UPC · Album
Amor - Opera's Great Love Songs
Various Artists
028945820125
21 tracksReleased 1998-01-01London Records
Last verified:
028945820125 is the Universal Product Code (UPC barcode) for the release “Amor - Opera's Great Love Songs” by Various Artists, released 1998-01-01 on London Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include GBBBA9050360, GBF071301120, GBF071301260.
Format
0Number system
28945Manufacturer
82012Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCAmor - Opera's Great Love Songs
ISRC29 recordings
ISWC14 works
IPI1 songwriter
Track List (29)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBBBA9050360 |
| Fedora: Act II. “Amor ti vieta” (Loris) | Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis, Nicola Rescigno | GBF071301120 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBF071301260 |
| L’elisir d’amore: Atto II. “Una furtiva lagrima” | Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | GBF071301310 |
| Aida: Act 1. “Celeste Aida” | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | GBF071301380 |
| Rigoletto: “Gualtier Maldè” … “Caro nome” | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | GBF076040216 |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | GBF076240708 |
| Tosca: “Recondita armonia” | Franco Corelli, Alfredo Mariotti | GBF076610180 |
| Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | GBF076710430 |
| L’elisir d’amore: Atto II. “Una furtiva lagrima” | Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | GBF077010030 |
| La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | GBF077210400 |
| Aida: Act 1. “Celeste Aida” | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | GBF077211750 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBF077230201 |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | GBF077230809 |
| Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | GBF077440518 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » | The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti | GBF077530406 |
| Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | GBF077530421 |
| Fedora: “Amor ti vieta” | Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | GBF077900050 |
| Werther : « Pourquoi me réveiller, ô souffle du printemps? » | Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | GBF077900120 |
| Le nozze di Figaro, K. 492: Act II: "Voi che sapete" | Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti | GBF078110060 |
| Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | GBF078612050 |
| Manon Lescaut: “Donna non vidi mai” | José Carreras, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | GBF078740807 |
| Tosca: “È lucevan le stelle” | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | GBF079040311 |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | GBFO76210170 |
| La bohème: Musetta’s Waltz | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | GBFO77210400 |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | GBFO77230809 |
| Fedora: Act II. “Amor ti vieta” (Loris) | Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis, Nicola Rescigno | GBFO77900050 |
| Werther : « Pourquoi me réveiller » | Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | GBFO77900120 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | USLIC0600050 |
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Fedora: Act II. “Amor ti vieta” (Loris)
Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis, Nicola Rescigno
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
L’elisir d’amore: Atto II. “Una furtiva lagrima”
Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge
Aida: Act 1. “Celeste Aida”
Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera
Rigoletto: “Gualtier Maldè” … “Caro nome”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
Gianni Schicchi: “O mio babbino caro”
Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
Tosca: “Recondita armonia”
Franco Corelli, Alfredo Mariotti
Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix »
Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis
L’elisir d’amore: Atto II. “Una furtiva lagrima”
Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge
La bohème: Musetta’s Waltz
Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
Aida: Act 1. “Celeste Aida”
Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Madame Butterfly: “Un bel dì”
Mirella Freni, Wiener Philharmoniker, Herbert von Karajan
Carmen : Acte I. Habanera « L’amour est un oiseau rebelle »
The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti
Carmen: Flower song « La fleur que tu m’avais jetée »
Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
Fedora: “Amor ti vieta”
Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis
Werther : « Pourquoi me réveiller, ô souffle du printemps? »
Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis
Le nozze di Figaro, K. 492: Act II: "Voi che sapete"
Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti
Tosca: Atto II. “Vissi d’arte, vissi d’amore”
Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti
Manon Lescaut: “Donna non vidi mai”
José Carreras, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
Tosca: “È lucevan le stelle”
Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
Gianni Schicchi: “O mio babbino caro”
Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
La bohème: Musetta’s Waltz
Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolaï Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Fedora: Act II. “Amor ti vieta” (Loris)
Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis, Nicola Rescigno
Werther : « Pourquoi me réveiller »
Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006097350X000000006272859100000000736000590000000073662284000000008169243200000000818187870000000083655192000000008506757000000001086022740000000108710216
+39 more
0000000108944178000000010906962700000001092874480000000109631667000000011036335600000001106086830000000110829427000000011297410X00000001143979670000000114409411000000011441659000000001145004340000000114502261000000011471225000000001147197940000000114763525000000011492763000000001150696150000000116585187000000011833751500000001193903850000000119410438000000011951497400000001201914980000000120349152000000012097801200000001210680020000000121144247000000012120429700000001212540080000000121425807000000012144714100000001214630880000000121505778000000012164935X00000001216773770000000122880481000000012293059X0000000123420516
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What is UPC 028945820125?
028945820125 is a Universal Product Code (UPC) assigned to Amor - Opera's Great Love Songs by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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