UPC · Release
La Dolores
Bretón, Plácido Domingo, Elisabete Matos, Manuel Lanza, Tito Beltrán, Antoni Ros Marbà
Last verified:
028946606025 is the Universal Product Code (UPC barcode) for the release “La Dolores” by Bretón, Plácido Domingo, Elisabete Matos, Manuel Lanza, Tito Beltrán, Antoni Ros Marbà, released 1999-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Dolores: Preludio | — | ||
| 2 | La Dolores: Act I. "¡Trabaja, trabaja, que es fiesta mañana!" (Alpargateros) | — | ||
| 3 | La Dolores: Act I. "¡Soldados!" (Vendedoras) | — | ||
| 4 | La Dolores: Act I. "¿Por qué a sus inferiores...?" (Patricio) | — | ||
| 5 | La Dolores: Act I. "¡Por tu gracia!... ¡Por tu aquel!" (Patricio, Rojas) | — | ||
| 6 | La Dolores: Act I. "¡Dolores! - Bien vengas Lázaro" (Lázaro, Dolores) | — | ||
| 7 | La Dolores: Act I. "Me han dicho que casabas" (Dolores) | — | ||
| 8 | La Dolores: Act I. Pasacalle | — | ||
| 9 | La Dolores: Act I. Jota | — | ||
| 10 | La Dolores: Act I. "¡Bravo, bravo! Muy bien, señores" (Rojas) | — | ||
| 11 | La Dolores: Act II. Preludio | — | ||
| 12 | La Dolores: Act II. "¡Ay qué misa mayor! (Gaspara) | — | ||
| 13 | La Dolores: Act II. "¡Qué hacer, Señor, en situación tan ruda!" (Lázaro) | — | ||
| 14 | La Dolores: Act II. "¡Adiós, curita!" (Patricio) | — | ||
| 15 | La Dolores: Act II. "¿Don Patricio, qué está haciendo?" (Rojas) | — | ||
| 16 | La Dolores: Act II. "En cuanto de la música" (Rojas) | — | ||
| 2-1 | La Dolores: Act II. "¡Marchemos!" (Patricio) | — | ||
| 2-2 | La Dolores: Act II. "¡La guitarra! - ¡Prevenida, te la vengo yo a traer!" (Melchor, Dolores) | — | ||
| 2-3 | La Dolores: Act II. "¡Dolores... si pequé!" (Melchor) | — | ||
| 2-4 | La Dolores: Act II. "¡Será posible, oh cielo, que mi alma dolorida...!" (Dolores) | — | ||
| 2-5 | La Dolores: Act II. "No eches la llava a todo evento" (Rojas) | — | ||
| 2-6 | La Dolores: Act II. "¡Vengan todos que es de ver!" (Celemín) | — | ||
| 2-7 | La Dolores: Act II. "¡Viva Patricio, viva, viva!" (Coro) | — | ||
| 2-8 | La Dolores: Act III. Preludio | — | ||
| 2-9 | La Dolores: Act III. "Ora pro nobis... Stella Matutina" (Coro, Dolores, Gaspara, Celemín, Lázaro) | — | ||
| 2-10 | La Dolores: Act III. "A las cinco salir debes mañana" (Gaspara) | — | ||
| 2-11 | La Dolores: Act III. "Pues solos un momento que damos por azar" (Celemín) | — | ||
| 2-12 | La Dolores: Act III. "Yo le decía... - ¡Cállate!" (Celemín, Dolores) | — | ||
| 2-13 | La Dolores: Act III. "¡Infame, infame sirvienta!" (Gaspara) | — | ||
| 2-14 | La Dolores: Act III. "Tarde sentí cuitada" (Dolores) | — | ||
| 2-15 | La Dolores: Act III. "¡Ya no te temo, hora fatídica!" (Dolores) | — | ||
| 2-16 | La Dolores: Act III. "¡Jesús! - ¡Que! - ¡Soñabas, mujer infelice!" (Dolores, Lázaro) | — | ||
| 2-17 | La Dolores: Act III. "¡Entra! - ¡Tardaste!" (Dolores, Melchor) | — | ||
| 2-18 | La Dolores: Act III. "¡Ah!... ¡Lázaro!... ¡Yo Soy!" (Dolores, Lázaro) | — |
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What is UPC 028946606025?
028946606025 is a Universal Product Code (UPC) assigned to La Dolores by Bretón, Plácido Domingo, Elisabete Matos, Manuel Lanza, Tito Beltrán, Antoni Ros Marbà. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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