UPC · Release
Schumann, Vladimir Ashkenazy
Last verified:
The UPC for “The Works for Solo Piano” by Schumann, Vladimir Ashkenazy is 028947091523. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2002-01-01. Label: Decca. This release contains 132 tracks, each with its own ISRC. Tracks include GBF078741301, GBF078741302, GBF078741303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Arabeske in C, op. 18 | — | ||
| 2 | Papillons, op. 2 | — | ||
| 3 | Symphonic Studies, op. 13: Theme | — | ||
| 4 | Symphonic Studies, op. 13: Etude I | — | ||
| 5 | Symphonic Studies, op. 13: Etude II | — | ||
| 6 | Symphonic Studies, op. 13: Etude III | — | ||
| 7 | Symphonic Studies, op. 13, Appendix: Variation I | — | ||
| 8 | Symphonic Studies, op. 13, Appendix: Variation II | — | ||
| 9 | Symphonic Studies, op. 13, Appendix: Variation III | — | ||
| 10 | Symphonic Studies, op. 13: Etude IV | — | ||
| 11 | Symphonic Studies, op. 13: Etude V | — | ||
| 12 | Symphonic Studies, op. 13: Etude VI | — | ||
| 13 | Symphonic Studies, op. 13: Etude VII | — | ||
| 14 | Symphonic Studies, op. 13: Etude VIII | — | ||
| 15 | Symphonic Studies, op. 13, Appendix: Variation IV | — | ||
| 16 | Symphonic Studies, op. 13, Appendix: Variation V | — | ||
| 17 | Symphonic Studies, op. 13: Etude IX | — | ||
| 18 | Symphonic Studies, op. 13: Etude X | — | ||
| 19 | Symphonic Studies, op. 13: Etude XI | — | ||
| 20 | Symphonic Studies, op. 13: Etude XII (Finale) | — | ||
| 2-1 | Carnaval, op. 9: I. Préambule | — | ||
| 2-2 | Carnaval, op. 9: 2-IV. Pierrot-Arlequino-Valse noble | — | ||
| 2-3 | Carnaval, op. 9: 5-VI. Eusebius-Florestan | — | ||
| 2-4 | Carnaval, op. 9: 7-IX. Coquette-Replique-Papillons | — | ||
| 2-5 | Carnaval, op. 9: 10-1III. ASCH-SCHA-Chiarina-Chopin-Estrella | — | ||
| 2-6 | Carnaval, op. 9: 14-1V. Reconnaissance-Pantalon et Colombine | — | ||
| 2-7 | Carnaval, op. 9: 16-1VIII. Valse allemande-Paganini-Aveu-Promenade | — | ||
| 2-8 | Carnaval, op. 9: 19-20. Pause-Marche des Davidsbundler contre les Philistins | — | ||
| 2-9 | Humoreske, op. 20: I. Einfach: II. Sehr rasch und leicht | — | ||
| 2-10 | Humoreske, op. 20: III. Hastig | — | ||
| 2-11 | Humoreske, op. 20: III. Einfach und zart: IV. Intermezzo | — | ||
| 2-12 | Humoreske, op. 20: VI. Innig | — | ||
| 2-13 | Humoreske, op. 20: VII. Sehr lebhaft | — | ||
| 2-14 | Humoreske, op. 20: VIII. Finale | — | ||
| 2-15 | Noveletten, op. 21: no. 1 in F (Markiert und kräftig) | — | ||
| 2-16 | Noveletten, op. 21: no. 2 in D (Äusserst rasch und mit Bravour) | — | ||
| 3-1 | Waldszenen, op. 82: I. Eintritt | — | ||
| 3-2 | Waldszenen, op. 82: II. Jäger auf der Lauer | — | ||
| 3-3 | Waldszenen, op. 82: III. Einsame Blumen | — | ||
| 3-4 | Waldszenen, op. 82: IV. Verrufene Stelle | — | ||
| 3-5 | Waldszenen, op. 82: V. Freundliche Landschaft | — | ||
| 3-6 | Waldszenen, op. 82: VI. Herberge | — | ||
| 3-7 | Waldszenen, op. 82: VII. Vogel als Prophet | — | ||
| 3-8 | Waldszenen, op. 82: VIII. Jagdlied | — | ||
| 3-9 | Waldszenen, op. 82: IX. Abschied | — | ||
| 3-10 | Scenes from Childhood: Foreign Lands and People | Vladimir Ashkenazy | T-314.629.927-2 | |
