UPC · Release
Gilbert, Sullivan, The D’Oyly Carte Opera Company
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028946001028 is the Universal Product Code (UPC barcode) for the release “The Very Best of Gilbert & Sullivan” by Gilbert, Sullivan, The D’Oyly Carte Opera Company, released 2003-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBF077340104, GBF077340125.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Mikado: Three Little Maids From School Are We | — | ||
| 2 | The Mikado: A Wand'ring Minstrel I | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-310.692.078-5 | |
| 3 | The Mikado: On a Tree by a River a Little Tom-Tit | — | ||
| 4 | The Mikado: Behold the Lord High Executioner | — | ||
| 5 | The Mikado: As Some Day It May Happen | — | ||
| 6 | The Mikado: The Sun Whose Rays Are All Ablaze | — | ||
| 7 | Here's a How-De-Do! | Valerie Masterson, John Reed, Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 8 | The Mikado: The Flowers That Bloom in the Spring | — | ||
| 9 | The Mikado: There Is Beauty in the Bellow of Blast | — | ||
| 10 | The Mikado: For He's Gone and Married Yum-Yum | — | ||
| 11 | HMS Pinafore: When I Was a Lad | — | ||
| 12 | HMS Pinafore: I'm Called Little Buttercup | — | ||
| 13 | HMS Pinafore: Never Mind the Why and Wherefore | — | ||
| 14 | HMS Pinafore: We Sail the Ocean Blue | — | ||
| 15 | HMS Pinafore: I'm Called the Captain of the Pinafore | — | ||
| 16 | HMS Pinafore: Oh Joy! Oh Rapture Unforeseen | — | ||
| 17 | Trial by Jury: When I, Good Friends, Was Called to the Bar | — | ||
| 18 | The Sorcerer: My Name Is John Wellington Wells | — | ||
| 19 | Patience: The Soldiers of Our Queen | — | ||
| 20 | Patience: Am I Alone and Unobserved | — | ||
| 21 | Patience: If You're Anxious to Shine | — | ||
| 22 | Patience: So Go to Him and Say to Him | — | ||
| 23 | The Yeomen of the Guard: When Our Gallant Norman Foes | — | ||
| 24 | The Yeomen of the Guard: I Have a Song to Sing, O! | — | ||
| 25 | The Yeomen of the Guard: When Maiden Loves, She Sits and Sighs | — | ||
| 26 | The Yeomen of the Guard: Tower Warders, Under Orders | — | ||
| 2-1 | The Pirates of Penzance: With Cat Like Tread | — | ||
| 2-2 | The Pirates of Penzance: Poor Wand'ring One | — | ||
| 2-3 | The Pirates of Penzance: I Am the Very Model of a Modern Major General | — | ||
| 2-4 | The Pirates of Penzance: When the Foeman Bares His Steel | — | ||
| 2-5 | The Pirates of Penzance: When a Felon's Not Engaged in His Employment | — | ||
| 2-6 | Ruddigore: I Know a Youth Who Loves a Little Maid | — | ||
| 2-7 | Ruddigore: When the Night Wind Howls in the Chimney Cowls | — | ||
| 2-8 | Ruddigore: My Eyes Are Fully Open to My Awful Situation | — | ||
| 2-9 | Iolanthe: Loudly Let the Trumpet Bay | — | ||
| 2-10 | Iolanthe: Love Unrequited | — | ||
| 2-11 | Iolanthe: If You're in You're Sure to Win | — | ||
| 2-12 | Iolanthe: When All Night Long, a Chap Remains | — | ||
| 2-13 | Iolanthe: Said I to Myself, Said I | — | ||
| 2-14 | Iolanthe: When Britain Really Ruled the Waves | — | ||
| 2-15 | The Gondoliers: We're Called Gondoliers | — | ||
| 2-16 | The Gondoliers: In Enterprise of Martial Kind | — | ||
| 2-17 | The Gondoliers: Take a Pair of Sparkling Eyes | — | ||
| 2-18 | The Gondoliers: Dance a Cachucha, Fandango, Bolero | — | ||
| 2-19 | The Gondoliers: From the Sunny Spanish Shore | — | ||
| 2-20 | The Gondoliers: I Stole the Prince | — | ||
| 2-21 | The Gondoliers: The One of Us Will Be a Queen | — | ||
| 2-22 | Princess Ida: If You Give Me Your Attention | — | ||
| 2-23 | Princess Ida: The Woman of the Wisest Wit | — | ||
| 2-24 | Princess Ida: I Built Upon a Rock | — | ||
| 2-25 | Princess Ida: When 'Ere I Spoke Sarcastic Joke | — | ||
| 2-26 | Princess Ida: This Helmet I Suppose | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028946001028 is a Universal Product Code (UPC) assigned to The Very Best of Gilbert & Sullivan by Gilbert, Sullivan, The D’Oyly Carte Opera Company. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028946001028 is the Universal Product Code (UPC barcode) for the release “The Very Best of Gilbert & Sullivan” by Gilbert, Sullivan, The D’Oyly Carte Opera Company, released 2003-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBF077340104, GBF077340125.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Mikado: Three Little Maids From School Are We | — | ||
| 2 | The Mikado: A Wand'ring Minstrel I | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-310.692.078-5 | |
| 3 | The Mikado: On a Tree by a River a Little Tom-Tit | — | ||
| 4 | The Mikado: Behold the Lord High Executioner | — | ||
| 5 | The Mikado: As Some Day It May Happen | — | ||
| 6 | The Mikado: The Sun Whose Rays Are All Ablaze | — | ||
| 7 | Here's a How-De-Do! | Valerie Masterson, John Reed, Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 8 | The Mikado: The Flowers That Bloom in the Spring | — | ||
| 9 | The Mikado: There Is Beauty in the Bellow of Blast | — | ||
| 10 | The Mikado: For He's Gone and Married Yum-Yum | — | ||
| 11 | HMS Pinafore: When I Was a Lad | — | ||
| 12 | HMS Pinafore: I'm Called Little Buttercup | — | ||
| 13 | HMS Pinafore: Never Mind the Why and Wherefore | — | ||
| 14 | HMS Pinafore: We Sail the Ocean Blue | — | ||
| 15 | HMS Pinafore: I'm Called the Captain of the Pinafore | — | ||
| 16 | HMS Pinafore: Oh Joy! Oh Rapture Unforeseen | — | ||
| 17 | Trial by Jury: When I, Good Friends, Was Called to the Bar | — | ||
| 18 | The Sorcerer: My Name Is John Wellington Wells | — | ||
| 19 | Patience: The Soldiers of Our Queen | — | ||
| 20 | Patience: Am I Alone and Unobserved | — | ||
| 21 | Patience: If You're Anxious to Shine | — | ||
| 22 | Patience: So Go to Him and Say to Him | — | ||
| 23 | The Yeomen of the Guard: When Our Gallant Norman Foes | — | ||
| 24 | The Yeomen of the Guard: I Have a Song to Sing, O! | — | ||
| 25 | The Yeomen of the Guard: When Maiden Loves, She Sits and Sighs | — | ||
| 26 | The Yeomen of the Guard: Tower Warders, Under Orders | — | ||
| 2-1 | The Pirates of Penzance: With Cat Like Tread | — | ||
| 2-2 | The Pirates of Penzance: Poor Wand'ring One | — | ||
| 2-3 | The Pirates of Penzance: I Am the Very Model of a Modern Major General | — | ||
| 2-4 | The Pirates of Penzance: When the Foeman Bares His Steel | — | ||
| 2-5 | The Pirates of Penzance: When a Felon's Not Engaged in His Employment | — | ||
| 2-6 | Ruddigore: I Know a Youth Who Loves a Little Maid | — | ||
| 2-7 | Ruddigore: When the Night Wind Howls in the Chimney Cowls | — | ||
| 2-8 | Ruddigore: My Eyes Are Fully Open to My Awful Situation | — | ||
| 2-9 | Iolanthe: Loudly Let the Trumpet Bay | — | ||
| 2-10 | Iolanthe: Love Unrequited | — | ||
| 2-11 | Iolanthe: If You're in You're Sure to Win | — | ||
| 2-12 | Iolanthe: When All Night Long, a Chap Remains | — | ||
| 2-13 | Iolanthe: Said I to Myself, Said I | — | ||
| 2-14 | Iolanthe: When Britain Really Ruled the Waves | — | ||
| 2-15 | The Gondoliers: We're Called Gondoliers | — | ||
| 2-16 | The Gondoliers: In Enterprise of Martial Kind | — | ||
| 2-17 | The Gondoliers: Take a Pair of Sparkling Eyes | — | ||
| 2-18 | The Gondoliers: Dance a Cachucha, Fandango, Bolero | — | ||
| 2-19 | The Gondoliers: From the Sunny Spanish Shore | — | ||
| 2-20 | The Gondoliers: I Stole the Prince | — | ||
| 2-21 | The Gondoliers: The One of Us Will Be a Queen | — | ||
| 2-22 | Princess Ida: If You Give Me Your Attention | — | ||
| 2-23 | Princess Ida: The Woman of the Wisest Wit | — | ||
| 2-24 | Princess Ida: I Built Upon a Rock | — | ||
| 2-25 | Princess Ida: When 'Ere I Spoke Sarcastic Joke | — | ||
| 2-26 | Princess Ida: This Helmet I Suppose | — |
