UPC · Release
Verdi / Domingo: The Tenor Arias
Verdi, Domingo
028947133520
22 tracksReleased 2001-01-01Deutsche Grammophon
Last verified:
028947133520 is the Universal Product Code (UPC barcode) for the release “Verdi / Domingo: The Tenor Arias” by Verdi, Domingo, released 2001-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include DEF057730000, DEF057730000, DEF058137802.
Format
0Number system
28947Manufacturer
13352Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCVerdi / Domingo: The Tenor Arias
ISRC5 recordings
ISWC3 works
IPI1 songwriter
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 2 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 3 | Aida: Atto I. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès) | Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado | T9000653769 | |
| 4 | Don Carlos: “Io l’ho perduta” | — | ||
| 5 | Don Carlos : « Fontainebleau ! Forêt immense ! » | — | ||
| 6 | Don Carlos : «Je l’ai vu ! » | — | ||
| 7 | Don Carlos : « C’est elle ! » | — | ||
| 8 | Don Carlos : « Oui, pour toujours ! » | — | ||
| 9 | Un ballo in maschera: “S’avanza il re” | — | ||
| 10 | Un ballo in maschera: “Di’ tu se fedele” | — | ||
| 11 | Un ballo in maschera: “E scherzo e follia” | — | ||
| 12 | Un ballo in maschera: “Forse la soglia attinse” | — | ||
| 13 | Il trovatore: “Qual d’armi fragor” | — | ||
| 14 | Il trovatore: “Ah! Si ben mio” | — | ||
| 15 | Il trovatore: “L’onda de suoni mistici” | — | ||
| 16 | Il trovatore: “Di quella pira” | — | ||
| 17 | Rigoletto: Atto I. Ballata: "Questa o quella" | Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini | T-001455377-5 | |
| 18 | Rigoletto: “Ella mi fu rapita” | — | ||
| 19 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 20 | La forza del destino: “La vita e inferno” | — | ||
| 21 | La forza del destino: “Oh, tu che in seno” | — | ||
| 22 | La forza del destino: Qual sangue sparsi! | — |
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
—
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
—
Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado
Don Carlos: “Io l’ho perduta”
—
Don Carlos : « Fontainebleau ! Forêt immense ! »
—
Don Carlos : «Je l’ai vu ! »
—
Don Carlos : « C’est elle ! »
—
Don Carlos : « Oui, pour toujours ! »
—
Un ballo in maschera: “S’avanza il re”
—
Un ballo in maschera: “Di’ tu se fedele”
—
Un ballo in maschera: “E scherzo e follia”
—
Un ballo in maschera: “Forse la soglia attinse”
—
Il trovatore: “Qual d’armi fragor”
—
Il trovatore: “Ah! Si ben mio”
—
Il trovatore: “L’onda de suoni mistici”
—
Il trovatore: “Di quella pira”
—
Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini
Rigoletto: “Ella mi fu rapita”
—
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
La forza del destino: “La vita e inferno”
—
La forza del destino: “Oh, tu che in seno”
—
La forza del destino: Qual sangue sparsi!
—
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Macbeth: Atto IV. Scena ed aria: “O figli, o figli miei … Ah, la paterna mano” (Macduff) | Plácido Domingo, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — |
| Macbeth: Atto IV. Scena ed aria: “Dove siam? che bosco è quello?” (Malcolm, coro, Macduff) | Coro del Teatro alla Scala di Milano, Plácido Domingo, Antonio Savastano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | — |
| La traviata: Atto II. “Lunge da lei… De’miei bollenti spiriti” (Alfredo) | Plácido Domingo, Bayerisches Staatsorchester, Carlos Kleiber | — |
| La traviata: Atto II. “Annina, donde vieni?” ... "O mio rimorso!” | Plácido Domingo, Helena Jungwirth, Bayerisches Staatsorchester, Carlos Kleiber | — |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318237508-8 |
| Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Plácido Domingo, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — |
Macbeth: Atto IV. Scena ed aria: “O figli, o figli miei … Ah, la paterna mano” (Macduff)
Plácido Domingo, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
—
Macbeth: Atto IV. Scena ed aria: “Dove siam? che bosco è quello?” (Malcolm, coro, Macduff)
Coro del Teatro alla Scala di Milano, Plácido Domingo, Antonio Savastano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
—
La traviata: Atto II. “Lunge da lei… De’miei bollenti spiriti” (Alfredo)
Plácido Domingo, Bayerisches Staatsorchester, Carlos Kleiber
—
La traviata: Atto II. “Annina, donde vieni?” ... "O mio rimorso!”
Plácido Domingo, Helena Jungwirth, Bayerisches Staatsorchester, Carlos Kleiber
—
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele)
Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Plácido Domingo, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000022775300000000025291431000000005515912400000000615869580000000073575236000000007365855X0000000081818787000000008183027600000000818813640000000081896689
+40 more
00000000841284230000000099433260000000010661744800000001080263770000000108600439000000010860227400000001088865880000000109287448000000010937403100000001094053870000000109426524000000010943345X000000010944653300000001094475600000000109454680000000010955942300000001102923240000000110363356000000011065232600000001107454690000000110829961000000011441451X00000001144995170000000114513163000000011455424800000001145548620000000114602756000000011468399800000001147100520000000114719794000000011477032X000000011480656400000001150728570000000117677489000000011941043800000001195461750000000119550553000000012019149800000001203212640000000120958484
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 028947133520?
028947133520 is a Universal Product Code (UPC) assigned to Verdi / Domingo: The Tenor Arias by Verdi, Domingo. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm