Cantates Célèbres: BWV 4, BWV 202 Et BWV 147 "Jésus, que ma joie demeure"

UPC · Release

Cantates Célèbres: BWV 4, BWV 202 Et BWV 147 "Jésus, que ma joie demeure"

J.S. Bach, Karl Richter

028945917023
27 tracksReleased 1998-01-01Deutsche Grammophon

Last verified:

028945917023 is the Universal Product Code (UPC barcode) for the release Cantates Célèbres: BWV 4, BWV 202 Et BWV 147 "Jésus, que ma joie demeure" by J.S. Bach, Karl Richter, released 1998-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include DEF056100172, DEF056100173, DEF056100174.

Format

0Number system
28945Manufacturer
91702Product
3Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCCantates Célèbres: BWV 4, BWV 202 Et BWV 147 "Jésus, que ma joie demeure"
ISRC19 recordings
ISWC4 works

Track List (27)

Cantata, BWV 147 "Herz und Mund und Tat und Leben": II. Recitativo (tenor) "Gebenedeiter Mund"
Cantata, BWV 147 "Herz und Mund und Tat und Leben": II. Recitativo (tenor) "Gebenedeiter Mund"
John van Kesteren, Münchener Bach-Orchester, Karl Richter
Cantata, BWV 147 "Herz und Mund und Tat und Leben": III. Aria (alto) "Schäme dich, o Seele, nicht"
Cantata, BWV 147 "Herz und Mund und Tat und Leben": III. Aria (alto) "Schäme dich, o Seele, nicht"
Hertha Töpper, Münchener Bach-Orchester, Karl Richter
Cantata, BWV 147 "Herz und Mund und Tat und Leben": IV. Recitativo (bass) "Verstockung kann Gewaltige verblenden"
Cantata, BWV 147 "Herz und Mund und Tat und Leben": IV. Recitativo (bass) "Verstockung kann Gewaltige verblenden"
Kieth Engen, Münchener Bach-Orchester, Karl Richter
Cantata, BWV 147 "Herz und Mund und Tat und Leben": V. Aria (soprano) "Bereite dir, Jesu, noch itzo die Bahn"
Cantata, BWV 147 "Herz und Mund und Tat und Leben": V. Aria (soprano) "Bereite dir, Jesu, noch itzo die Bahn"
Ursula Buckel, Münchener Bach-Orchester, Karl Richter
Cantata, BWV 147 "Herz und Mund und Tat und Leben": VI. Chorale "Wohl mir, dass ich Jesum habe"
Cantata, BWV 147 "Herz und Mund und Tat und Leben": VI. Chorale "Wohl mir, dass ich Jesum habe"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Cantata, BWV 147 "Herz und Mund und Tat und Leben": VII. Aria (tenor) "Hilf, Jesu, hilf, dass ich auch dich bekenne"
Cantata, BWV 147 "Herz und Mund und Tat und Leben": VII. Aria (tenor) "Hilf, Jesu, hilf, dass ich auch dich bekenne"
John van Kesteren, Münchener Bach-Orchester, Karl Richter
Cantata, BWV 147 "Herz und Mund und Tat und Leben": VIII. Recitativo (alto) "Der höchsten Allmacht Wunderhand"
Cantata, BWV 147 "Herz und Mund und Tat und Leben": VIII. Recitativo (alto) "Der höchsten Allmacht Wunderhand"
Hertha Töpper, Münchener Bach-Orchester, Karl Richter
Cantata, BWV 147 "Herz und Mund und Tat und Leben": IX. Aria (bass) "Ich will von Jesu Wundern singen"
Cantata, BWV 147 "Herz und Mund und Tat und Leben": IX. Aria (bass) "Ich will von Jesu Wundern singen"
Kieth Engen, Münchener Bach-Orchester, Karl Richter
Cantate BWV 147, Choral "Jésus que ma joie demeure"
Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Cantate "Weichet nur, betrübte Schatten", BWV 202: 1. Air : "Weichet nur, betrübte Schatten"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 1. Air : "Weichet nur, betrübte Schatten"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 2. Récitatif : "Die Welt wird wieder neu"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 2. Récitatif : "Die Welt wird wieder neu"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 3. Air : "Phoebus eilt mit schnellen Pferden"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 3. Air : "Phoebus eilt mit schnellen Pferden"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 4. Récitatif : Drum sucht auch Amor sein Vergnügen"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 4. Récitatif : Drum sucht auch Amor sein Vergnügen"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 5. Air : "Wenn die Frühlingslüfte streichen"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 5. Air : "Wenn die Frühlingslüfte streichen"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 6. Récitatif : "Und dieses ist das Glücke"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 6. Récitatif : "Und dieses ist das Glücke"
Weichet nur, betrübte Schatten BWV 202: VII. Aria "Sich üben im Lieben"
Weichet nur, betrübte Schatten BWV 202: VII. Aria "Sich üben im Lieben"
Maria Stader, Münchener Bach-Orchester, Karl Richter
Cantate "Weichet nur, betrübte Schatten", BWV 202: 8. Récitatif : "So sei das Band der keuschen Liebe"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 8. Récitatif : "So sei das Band der keuschen Liebe"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 9. Air (Gavotte) : "Sehet in Zufriedenheit"
Cantate "Weichet nur, betrübte Schatten", BWV 202: 9. Air (Gavotte) : "Sehet in Zufriedenheit"

Identifier Graph

UPCCantates Célèbr…ISRCCantata, BWV 14…ISRCCantata, BWV 14…ISRCCantata, BWV 14…ISRCCantata, BWV 14…ISRCCantata, BWV 14…

People also ask

What is UPC 028945917023?
UPC 028945917023 is the Universal Product Code (barcode) for "Cantates Célèbres: BWV 4, BWV 202 Et BWV 147 "Jésus, que ma joie demeure"" by J.S. Bach, Karl Richter, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028945917023?
UPC 028945917023 contains 27 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028945917023?

028945917023 is a Universal Product Code (UPC) assigned to Cantates Célèbres: BWV 4, BWV 202 Et BWV 147 "Jésus, que ma joie demeure" by J.S. Bach, Karl Richter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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