| 3-11 | Scenes from Childhood: A curious Story | Vladimir Ashkenazy | T-913.873.556-5 | |
| 3-12 | Scenes from Childhood: Catch-me-if-you-can | Vladimir Ashkenazy | T-913.870.630-6 | |
| 3-13 | Scenes from Childhood: Entreating Child | Vladimir Ashkenazy | T-001.216.772-4 | |
| 3-14 | Scenes from Childhood: Perfect Happiness | Vladimir Ashkenazy | — | |
| 3-15 | Scenes from Childhood: An important event | Vladimir Ashkenazy | T-330.120.763-2 | |
| 3-16 | Kinderszenen | Vladimir Ashkenazy | — | |
| 3-17 | Scenes from Childhood: By the Fireside | Vladimir Ashkenazy | T-913.871.548-7 | |
| 3-18 | Scenes from Childhood: Knight of the Hobby-Horse | Vladimir Ashkenazy | — | |
| 3-19 | Scenes from Childhood: Almost Too Serious | Vladimir Ashkenazy | T-913.870.570-1 | |
| 3-20 | Scenes from Childhood: Frightening | Vladimir Ashkenazy | T-330.117.411-4 | |
| 3-21 | Scenes from Childhood: Child Falling Asleep | Vladimir Ashkenazy | T-001.330.465-8 | |
| 3-22 | Scenes from Childhood: The Poet Speaks | Vladimir Ashkenazy | T-330.117.420-5 | |
| 3-23 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione (Un poco adagio: Allegro vivace - Più lento) | — | ||
| 3-24 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 3-25 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo (Allegrissimo) ed Intermezzo | — | ||
| 3-26 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale (Allegro un poco maestoso: Più allegro) | — | ||
| 4-1 | 8 Fantasiestücke, op. 12: I. Des Abends | — | ||
| 4-2 | 8 Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 4-3 | 8 Fantasiestücke, op. 12: III. Warum? | — | ||
| 4-4 | 8 Fantasiestücke, op. 12: IV. Grillen | — | ||
| 4-5 | 8 Fantasiestücke, op. 12: V. in der Nacht | — | ||
| 4-6 | 8 Fantasiestücke, op. 12: VI. Fabel | — | ||
| 4-7 | 8 Fantasiestücke, op. 12: VII. Traumes-Wirren | — | ||
| 4-8 | 8 Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 4-9 | Blumenstück, op. 19 | — | ||
| 4-10 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 4-11 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 4-12 | Davidsbündlertänze, op. 6: III. Etwas hahnbüchen | — | ||
| 4-13 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 4-14 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 4-15 | Davidsbündlertänze, op. 6: VI. Sehr rasch | — | ||
| 4-16 | Davidsbündlertänze, op. 6: VII. Nicht schnell | — | ||
| 4-17 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 4-18 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 4-19 | Davidsbündlertänze, op. 6: X. Balladenmässig, sehr rasch | — | ||
| 4-20 | Davidsbündlertänze, op. 6: 1I. Einfach | — | ||
| 4-21 | Davidsbündlertänze, op. 6: 1II. Mit Humor | — | ||
| 4-22 | Davidsbündlertänze, op. 6: 1III. Wild und lustig | — | ||
| 4-23 | Davidsbündlertänze, op. 6: 1IV. Zart und singend | — | ||
| 4-24 | Davidsbündlertänze, op. 6: 1V. Frisch | — | ||
| 4-25 | Davidsbündlertänze, op. 6: 1VI. Mit gutem Humor | — | ||
| 4-26 | Davidsbündlertänze, op. 6: 1VII. Wie aus der Ferne | — | ||
| 4-27 | Davidsbündlertänze, op. 6: 1VIII. Nicht schnell | — | ||
| 5-1 | Kreisleriana, op. 16: I. Äusserst bewegt | — | ||
| 5-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch: Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | — | ||
| 5-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 5-4 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 5-5 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 5-6 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 5-7 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 5-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 5-9 | Noveletten, op. 21: no. 8 in F-sharp minor (Sehr lebhaft) | — | ||
| 5-10 | Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich: Schneller - Noch schneller | — | ||
| 5-11 | Piano Sonata no. 2 in G minor, op. 22: II. Andantino | — | ||
| 5-12 | Piano Sonata no. 2 in G minor, op. 22: III. Scherzo (Sehr rasch und markiert) | — | ||
| 5-13 | Piano Sonata no. 2 in G minor, op. 22: IV. Rondo (Presto: Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | — | ||
| 6-1 | Abegg Variations, op. 1 | — | ||
| 6-2 | Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo | — | ||
| 6-3 | Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter | — | ||
| 6-4 | Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter | — | ||
| 6-5 | Faschingsschwank aus Wien, op. 26: I. Allegro (Vivace assai) | — | ||
| 6-6 | Faschingsschwank aus Wien, op. 26: II. Romanze (Piuttosto lento) | — | ||
| 6-7 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 6-8 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo (Colla più grande energia) | — | ||
| 6-9 | Faschingsschwank aus Wien, op. 26: V. Finale (Il più vivace possibile) | — | ||
| 7-1 | Bunte Blätter, op. 99: Stücklein I: Nicht schnell, mit Innigkeit | — | ||
| 7-2 | Bunte Blätter, op. 99: Stücklein II: Sehr rasch | — | ||
| 7-3 | Bunte Blätter, op. 99: Stücklein III: Frisch | — | ||
| 7-4 | Bunte Blätter, op. 99: Albumblätter I: Ziemlich langsam, sehr gesangvoll | — | ||
| 7-5 | Bunte Blätter, op. 99: Albumblätter II: Schnell | — | ||
| 7-6 | Bunte Blätter, op. 99: Albumblätter III: Ziemlich langsam, sehr gesangvoll | — | ||
| 7-7 | Bunte Blätter, op. 99: Albumblätter IV. Sehr langsam | — | ||
| 7-8 | Bunte Blätter, op. 99: Albumblätter V. Langsam | — | ||
| 7-9 | Bunte Blätter, op. 99: IX. Novellette | — | ||
| 7-10 | Bunte Blätter, op. 99: X. Praeludium | — | ||
| 7-11 | Bunte Blätter, op. 99: 1I. Marsch | — | ||
| 7-12 | Bunte Blätter, op. 99: 1II. Abendsmusik | — | ||
| 7-13 | Bunte Blätter, op. 99: 1III. Scherzo | — | ||
| 7-14 | Bunte Blätter, op. 99: 1IV. Geschwindmarsch | — | ||
| 7-15 | Nachtstücke, op. 23: I. Mehr langsam, oft zurückhaltend | — | ||
| 7-16 | Nachtstücke, op. 23: II. Markiert und lebhaft | — | ||
| 7-17 | Nachtstücke, op. 23: III. Mit grosser Lebhaftigkeit | — | ||
| 7-18 | Nachtstücke, op. 23: IV. Einfach | — | ||
| 7-19 | 3 Romanzen, op. 28: no. 1 in B-flat minor (Sehr markiert) | — | ||
| 7-20 | 3 Romanzen, op. 28: no. 2 in F-sharp (Einfach) | — | ||
| 7-21 | 3 Romanzen, op. 28: no. 3 in B (Sehr markiert) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947091523 is a Universal Product Code (UPC) assigned to The Works for Solo Piano by Schumann, Vladimir Ashkenazy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “The Works for Solo Piano” by Schumann, Vladimir Ashkenazy is 028947091523. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2002-01-01. Label: Decca. This release contains 132 tracks, each with its own ISRC. Tracks include GBF078741301, GBF078741302, GBF078741303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Arabeske in C, op. 18 | — | ||
| 2 | Papillons, op. 2 | — | ||
| 3 | Symphonic Studies, op. 13: Theme | — | ||
| 4 | Symphonic Studies, op. 13: Etude I | — | ||
| 5 | Symphonic Studies, op. 13: Etude II | — | ||
| 6 | Symphonic Studies, op. 13: Etude III | — | ||
| 7 | Symphonic Studies, op. 13, Appendix: Variation I | — | ||
| 8 | Symphonic Studies, op. 13, Appendix: Variation II | — | ||
| 9 | Symphonic Studies, op. 13, Appendix: Variation III | — | ||
| 10 | Symphonic Studies, op. 13: Etude IV | — | ||
| 11 | Symphonic Studies, op. 13: Etude V | — | ||
| 12 | Symphonic Studies, op. 13: Etude VI | — | ||
| 13 | Symphonic Studies, op. 13: Etude VII | — | ||
| 14 | Symphonic Studies, op. 13: Etude VIII | — | ||
| 15 | Symphonic Studies, op. 13, Appendix: Variation IV | — | ||
| 16 | Symphonic Studies, op. 13, Appendix: Variation V | — | ||
| 17 | Symphonic Studies, op. 13: Etude IX | — | ||
| 18 | Symphonic Studies, op. 13: Etude X | — | ||
| 19 | Symphonic Studies, op. 13: Etude XI | — | ||
| 20 | Symphonic Studies, op. 13: Etude XII (Finale) | — | ||
| 2-1 | Carnaval, op. 9: I. Préambule | — | ||
| 2-2 | Carnaval, op. 9: 2-IV. Pierrot-Arlequino-Valse noble | — | ||
| 2-3 | Carnaval, op. 9: 5-VI. Eusebius-Florestan | — | ||
| 2-4 | Carnaval, op. 9: 7-IX. Coquette-Replique-Papillons | — | ||
| 2-5 | Carnaval, op. 9: 10-1III. ASCH-SCHA-Chiarina-Chopin-Estrella | — | ||
| 2-6 | Carnaval, op. 9: 14-1V. Reconnaissance-Pantalon et Colombine | — | ||
| 2-7 | Carnaval, op. 9: 16-1VIII. Valse allemande-Paganini-Aveu-Promenade | — | ||
| 2-8 | Carnaval, op. 9: 19-20. Pause-Marche des Davidsbundler contre les Philistins | — | ||
| 2-9 | Humoreske, op. 20: I. Einfach: II. Sehr rasch und leicht | — | ||
| 2-10 | Humoreske, op. 20: III. Hastig | — | ||
| 2-11 | Humoreske, op. 20: III. Einfach und zart: IV. Intermezzo | — | ||
| 2-12 | Humoreske, op. 20: VI. Innig | — | ||
| 2-13 | Humoreske, op. 20: VII. Sehr lebhaft | — | ||
| 2-14 | Humoreske, op. 20: VIII. Finale | — | ||
| 2-15 | Noveletten, op. 21: no. 1 in F (Markiert und kräftig) | — | ||
| 2-16 | Noveletten, op. 21: no. 2 in D (Äusserst rasch und mit Bravour) | — | ||
| 3-1 | Waldszenen, op. 82: I. Eintritt | — | ||
| 3-2 | Waldszenen, op. 82: II. Jäger auf der Lauer | — | ||
| 3-3 | Waldszenen, op. 82: III. Einsame Blumen | — | ||
| 3-4 | Waldszenen, op. 82: IV. Verrufene Stelle | — | ||
| 3-5 | Waldszenen, op. 82: V. Freundliche Landschaft | — | ||
| 3-6 | Waldszenen, op. 82: VI. Herberge | — | ||
| 3-7 | Waldszenen, op. 82: VII. Vogel als Prophet | — | ||
| 3-8 | Waldszenen, op. 82: VIII. Jagdlied | — | ||
| 3-9 | Waldszenen, op. 82: IX. Abschied | — | ||
| 3-10 | Scenes from Childhood: Foreign Lands and People | Vladimir Ashkenazy | T-314.629.927-2 | |
| 3-11 | Scenes from Childhood: A curious Story | Vladimir Ashkenazy | T-913.873.556-5 | |
| 3-12 | Scenes from Childhood: Catch-me-if-you-can | Vladimir Ashkenazy | T-913.870.630-6 | |
| 3-13 | Scenes from Childhood: Entreating Child | Vladimir Ashkenazy | T-001.216.772-4 | |
| 3-14 | Scenes from Childhood: Perfect Happiness | Vladimir Ashkenazy | — | |
| 3-15 | Scenes from Childhood: An important event | Vladimir Ashkenazy | T-330.120.763-2 | |
| 3-16 | Kinderszenen | Vladimir Ashkenazy | — | |
| 3-17 | Scenes from Childhood: By the Fireside | Vladimir Ashkenazy | T-913.871.548-7 | |
| 3-18 | Scenes from Childhood: Knight of the Hobby-Horse | Vladimir Ashkenazy | — | |
| 3-19 | Scenes from Childhood: Almost Too Serious | Vladimir Ashkenazy | T-913.870.570-1 | |
| 3-20 | Scenes from Childhood: Frightening | Vladimir Ashkenazy | T-330.117.411-4 | |
| 3-21 | Scenes from Childhood: Child Falling Asleep | Vladimir Ashkenazy | T-001.330.465-8 | |
| 3-22 | Scenes from Childhood: The Poet Speaks | Vladimir Ashkenazy | T-330.117.420-5 | |
| 3-23 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione (Un poco adagio: Allegro vivace - Più lento) | — | ||
| 3-24 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 3-25 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo (Allegrissimo) ed Intermezzo | — | ||
| 3-26 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale (Allegro un poco maestoso: Più allegro) | — | ||
| 4-1 | 8 Fantasiestücke, op. 12: I. Des Abends | — | ||
| 4-2 | 8 Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 4-3 | 8 Fantasiestücke, op. 12: III. Warum? | — | ||
| 4-4 | 8 Fantasiestücke, op. 12: IV. Grillen | — | ||
| 4-5 | 8 Fantasiestücke, op. 12: V. in der Nacht | — | ||
| 4-6 | 8 Fantasiestücke, op. 12: VI. Fabel | — | ||
| 4-7 | 8 Fantasiestücke, op. 12: VII. Traumes-Wirren | — | ||
| 4-8 | 8 Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 4-9 | Blumenstück, op. 19 | — | ||
| 4-10 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 4-11 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 4-12 | Davidsbündlertänze, op. 6: III. Etwas hahnbüchen | — | ||
| 4-13 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 4-14 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 4-15 | Davidsbündlertänze, op. 6: VI. Sehr rasch | — | ||
| 4-16 | Davidsbündlertänze, op. 6: VII. Nicht schnell | — | ||
| 4-17 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 4-18 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 4-19 | Davidsbündlertänze, op. 6: X. Balladenmässig, sehr rasch | — | ||
| 4-20 | Davidsbündlertänze, op. 6: 1I. Einfach | — | ||
| 4-21 | Davidsbündlertänze, op. 6: 1II. Mit Humor | — | ||
| 4-22 | Davidsbündlertänze, op. 6: 1III. Wild und lustig | — | ||
| 4-23 | Davidsbündlertänze, op. 6: 1IV. Zart und singend | — | ||
| 4-24 | Davidsbündlertänze, op. 6: 1V. Frisch | — | ||
| 4-25 | Davidsbündlertänze, op. 6: 1VI. Mit gutem Humor | — | ||
| 4-26 | Davidsbündlertänze, op. 6: 1VII. Wie aus der Ferne | — | ||
| 4-27 | Davidsbündlertänze, op. 6: 1VIII. Nicht schnell | — | ||
| 5-1 | Kreisleriana, op. 16: I. Äusserst bewegt | — | ||
| 5-2 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch: Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | — | ||
| 5-3 | Kreisleriana, op. 16: III. Sehr aufgeregt | — | ||
| 5-4 | Kreisleriana, op. 16: IV. Sehr langsam | — | ||
| 5-5 | Kreisleriana, op. 16: V. Sehr lebhaft | — | ||
| 5-6 | Kreisleriana, op. 16: VI. Sehr langsam | — | ||
| 5-7 | Kreisleriana, op. 16: VII. Sehr rasch | — | ||
| 5-8 | Kreisleriana, op. 16: VIII. Schnell und spielend | — | ||
| 5-9 | Noveletten, op. 21: no. 8 in F-sharp minor (Sehr lebhaft) | — | ||
| 5-10 | Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich: Schneller - Noch schneller | — | ||
| 5-11 | Piano Sonata no. 2 in G minor, op. 22: II. Andantino | — | ||
| 5-12 | Piano Sonata no. 2 in G minor, op. 22: III. Scherzo (Sehr rasch und markiert) | — | ||
| 5-13 | Piano Sonata no. 2 in G minor, op. 22: IV. Rondo (Presto: Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | — | ||
| 6-1 | Abegg Variations, op. 1 | — | ||
| 6-2 | Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo | — | ||
| 6-3 | Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter | — | ||
| 6-4 | Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter | — | ||
| 6-5 | Faschingsschwank aus Wien, op. 26: I. Allegro (Vivace assai) | — | ||
| 6-6 | Faschingsschwank aus Wien, op. 26: II. Romanze (Piuttosto lento) | — | ||
| 6-7 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 6-8 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo (Colla più grande energia) | — | ||
| 6-9 | Faschingsschwank aus Wien, op. 26: V. Finale (Il più vivace possibile) | — | ||
| 7-1 | Bunte Blätter, op. 99: Stücklein I: Nicht schnell, mit Innigkeit | — | ||
| 7-2 | Bunte Blätter, op. 99: Stücklein II: Sehr rasch | — | ||
| 7-3 | Bunte Blätter, op. 99: Stücklein III: Frisch | — | ||
| 7-4 | Bunte Blätter, op. 99: Albumblätter I: Ziemlich langsam, sehr gesangvoll | — | ||
| 7-5 | Bunte Blätter, op. 99: Albumblätter II: Schnell | — | ||
| 7-6 | Bunte Blätter, op. 99: Albumblätter III: Ziemlich langsam, sehr gesangvoll | — | ||
| 7-7 | Bunte Blätter, op. 99: Albumblätter IV. Sehr langsam | — | ||
| 7-8 | Bunte Blätter, op. 99: Albumblätter V. Langsam | — | ||
| 7-9 | Bunte Blätter, op. 99: IX. Novellette | — | ||
| 7-10 | Bunte Blätter, op. 99: X. Praeludium | — | ||
| 7-11 | Bunte Blätter, op. 99: 1I. Marsch | — | ||
| 7-12 | Bunte Blätter, op. 99: 1II. Abendsmusik | — | ||
| 7-13 | Bunte Blätter, op. 99: 1III. Scherzo | — | ||
| 7-14 | Bunte Blätter, op. 99: 1IV. Geschwindmarsch | — | ||
| 7-15 | Nachtstücke, op. 23: I. Mehr langsam, oft zurückhaltend | — | ||
| 7-16 | Nachtstücke, op. 23: II. Markiert und lebhaft | — | ||
| 7-17 | Nachtstücke, op. 23: III. Mit grosser Lebhaftigkeit | — | ||
| 7-18 | Nachtstücke, op. 23: IV. Einfach | — | ||
| 7-19 | 3 Romanzen, op. 28: no. 1 in B-flat minor (Sehr markiert) | — | ||
| 7-20 | 3 Romanzen, op. 28: no. 2 in F-sharp (Einfach) | — | ||
| 7-21 | 3 Romanzen, op. 28: no. 3 in B (Sehr markiert) | — |
