UPC · Album
The Ultimate Puccini Divas Album
Giacomo Puccini
028946738221
17 tracksReleased 2000-01-01
Last verified:
028946738221 is the Universal Product Code (UPC barcode) for the release “The Ultimate Puccini Divas Album” by Giacomo Puccini, released 2000-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBBBA6650300, GBF075140440, GBF075811250.
Format
0Number system
28946Manufacturer
73822Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Ultimate Puccini Divas Album
ISRC23 recordings
ISWC3 works
IPI1 songwriter
Track List (23)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Tosca: Atto I. “Ce m’è tanti pel mondo!” (Cavaradossi, Tosca) | Franco Corelli, Birgit Nilsson, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lorin Maazel | GBBBA6650300 |
| Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly) | Giuseppe Campora, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede | GBF075140440 |
| Turandot: Atto III, scena 1. “Tu che di gel sei cinta” (Liù) | Virginia Zeani, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Patanè | GBF075811250 |
| Tosca: “Vissi d’arte” | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | GBF076211310 |
| Tosca: Atto I. “Mario! Mario! Mario!” (Tosca, Cavaradossi) | Leontyne Price, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | GBF076240205 |
| Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) | Maria Chiara, Orchester der Wiener Staatsoper, Nello Santi | GBF077110380 |
| Suor Angelica: “Senza mamma, o bimbo, tu sei morto” (Suor Angelica) | Maria Chiara, Orchester der Wiener Volksoper, Nello Santi | GBF077110390 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBF077213370 |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | GBF077230809 |
| Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBF077230820 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBF077240109 |
| Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | GBF077440518 |
| Manon Lescaut: Atto III. “Sola, perduta, abbandonata” (Manon) | Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | GBF078740832 |
| Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | GBF079144133 |
| La bohème: Atto III. Aria “Donde lieta uscì” (Mimì) | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | GBF079541407 |
| La rondine: Atto I. Aria “Chi il bel sogno di Doretta” (Magda) | Renée Fleming, English Chamber Orchestra, Jeffrey Tate | GBF079710190 |
| La bohème: Atto I. Duettino “O soave fanciulla” (Mimì, Rodolfo) | Roberto Alagna, Angela Gheorghiu, Simon Keenlyside, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | GBF079841010 |
| La bohème: Atto II. Aria “Quando me n’vò” (Musetta) | Angela Gheorghiu, Simon Keenlyside, Alfredo Mariotti, Elisabetta Scano, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | GBF079841015 |
| Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) | Maria Chiara, Orchester der Wiener Staatsoper, Nello Santi | GBFO77110380 |
| Suor Angelica: “Senza mamma, o bimbo, tu sei morto” (Suor Angelica) | Maria Chiara, Orchester der Wiener Volksoper, Nello Santi | GBFO77110390 |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | GBFO77230809 |
| Turandot: Atto II, scena 2. “In questa reggia” | The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta | GBFO77230820 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBFO77240109 |
Tosca: Atto I. “Ce m’è tanti pel mondo!” (Cavaradossi, Tosca)
Franco Corelli, Birgit Nilsson, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lorin Maazel
Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly)
Giuseppe Campora, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Erede
Turandot: Atto III, scena 1. “Tu che di gel sei cinta” (Liù)
Virginia Zeani, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Patanè
Tosca: “Vissi d’arte”
Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
Tosca: Atto I. “Mario! Mario! Mario!” (Tosca, Cavaradossi)
Leontyne Price, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Maria Chiara, Orchester der Wiener Staatsoper, Nello Santi
Suor Angelica: “Senza mamma, o bimbo, tu sei morto” (Suor Angelica)
Maria Chiara, Orchester der Wiener Volksoper, Nello Santi
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II, scena 2. “In questa reggia”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Madame Butterfly: “Un bel dì”
Mirella Freni, Wiener Philharmoniker, Herbert von Karajan
Manon Lescaut: Atto III. “Sola, perduta, abbandonata” (Manon)
Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
Gianni Schicchi: Aria “O mio babbino caro” (Lauretta)
Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti
La bohème: Atto III. Aria “Donde lieta uscì” (Mimì)
Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri
La rondine: Atto I. Aria “Chi il bel sogno di Doretta” (Magda)
Renée Fleming, English Chamber Orchestra, Jeffrey Tate
La bohème: Atto I. Duettino “O soave fanciulla” (Mimì, Rodolfo)
Roberto Alagna, Angela Gheorghiu, Simon Keenlyside, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
La bohème: Atto II. Aria “Quando me n’vò” (Musetta)
Angela Gheorghiu, Simon Keenlyside, Alfredo Mariotti, Elisabetta Scano, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Maria Chiara, Orchester der Wiener Staatsoper, Nello Santi
Suor Angelica: “Senza mamma, o bimbo, tu sei morto” (Suor Angelica)
Maria Chiara, Orchester der Wiener Volksoper, Nello Santi
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Turandot: Atto II, scena 2. “In questa reggia”
The John Alldis Choir, Luciano Pavarotti, Joan Sutherland, London Philharmonic Orchestra, Zubin Mehta
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 028946738221?
028946738221 is a Universal Product Code (UPC) assigned to The Ultimate Puccini Divas Album by Giacomo Puccini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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