UPC · Album
Essential Verdi
Giuseppe Verdi
028946712825
40 tracksReleased 2001-01-01Decca
Last verified:
028946712825 is the Universal Product Code (UPC barcode) for the release “Essential Verdi” by Giuseppe Verdi, released 2001-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEF056131417, GBBBA5950130, GBBBA6150030.
Format
0Number system
28946Manufacturer
71282Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCEssential Verdi
ISRC45 recordings
ISWC18 works
IPI1 songwriter
Track List (45)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Don Carlo: Atto II. Auto-da-fé Chorus "Spuntato ecco il dì d'esultanza" (extract) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Gabriele Santini | DEF056131417 |
| Ernani: “Ernani! Ernani, involami” | Joan Sutherland, Nello Santi, Orchestre de la Société des Concerts du Conservatoire | GBBBA5950130 |
| Aida: "O patria mia" | Coro del Teatro dell’Opera di Roma, Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti | GBBBA6150030 |
| Macbeth: "Ah, la paterna mano" | Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | GBBBA6850130 |
| Rigoletto: Atto I, scena 2. “Caro nome” | Ricardo Cassinelli, John Gibbs, Christian du Plessis, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | GBBBA7150310 |
| I lombardi: "La mia letizia infondere" | Plácido Domingo, Royal Philharmonic Orchestra, Lamberto Gardelli | GBBBA7150320 |
| I due Foscari: Atto I. “Dal più remoto esilio ... Odio solo, ed odio atroce" | Mieczyslaw Antoniak, José Carreras, Radio-Symphonieorchester Wien, Lamberto Gardelli | GBBBA7650120 |
| Il trovatore: “Di quella pira” | José Carreras, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | GBBBA8050070 |
| Il trovatore: "Tacea la notte" | Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | GBBBA8050110 |
| Macbeth: Brindisi "Salve, o Re!... Si colmi il calice" | Lucia Aliberti, Renato Bruson, Chor der Deutschen Oper Berlin, Neil Shicoff, Mara Zampieri, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | GBBBA8350020 |
| Nabucco: Chorus of the Hebrew Slaves “Va pensiero” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | GBBBA8950050 |
| Aida: Grand March “Gloria all'Egitto” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | GBBBA8950060 |
| Otello: "Ave Maria" | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | GBBBA9650010 |
| La forza del destino: "Pace, pace, mio Dio!" | Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | GBBBB9804308 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | GBF071301300 |
| Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | GBF075910221 |
| Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | GBF075940303 |
| Un ballo in maschera: “Di tu se fedele” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | GBF075940605 |
| Aida, opera: Ritorna vincitor! | Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti | GBF076140306 |
| La traviata: Atto I. “Un dì felice” | Carlo Bergonzi, Joan Sutherland, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | GBF076210500 |
| La traviata: Prelude | Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | GBF076240101 |
| La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici” | Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | GBF076240103 |
| Don Carlo: “Dio, che nell'alma infondere” | Carlo Bergonzi, Chorus of the Royal Opera House, Covent Garden, Dietrich Fischer-Dieskau, Tugomir Franc, Orchestra of the Royal Opera House, Covent Garden | GBF076540314 |
| Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | GBF076741602 |
| Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | GBF076741608 |
| Luisa Miller: “Quando le sere al placido” | Luciano Pavarotti, Sir Edward Downes, Wiener Opernorchester | GBF076810061 |
| Rigoletto: “Bella figlia dell'amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | GBF077114290 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | GBF077130101 |
| Rigoletto: “Bella figlia dell’amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | GBF077130141 |
| I vespri siciliani: Bolero “Mercè, dilette amiche” | Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Nello Santi | GBF077211300 |
| Un ballo in maschera: Atto III. “Morrò, ma prima in grazia” | Margaret Price, National Philharmonic Orchestra, Sir Georg Solti | GBF078331418 |
| Simon Boccanegra: "Come in quest'ora bruna" | Kiri Te Kanawa, Orchestra del Teatro alla Scala di Milano, Sir Georg Solti | GBF078841207 |
| Macbeth: "Patria oppressa" | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | GBF078941606 |
| Il trovatore: Anvil Chorus “Vedi le fosche” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | GBF078941609 |
| Il trovatore: "Squilli, echeggi la tromba guerriera" | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | GBF078941610 |
| La traviata: "Parigi, o cara" | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | GBF079441636 |
| Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | GBFO75940303 |
| Un ballo in maschera: “Di tu se fedele” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | GBFO75940605 |
| Rigoletto: "Questa o quella" | Carlo Bergonzi, New Philharmonia Orchestra, Nello Santi | NLA507400826 |
| I masnadieri: “Lo sguardo avea degli angeli” | Montserrat Caballé, New Philharmonia Orchestra, Lamberto Gardelli | NLA507401320 |
| Il trovatore: Act II. “Stride la vampa!” | Stefania Toczyska, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507816010 |
| Don Carlo: “O don fatale” | Olga Borodina, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | NLA509303536 |
| Don Carlo: Morte di Rodrigo "O Carlo, ascolta" | Dmitri Hvorostovsky, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | NLA509303539 |
| La forza del destino: N°1. Preludio | Orchestra of the Mariinsky Theatre, Valery Gergiev | NLA509500301 |
| La forza del destino: Atto III, scena 4. Duettino: “Solenne in quest'ora” | Gegam Grigorian, Nikolai Putilin, Orchestra of the Mariinsky Theatre, Valery Gergiev | NLA509500323 |
Don Carlo: Atto II. Auto-da-fé Chorus "Spuntato ecco il dì d'esultanza" (extract)
Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Gabriele Santini
Ernani: “Ernani! Ernani, involami”
Joan Sutherland, Nello Santi, Orchestre de la Société des Concerts du Conservatoire
Aida: "O patria mia"
Coro del Teatro dell’Opera di Roma, Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti
Macbeth: "Ah, la paterna mano"
Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes
Rigoletto: Atto I, scena 2. “Caro nome”
Ricardo Cassinelli, John Gibbs, Christian du Plessis, Joan Sutherland, London Symphony Orchestra, Richard Bonynge
I lombardi: "La mia letizia infondere"
Plácido Domingo, Royal Philharmonic Orchestra, Lamberto Gardelli
I due Foscari: Atto I. “Dal più remoto esilio ... Odio solo, ed odio atroce"
Mieczyslaw Antoniak, José Carreras, Radio-Symphonieorchester Wien, Lamberto Gardelli
Il trovatore: “Di quella pira”
José Carreras, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Il trovatore: "Tacea la notte"
Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Macbeth: Brindisi "Salve, o Re!... Si colmi il calice"
Lucia Aliberti, Renato Bruson, Chor der Deutschen Oper Berlin, Neil Shicoff, Mara Zampieri, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Nabucco: Chorus of the Hebrew Slaves “Va pensiero”
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
Aida: Grand March “Gloria all'Egitto”
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
Otello: "Ave Maria"
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
La forza del destino: "Pace, pace, mio Dio!"
Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly
Rigoletto: Atto III. “La donna è mobile”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès)
Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan
Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès)
Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan
Un ballo in maschera: “Di tu se fedele”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
Aida, opera: Ritorna vincitor!
Leontyne Price, Orchestra del Teatro dell’Opera di Roma, Sir Georg Solti
La traviata: Atto I. “Un dì felice”
Carlo Bergonzi, Joan Sutherland, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
La traviata: Prelude
Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici”
Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
Don Carlo: “Dio, che nell'alma infondere”
Carlo Bergonzi, Chorus of the Royal Opera House, Covent Garden, Dietrich Fischer-Dieskau, Tugomir Franc, Orchestra of the Royal Opera House, Covent Garden
Messa da requiem: Dies Irae: Dies Irae
Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
Messa da requiem: IIh. Dies irae: Ingemisco
Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti
Luisa Miller: “Quando le sere al placido”
Luciano Pavarotti, Sir Edward Downes, Wiener Opernorchester
Rigoletto: “Bella figlia dell'amore”
Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge
Rigoletto: Atto III. “La donna è mobile”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Rigoletto: “Bella figlia dell’amore”
Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge
I vespri siciliani: Bolero “Mercè, dilette amiche”
Maria Chiara, Orchestra of the Royal Opera House, Covent Garden, Nello Santi
Un ballo in maschera: Atto III. “Morrò, ma prima in grazia”
Margaret Price, National Philharmonic Orchestra, Sir Georg Solti
Simon Boccanegra: "Come in quest'ora bruna"
Kiri Te Kanawa, Orchestra del Teatro alla Scala di Milano, Sir Georg Solti
Macbeth: "Patria oppressa"
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
Il trovatore: Anvil Chorus “Vedi le fosche”
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
Il trovatore: "Squilli, echeggi la tromba guerriera"
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
La traviata: "Parigi, o cara"
Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès)
Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan
Un ballo in maschera: “Di tu se fedele”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
Rigoletto: "Questa o quella"
Carlo Bergonzi, New Philharmonia Orchestra, Nello Santi
I masnadieri: “Lo sguardo avea degli angeli”
Montserrat Caballé, New Philharmonia Orchestra, Lamberto Gardelli
Il trovatore: Act II. “Stride la vampa!”
Stefania Toczyska, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Don Carlo: “O don fatale”
Olga Borodina, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Don Carlo: Morte di Rodrigo "O Carlo, ascolta"
Dmitri Hvorostovsky, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
La forza del destino: N°1. Preludio
Orchestra of the Mariinsky Theatre, Valery Gergiev
La forza del destino: Atto III, scena 4. Duettino: “Solenne in quest'ora”
Gegam Grigorian, Nikolai Putilin, Orchestra of the Mariinsky Theatre, Valery Gergiev
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 028946712825?
028946712825 is a Universal Product Code (UPC) assigned to Essential Verdi by Giuseppe Verdi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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