UPC · Release
Panorama
Igor Stravinsky
028946920527
51 tracksReleased 2000-01-01Deutsche Grammophon
Last verified:
028946920527 is the Universal Product Code (UPC barcode) for the release “Panorama” by Igor Stravinsky, released 2000-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 51 tracks, each with its own ISRC. Tracks include DEF055700012, DEF055700013, DEF055700014.
Format
0Number system
28946Manufacturer
92052Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPanorama
ISRC50 recordings
ISWC6 works
IPI1 songwriter
Track List (51)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'Oiseau de feu: Introduction – L’Oiseau de feu et sa danse | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 2 | L'Oiseau de feu: Variation de l’Oiseau de feu | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 3 | L'Oiseau de feu: Ronde des princesses (Khorovode) | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 4 | L'Oiseau de feu: Danse infernale du roi Kachtcheï | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | — | |
| 5 | L'Oiseau de feu: Berceuse | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | T-071.420.343-6 | |
| 6 | L'Oiseau de feu: Final | Radio-Sinfonie-Orchester Berlin, Lorin Maazel | T-073.071.144-0 | |
| 7 | Le sacre du printemps (1947 version): L'Adoration de la terre: Introduction (Lento) | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 8 | Le sacre du printemps (1947 version): Première partie: L'Adoration de la terre: Les Augures printaniers - Danses des adolescentes | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 9 | Le sacre du printemps (1947 version): L'Adoration de la terre: Jeu du rapt | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 10 | Le sacre du printemps (1947 version): L'Adoration de la terre: Rondes printamières | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 11 | Le sacre du printemps (1947 version): L'Adoration de la terre: Jeux des cités rivales | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 12 | Le sacre du printemps (1947 version): L'Adoration de la terre: Cortège du sage | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 13 | Le sacre du printemps (1947 version): L'Adoration de la terre: Adoration de la terre - Le sage | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 14 | Le sacre du printemps (1947 version): L'Adoration de la terre: Danse de la terre | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 15 | The Rite of Spring, Part i: Second Part: Introduction | — | ||
| 16 | Le sacre du printemps (1947 version): Le Sacrifice: Cercles mystérieux des adolescentes | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 17 | Le sacre du printemps (1947 version): Le Sacrifice: Glorification de l'élue | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 18 | Le sacre du printemps (1947 version): Le Sacrifice: Évocation des ancêtres | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 19 | Le sacre du printemps (1947 version): Le Sacrifice: Action rituelle des ancêtres | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 | |
| 20 | Le sacre du printemps (1947 version): Le Sacrifice: Danse sacrale (l'élue) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 21 | Symphonie De Psaumes: 1. Exaudi orationem meam, Domine | Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch | — | |
| 22 | Symphonie De Psaumes: 2. Expectans expectavi Dominum | Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch | — | |
| 23 | Symphonie De Psaumes: 3. Alleluia, laudate Dominum | Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch | — | |
| 2-1 | Pulcinella (Concert Suite): I. Sinfonia | Academy of St Martin in the Fields, Sir Neville Marriner | T-905.033.238-2 | |
| 2-2 | Pulcinella (Concert Suite): II. Serenata | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | Pulcinella (Concert Suite): III. Scherzino | Academy of St Martin in the Fields, Sir Neville Marriner | T-918.612.201-0 | |
| 2-4 | Pulcinella (Concert Suite): IV. Tarantella | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Pulcinella (Concert Suite): V. Toccata | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-6 | Pulcinella (Concert Suite): VI. Gavotta con due variazioni | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-7 | Pulcinella (Concert Suite): VII. Vivo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-8 | Pulcinella (Concert Suite): VIIIa. Minuetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-9 | Pulcinella (Concert Suite): VIIb. Finale | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.498.490-3 | |
| 2-10 | "Dumbarton Oaks" - (a) Tempo giusto | Ensemble intercontemporain, Pierre Boulez | — | |
| 2-11 | "Dumbarton Oaks" - (b) Allegretto | Ensemble intercontemporain, Pierre Boulez | — | |
| 2-12 | "Dumbarton Oaks" - (c) Con moto | Ensemble intercontemporain, Pierre Boulez | — | |
| 2-13 | Petrouchka - (1a) Fete populaire de la semaine grasse | London Symphony Orchestra, Charles Dutoit | — | |
| 2-14 | Petrouchka - (1b) Le tour de passe-passe | London Symphony Orchestra, Charles Dutoit | — | |
| 2-15 | Petrouchka - (2a) Chez Petrouchka | London Symphony Orchestra, Charles Dutoit | — | |
| 2-16 | Petrouchka - (3a) Chez le maure - Danse de la ballerine | London Symphony Orchestra, Charles Dutoit | — | |
