UPC · Release
Various Artists
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The UPC for “Centenary Collection 1978-1987” by Various Artists is 028945907024. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-01-01. Label: Deutsche Grammophon. This release contains 132 tracks, each with its own ISRC. Tracks include DEF057800361, DEF057800362, DEF057800363.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Violin no. 5 in A major, K. 219 "Turkish": I. Allegro aperto | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-318.583.906-5 | |
| 2 | Concerto for Violin no. 5 in A major, K. 219 "Turkish": II. Adagio | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 3 | Concerto for Violin no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4 | Konzert für Violine und Orchester No. 1 g-moll, op. 26: I. Vorspiel. Allegro moderato | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-070.906.423-2 | |
| 5 | Konzert für Violine und Orchester No. 1 g-moll, op. 26: II. Adagio | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 6 | Konzert für Violine und Orchester No. 1 g-moll, op. 26: III. Finale. Allegro energico – Presto | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-700.095.171-5 | |
| 7 | Carmen Fantasy, op. 25: Introduction. Allegro Moderato | — | ||
| 8 | Carmen Fantasy, op. 25: I. Moderato | — | ||
| 9 | Carmen Fantasy, op. 25: II. Lento assai | — | ||
| 10 | Carmen Fantasy, op. 25: III. Allegro moderato | — | ||
| 11 | Carmen Fantasy, op. 25: IV. Moderato | — | ||
| 2-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 2-2 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante - attacca | — | ||
| 2-3 | Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo | — | ||
| 2-4 | Sérénade mélancolique in B-flat minor, op. 26 | — | ||
| 2-5 | Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | T-902.685.630-4 | |
| 2-6 | Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 2-7 | Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 3-1 | Symphonie espagnole, op. 21: I. Allegro non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 3-2 | Symphonie espagnole, op. 21: II. Scherzando. Allegro molto | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 3-3 | Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 3-4 | Symphonie espagnole, op. 21: IV. Andante | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | T-003.055.867-8 | |
| 3-5 | Symphonie espagnole, op. 21: V. Rondo. Allegro | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 3-6 | Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": I. Adagio: Allegro moderato: Poco adagio | — | ||
| 3-7 | Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato: Presto: Allegro moderato | — | ||
| 3-8 | Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1. Adagio – Allegro moderato – Poco adagio | Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 3-9 | Paraphrase de concert sur Rigoletto, S. 434 (After Verdi) | — | ||
| 4-1 | Klaviersonate Nr. 2 b-moll, op. 35: I. Grave - Doppio movimento | Ivo Pogorelich | — | |
| 4-2 | Klaviersonate Nr. 2 b-moll, op. 35: II. Scherzo | Ivo Pogorelich | — | |
| 4-3 | Klaviersonate Nr. 2 b-moll, op. 35: III. Marche funèbre. Lento - | Ivo Pogorelich | T-915.712.196-5 | |
| 4-4 | Klaviersonate Nr. 2 b-moll, op. 35: IV. Finale. Presto | Ivo Pogorelich | T-318.676.528-2 | |
| 4-5 | Gaspard de la Nuit: I. Ondine: Lent | Ivo Pogorelich | T-071.203.683-3 | |
| 4-6 | Gaspard de la Nuit: II. Le Gibet: Très lent. | Ivo Pogorelich | T-902.777.490-9 | |
| 4-7 | Gaspard de la Nuit: III. Scarbo: Modéré | Ivo Pogorelich | T-902.777.490-9 | |
| 4-8 | Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato | Ivo Pogorelich | — | |
