UPC · Album
Best of Mozart Operas
Mozart, Karl Böhm, Kurt Moll and 5 more
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028946101629 is the Universal Product Code (UPC barcode) for the release “Best of Mozart Operas” by Mozart, Karl Böhm, Kurt Moll, Peter Schreier, Hermann Prey, Fritz Wunderlich, Edith Mathis, Sherrill Milnes, released 1999-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEF056430603, DEF056430604, DEF056430609.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (17)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) | Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | DEF056430603 |
| Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | DEF056430604 |
| Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Die Königin der Nacht) | Roberta Peters, Berliner Philharmoniker, Karl Böhm | DEF056430609 |
| Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil'gen Hallen kennt« (Sarastro) | Franz Crass, Berliner Philharmoniker, Karl Böhm | DEF056430610 |
| Le nozze di Figaro, K. 492: Overture | Orchester der Deutschen Oper Berlin, Karl Böhm | DEF056830101 |
| Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | DEF056830108 |
| Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna) | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | DEF056830177 |
| Die Entführung aus dem Serail: No. 1 Arie: "Hier soll ich dich denn sehen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | DEF057330302 |
| Die Entführung aus dem Serail: No. 15 Arie "Wenn der Freude Tränen fließen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | DEF057330310 |
| Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren" | Kurt Moll, Staatskapelle Dresden, Karl Böhm | DEF057330311 |
| Die Entführung aus dem Serail: No. 8 Arie: "Durch Zärtlichkeit und Schmeicheln" | Reri Grist, Staatskapelle Dresden, Karl Böhm | DEF057330327 |
| Così fan tutte: Act I. "Un'aura amorosa del nostro tesoro" | Peter Schreier, Wiener Philharmoniker, Karl Böhm | DEF057430241 |
| Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 11 Aria: “Fin ch'han dal vino” (Don Giovanni) | Sherrill Milnes, Wiener Philharmoniker, Karl Böhm | DEF057730601 |
| Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina) | Edith Mathis, Sherrill Milnes, Wiener Philharmoniker, Karl Böhm | DEF057730609 |
| Don Giovanni: “Il mio tesoro intanto” (Don Ottavio) | Peter Schreier, Wiener Philharmoniker | DEF057730622 |
| Idomeneo: “Fuor del mar ho un mar in seno” (Idomeneo) | Berliner Philharmoniker, Karl Böhm | DEF057730905 |
| La clemenza di Tito, K. 621: Ouverture | Staatskapelle Dresden, Karl Böhm | DEF057931302 |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 028946101629?
028946101629 is a Universal Product Code (UPC) assigned to Best of Mozart Operas by Mozart, Karl Böhm, Kurt Moll, Peter Schreier, Hermann Prey, Fritz Wunderlich, Edith Mathis, Sherrill Milnes. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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