UPC · Album

Kantaten I

Johann Sebastian Bach, Karl Richter

028946300725
20 tracksReleased 1999-02-01Deutsche Grammophon

Last verified:

028946300725 is the Universal Product Code (UPC barcode) for the release Kantaten I by Johann Sebastian Bach, Karl Richter, released 1999-02-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include DEF056800330, DEF057803511, DEF057803512.

Format

0Number system
28946Manufacturer
30072Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCKantaten I
ISRC8 recordings

Track List (8)

Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) "Zion hört die Wächter singen"
Peter Schreier, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Chor "Wachet auf, ruft uns die Stimme"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Rezitativ (Tenor) "Er kommt, er kommt, der Bräutigam kommt"
Peter Schreier, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Duett (Sopran, Bass) "Wann kommst du, mein Heil" - "Ich komme dein Teil"
Dietrich Fischer-Dieskau, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Rezitativ (Bass) "So geh herein zu mir"
Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Duett (Sopran, Bass) "Mein Freund ist mein" - "Und ich bin dein"
Dietrich Fischer-Dieskau, Edith Mathis, Münchener Bach-Orchester, Karl Richter
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter

What other identifiers does this connect to?

Creative Contributors (ISNI)

People also ask

What is UPC 028946300725?
UPC 028946300725 is the Universal Product Code (barcode) for "Kantaten I" by Johann Sebastian Bach, Karl Richter, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028946300725?
UPC 028946300725 contains 20 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028946300725?

028946300725 is a Universal Product Code (UPC) assigned to Kantaten I by Johann Sebastian Bach, Karl Richter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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