UPC · Release
Various Artists
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028946763223 is the Universal Product Code (UPC barcode) for the release “The #1 Opera Album” by Various Artists, released 2000-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBF077530401, GBF071301430, GBF071301270.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen: Act I. Prélude | London Philharmonic Orchestra, Sir Georg Solti | T-900.143.514-9 | |
| 2 | La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi) | London Opera Chorus, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | T-906.859.796-6 | |
| 3 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4 | Lakmé : Acte I. « Dôme épais le jasmin » | Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge | T-310.774.658-3 | |
| 5 | Amor Ti Vieta (Fedora) | — | ||
| 6 | Habanera: L'amour est un Oiseau Rebelle (Carmen) | — | ||
| 7 | Nabucco: Chorus of the Hebrew Slaves “Va pensiero” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | T-902.574.141-7 | |
| 8 | Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa) | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 9 | Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912.866.624-0 | |
| 10 | Bridal Chorus: Treulich Gefuhrt Ziehet Dahin (Lohengrin) | — | ||
| 11 | Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | T-901.222.501-3 | |
| 12 | Il barbiere di Siviglia: “Largo al factotum” | Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | T-902.187.409-9 | |
| 13 | La Wally: Ebben?… Ne andrò lontana | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 14 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 15 | Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T-900.248.284-0 | |
| 16 | Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071.153.499-4 | |
| 17 | Tosca: “È lucevan le stelle” | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-071.526.288-6 | |
| 18 | Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | T-070.182.950-6 | |
| 19 | Les Pêcheurs de perles: « Au fond du temple saint » | Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit | T-071.725.425-5 | |
| 2-1 | Die Walküre, WWV 86B: Ride of the Valkyries (Concert Version) | Wiener Philharmoniker, Sir Georg Solti | T-902.771.445-0 | |
| 2-2 | Le nozze di Figaro: Atto II. “Voi che sapete” | Cecilia Bartoli, Wiener Kammerorchester, György Fischer | — | |
| 2-3 | Pagliacci: “Vesti la giubba” | Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | — | |
| 2-4 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-913.732.535-0 | |
| 2-5 | Il trovatore: Anvil Chorus “Vedi le fosche” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 2-6 | Manon Lescaut: “Donna non vidi mai” | José Carreras, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | T-905.040.058-3 | |
| 2-7 | Don Giovanni: „Là ci darem la mano“ | Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész | T-905.683.692-1 | |
| 2-8 | Mattinata | — | ||
| 2-9 | Faust : Chœur des soldats « Gloire immortelle de nos aïeux » | Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | T-904.688.955-8 | |
| 2-10 | Una Furtiva Lagrima - L'Elisir D'Amore | — | ||
| 2-11 | Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 | |
| 2-12 | Don Giovanni, ossia Il dissoluto punito, K. 527, no. 11: “Fin ch’han dal vino” | Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | T-010.294.039-5 | |
| 2-13 | Così fan tutte: Atto I, scena 2. “Soave sia il vento” | Renée Fleming, Anne Sofie von Otter, Michele Pertusi, Chamber Orchestra of Europe, Sir Georg Solti | T-902.525.648-8 | |
| 2-14 | Le trouvère: “Di quella pira” | Luciano Pavarotti, Joan Sutherland, Graham Clark, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | — | |
| 2-15 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | T-900.162.132-5 | |
| 2-16 | Toreador Song - Carmen | — | ||
| 2-17 | Madama Butterfly: Atto I. “Vogliatemi bene” (Love Duet) | Mirella Freni, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-18 | Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | T-921.418.457-3 | |
| 2-19 | Rusalka: "Měsičku na nebi hlubokém" (O Silver Moon) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | T-010.055.280-4 | |
| 2-20 | La Bohème: Atto I. “Sì. Mi chiamano Mimì” | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 2-21 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922.850.296-3 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-900.134.452-1 |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
| Pagliacci: “Vesti la giubba” | Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | — |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | — |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi) | London Opera Chorus, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028946763223 is a Universal Product Code (UPC) assigned to The #1 Opera Album by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028946763223 is the Universal Product Code (UPC barcode) for the release “The #1 Opera Album” by Various Artists, released 2000-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBF077530401, GBF071301430, GBF071301270.
