UPC · Release
Gitarren - Festival
Pepe Romero, Los Romeros
028946444825
44 tracksReleased 1999-01-01Philips Classics Productions
Last verified:
028946444825 is the Universal Product Code (UPC barcode) for the release “Gitarren - Festival” by Pepe Romero, Los Romeros, released 1999-01-01 on Philips Classics Productions. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC. Tracks include NLA509201202, NLA507400517, NLA507400518.
Format
0Number system
28946Manufacturer
44482Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCGitarren - Festival
ISRC10 recordings
ISWC6 works
Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 2 | Concierto de Aranjuez (2) | Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 4 | La vida breve: Danza española no. 1 (tr. P. Romero) | — | ||
| 5 | El sombrero de tres picos: Danza del corregidor (tr. C. Romero) | — | ||
| 6 | El sombrero de tres picos: Danza del molinero (tr. P. Romero) | — | ||
| 7 | Recuerdos de la Alhambra | — | ||
| 8 | Tango, María | — | ||
| 9 | Concerto no. 1 in D major, op. 99: I. Allegretto | — | ||
| 10 | Concerto no. 1 in D major, op. 99: II. Andantino alla romanza - Largo | — | ||
| 11 | Concerto no. 1 in D major, op. 99: III. Ritmico e cavalleresco | — | ||
| 12 | Malagueñas | — | ||
| 13 | La paloma (tr. F. Tàrrega) | — | ||
| 14 | Soleares | — | ||
| 2-1 | Ouvertüre (arr. Lorenzo Palomo) | — | ||
| 2-2 | Guitar Concerto no. 1 in A major, op. 30: Allegro maestoso | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-329.516.968-1 | |
| 2-4 | Guitar Concerto no. 1 in A major, op. 30: Polonaise. Allegretto | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | La melanconia | — | ||
| 2-6 | Introduktion und Variationen über ein Thema von W. A. Mozart, op. 9 | — | ||
| 2-7 | Fantasia | — | ||
| 2-8 | Canarios | — | ||
| 2-9 | Konzert A-dur für Gitarre und Orchester, op. 8a: I. Allegro | — | ||
| 2-10 | Konzert A-dur für Gitarre und Orchester, op. 8a: II. Polonaise | — | ||
| 2-11 | El baile de Luis Alonso: Intermedio | — | ||
| 2-12 | Asturias (tr. Tárrega/Romero) | — | ||
| 2-13 | Tango | — | ||
| 2-14 | Romance "Jeux interdits" | — | ||
| 3-1 | Concerto for 4 Guitars in B minor, RV 580, op. 3 no. 10: I. Allegro | Los Romeros, Academy of St Martin in the Fields, Iona Brown | T-070.125.650-9 | |
| 3-2 | Concerto for 4 Guitars in B minor, RV 580, op. 3 no. 10: II. Largo - Larghetto - Adagio - Largo | Los Romeros, Academy of St Martin in the Fields, Iona Brown | T-801.397.798-6 | |
| 3-3 | Concerto for 4 Guitars in B minor, RV 580, op. 3 no. 10: III. Allegro | Los Romeros, Academy of St Martin in the Fields, Iona Brown | T-070.125.650-9 | |
| 3-4 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": I. Pastorale | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-5 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": II. Allegro maestoso | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-6 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": III. Grave assai / IV. Fandango | Iona Brown, Tristan Fry, Malcolm Latchem, Pepe Romero, Stephen Shingles, Denis Vigay | — | |
| 3-7 | Carmen-Suite: Prélude (arr. Pepe Romero) | — | ||
| 3-8 | Mama yo quiero un lucero (bulerías) | — | ||
| 3-9 | Andaluza | — | ||
| 3-10 | Villanesca | — | ||
| 3-11 | Suite española, op. 47: Granada | — | ||
| 3-12 | España, op. 165: Malagueña | — | ||
| 3-13 | Fantasía para un gentilhombre für Gitarre und kleines Orchester: I. Villano y ricercare | — | ||
| 3-14 | Fantasía para un gentilhombre für Gitarre und kleines Orchester: II. Españoleta y fanfare de la caballería de Nápoles | — | ||
| 3-15 | Fantasía para un gentilhombre für Gitarre und kleines Orchester: III. Danza de las hachas | — | ||
| 3-16 | Fantasía para un gentilhombre für Gitarre und kleines Orchester: IV. Canarios | — |
Concierto de Aranjuez: I. Allegro con spirito
—
Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner
Concierto de Aranjuez: III. Allegro gentile
—
La vida breve: Danza española no. 1 (tr. P. Romero)
—
El sombrero de tres picos: Danza del corregidor (tr. C. Romero)
—
El sombrero de tres picos: Danza del molinero (tr. P. Romero)
—
Recuerdos de la Alhambra
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Tango, María
—
Concerto no. 1 in D major, op. 99: I. Allegretto
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Concerto no. 1 in D major, op. 99: II. Andantino alla romanza - Largo
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Concerto no. 1 in D major, op. 99: III. Ritmico e cavalleresco
—
Malagueñas
—
La paloma (tr. F. Tàrrega)
—
Soleares
—
Ouvertüre (arr. Lorenzo Palomo)
—
Guitar Concerto no. 1 in A major, op. 30: Allegro maestoso
Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner
—
Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner
Guitar Concerto no. 1 in A major, op. 30: Polonaise. Allegretto
Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner
—
La melanconia
—
Introduktion und Variationen über ein Thema von W. A. Mozart, op. 9
—
Fantasia
—
Canarios
—
Konzert A-dur für Gitarre und Orchester, op. 8a: I. Allegro
—
Konzert A-dur für Gitarre und Orchester, op. 8a: II. Polonaise
—
El baile de Luis Alonso: Intermedio
—
Asturias (tr. Tárrega/Romero)
—
Tango
—
Romance "Jeux interdits"
—
Los Romeros, Academy of St Martin in the Fields, Iona Brown
Los Romeros, Academy of St Martin in the Fields, Iona Brown
Los Romeros, Academy of St Martin in the Fields, Iona Brown
Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": I. Pastorale
Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero
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Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": II. Allegro maestoso
Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero
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Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": III. Grave assai / IV. Fandango
Iona Brown, Tristan Fry, Malcolm Latchem, Pepe Romero, Stephen Shingles, Denis Vigay
—
Carmen-Suite: Prélude (arr. Pepe Romero)
—
Mama yo quiero un lucero (bulerías)
—
Andaluza
—
Villanesca
—
Suite española, op. 47: Granada
—
España, op. 165: Malagueña
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Fantasía para un gentilhombre für Gitarre und kleines Orchester: I. Villano y ricercare
—
Fantasía para un gentilhombre für Gitarre und kleines Orchester: II. Españoleta y fanfare de la caballería de Nápoles
—
Fantasía para un gentilhombre für Gitarre und kleines Orchester: III. Danza de las hachas
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Fantasía para un gentilhombre für Gitarre und kleines Orchester: IV. Canarios
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — |
Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano
Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner
—
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What is UPC 028946444825?
028946444825 is a Universal Product Code (UPC) assigned to Gitarren - Festival by Pepe Romero, Los Romeros. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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