérieuse): IV. Grande ritournelle | — | ||
| 20 | La Belle Excentrique (Fantasie Sérieuse): V. Cancan grand‐mondain | — | ||
| 21 | Aperçus désagréables: No. 1, Pastorale | — | ||
| 22 | Aperçus désagréables: No. 2, Choral | — | ||
| 23 | Aperçus désagréables: No. 3, Fugue | — | ||
| 24 | Six Pièces de la Période 1906–1913: Désespoir agréable | — | ||
| 25 | Six Pièces de la Période 1906–1913: Songe-creux | — | ||
| 26 | En Habit de Cheval: No. 1, Chorale | — | ||
| 27 | En Habit de Cheval: No. 2, Fugue litanique | — | ||
| 28 | En Habit de Cheval: No. 3, Autre chorale | — | ||
| 29 | En Habit de Cheval: No. 4, Fugue de papier | — | ||
| 30 | Trois Petites pièces montées: No. 1, De l’Enfance de pantagruel; Reverie | — | ||
| 31 | Trois Petites pièces montées: No. 2, Marche de cocagne; Demarche | — | ||
| 32 | Trois Petites pièces montées: No. 3, Jeux de gargantua; Coin de polka | — | ||
| 33 | Choses vues à droite et à gauche (sans lunettes): I. Choral hypocrite | — | ||
| 34 | Choses vues à droite et à gauche (sans lunettes): II. Fugue à tâtons | — | ||
| 35 | Choses vues à droite et à gauche (sans lunettes): III. Fantaisie musculaire | — |
