UPC · Release
Giuseppe Verdi
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028946712825 is the Universal Product Code (UPC barcode) for the release “Essential Verdi” by Giuseppe Verdi, released 2001-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBF071301300, GBBBA8950050, NLA509500301.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912866624-0 | |
| 2 | Nabucco: Chorus of the Hebrew Slaves “Va pensiero” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 3 | La forza del destino: N°1. Preludio | Orchestra of the Mariinsky Theatre, Valery Gergiev | T0501948895 | |
| 4 | La traviata: Atto I. “Un dì felice” | Carlo Bergonzi, Joan Sutherland, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T3090413819 | |
| 5 | I vespri siciliani: Bolero “Mercè, dilette amiche” | Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Nello Santi | T9137324926 | |
| 6 | La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici” | Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T9000111591 | |
| 7 | Il trovatore: “Di quella pira” | José Carreras, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 8 | Il trovatore: Anvil Chorus “Vedi le fosche” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 9 | Il trovatore: Act II. “Stride la vampa!” | Stefania Toczyska, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 10 | Aida, opera: Ritorna vincitor! | Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti | T9000653769 | |
| 11 | Don Carlo: “Dio, che nell'alma infondere” | Carlo Bergonzi, Chorus of the Royal Opera House, Covent Garden, Dietrich Fischer-Dieskau, Tugomir Franc, Orchestra of the Royal Opera House, Covent Garden | — | |
| 12 | La traviata: Prelude | Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T9007986143 | |
| 13 | Rigoletto: Atto I, scena 2. “Caro nome” | Ricardo Cassinelli, John Gibbs, Christian du Plessis, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | T-913.242.186-4 | |
| 14 | Don Carlo: “O don fatale” | Olga Borodina, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T9024478259 | |
| 15 | Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | T9000653769 | |
| 16 | Ernani: “Ernani! Ernani, involami” | Joan Sutherland, Nello Santi, Orchestre de la Société des Concerts du Conservatoire | — | |
| 17 | Un ballo in maschera: “Di tu se fedele” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 18 | Un ballo in maschera: Atto III. “Morrò, ma prima in grazia” | Margaret Price, National Philharmonic Orchestra, Sir Georg Solti | T-307390679-9 | |
| 19 | Luisa Miller: “Quando le sere al placido” | Luciano Pavarotti, Sir Edward Downes, Wiener Opernorchester | — | |
| 20 | Aida: Grand March “Gloria all'Egitto” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | T3105271914 | |
| 2-1 | Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910932757-3 | |
| 2-2 | La forza del destino: "Pace, pace, mio Dio!" | Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | T-306482511-8 | |
| 2-3 | Rigoletto: "Questa o quella" | Carlo Bergonzi, New Philharmonia Orchestra, Nello Santi | T9286354583 | |
| 2-4 | Rigoletto: “Bella figlia dell'amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — | |
| 2-5 | Otello: "Ave Maria" | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | — | |
| 2-6 | La traviata: "Parigi, o cara" | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | — | |
| 2-7 | Macbeth: "Ah, la paterna mano" | Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | — | |
| 2-8 | Il trovatore: "Squilli, echeggi la tromba guerriera" | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-9 | Don Carlo: Morte di Rodrigo "O Carlo, ascolta" | Dmitri Hvorostovsky, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 2-10 | Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | T-900146503-8 | |
| 2-11 | Simon Boccanegra: "Come in quest'ora bruna" | Kiri Te Kanawa, Orchestra del Teatro alla Scala di Milano, Sir Georg Solti | T9211918273 | |
| 2-12 | Macbeth: Brindisi "Salve, o Re!... Si colmi il calice" | Lucia Aliberti, Renato Bruson, Chor der Deutschen Oper Berlin, Neil Shicoff, Mara Zampieri, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 2-13 | Aida: "O patria mia" | Coro del Teatro dell’Opera di Roma, Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti | T9000653769 | |
| 2-14 | I lombardi: "La mia letizia infondere" | Plácido Domingo, Royal Philharmonic Orchestra, Lamberto Gardelli | — | |
| 2-15 | I masnadieri: “Lo sguardo avea degli angeli” | Montserrat Caballé, New Philharmonia Orchestra, Lamberto Gardelli | — | |
| 2-16 | La forza del destino: Atto III, scena 4. Duettino: “Solenne in quest'ora” | Gegam Grigorian, Nikolai Putilin, Orchestra of the Mariinsky Theatre, Valery Gergiev | — | |
| 2-17 | Macbeth: "Patria oppressa" | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-18 | Il trovatore: "Tacea la notte" | Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 2-19 | I due Foscari: Atto I. “Dal più remoto esilio ... Odio solo, ed odio atroce" | Mieczyslaw Antoniak, José Carreras, Radio-Symphonieorchester Wien, Lamberto Gardelli | — | |
| 2-20 | Don Carlo: Atto II. Auto-da-fé Chorus "Spuntato ecco il dì d'esultanza" (extract) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Gabriele Santini | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922850296-3 |
| Rigoletto: “Bella figlia dell’amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — |
| Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | — |
| Un ballo in maschera: “Di tu se fedele” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028946712825 is a Universal Product Code (UPC) assigned to Essential Verdi by Giuseppe Verdi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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