| 2-17 | Petrouchka - (3b) Valse. La ballerine et le maure | London Symphony Orchestra, Charles Dutoit | — | |
| 2-18 | Petrouchka - (4a) Fete populaire de la semaine grasse (vers le soir) | London Symphony Orchestra, Charles Dutoit | — | |
| 2-19 | Petrouchka - (4b) Danse des nounous | London Symphony Orchestra, Charles Dutoit | — | |
| 2-20 | Petrouchka - (4c) Danse du paysan et de l'ours | London Symphony Orchestra, Charles Dutoit | — | |
| 2-21 | Petrouchka - (4d) Bohemien et marchand malhonnete | London Symphony Orchestra, Charles Dutoit | — | |
| 2-22 | Petrouchka - (4e) Danse des cochers et des palefreniers | London Symphony Orchestra, Charles Dutoit | — | |
| 2-23 | Petrouchka - (4f) Les deguises | London Symphony Orchestra, Charles Dutoit | — | |
| 2-24 | Petrouchka - (4g) Le rixe: Le maure et Petrouchka | London Symphony Orchestra, Charles Dutoit | — | |
| 2-25 | Petrouchka - (4h) Mort de Petrouchka | London Symphony Orchestra, Charles Dutoit | — | |
| 2-26 | Petrouchka - (4i) La police et l'enchanteur | London Symphony Orchestra, Charles Dutoit | — | |
| 2-27 | Petrouchka - (4j) Vociferation du double de Petrouchka | London Symphony Orchestra, Charles Dutoit | — | |
| 2-28 | Circus Polka | Berliner Philharmoniker, Herbert von Karajan | — |
L'Oiseau de feu: Introduction – L’Oiseau de feu et sa danse
Radio-Sinfonie-Orchester Berlin, Lorin Maazel
—
L'Oiseau de feu: Variation de l’Oiseau de feu
Radio-Sinfonie-Orchester Berlin, Lorin Maazel
—
L'Oiseau de feu: Ronde des princesses (Khorovode)
Radio-Sinfonie-Orchester Berlin, Lorin Maazel
—
L'Oiseau de feu: Danse infernale du roi Kachtcheï
Radio-Sinfonie-Orchester Berlin, Lorin Maazel
—
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
The Rite of Spring, Part i: Second Part: Introduction
—
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Berliner Philharmoniker, Herbert von Karajan
Le sacre du printemps (1947 version): Le Sacrifice: Danse sacrale (l'élue)
Berliner Philharmoniker, Herbert von Karajan
—
Symphonie De Psaumes: 1. Exaudi orationem meam, Domine
Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch
—
Symphonie De Psaumes: 2. Expectans expectavi Dominum
Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch
—
Symphonie De Psaumes: 3. Alleluia, laudate Dominum
Boys' and Male Voices of the Russian State Academic Choir, Russian State Academy Orchestra, Igor Markevitch
—
Academy of St Martin in the Fields, Sir Neville Marriner
Pulcinella (Concert Suite): II. Serenata
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Pulcinella (Concert Suite): IV. Tarantella
Academy of St Martin in the Fields, Sir Neville Marriner
—
Pulcinella (Concert Suite): V. Toccata
Academy of St Martin in the Fields, Sir Neville Marriner
—
Pulcinella (Concert Suite): VI. Gavotta con due variazioni
Academy of St Martin in the Fields, Sir Neville Marriner
—
Pulcinella (Concert Suite): VII. Vivo
Academy of St Martin in the Fields, Sir Neville Marriner
—
Pulcinella (Concert Suite): VIIIa. Minuetto
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
"Dumbarton Oaks" - (a) Tempo giusto
Ensemble intercontemporain, Pierre Boulez
—
"Dumbarton Oaks" - (b) Allegretto
Ensemble intercontemporain, Pierre Boulez
—
"Dumbarton Oaks" - (c) Con moto
Ensemble intercontemporain, Pierre Boulez
—
Petrouchka - (1a) Fete populaire de la semaine grasse
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (1b) Le tour de passe-passe
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (2a) Chez Petrouchka
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (3a) Chez le maure - Danse de la ballerine
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (3b) Valse. La ballerine et le maure
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4a) Fete populaire de la semaine grasse (vers le soir)
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4b) Danse des nounous
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4c) Danse du paysan et de l'ours
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4d) Bohemien et marchand malhonnete
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4e) Danse des cochers et des palefreniers
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4f) Les deguises
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4g) Le rixe: Le maure et Petrouchka
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4h) Mort de Petrouchka
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4i) La police et l'enchanteur
London Symphony Orchestra, Charles Dutoit
—
Petrouchka - (4j) Vociferation du double de Petrouchka
London Symphony Orchestra, Charles Dutoit
—
Circus Polka
Berliner Philharmoniker, Herbert von Karajan
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Le sacre du printemps (1947 version): Le Sacrifice: Danse sacrale (l'élue) | Berliner Philharmoniker, Herbert von Karajan | T-070.257.887-7 |
Berliner Philharmoniker, Herbert von Karajan
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Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 028946920527?
028946920527 is a Universal Product Code (UPC) assigned to Panorama by Igor Stravinsky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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