| 4-9 | Piano Sonata no. 6 in A major, op. 82: II. Allegretto | Ivo Pogorelich | — | |
| 4-10 | Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo | Ivo Pogorelich | — | |
| 4-11 | Piano Sonata no. 6 in A major, op. 82: IV. Vivace | Ivo Pogorelich | — | |
| 5-1 | Falstaff: Atto I, scena 1. “Falstaff! Olà!” | — | ||
| 5-2 | Falstaff: Atto I, scena 1. “Sei polli; sei scellini … So che andiam, la notte” | — | ||
| 5-3 | Falstaff: Atto I, scena 1. “Ma e tempo d'assottigliar l'ingegno … V'è noto un tal qui del paese” | — | ||
| 5-4 | Falstaff: Atto I, scena 1. “L'Onore! Ladri!” | — | ||
| 5-5 | Falstaff: Atto I, scena 2. “Alice. Meg. Nannetta” | — | ||
| 5-6 | Falstaff: Atto I, scena 2. “Fulgida Alice! amor t'offro ... Quell'otre! quel tino!” | — | ||
| 5-7 | Falstaff: Atto I, scena 2. “In due parole” | — | ||
| 5-8 | Falstaff: Atto I, scena 2. “Pst,pst, Nanetta … Labbra di foco!” | — | ||
| 5-9 | Falstaff: Atto I, scena 2. “Undrai quanta egli sfoggia” | — | ||
| 5-10 | Falstaff: Atto II, scena 1. “Siam pentiti e contriti … Reverenza!” | — | ||
| 5-11 | Falstaff: Atto II, scena 1. “Alice e mia! … Va, vecchio John” | — | ||
| 5-12 | Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” | — | ||
| 5-13 | Falstaff: Atto II, scena 1. “C'è a Windsor una dama” | — | ||
| 5-14 | Falstaff: Atto II, scena 1. “È sogno? o realta?” | — | ||
| 6-1 | Falstaff: Atto II, scena 2. “Presenteremo un bill … Giunta all' Albergo della Giarrettiera” | — | ||
| 6-2 | Falstaff: Atto II, scena 2. “Gaie comari di Windsor” | — | ||
| 6-3 | Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” | — | ||
| 6-4 | Falstaff: Atto II, scena 2. “Quand' ero paggio” | — | ||
| 6-5 | Falstaff: Atto II, scena 2. “Mia signora!” | — | ||
| 6-6 | Falstaff: Atto II, scena 2. “Vien qua. Che chiasso!” | — | ||
| 6-7 | Falstaff: Atto II, scena 2. “C'è. C'è. Se t'agguanto! Se ti piglio!” | — | ||
| 6-8 | Falstaff: Atto III, scena 1. “Ehi! Taverniere! Mondo ladro!” | — | ||
| 6-9 | Falstaff: Atto III, scena 1. “Reverenza. La bella Alice ... Quandro il rintocco della mezzanotte” | — | ||
| 6-10 | Falstaff: Atto III, scena 1. “Brava. Quelle corna saranno la mia gioia!” | — | ||
| 6-11 | Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” | — | ||
| 6-12 | Falstaff: Atto III, scena 2. “Una, due, tre, quattro” | — | ||
| 6-13 | Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! … Sul fin d'un soffio etesio” | — | ||
| 6-14 | Falstaff: Atto III, scena 2. “Alto la! … Pizzica, pizzica” | — | ||
| 6-15 | Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” | — | ||
| 6-16 | Falstaff: Atto III, scena 2. “Facciamo il parentado ... Tutto nel mondo e burla” | — | ||
| 7-1 | Sinfonie No. 4 A-Dur: I. Allegro vivace | Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 7-2 | Sinfonie No. 4 A-Dur: II. Andante con moto | Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 7-3 | Sinfonie No. 4 A-Dur: III. Con moto moderato | Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 7-4 | Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto | Philharmonia Orchestra, Giuseppe Sinopoli | T-925.645.332-4 | |
| 7-5 | Symphony no. 2 in C, op.61: I. Sostenuto assai: Un poco più vivace: Allegro ma non troppo: Con fuoco | — | ||
| 7-6 | Symphony no. 2 in C, op.61: II. Scherzo (Allegro vivace) | — | ||
| 7-7 | Symphony no. 2 in C, op.61: III. Adagio espresssivo | — | ||
| 7-8 | Symphony no. 2 in C, op.61: IV. Allegro molto vivace | — | ||
| 8-1 | Candide: Overture | London Symphony Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 8-2 | Candide: Act I, No. 3. The Best of All Possible Worlds | June Anderson, Adolph Green, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-070.011.011-7 | |
| 8-3 | Candide: Act I, No. 12. Glitter and Be Gay | June Anderson, London Symphony Orchestra, Leonard Bernstein | T-070.064.357-7 | |
| 8-4 | Candide: Act II, No. 29. Nothing More Than This | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 8-5 | A Quiet Place: Act 2: Scene2 Trouble in Tahiti (I) "Dop-Daa-Day-Day-" | — | ||
| 8-6 | A Quiet Place: Act 2: Trouble in Tahiti (I) "How Could You Say" | — | ||
| 8-7 | A Quiet Place: Act 2: Trouble in Tahiti (I) "Yes? Oh, Mr. Partridge!" | — | ||
| 8-8 | A Quiet Place: Act 2: Trouble in Tahiti (I) "I Was Standing In A Garden" | — | ||
| 8-9 | A Quiet Place: Act 2: Trouble in Tahiti (I) "Well, Of All People" | — | ||
| 8-10 | West Side Story: No. 1: Prologue | Leonard Bernstein | T-070.166.807-6 | |
| 8-11 | West Side Story: No. 2: Jet Song | Kurt Ollmann, David Livingston, Peter Thom, Stephen Bogardus | T-070.088.385-7 | |
| 8-12 | West Side Story: No. 5: Maria | José Carreras, Leonard Bernstein | T-070.108.440-3 | |
| 8-13 | West Side Story: No. 6: Balcony Scene (Tonight) | Kiri Te Kanawa, José Carreras | T-901.072.962-1 | |
| 8-14 | West Side Story: No. 7: America | Tatiana Troyanos, Louise Edeiken | T-070.001.097-4 | |
| 8-15 | West Side Story: No. 12: I Feel Pretty | Kiri Te Kanawa, Louise Edeiken, Stella Zambalis, Angelina Réaux | T-070.902.843-2 | |
| 8-16 | West Side Story: Ballet Sequence (with "Somewhere") | — | ||
| 9-1 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: I. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 9-2 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Martha Argerich, Mischa Maisky | — | |
| 9-3 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: III. Andante | Martha Argerich, Mischa Maisky | T-902.685.622-4 | |
| 9-4 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: IV. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 9-5 | Concerto For Violoncello and Orchestra in A minor, RV 418: I. Allegro | Mischa Maisky, Orpheus Chamber Orchestra | T-007.303.107-8 | |
| 9-6 | Concerto For Violoncello and Orchestra in A minor, RV 418: II. (Largo) | Mischa Maisky, Orpheus Chamber Orchestra | T-801.397.798-6 | |
| 9-7 | Concerto For Violoncello and Orchestra in A minor, RV 418: III. Allegro | Mischa Maisky, Orpheus Chamber Orchestra | — | |
| 9-8 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: I. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 9-9 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 9-10 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: III. Andante | Martha Argerich, Mischa Maisky | T-902.685.622-4 | |
| 9-11 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: IV. Allegro | Martha Argerich, Mischa Maisky | — | |
| 9-12 | Cello Concerto in B minor, RV 424: I. Allegro non molto | — | ||
| 9-13 | Cello Concerto in B minor, RV 424: II. Largo | — | ||
| 9-14 | Cello Concerto in B minor, RV 424: III. Allegro | — | ||
| 9-15 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: I. Vivace | Martha Argerich, Mischa Maisky | — | |
| 9-16 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: II. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 9-17 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: III. Allegro | Martha Argerich, Mischa Maisky | T-914.323.864-6 | |
| 10-1 | Sonata in E major, K 380 (L 23) | Vladimir Horowitz | — | |
| 10-2 | Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Vladimir Horowitz | — | |
| 10-3 | Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Vladimir Horowitz | — | |
| 10-4 | Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Vladimir Horowitz | — | |
| 10-5 | Prelude in G major, op. 32 no. 5: Moderato | Vladimir Horowitz | — | |
| 10-6 | Prelude in G-sharp minor, op. 32 no. 12: Allegro | Vladimir Horowitz | — | |
