Pli Selon Pli

UPC · Release

Pli Selon Pli

Boulez, Christine Schäfer, Ensemble intercontemporain

028947134428
5 tracksReleased 2002-01-01Deutsche Grammophon

Last verified:

028947134428 is the Universal Product Code (UPC barcode) for the release Pli Selon Pli by Boulez, Christine Schäfer, Ensemble intercontemporain, released 2002-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 5 tracks, each with its own ISRC. Tracks include DEN960100231, DEN960100232, DEN960100233.

Format

0Number system
28947Manufacturer
13442Product
8Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPli Selon Pli
ISRC5 recordings
IPI1 songwriter

Track List (5)

Pli selon Pli: I. Don [du poème]: "Je t'apporte l'enfant d'une nuit d'Idumée!"
Pli selon Pli: I. Don [du poème]: "Je t'apporte l'enfant d'une nuit d'Idumée!"
Christine Schäfer, Ensemble intercontemporain, Pierre Boulez
Pli selon Pli: II. Improvisation sur Mallarmé I: "Le vierge, le vivace et le bel aujourd'hui"
Pli selon Pli: II. Improvisation sur Mallarmé I: "Le vierge, le vivace et le bel aujourd'hui"
Christine Schäfer, Ensemble intercontemporain, Pierre Boulez
Pli selon Pli: III. Improvisation sur Mallarmé II: "Une dentelle s'abolit"
Pli selon Pli: III. Improvisation sur Mallarmé II: "Une dentelle s'abolit"
Christine Schäfer, Ensemble intercontemporain, Pierre Boulez
Pli selon Pli: IV. Improvisation sur Mallarmé III: "À la nue accablante tu"
Pli selon Pli: IV. Improvisation sur Mallarmé III: "À la nue accablante tu"
Christine Schäfer, Ensemble intercontemporain, Pierre Boulez
Pli selon Pli: V. Tombeau: "Un peu profond ruisseau calomnié la mort"
Pli selon Pli: V. Tombeau: "Un peu profond ruisseau calomnié la mort"
Christine Schäfer, Ensemble intercontemporain, Pierre Boulez

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

Identifier Graph

UPCPli Selon PliISRCPli selon Pli: …ISRCPli selon Pli: …ISRCPli selon Pli: …ISRCPli selon Pli: …ISRCPli selon Pli: …

People also ask

What is UPC 028947134428?
UPC 028947134428 is the Universal Product Code (barcode) for "Pli Selon Pli" by Boulez, Christine Schäfer, Ensemble intercontemporain, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947134428?
UPC 028947134428 contains 5 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028947134428?

028947134428 is a Universal Product Code (UPC) assigned to Pli Selon Pli by Boulez, Christine Schäfer, Ensemble intercontemporain. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 5 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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