UPC · Release
Mahler, Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa
Last verified:
The UPC for “The Symphonies / Kindertotenlieder” by Mahler, Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa is 028947087120. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2002-01-01. Label: Philips. This release contains 59 tracks, each with its own ISRC. Tracks include NLA508722401, NLA508722402, NLA508722403.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | T-928.635.616-9 | |
| 3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | Boston Symphony Orchestra, Seiji Ozawa | T-900.953.062-5 | |
| 2-1 | Symphony No. 2 in C minor: I. Allegro maestoso | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-2 | Symphony No. 2 in C minor: II. Andante moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-1 | Symphony No. 2 in C minor: III. In ruhig fliessender bewegung | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht | Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-3 | Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-4 | Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-5 | Symphony No. 2 in C minor: V. Sehr langsam und gedehnt | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-6 | Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n") | Marilyn Horne, Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-7 | Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube") | Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | — | ||
| 4-2 | Symphony no. 6 in A minor: II. Scherzo. Wuchtig | — | ||
| 4-3 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 5-1 | Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico | — | ||
| 5-2 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | — | ||
| 6-1 | Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig | — | ||
| 6-2 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | — | ||
| 6-3 | Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso | — | ||
| 6-4 | Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck | — | ||
| 6-5 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | — | ||
| 7-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 7-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 7-3 | Symphony no. 4 in G major: III. Ruhevoll. Poco adagio | — | ||
| 7-4 | Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich | — | ||
| 8-1 | Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I | Boston Symphony Orchestra, Seiji Ozawa | T-926.359.926-4 | |
| 8-2 | Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz - | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-3 | Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-4 | Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-5 | Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-1 | Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-2 | Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-3 | Symphony no. 7 in E minor: III. Scherzo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-4 | Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 10-1 | Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 10-2 | Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n | — | ||
| 10-3 | Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen | — | ||
| 10-4 | Kindertotenlieder: Wenn dein Mütterlein | — | ||
| 10-5 | Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen | — | ||
| 10-6 | Kindertotenlieder: In diesem Wetter | — | ||
| 11-1 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-1 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-2 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..." | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-3 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..." | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-4 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..." | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-5 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf..." | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-6 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-1 | Symphony no. 9 in D major: I. Andante comodo - | — | ||
| 13-2 | Symphony no. 9 in D major: Mit Wut. Allegro risoluto - | — | ||
| 13-3 | Symphony no. 9 in D major: Tempo I | — | ||
| 13-4 | Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - | — | ||
| 13-5 | Symphony no. 9 in D major: Poco più mosso subito - | — | ||
| 13-6 | Symphony no. 9 in D major: Ländler, ganz langsam | — | ||
| 13-7 | Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig - | — | ||
| 13-8 | Symphony no. 9 in D major: Presto | — | ||
| 14-1 | Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend | — | ||
| 14-2 | Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio | — |
Musical Works (ISWC)
Identifier Graph
028947087120 is a Universal Product Code (UPC) assigned to The Symphonies / Kindertotenlieder by Mahler, Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Symphonies / Kindertotenlieder” by Mahler, Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa is 028947087120. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2002-01-01. Label: Philips. This release contains 59 tracks, each with its own ISRC. Tracks include NLA508722401, NLA508722402, NLA508722403.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | T-928.635.616-9 | |
| 3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | Boston Symphony Orchestra, Seiji Ozawa | T-900.953.062-5 | |
| 2-1 | Symphony No. 2 in C minor: I. Allegro maestoso | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-2 | Symphony No. 2 in C minor: II. Andante moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-1 | Symphony No. 2 in C minor: III. In ruhig fliessender bewegung | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht | Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-3 | Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-4 | Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-5 | Symphony No. 2 in C minor: V. Sehr langsam und gedehnt | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-6 | Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n") | Marilyn Horne, Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-7 | Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube") | Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | — | ||
| 4-2 | Symphony no. 6 in A minor: II. Scherzo. Wuchtig | — | ||
| 4-3 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 5-1 | Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico | — | ||
| 5-2 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | — | ||
| 6-1 | Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig | — | ||
| 6-2 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | — | ||
| 6-3 | Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso | — | ||
| 6-4 | Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck | — | ||
| 6-5 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | — | ||
| 7-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 7-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 7-3 | Symphony no. 4 in G major: III. Ruhevoll. Poco adagio | — | ||
| 7-4 | Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich | — | ||
| 8-1 | Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I | Boston Symphony Orchestra, Seiji Ozawa | T-926.359.926-4 | |
| 8-2 | Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz - | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-3 | Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-4 | Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-5 | Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-1 | Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-2 | Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-3 | Symphony no. 7 in E minor: III. Scherzo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-4 | Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 10-1 | Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 10-2 | Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n | — | ||
| 10-3 | Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen | — | ||
| 10-4 | Kindertotenlieder: Wenn dein Mütterlein | — | ||
| 10-5 | Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen | — | ||
| 10-6 | Kindertotenlieder: In diesem Wetter | — | ||
| 11-1 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-1 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-2 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..." | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-3 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..." | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-4 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..." | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-5 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf..." | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 12-6 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 13-1 | Symphony no. 9 in D major: I. Andante comodo - | — | ||
| 13-2 | Symphony no. 9 in D major: Mit Wut. Allegro risoluto - | — | ||
| 13-3 | Symphony no. 9 in D major: Tempo I | — | ||
| 13-4 | Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - | — | ||
| 13-5 | Symphony no. 9 in D major: Poco più mosso subito - | — | ||
| 13-6 | Symphony no. 9 in D major: Ländler, ganz langsam | — | ||
| 13-7 | Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig - | — | ||
| 13-8 | Symphony no. 9 in D major: Presto | — | ||
| 14-1 | Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend | — | ||
| 14-2 | Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio | — |
