UPC · Release
Movie Adagios
Various Artists
Last verified:
028946850626 is the Universal Product Code (UPC barcode) for the release “Movie Adagios” by Various Artists, released 2005-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBF079110300, GBF077410322, GBF076240708.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Adagio for Strings, op. 11 | Baltimore Symphony Orchestra, David Zinman | T-070.000.199-5 | |
| 2 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Radu Lupu, English Chamber Orchestra, Uri Segal | — | |
| 3 | Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | T-901222501-3 | |
| 4 | Warsaw Concerto | Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | — | |
| 5 | Dances With Wolves: John Dunbar Theme | Hollywood Bowl Orchestra, John Mauceri | — | |
| 6 | Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | T-921418457-3 | |
| 7 | Piano Concerto No. 2 in C minor, Op.18 - II. Adagio Sostenuto (Extract) (Brief Encounter) | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 8 | Gabriel's Oboe | Prague Philharmonia, Nick Ingman | T-005.002.184-5 | |
| 9 | The Piano: The Heart Asks Pleasure First | Jean-Yves Thibaudet | T0102031797 | |
| 10 | The Gadfly, Op. 97: 3. Youth (Romance) | Alexander Kerr, Koninklijk Concertgebouworkest, Riccardo Chailly | T0113639205 | |
| 11 | Serenade no. 10 in B-flat major, K. 370a/361: Adagio | Academy of St Martin in the Fields Wind Ensemble, Sir Neville Marriner | — | |
| 12 | Così fan tutte: “Soave sia il vento” | Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész | T-902525648-8 | |
| 13 | La Wally: "Ebben?... Ne andro lontana" | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T9051723810 | |
| 14 | Concerto No. 5 F-moll, BWV 1056: II. Largo | András Schiff, The Chamber Orchestra of Europe | — | |
| 15 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Vladimir Ashkenazy | — | |
| 16 | String Quintet in C, D. 956: II. Adagio (excerpt) | Dietfried Gürtler, Weller Quartet | T-802445410-3 | |
| 17 | Amadeus: Lacrimosa Requiem KV626 | Helen Donath, The John Alldis Choir, Alan Harverson, BBC Symphony Orchestra, Sir Colin Davis | T9283282213 |
Additional database matches (22)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Swan Lake: Act 2, No.10 Scène (Moderato) | Orchestre symphonique de Montréal, Charles Dutoit | T-320177456-9 |
| Les Contes d’Hoffmann : Acte III. Entr’acte | Orchestre de la Suisse Romande, Richard Bonynge | T-010186676-5 |
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Vladimir Ashkenazy, The Cleveland Orchestra | T9286356089 |
| Cello Concerto, Op. 85: I. Adagio - Moderato (excerpt) | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T9198604181 |
| Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, London Symphony Orchestra, Sir Colin Davis | T3185839065 |
| Concerto in D minor for Two Violins, BWV 1043: II. Largo, ma non tanto | Maurice Hasson, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | — |
| Suite bergamasque: III. Clair de lune | Eastman-Rochester Pops Orchestra, Frederick Fennell | T0117722027 |
| Nuovo Cinema Paradiso | Prague Philharmonia, Nick Ingman | T-901132693-5 |
| Symphony no. 5: IV. Adagietto: Sehr langsam | Chicago Symphony Orchestra, Sir Georg Solti | T8006524682 |
| Suite no. 3 in D major, BWV 1068: II. Air | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 |
| Le Nozze di Figaro, K. 492: Act III - Duettino "Che soave zeffiretto" | Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | T9028334205 |
| Madama Butterfly: Atto II. “Un bel dì vedremo” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T3147286093 |
| Canon in D major | Stuttgart Chamber Orchestra, Karl Münchinger | T0417260435 |
| Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | — |
| Prelude in C-sharp minor, op. 3 no. 2 | Vladimir Ashkenazy | T0728579256 |
| We have all the time in the world | Prague Philharmonia, Nick Ingman | T-070.202.129-1 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | — |
| Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | T3099013233 |
| Amadeus: Lacrimosa Requiem KV626 | Helen Donath, The John Alldis Choir, Alan Harverson, BBC Symphony Orchestra, Sir Colin Davis | — |
| Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | — |
| Suite no. 3 in D major, BWV 1068: II. Air | Stuttgarter Kammerorchester, Karl Münchinger | T-914248874-2 |
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What is UPC 028946850626?
028946850626 is a Universal Product Code (UPC) assigned to Movie Adagios by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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