UPC · Release
Falstaff
Verdi, Jean‐Philippe Lafont, Hillevi Martinpelto and 7 more
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028946260326 is the Universal Product Code (UPC barcode) for the release “Falstaff” by Verdi, Jean‐Philippe Lafont, Hillevi Martinpelto, Anthony Michaels‐Moore, Sara Mingardo, Rebecca Evans, Antonello Palombi, Eirian James, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, released 2001-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Falstaff: Atto I, scena 1. “Falstaff!” (Cajus) | — | ||
| 2 | Falstaff: Atto I, scena 1. “6 polli: 6 scellini” (Falstaff) | — | ||
| 3 | Falstaff: Atto I, scena 1. “Ehi! paggio! Andate a impendervi” (Falstaff) | — | ||
| 4 | Falstaff: Atto I, scena 2. “Alice” (Meg) | — | ||
| 5 | Falstaff: Atto I, scena 2. “Fulgida Alice! amor t'offro …” (Meg) | — | ||
| 6 | Falstaff: Atto I, scena 2. “E'un ribaldo, un furbo, un ladro“ (Cajus) | — | ||
| 7 | Falstaff: Atto I, scena 2. “Pst, pst, Nannetta” (Fenton) | — | ||
| 8 | Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata“ (Alice) | — | ||
| 9 | Falstaff: Atto I, scena 2. “Torno all'assalto” (Fenton) | — | ||
| 10 | Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia” (Bardolfo) | — | ||
| 11 | Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola) | — | ||
| 12 | Falstaff: Atto II, scena 1. “Reverenza!” (Quickly) | — | ||
| 13 | Falstaff: Atto II, scena 1. “Alice è mia!” (Falstaff) | — | ||
| 14 | Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford) | — | ||
| 15 | Falstaff: Atto II, scena 1. “In me vedete un uom” (Ford) | — | ||
| 16 | Falstaff: Atto II, scena 1. “E' sogno? o realtà” (Ford) | — | ||
| 2-1 | Falstaff: Atto II, scena 2. “Presenteremo un bill” (Alice) | — | ||
| 2-2 | Falstaff: Atto II, scena 2. “Olà! Ned! Will!” (Alice) | — | ||
| 2-3 | Falstaff: Atto II, scena 2. “'Alfin t'ho colto'” (Falstaff) | — | ||
| 2-4 | Falstaff: Atto II, scena 2. “Voi mi celiate” (Alice) | — | ||
| 2-5 | Falstaff: Atto II, scena 2. “Al ladro!“ (Cajus) | — | ||
| 2-6 | Falstaff: Atto II, scena 2. “Se t'agguanto!“ (Ford) | — | ||
| 2-7 | Falstaff: Atto III, scena 1. “Ehi! Taverniere!“ (Falstaff) | — | ||
| 2-8 | Falstaff: Atto III, scena 1. “Reverenza. La bella Alice“ (Quickly) | — | ||
| 2-9 | Falstaff: Atto III, scena 1. “Non dubitar, tu sposerai mia figlia” (Ford) | — | ||
| 2-10 | Falstaff: Atto III, scena 2. “Dal labbro il canto” (Fenton) | — | ||
| 2-11 | Falstaff: Atto III, scena 2. “Una, due, tre, quattro“ (Falstaff) | — | ||
| 2-12 | Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta) | — | ||
| 2-13 | Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo) | — | ||
| 2-14 | Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff) | — | ||
| 2-15 | Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah!” (Tutti) | — | ||
| 2-16 | Falstaff: Atto III, scena 2. “Tutto nel mondo è burla” (Falstaff) | — |
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What is UPC 028946260326?
028946260326 is a Universal Product Code (UPC) assigned to Falstaff by Verdi, Jean‐Philippe Lafont, Hillevi Martinpelto, Anthony Michaels‐Moore, Sara Mingardo, Rebecca Evans, Antonello Palombi, Eirian James, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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