UPC · Release
La Légende du classique
Various Artists
Last verified:
028946905722 is the Universal Product Code (UPC barcode) for the release “La Légende du classique” by Various Artists, released 2000-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include DEF058300101, DEF059203020, DEF057401792.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007163471-3 | |
| 2 | Hungarian Dance no. 5 | NDR Elbphilharmonie Orchester, Sir John Eliot Gardiner | T-329366800-1 | |
| 3 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003006377-4 | |
| 4 | Sérénade, K. 525 « Une petite musique de nuit » : Allegro (extrait) | Berliner Philharmoniker, Karl Böhm | — | |
| 5 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 6 | Les Quatre Saisons : « Le Printemps » : Allegro | Gil Shaham, Orpheus Chamber Orchestra | T9116400045 | |
| 7 | L'Amour sorcier, Danse rituelle du feu (excerpt) | Deutsches Symphonie-Orchester Berlin, Lorin Maazel | T0414890633 | |
| 8 | La Damnation de Faust: Première partie. Scène 3 | Richard Verreau, Orchestre Lamoureux, Igor Markevitch | — | |
| 9 | Te Deum : Prélude. Rondeau | Les Musiciens du Louvre, Marc Minkowski | T9023057901 | |
| 10 | Concerto pour trompette en mi bémol majeur : Allegro (extrait) | — | ||
| 11 | Le Messie : no. 40 Alléluia | — | ||
| 12 | Le Lac des Cygnes : Scène. Moderato | — | ||
| 13 | Gayaneh : Danse du sabre | Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky | T-801025525-2 | |
| 14 | Symphonie no. 40, K. 550 : Molto Allegro (extrait) | Wiener Symphoniker, Ferenc Fricsay | T-312542381-2 | |
| 15 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 16 | Symphonie n°5 : "Allegro con brio" | Berliner Philharmoniker, Lorin Maazel | T0395852080 | |
| 17 | Requiem : Dies iræ | — | ||
| 18 | Symphonie no. 9, op. 95 « Du nouveau monde » : Allegro Con Fuoco (extrait) | Berliner Philharmoniker, Rafael Kubelík | — | |
| 19 | Orphée aux Enfers : Ouverture (extrait) | — | ||
| 20 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 | |
| 21 | Die Zauberflöte, K. 620: Akt II. “Der Hölle Rache kocht in meinem Herze” | Rita Streich, RIAS-Sinfonie-Orchester Berlin, Ferenc Fricsay | T9182451178 | |
| 22 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 | |
| 23 | Radetzky‐Marsch, op. 228 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 24 | La Walkyrie : Chevauchée des Walkyries (extrait) | — | ||
| 25 | Symphony no. 5 in C-sharp minor: 4. Adagietto (Sehr langsam) | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T8006524682 | |
| 26 | Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T3056256481 | |
| 27 | Symphonie no. 9 « Ode à la joie » (extrait) | Chor der Wiener Staatsoper, Gwyneth Jones, Karl Ridderbusch, Jess Thomas, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | T-318676528-2 |
Additional database matches (14)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto pour piano et orchestre no. 2 : Moderato (extrait) | Sviatoslav Richter, Orkiestra Symfoniczna Filharmonii Narodowej, Stanisław Wisłocki | — |
| Le Beau Danube bleu, valse (excerpt) | Berliner Philharmoniker, Herbert von Karajan | T-060096554-5 |
| Radetzky‐Marsch, op. 228 | Berliner Philharmoniker, Herbert von Karajan | — |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800639771-4 |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318237508-8 |
| Radetzky‐Marsch, op. 228 | Berliner Philharmoniker, Herbert von Karajan | — |
| Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304254199-7 |
| Gymnopédie no. 1 | Jean-Marc Luisada | — |
| O lieb, so lang du lieben kannst, S. 298: Liebestraum no. 3 | Anatol Ugorski | T9142902429 |
| Le Carnaval des animaux : XIII. Le Cygne | Mischa Maisky, Orpheus Chamber Orchestra | T-920080548-7 |
| Orchestral Suite no. 3 in D major: Air on a G String | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 |
| Les Quatre Saisons : « Le Printemps » : Allegro | Gil Shaham, Orpheus Chamber Orchestra | T9002637265 |
| Orchestral Suite no. 3 in D major: Air on a G String | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 |
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What is UPC 028946905722?
028946905722 is a Universal Product Code (UPC) assigned to La Légende du classique by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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