| 10-7 | Etude in C-sharp minor, op. 2 no. 1: Andante | Vladimir Horowitz | T-915.981.383-9 | |
| 10-8 | Etude in D-sharp minor, op. 8 no. 12: Patetico | Vladimir Horowitz | — | |
| 10-9 | Soirées de Vienne: Valse-Caprice No. 6: Allegro con spirito | Владимир Самойлович Горовиц | — | |
| 10-10 | Années de pèlerinage: Deuxième année "Italie": V. Sonetto 104 del Petrarca: Agitato assai - Adagio | Vladimir Horowitz | — | |
| 10-11 | Mazurka in C-sharp minor, op. 30 no. 4: Allegretto | Vladimir Horowitz | T-918.063.801-1 | |
| 10-12 | Mazurka in F minor, op. 7 no. 3 | Vladimir Horowitz | T-918.063.801-1 | |
| 10-13 | Kinderszenen, op. 15: Träumerei | Vladimir Horowitz | — | |
| 10-14 | Etincelles, Morceau caractéristique, op. 36 no. 6 | Vladimir Horowitz | — | |
| 10-15 | Polka de W.R.: Allegretto | Vladimir Horowitz | — | |
| 11-1 | Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917.141.447-4 | |
| 11-2 | Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — | |
| 11-3 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 | |
| 11-4 | Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — | |
| 11-5 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-6 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-7 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-8 | Totentanz (Danse macabre) | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — |
Identifier Graph
028945907024 is a Universal Product Code (UPC) assigned to Centenary Collection 1978-1987 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 3 in C minor, op. 78 “Organ Symphony”: III. Maestoso - Allegro | Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | — |
| Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Vladimir Horowitz | — |
| Sonata no. 10 in C major, K. 300h/330: II. Andante cantabile | Vladimir Horowitz | — |
| Sonata no. 10 in C major, K. 300h/330: III. Allegretto | Vladimir Horowitz | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Centenary Collection 1978-1987” by Various Artists is 028945907024. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-01-01. Label: Deutsche Grammophon. This release contains 132 tracks, each with its own ISRC. Tracks include DEF057800361, DEF057800362, DEF057800363.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Violin no. 5 in A major, K. 219 "Turkish": I. Allegro aperto | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-318.583.906-5 | |
| 2 | Concerto for Violin no. 5 in A major, K. 219 "Turkish": II. Adagio | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 3 | Concerto for Violin no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4 | Konzert für Violine und Orchester No. 1 g-moll, op. 26: I. Vorspiel. Allegro moderato | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-070.906.423-2 | |
| 5 | Konzert für Violine und Orchester No. 1 g-moll, op. 26: II. Adagio | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 6 | Konzert für Violine und Orchester No. 1 g-moll, op. 26: III. Finale. Allegro energico – Presto | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-700.095.171-5 | |
| 7 | Carmen Fantasy, op. 25: Introduction. Allegro Moderato | — | ||
| 8 | Carmen Fantasy, op. 25: I. Moderato | — | ||
| 9 | Carmen Fantasy, op. 25: II. Lento assai | — | ||
| 10 | Carmen Fantasy, op. 25: III. Allegro moderato | — | ||
| 11 | Carmen Fantasy, op. 25: IV. Moderato | — | ||
| 2-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 2-2 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante - attacca | — | ||
| 2-3 | Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo | — | ||
| 2-4 | Sérénade mélancolique in B-flat minor, op. 26 | — | ||
| 2-5 | Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | T-902.685.630-4 | |
| 2-6 | Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 2-7 | Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto | Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra | — | |
| 3-1 | Symphonie espagnole, op. 21: I. Allegro non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 3-2 | Symphonie espagnole, op. 21: II. Scherzando. Allegro molto | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 3-3 | Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 3-4 | Symphonie espagnole, op. 21: IV. Andante | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | T-003.055.867-8 | |
| 3-5 | Symphonie espagnole, op. 21: V. Rondo. Allegro | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 3-6 | Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": I. Adagio: Allegro moderato: Poco adagio | — | ||
| 3-7 | Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato: Presto: Allegro moderato | — | ||
| 3-8 | Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1. Adagio – Allegro moderato – Poco adagio | Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 3-9 | Paraphrase de concert sur Rigoletto, S. 434 (After Verdi) | — | ||
| 4-1 | Klaviersonate Nr. 2 b-moll, op. 35: I. Grave - Doppio movimento | Ivo Pogorelich | — | |
| 4-2 | Klaviersonate Nr. 2 b-moll, op. 35: II. Scherzo | Ivo Pogorelich | — | |
| 4-3 | Klaviersonate Nr. 2 b-moll, op. 35: III. Marche funèbre. Lento - | Ivo Pogorelich | T-915.712.196-5 | |
| 4-4 | Klaviersonate Nr. 2 b-moll, op. 35: IV. Finale. Presto | Ivo Pogorelich | T-318.676.528-2 | |
| 4-5 | Gaspard de la Nuit: I. Ondine: Lent | Ivo Pogorelich | T-071.203.683-3 | |
| 4-6 | Gaspard de la Nuit: II. Le Gibet: Très lent. | Ivo Pogorelich | T-902.777.490-9 | |
| 4-7 | Gaspard de la Nuit: III. Scarbo: Modéré | Ivo Pogorelich | T-902.777.490-9 | |
| 4-8 | Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato | Ivo Pogorelich | — | |
| 4-9 | Piano Sonata no. 6 in A major, op. 82: II. Allegretto | Ivo Pogorelich | — | |
| 4-10 | Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo | Ivo Pogorelich | — | |
| 4-11 | Piano Sonata no. 6 in A major, op. 82: IV. Vivace | Ivo Pogorelich | — | |
| 5-1 | Falstaff: Atto I, scena 1. “Falstaff! Olà!” | — | ||
| 5-2 | Falstaff: Atto I, scena 1. “Sei polli; sei scellini … So che andiam, la notte” | — | ||
| 5-3 | Falstaff: Atto I, scena 1. “Ma e tempo d'assottigliar l'ingegno … V'è noto un tal qui del paese” | — | ||
| 5-4 | Falstaff: Atto I, scena 1. “L'Onore! Ladri!” | — | ||
| 5-5 | Falstaff: Atto I, scena 2. “Alice. Meg. Nannetta” | — | ||
| 5-6 | Falstaff: Atto I, scena 2. “Fulgida Alice! amor t'offro ... Quell'otre! quel tino!” | — | ||
| 5-7 | Falstaff: Atto I, scena 2. “In due parole” | — | ||
| 5-8 | Falstaff: Atto I, scena 2. “Pst,pst, Nanetta … Labbra di foco!” | — | ||
| 5-9 | Falstaff: Atto I, scena 2. “Undrai quanta egli sfoggia” | — | ||
| 5-10 | Falstaff: Atto II, scena 1. “Siam pentiti e contriti … Reverenza!” | — | ||
| 5-11 | Falstaff: Atto II, scena 1. “Alice e mia! … Va, vecchio John” | — | ||
| 5-12 | Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” | — | ||
| 5-13 | Falstaff: Atto II, scena 1. “C'è a Windsor una dama” | — | ||
| 5-14 | Falstaff: Atto II, scena 1. “È sogno? o realta?” | — | ||
| 6-1 | Falstaff: Atto II, scena 2. “Presenteremo un bill … Giunta all' Albergo della Giarrettiera” | — | ||
| 6-2 | Falstaff: Atto II, scena 2. “Gaie comari di Windsor” | — | ||
| 6-3 | Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” | — | ||
| 6-4 | Falstaff: Atto II, scena 2. “Quand' ero paggio” | — | ||
| 6-5 | Falstaff: Atto II, scena 2. “Mia signora!” | — | ||
| 6-6 | Falstaff: Atto II, scena 2. “Vien qua. Che chiasso!” | — | ||
| 6-7 | Falstaff: Atto II, scena 2. “C'è. C'è. Se t'agguanto! Se ti piglio!” | — | ||
| 6-8 | Falstaff: Atto III, scena 1. “Ehi! Taverniere! Mondo ladro!” | — | ||
| 6-9 | Falstaff: Atto III, scena 1. “Reverenza. La bella Alice ... Quandro il rintocco della mezzanotte” | — | ||
| 6-10 | Falstaff: Atto III, scena 1. “Brava. Quelle corna saranno la mia gioia!” | — | ||
| 6-11 | Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” | — | ||
| 6-12 | Falstaff: Atto III, scena 2. “Una, due, tre, quattro” | — | ||
| 6-13 | Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! … Sul fin d'un soffio etesio” | — | ||
| 6-14 | Falstaff: Atto III, scena 2. “Alto la! … Pizzica, pizzica” | — | ||
| 6-15 | Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” | — | ||
| 6-16 | Falstaff: Atto III, scena 2. “Facciamo il parentado ... Tutto nel mondo e burla” | — | ||
| 7-1 | Sinfonie No. 4 A-Dur: I. Allegro vivace | Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 7-2 | Sinfonie No. 4 A-Dur: II. Andante con moto | Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 7-3 | Sinfonie No. 4 A-Dur: III. Con moto moderato | Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 7-4 | Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto | Philharmonia Orchestra, Giuseppe Sinopoli | T-925.645.332-4 | |
| 7-5 | Symphony no. 2 in C, op.61: I. Sostenuto assai: Un poco più vivace: Allegro ma non troppo: Con fuoco | — | ||
| 7-6 | Symphony no. 2 in C, op.61: II. Scherzo (Allegro vivace) | — | ||
| 7-7 | Symphony no. 2 in C, op.61: III. Adagio espresssivo | — | ||
| 7-8 | Symphony no. 2 in C, op.61: IV. Allegro molto vivace | — | ||
| 8-1 | Candide: Overture | London Symphony Orchestra, Leonard Bernstein | T-903.288.559-9 | |
| 8-2 | Candide: Act I, No. 3. The Best of All Possible Worlds | June Anderson, Adolph Green, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein | T-070.011.011-7 | |
| 8-3 | Candide: Act I, No. 12. Glitter and Be Gay | June Anderson, London Symphony Orchestra, Leonard Bernstein | T-070.064.357-7 | |
| 8-4 | Candide: Act II, No. 29. Nothing More Than This | Jerry Hadley, London Symphony Orchestra, Leonard Bernstein | T-902.893.356-4 | |
| 8-5 | A Quiet Place: Act 2: Scene2 Trouble in Tahiti (I) "Dop-Daa-Day-Day-" | — | ||
| 8-6 | A Quiet Place: Act 2: Trouble in Tahiti (I) "How Could You Say" | — | ||
| 8-7 | A Quiet Place: Act 2: Trouble in Tahiti (I) "Yes? Oh, Mr. Partridge!" | — | ||
| 8-8 | A Quiet Place: Act 2: Trouble in Tahiti (I) "I Was Standing In A Garden" | — | ||
| 8-9 | A Quiet Place: Act 2: Trouble in Tahiti (I) "Well, Of All People" | — | ||
| 8-10 | West Side Story: No. 1: Prologue | Leonard Bernstein | T-070.166.807-6 | |
| 8-11 | West Side Story: No. 2: Jet Song | Kurt Ollmann, David Livingston, Peter Thom, Stephen Bogardus | T-070.088.385-7 | |
| 8-12 | West Side Story: No. 5: Maria | José Carreras, Leonard Bernstein | T-070.108.440-3 | |
| 8-13 | West Side Story: No. 6: Balcony Scene (Tonight) | Kiri Te Kanawa, José Carreras | T-901.072.962-1 | |
| 8-14 | West Side Story: No. 7: America | Tatiana Troyanos, Louise Edeiken | T-070.001.097-4 | |
| 8-15 | West Side Story: No. 12: I Feel Pretty | Kiri Te Kanawa, Louise Edeiken, Stella Zambalis, Angelina Réaux | T-070.902.843-2 | |
| 8-16 | West Side Story: Ballet Sequence (with "Somewhere") | — | ||
| 9-1 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: I. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 9-2 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: II. Allegro ma non tanto | Martha Argerich, Mischa Maisky | — | |
| 9-3 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: III. Andante | Martha Argerich, Mischa Maisky | T-902.685.622-4 | |
