UPC · Album

The Tenors of the Century

Various Artists

028945936222
27 tracksReleased 2000-01-01Deutsche Grammophon

Last verified:

028945936222 is the Universal Product Code (UPC barcode) for the release The Tenors of the Century by Various Artists, released 2000-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include DEF050702010, DEF052902080, DEF055230015.

Format

0Number system
28945Manufacturer
93622Product
2Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Tenors of the Century
ISRC29 recordings
ISWC6 works
IPI2 songwriters

Track List (29)

L’africana: Atto IV. “Mi batte il cor” … “O paradiso!”
Enrico Caruso
Madama Butterfly: Mädchen, in deinen Augen liegt ein Zauber
Helge Rosvænge, Hedwig von Debicka, Manfred Gurlitt
Der fliegende Holländer: Mein Herz voll Treue bis zum Sterben
Wolfgang Windgassen, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
Die Meistersinger von Nürnberg: Morgenlich leuchtend
Peter Anders, Württembergisches Staatsorchester, Ferdinand Leitner
Don Giovanni, K. 527: Atto primo, N. 10a. Aria: “Dalla sua pace” K. 540a (Don Ottavio)
Ernst Haefliger, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
La Gioconda: Cielo e mar
Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti
Manon Lescaut: Donna non vidi mai
Sándor Kónya, Orchestra del Maggio Musicale Fiorentino, Antonino Votto
Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino)
Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
Rigoletto: Ella mi fu rapita ... Parmi veder le lagrime
Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Rafael Kubelík
Die Walküre: Aufzug I, Szene III. „Ein Schwert verhieß mir der Vater“ (Siegmund)
Jon Vickers, Berliner Philharmoniker, Herbert von Karajan
Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello)
Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado
Die lustige Witwe: O Vaterland ... Da geh' ich ins Maxim
René Kollo, Berliner Philharmoniker, Herbert von Karajan
Die Entführung aus dem Serail: No. 15 Arie "Wenn der Freude Tränen fließen"
Peter Schreier, Staatskapelle Dresden, Karl Böhm
Aida: Atto I. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès)
Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado
West Side Story: No. 5: Maria
José Carreras, Leonard Bernstein
Paloma querida
Francisco Araiza, Orchestra Sinfonico Mariachi, Daniel García Blanco
La forza del destino: La vita è inferno ... O tu, che in seno
José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli
La Bohème: Atto I. “Che gelida manina!” (Rodolfo)
Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
Yevgeni Onegin: Nu, shto zhe? ... Kuda, kuda, kuda, vy udalilis
Neil Shicoff, Gunther Emmerlich, Staatskapelle Dresden, James Levine
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara)
Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino)
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
Tosca: Atto III. "E lucevan le stelle" (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli
La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine”
John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine
La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti”
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
Lohengrin: Akt III. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor)
Siegfried Jerusalem, Kurt Moll, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado
Carmen: La fleur que tu m'avais jetée
Roberto Alagna, Berliner Philharmoniker, Claudio Abbado
Pagliacci: “Recitar!… Vesti la giubba”
Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli
Tosca: “Recondita armonia”
Franco Corelli, Alfredo Mariotti
Les Contes d'Hoffmann: Il était une fois à la cour d'Eisenach
Alfredo Kraus, The Welsh National Opera Orchestra, Carlo Rizzi

People also ask

What is UPC 028945936222?
UPC 028945936222 is the Universal Product Code (barcode) for "The Tenors of the Century" by Various Artists, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028945936222?
UPC 028945936222 contains 27 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

What is UPC 028945936222?

028945936222 is a Universal Product Code (UPC) assigned to The Tenors of the Century by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm