UPC · Album
Matthäus Passion: St. Matthew Passion, Passion selon saint Matthieu
Bach, Tokyo Opera Singers, Saito Kinen Orchestra and 1 more
028946251522
68 tracksReleased 2024-01-01Decca
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028946251522 is the Universal Product Code (UPC barcode) for the release “Matthäus Passion: St. Matthew Passion, Passion selon saint Matthieu” by Bach, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa, released 2024-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 68 tracks, each with its own ISRC. Tracks include NLA509712701, NLA509712702, NLA509712703.
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UPCMatthäus Passion: St. Matthew Passion, Passion selon saint Matthieu
ISRC44 recordings
Track List (44)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Matthäus-Passion BWV 244: I. Kommt, ihr töchter helft mir klagen | SKF Matsumoto Children’s Choir, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa | NLA509712701 |
| St. Matthew Passion, BWV 244 - Part One: no. 2 Evangelist, Jesus: “Da Jesus diese Rede vollendet hatte” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | NLA509712702 |
| St. Matthew Passion, BWV 244 - Part One: no. 3 Choral: “Herzliebster Jesu, was hast du verbrochen” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712703 |
| St. Matthew Passion, BWV 244 - Part One: no. 4 Evangelist, Chorus I/II, Jesus: “Da versammelten sich die Hohenpriester” | John Mark Ainsley, Thomas Quasthoff, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712704 |
| Matthäus-Passion BWV 244: V. Du lieber Heiland du | Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa | NLA509712705 |
| Matthäus-Passion BWV 244: VI. Buß und Reu | Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa | NLA509712706 |
| St. Matthew Passion, BWV 244 - Part One: no. 7 Evangelist, Judas: “Da ging hin der Zwölfen einer” | John Mark Ainsley, Katsunori Kono, Saito Kinen Orchestra, Seiji Ozawa | NLA509712707 |
| St. Matthew Passion, BWV 244 - Part One: no. 8 Aria (Soprano): “Blute nur, du liebes Herz” | Christiane Oelze, Saito Kinen Orchestra, Seiji Ozawa | NLA509712708 |
| St. Matthew Passion, BWV 244 - Part One: no. 9 Evangelist, Chorus I, Jesus: “Aber am ersten Tage der süssen Brot” | John Mark Ainsley, Thomas Quasthoff, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712709 |
| St. Matthew Passion, BWV 244 - Part One: no. 10 Choral: “Ich bin’s, ich sollte büssen” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712710 |
| Matthäus-Passion BWV 244: XI. Er antwortete und sprach | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Osawa | NLA509712711 |
| Matthäus-Passion BWV 244: XII. Wiewohl mein Herz in Tränen schwimmt | Christiane Oelze, Saito Kinen Orchestra, Seiji Osawa | NLA509712712 |
| Matthäus-Passion BWV 244: XIII. Ich will dir mein Herze schenken | Christiane Oelze, Saito Kinen Orchestra, Seiji Osawa | NLA509712713 |
| St. Matthew Passion, BWV 244 - Part One: no. 14 Evangelist, Jesus: “Und da sie den Lobgesang gesprochen hatten” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | NLA509712714 |
| St. Matthew Passion, BWV 244 - Part One: no. 15 Choral: “Erkenne mich, mein Hüter” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712715 |
| St. Matthew Passion, BWV 244 - Part One: no. 16 Evangelist, Jesus, Petrus: “Petrus aber antwortete” | John Mark Ainsley, Thomas Quasthoff, Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | NLA509712716 |
| St. Matthew Passion, BWV 244 - Part One: no. 17 Choral: “Ich will hier bei dir stehen” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712717 |
| St. Matthew Passion, BWV 244 - Part One: no. 18 Evangelist, Jesus: “Da kam Jesus mit ihnen zu einem Hofe” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | NLA509712718 |
| St. Matthew Passion, BWV 244 - Part One: no. 19 Recitative (Tenor, Chorus II): “O Schmerz! hier zittert das gequälte Herz” | Stanford Olsen, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712719 |
| Matthäus-Passion BWV 244: XX. Ich will bei meinem Jesu wachen | Stanford Olsen, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa | NLA509712720 |
| St. Matthew Passion, BWV 244 - Part One: no. 21 Evangelist, Jesus: “Und ging hin ein wenig” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | NLA509712721 |
| St. Matthew Passion, BWV 244 - Part One: no. 22 Recitative (Bass): “Der Heiland fällt vor seinem Vater nieder” | Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | NLA509712722 |
| St. Matthew Passion, BWV 244 - Part One: no. 23 Aria (Bass): “Gerne will ich mich bequemen” | Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | NLA509712723 |
| St. Matthew Passion, BWV 244 - Part One: no. 24 Evangelist, Jesus: “Und er kam zu seinen Jüngern” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | NLA509712724 |
| St. Matthew Passion, BWV 244 / Part One: no. 25 Choral: “Was mein Gott will, das g’scheh allzeit” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712725 |
| St. Matthew Passion, BWV 244 - Part One: no. 26 Evangelist, Jesus, Judas: “Und er kam und fand sie aber schlafend” | John Mark Ainsley, Thomas Quasthoff, Katsunori Kono, Saito Kinen Orchestra, Seiji Ozawa | NLA509712726 |
| Matthäus-Passion BWV 244: XVII. So ist mein Jesus nun gefangen | Christiane Oelze, Nathalie Stutzmann, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa | NLA509712727 |
| St. Matthew Passion, BWV 244 - Part One: no. 28 Evangelist, Jesus: “Und siehe, einer aus denen” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | NLA509712728 |
| St. Matthew Passion, BWV 244 - Part One: no. 29 Choral: “O Mensch, bewein dein Sünde groß” | SKF Matsumoto Children’s Choir, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712729 |
| St. Matthew Passion, BWV 244 - Part Two: no. 30 Aria (Alto, Chorus II): “Ach nun ist mein Jesu hin” | Nathalie Stutzmann, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712730 |
| St. Matthew Passion, BWV 244 - Part Two: no. 31 Evangelist: “Die aber Jesum gegriffen hatten” | John Mark Ainsley, Saito Kinen Orchestra, Seiji Ozawa | NLA509712731 |
| St. Matthew Passion, BWV 244 - Part Two: no. 32 Choral: “Mir hat die Welt trüglich gericht” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712732 |
| St. Matthew Passion, BWV 244 - Part Two: no. 33 Evangelist, Pontifex, Testis I/II: “Und wiewohl viel falsche Zeugen herzutraten” | John Mark Ainsley, Michael Volle, Nathalie Stutzmann, Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa | NLA509712733 |
| St. Matthew Passion, BWV 244 - Part Two: no. 34 Recitative (Tenor): “Mein Jesus schweigt zu falschen Lügen stille” | Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa | NLA509712734 |
| St. Matthew Passion, BWV 244 - Part Two: no. 35 Aria (Tenor): “Geduld” | Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa | NLA509712735 |
| St. Matthew Passion, BWV 244 - Part Two: no. 36 Evangelist, Pontifex, Jesus, Chorus I/II: “Und der Hohepriester antwortete” | John Mark Ainsley, Thomas Quasthoff, Michael Volle, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712736 |
| St. Matthew Passion, BWV 244 - Part Two: no. 37 Choral: “Wer hat dich so geschlagen” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712737 |
| St. Matthew Passion, BWV 244 - Part Two: no. 38 Evangelist, Ancilla I/II, Petrus, Chorus II: “Petrus aber sass draussen im Palast” | John Mark Ainsley, Michael Volle, Christiane Oelze, Nathalie Stutzmann, Tokyo Opera Singers, Seiji Ozawa | NLA509712738 |
| Matthäus-Passion BWV 244: XXXIX. Erbarme dich, mein Gott | Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa | NLA509712739 |
| Matthäus-Passion BWV 244: XXXX. Bin ich gleich von dir gewichen | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa | NLA509712740 |
| St. Matthew Passion, BWV 244 - Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester” | John Mark Ainsley, Katsunori Kono, Kazuhide Omori, Makoto Narita, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712741 |
| Matthäus-Passion BWV 244: XXXXI. Gebt mir meinen Jesum Wieder | Michael Volle, Saito Kinen Orchestra, Seiji Osawa | NLA509712742 |
| St. Matthew Passion, BWV 244 - Part Two: no. 43 Evangelist, Pilatus, Jesus: “Sie hielten aber einen Rat” | John Mark Ainsley, Thomas Quasthoff, Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | NLA509712743 |
| St. Matthew Passion, BWV 244 - Part Two: no. 44 Choral: “Befiel du deine Wege” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | NLA509712744 |
Matthäus-Passion BWV 244: I. Kommt, ihr töchter helft mir klagen
SKF Matsumoto Children’s Choir, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa
St. Matthew Passion, BWV 244 - Part One: no. 2 Evangelist, Jesus: “Da Jesus diese Rede vollendet hatte”
John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 3 Choral: “Herzliebster Jesu, was hast du verbrochen”
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 4 Evangelist, Chorus I/II, Jesus: “Da versammelten sich die Hohenpriester”
John Mark Ainsley, Thomas Quasthoff, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
Matthäus-Passion BWV 244: V. Du lieber Heiland du
Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa
Matthäus-Passion BWV 244: VI. Buß und Reu
Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa
St. Matthew Passion, BWV 244 - Part One: no. 7 Evangelist, Judas: “Da ging hin der Zwölfen einer”
John Mark Ainsley, Katsunori Kono, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 8 Aria (Soprano): “Blute nur, du liebes Herz”
Christiane Oelze, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 9 Evangelist, Chorus I, Jesus: “Aber am ersten Tage der süssen Brot”
John Mark Ainsley, Thomas Quasthoff, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 10 Choral: “Ich bin’s, ich sollte büssen”
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
Matthäus-Passion BWV 244: XI. Er antwortete und sprach
John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Osawa
Matthäus-Passion BWV 244: XII. Wiewohl mein Herz in Tränen schwimmt
Christiane Oelze, Saito Kinen Orchestra, Seiji Osawa
Matthäus-Passion BWV 244: XIII. Ich will dir mein Herze schenken
Christiane Oelze, Saito Kinen Orchestra, Seiji Osawa
St. Matthew Passion, BWV 244 - Part One: no. 14 Evangelist, Jesus: “Und da sie den Lobgesang gesprochen hatten”
John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 15 Choral: “Erkenne mich, mein Hüter”
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 16 Evangelist, Jesus, Petrus: “Petrus aber antwortete”
John Mark Ainsley, Thomas Quasthoff, Michael Volle, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 17 Choral: “Ich will hier bei dir stehen”
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 18 Evangelist, Jesus: “Da kam Jesus mit ihnen zu einem Hofe”
John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 19 Recitative (Tenor, Chorus II): “O Schmerz! hier zittert das gequälte Herz”
Stanford Olsen, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
Matthäus-Passion BWV 244: XX. Ich will bei meinem Jesu wachen
Stanford Olsen, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa
St. Matthew Passion, BWV 244 - Part One: no. 21 Evangelist, Jesus: “Und ging hin ein wenig”
John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 22 Recitative (Bass): “Der Heiland fällt vor seinem Vater nieder”
Michael Volle, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 23 Aria (Bass): “Gerne will ich mich bequemen”
Michael Volle, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 24 Evangelist, Jesus: “Und er kam zu seinen Jüngern”
John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 / Part One: no. 25 Choral: “Was mein Gott will, das g’scheh allzeit”
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 26 Evangelist, Jesus, Judas: “Und er kam und fand sie aber schlafend”
John Mark Ainsley, Thomas Quasthoff, Katsunori Kono, Saito Kinen Orchestra, Seiji Ozawa
Matthäus-Passion BWV 244: XVII. So ist mein Jesus nun gefangen
Christiane Oelze, Nathalie Stutzmann, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa
St. Matthew Passion, BWV 244 - Part One: no. 28 Evangelist, Jesus: “Und siehe, einer aus denen”
John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part One: no. 29 Choral: “O Mensch, bewein dein Sünde groß”
SKF Matsumoto Children’s Choir, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 30 Aria (Alto, Chorus II): “Ach nun ist mein Jesu hin”
Nathalie Stutzmann, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 31 Evangelist: “Die aber Jesum gegriffen hatten”
John Mark Ainsley, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 32 Choral: “Mir hat die Welt trüglich gericht”
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 33 Evangelist, Pontifex, Testis I/II: “Und wiewohl viel falsche Zeugen herzutraten”
John Mark Ainsley, Michael Volle, Nathalie Stutzmann, Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 34 Recitative (Tenor): “Mein Jesus schweigt zu falschen Lügen stille”
Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 35 Aria (Tenor): “Geduld”
Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 36 Evangelist, Pontifex, Jesus, Chorus I/II: “Und der Hohepriester antwortete”
John Mark Ainsley, Thomas Quasthoff, Michael Volle, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 37 Choral: “Wer hat dich so geschlagen”
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 38 Evangelist, Ancilla I/II, Petrus, Chorus II: “Petrus aber sass draussen im Palast”
John Mark Ainsley, Michael Volle, Christiane Oelze, Nathalie Stutzmann, Tokyo Opera Singers, Seiji Ozawa
Matthäus-Passion BWV 244: XXXIX. Erbarme dich, mein Gott
Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa
Matthäus-Passion BWV 244: XXXX. Bin ich gleich von dir gewichen
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa
St. Matthew Passion, BWV 244 - Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester”
John Mark Ainsley, Katsunori Kono, Kazuhide Omori, Makoto Narita, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
Matthäus-Passion BWV 244: XXXXI. Gebt mir meinen Jesum Wieder
Michael Volle, Saito Kinen Orchestra, Seiji Osawa
St. Matthew Passion, BWV 244 - Part Two: no. 43 Evangelist, Pilatus, Jesus: “Sie hielten aber einen Rat”
John Mark Ainsley, Thomas Quasthoff, Michael Volle, Saito Kinen Orchestra, Seiji Ozawa
St. Matthew Passion, BWV 244 - Part Two: no. 44 Choral: “Befiel du deine Wege”
Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
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What is UPC 028946251522?
028946251522 is a Universal Product Code (UPC) assigned to Matthäus Passion: St. Matthew Passion, Passion selon saint Matthieu by Bach, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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