| 9-4 | Sonata for Viola da Gamba and Harpsichord no. 1 in G major, BWV 1027: IV. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 9-5 | Concerto For Violoncello and Orchestra in A minor, RV 418: I. Allegro | Mischa Maisky, Orpheus Chamber Orchestra | T-007.303.107-8 | |
| 9-6 | Concerto For Violoncello and Orchestra in A minor, RV 418: II. (Largo) | Mischa Maisky, Orpheus Chamber Orchestra | T-801.397.798-6 | |
| 9-7 | Concerto For Violoncello and Orchestra in A minor, RV 418: III. Allegro | Mischa Maisky, Orpheus Chamber Orchestra | — | |
| 9-8 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: I. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 9-9 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 9-10 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: III. Andante | Martha Argerich, Mischa Maisky | T-902.685.622-4 | |
| 9-11 | Sonata for Viola da Gamba and Harpsichord no. 2 in D major, BWV 1028: IV. Allegro | Martha Argerich, Mischa Maisky | — | |
| 9-12 | Cello Concerto in B minor, RV 424: I. Allegro non molto | — | ||
| 9-13 | Cello Concerto in B minor, RV 424: II. Largo | — | ||
| 9-14 | Cello Concerto in B minor, RV 424: III. Allegro | — | ||
| 9-15 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: I. Vivace | Martha Argerich, Mischa Maisky | — | |
| 9-16 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: II. Adagio | Martha Argerich, Mischa Maisky | T-001.439.586-8 | |
| 9-17 | Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029: III. Allegro | Martha Argerich, Mischa Maisky | T-914.323.864-6 | |
| 10-1 | Sonata in E major, K 380 (L 23) | Vladimir Horowitz | — | |
| 10-2 | Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Vladimir Horowitz | — | |
| 10-3 | Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Vladimir Horowitz | — | |
| 10-4 | Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Vladimir Horowitz | — | |
| 10-5 | Prelude in G major, op. 32 no. 5: Moderato | Vladimir Horowitz | — | |
| 10-6 | Prelude in G-sharp minor, op. 32 no. 12: Allegro | Vladimir Horowitz | — | |
| 10-7 | Etude in C-sharp minor, op. 2 no. 1: Andante | Vladimir Horowitz | T-915.981.383-9 | |
| 10-8 | Etude in D-sharp minor, op. 8 no. 12: Patetico | Vladimir Horowitz | — | |
| 10-9 | Soirées de Vienne: Valse-Caprice No. 6: Allegro con spirito | Владимир Самойлович Горовиц | — | |
| 10-10 | Années de pèlerinage: Deuxième année "Italie": V. Sonetto 104 del Petrarca: Agitato assai - Adagio | Vladimir Horowitz | — | |
| 10-11 | Mazurka in C-sharp minor, op. 30 no. 4: Allegretto | Vladimir Horowitz | T-918.063.801-1 | |
| 10-12 | Mazurka in F minor, op. 7 no. 3 | Vladimir Horowitz | T-918.063.801-1 | |
| 10-13 | Kinderszenen, op. 15: Träumerei | Vladimir Horowitz | — | |
| 10-14 | Etincelles, Morceau caractéristique, op. 36 no. 6 | Vladimir Horowitz | — | |
| 10-15 | Polka de W.R.: Allegretto | Vladimir Horowitz | — | |
| 11-1 | Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917.141.447-4 | |
| 11-2 | Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — | |
| 11-3 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 | |
| 11-4 | Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — | |
| 11-5 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-6 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-7 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 11-8 | Totentanz (Danse macabre) | Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 3 in C minor, op. 78 “Organ Symphony”: III. Maestoso - Allegro | Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | — |
| Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Vladimir Horowitz | — |
| Sonata no. 10 in C major, K. 300h/330: II. Andante cantabile | Vladimir Horowitz | — |
| Sonata no. 10 in C major, K. 300h/330: III. Allegretto | Vladimir Horowitz | — |
