UPC · Release
The Tenors of the Century
Various Artists
028945936222
14 tracksReleased 2000-01-01Deutsche Grammophon
Last verified:
028945936222 is the Universal Product Code (UPC barcode) for the release “The Tenors of the Century” by Various Artists, released 2000-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include DEF050702010, DEF055303750, DEF052902080.
Format
0Number system
28945Manufacturer
93622Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Tenors of the Century
ISRC14 recordings
ISWC6 works
IPI2 songwriters
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L’africana: Atto IV. “Mi batte il cor” … “O paradiso!” | Enrico Caruso | — | |
| 2 | Die Meistersinger von Nürnberg: Morgenlich leuchtend | Peter Anders, Württembergisches Staatsorchester, Ferdinand Leitner | — | |
| 3 | Madama Butterfly: Mädchen, in deinen Augen liegt ein Zauber | Helge Rosvænge, Hedwig von Debicka, Manfred Gurlitt | — | |
| 4 | Pagliacci: “Recitar!… Vesti la giubba” | Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | — | |
| 5 | Manon Lescaut: Donna non vidi mai | Sándor Kónya, Orchestra del Maggio Musicale Fiorentino, Antonino Votto | — | |
| 6 | Les Contes d'Hoffmann: Il était une fois à la cour d'Eisenach | Alfredo Kraus, The Welsh National Opera Orchestra, Carlo Rizzi | — | |
| 7 | Tosca: “Recondita armonia” | Franco Corelli, Alfredo Mariotti | — | |
| 8 | Der fliegende Holländer: Mein Herz voll Treue bis zum Sterben | Wolfgang Windgassen, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 9 | Rigoletto: Ella mi fu rapita ... Parmi veder le lagrime | Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Rafael Kubelík | — | |
| 10 | Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306483079-7 | |
| 11 | La Gioconda: Cielo e mar | Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | — | |
| 12 | Die Entführung aus dem Serail: No. 15 Arie "Wenn der Freude Tränen fließen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 13 | Don Giovanni, K. 527: Atto primo, N. 10a. Aria: “Dalla sua pace” K. 540a (Don Ottavio) | Ernst Haefliger, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 14 | Die Walküre: Aufzug I, Szene III. „Ein Schwert verhieß mir der Vater“ (Siegmund) | Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | — |
L’africana: Atto IV. “Mi batte il cor” … “O paradiso!”
Enrico Caruso
—
Die Meistersinger von Nürnberg: Morgenlich leuchtend
Peter Anders, Württembergisches Staatsorchester, Ferdinand Leitner
—
Madama Butterfly: Mädchen, in deinen Augen liegt ein Zauber
Helge Rosvænge, Hedwig von Debicka, Manfred Gurlitt
—
Pagliacci: “Recitar!… Vesti la giubba”
Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli
—
Manon Lescaut: Donna non vidi mai
Sándor Kónya, Orchestra del Maggio Musicale Fiorentino, Antonino Votto
—
Les Contes d'Hoffmann: Il était une fois à la cour d'Eisenach
Alfredo Kraus, The Welsh National Opera Orchestra, Carlo Rizzi
—
Tosca: “Recondita armonia”
Franco Corelli, Alfredo Mariotti
—
Der fliegende Holländer: Mein Herz voll Treue bis zum Sterben
Wolfgang Windgassen, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Rigoletto: Ella mi fu rapita ... Parmi veder le lagrime
Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Rafael Kubelík
—
Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
La Gioconda: Cielo e mar
Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti
—
Die Entführung aus dem Serail: No. 15 Arie "Wenn der Freude Tränen fließen"
Peter Schreier, Staatskapelle Dresden, Karl Böhm
—
Don Giovanni, K. 527: Atto primo, N. 10a. Aria: “Dalla sua pace” K. 540a (Don Ottavio)
Ernst Haefliger, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Die Walküre: Aufzug I, Szene III. „Ein Schwert verhieß mir der Vater“ (Siegmund)
Jon Vickers, Berliner Philharmoniker, Herbert von Karajan
—
Additional database matches (15)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello) | Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | — |
| Die lustige Witwe: O Vaterland ... Da geh' ich ins Maxim | René Kollo, Berliner Philharmoniker, Herbert von Karajan | — |
| Aida: Atto I. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès) | Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado | T9000653769 |
| West Side Story: No. 5: Maria | José Carreras, Leonard Bernstein | T-070.108.440-3 |
| Paloma querida | Francisco Araiza, Orchestra Sinfonico Mariachi, Daniel García Blanco | — |
| La forza del destino: La vita è inferno ... O tu, che in seno | José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli | T9027956418 |
| La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — |
| Yevgeni Onegin: Nu, shto zhe? ... Kuda, kuda, kuda, vy udalilis | Neil Shicoff, Gunther Emmerlich, Staatskapelle Dresden, James Levine | — |
| L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara) | Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — |
| L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | T-902504007-7 |
| Tosca: Atto III. "E lucevan le stelle" (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | — |
| La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine” | John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | — |
| La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti” | Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | — |
| Lohengrin: Akt III. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor) | Siegfried Jerusalem, Kurt Moll, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | — |
| Carmen: La fleur que tu m'avais jetée | Roberto Alagna, Berliner Philharmoniker, Claudio Abbado | — |
Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello)
Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado
—
Die lustige Witwe: O Vaterland ... Da geh' ich ins Maxim
René Kollo, Berliner Philharmoniker, Herbert von Karajan
—
Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado
José Carreras, Leonard Bernstein
Paloma querida
Francisco Araiza, Orchestra Sinfonico Mariachi, Daniel García Blanco
—
José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli
La Bohème: Atto I. “Che gelida manina!” (Rodolfo)
Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
—
Yevgeni Onegin: Nu, shto zhe? ... Kuda, kuda, kuda, vy udalilis
Neil Shicoff, Gunther Emmerlich, Staatskapelle Dresden, James Levine
—
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara)
Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
—
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
Tosca: Atto III. "E lucevan le stelle" (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli
—
La traviata: Atto III. “Ah, non più!” … “Ah! Gran Dio! Morir sì giovine”
John Keenan, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine
—
La traviata: Atto II. “Lunge da lei” … “De’ miei bollenti spiriti”
Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
—
Lohengrin: Akt III. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor)
Siegfried Jerusalem, Kurt Moll, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado
—
Carmen: La fleur que tu m'avais jetée
Roberto Alagna, Berliner Philharmoniker, Claudio Abbado
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006097350X000000006272859100000000736622840000000080089279000000008082023600000000808379430000000081255750000000008136075300000000814605860000000081692432
+40 more
0000000081857161000000010661744800000001085483270000000108635957000000010867508600000001087102160000000108886588000000010922378600000001093004890000000109416721000000010942652400000001099536900000000110206844000000011020812900000001102923240000000110363356000000011067732000000001108470780000000110928863000000011437705000000001145004340000000114541279000000011455118600000001145539310000000114800357000000011480276600000001149479650000000116585187000000011701406000000001178026140000000119410438000000011954617500000001201914980000000120263340000000012033910600000001209597190000000120978012000000012108747300000001211233660000000121144247
Identifier Graph
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What is UPC 028945936222?
028945936222 is a Universal Product Code (UPC) assigned to The Tenors of the Century by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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